UPC · Release
Eugene Ormandy
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The UPC for “The Columbia Legacy” by Eugene Ormandy is 194397574821. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Sony Classical. This release contains 915 tracks, each with its own ISRC. Tracks include USSM11711134, USSM11711135, USSM11711136.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | — | ||
| 2 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | — | ||
| 3 | Symphonie espagnole in D minor, op. 21: IV. Andante | — | ||
| 4 | Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro | — | ||
| 5 | Prince Igor: Polovtsian Dances | — | ||
| 6 | Ancient Airs and Dances, Suite no. 3: Arie di corte. Andante cantbile - Allegretto - Vivace - Lento con grande espressione - Allegro vivace - Vivacissimo - Andante cantabile | — | ||
| 7 | Orphée et Eurydice: Mélodie | — | ||
| 8 | Dichter und Bauer: Overture | — | ||
| 2-1 | My Country at War: I. 1941 | — | ||
| 2-2 | My Country at War: II. Bataan | — | ||
| 2-3 | My Country at War: III. Elegy | — | ||
| 2-4 | My Country at War: IV. Hymn of the People | — | ||
| 2-5 | Sea Chanty: Allegro non troppo | — | ||
| 2-6 | Sea Chanty: Andante espressivo | — | ||
| 2-7 | Sea Chanty: Allegro giocoso | — | ||
| 2-8 | Serenade for Flute, Harp and String Orchestra, op. 35: Andante con moto (𝅘𝅥 = 69-72) | — | ||
| 2-9 | Night Soliloquy: Largo (𝅘𝅥 = 50) | — | ||
| 3-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 3-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 3-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | — | ||
| 3-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 3-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 3-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 3-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | — | ||
| 3-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro | — | ||
| 4-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 4-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 4-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più Adagio - Tempo I | — | ||
| 4-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 4-5 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 4-6 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - attacca | — | ||
| 4-7 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 5-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 5-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 5-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 6-1 | The Red Poppy, op. 70: Russian Sailors' Dance. Allegro - Pesanto - Moderato - Animato - Sostenuto poco - Più tranquillo - Più mosso - Presto - Più mosso Prestissimo | — | ||
| 6-2 | Malazarte: Batuque | — | ||
| 6-3 | The Bartered Bride: Dance of the Comedians. Vivace | — | ||
| 6-4 | Slavonic Dance in E minor, op. 72/2: Allegretto grazioso | — | ||
| 6-5 | Hungarian Dance no. 5 in G minor, WoO 1/5: Allegro | — | ||
| 6-6 | Wein, Weib ung Gesang, op. 333 (Waltz) | — | ||
| 6-7 | La Damoiselle élue, L 62 | — | ||
| 7-1 | Nocturnes, L 91: I. Nuages | — | ||
| 7-2 | Nocturnes, L 91: II. Fêtes | — | ||
| 7-3 | Pini di Roma: I. I pini di Villa Borghese. Allegretto vivace - Più vivo - Vivace | — | ||
| 7-4 | Pini di Roma: II. Pini presso una catacomba. Lento - Più mosso - Ancora più mosso | — | ||
| 7-5 | Pini di Roma: III. I pini del Gianicolo. Lento | — | ||
| 7-6 | Pini di Roma: IV. I pini della Via Appia. Tempo di Marcia | — | ||
| 8-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | — | ||
| 8-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio, ma non troppo | — | ||
| 8-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | — | ||
| 8-4 | Kol Nidrei, op. 47. Adagio ma non troppo - Un poco più animato | — | ||
| 9-1 | Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto | — | ||
| 9-2 | Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo | — | ||
| 9-3 | Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo. Molto vivace | — | ||
| 9-4 | Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco | — | ||
| 10-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 10-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 10-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 11-1 | Der Rosenkavalier, Concert Suite for Orchestra, TrV 227d: Prelude to Act I. Con moto agitato - attacca / Presentation of the Silver Rose. Allegro molto - attacca / Baron Ochs's Waltz. Tempo di valse, assai comodo da primo - attacca / Closing Duet: “Ist ein Traum”. Moderato molto sostenuto - attacca / Waltz (Reprise) | — | ||
| 11-2 | Tod und Verklärung, op. 24: Largo - attacca | — | ||
| 11-3 | Tod und Verklärung, op. 24: Allegro molto agitato - attacca | — | ||
| 11-4 | Tod und Verklärung, op. 24: Meno mosso, ma sempre alla breve - attacca | — | ||
| 11-5 | Tod und Verklärung, op. 24: Moderato | — | ||
| 11-6 | Salome, op. 54: Dance of the Seven Veils | — | ||
| 12-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo | — | ||
| 12-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 12-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | — | ||
| 12-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — | ||
| 12-5 | Serenade for String Orchestra in C major, op. 48: I. Pezzo in forma di Sonatina. Andante non troppo - Allegro moderato | — | ||
| 12-6 | Serenade for String Orchestra in C major, op. 48: II. Valse. Moderato. Tempo di Valse | — | ||
| 12-7 | Serenade for String Orchestra in C major, op. 48: III. Élégie. Larghetto elegiaco | — | ||
| 12-8 | Serenade for String Orchestra in C major, op. 48: IV. Finale. Tema russo. Andante - Allegro con spirito | — | ||
| 13-1 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 13-2 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto - attacca | — | ||
| 13-3 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 13-4 | Piano Concerto for the Left Hand in D major, M 82: Lento - Andante - Allegro - Tempo I | — | ||
| 14-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 14-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 14-3 | Symphony no. 3 in F major, op. 90: III. Poco Allegretto | — | ||
| 14-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 14-5 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 14-6 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation I. Poco più animato | — | ||
| 14-7 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation II. Più vivace | — | ||
| 14-8 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation III. Con moto | — | ||
| 14-9 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation IV. Andante con moto | — | ||
| 14-10 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation V. Vivace | — | ||
| 14-11 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VI. Vivace | — | ||
| 14-12 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VII. Grazioso | — | ||
| 14-13 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VIII. Presto non troppo | — | ||
| 14-14 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Finale. Andante | — | ||
| 14-15 | Les Préludes, S 97 | — | ||
| 15-1 | Scheherazade, op. 35: I. Largo e maestoso - Allegro non troppo - Tranquillo (The Sea and Sinbad's Ship) | — | ||
| 15-2 | Scheherazade, op. 35: II. Lento - Andantino - Allegro molto - Vivace scherzando - Moderato assai - Allegro molto ed animato - Con moto (The Story of the Kalender Prince) | — | ||
| 15-3 | Scheherazade, op. 35: III. Andantino quasi allegretto (The Young Prince and the Young Princess) | — | ||
| 15-4 | Scheherazade, op. 35: IV. Allegro molto e frenetico - Vivo - Allegro non troppo e maestoso - Tempo come I (Festival at Baghdad - The Sea - The Shipwreck on a Rock Surmounted by a Bronze Warrior - Conclusion) | — | ||
| 16-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 16-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | — | ||
| 16-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 16-4 | Rhapsody in Blue | — | ||
| 17-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 17-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | — | ||
| 17-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | — | ||
| 17-4 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Presto - Allegro assai - Presto - | — | ||
| 17-5 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Recitativo: “O Freunde, nicht diese Töne!” - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco Adagio - Prestissimo | — | ||
| 18-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 18-2 | Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato | — | ||
| 18-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - attacca | — | ||
| 18-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | — | ||
| 19-1 | Peer Gynt Suite no. 1, op. 46: I. Morning Mood. Allegretto pastorale | — | ||
| 19-2 | Peer Gynt Suite no. 1, op. 46: II. The Death of Åse. Andante doloroso | — | ||
| 19-3 | Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance. Tempo di Mazurka | — | ||
| 19-4 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | — | ||
| 19-5 | Hungarian Rhapsody in F minor, S 359/1 | — | ||
| 19-6 | Hungarian Rhapsody in C-sharp minor, S 244/2 | — | ||
| 20-1 | Die Fledermaus: Overture | — | ||
| 20-2 | Der Zigeunerbaron: Overture | — | ||
| 20-3 | An der schönen blauen Donau, op. 314 (Waltz) | — | ||
| 20-4 | Geschichten aus dem Wienerwald, op. 325 (Waltz) | — | ||
| 20-5 | Ruslan and Lyudmila: Overture. Presto | — | ||
| 20-6 | Aufforderung zum Tanz, op. 65 | — | ||
| 20-7 | Der Freischütz, op. 7: Overture. Adagio - Molto vivace | — | ||
| 20-8 | Schwanda the Bagpiper (Švanda dudák): Polka and Fugue | — | ||
| 21-1 | Scythian Suite, op. 20: I. The Adoration of Veles and Ala. Allegro feroce - Poco meno mosso - Poco più lento | — | ||
| 21-2 | Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness. Allegro sostenuto | — | ||
| 21-3 | Scythian Suite, op. 20: III. lNight. Andantino - Poco più mosso | — | ||
| 21-4 | Scythian Suite, op. 20: IV. The Glorious Departure of Lolli and the Sun's Procession. Tempestoso - Allegro - Andante sostenuto | — | ||
| 21-5 | Feste romane: I. Circenses | — | ||
| 21-6 | Feste romane: II. Il giubileo | — | ||
| 21-7 | Feste romane: III. L'Ottobrata | — | ||
| 21-8 | Feste romane: IV. La Befana | — | ||
| 22-1 | Passacaglia and Fugue in C minor, BWV 582 | — | ||
| 22-2 | Toccata and Fugue in D minor, BWV 565 | — | ||
| 22-3 | “Herz und Mund und Tat und Leben”, BWV 147: Jesus bleibet meine Freude | — | ||
| 22-4 | Wachet auf, ruft uns die Stimme, BWV 645 | — | ||
| 22-5 | Water Music, HWV 348-350: I. Allegro | — | ||
| 22-6 | Water Music, HWV 348-350: II. Andante | — | ||
| 22-7 | Water Music, HWV 348-350: III. Allegro | — | ||
| 22-8 | Water Music, HWV 348-350: IV. Air | — | ||
| 22-9 | Water Music, HWV 348-350: V. Bourrée | — | ||
| 22-10 | Water Music, HWV 348-350: VI. Hornpipe | — | ||
| 22-11 | Water Music, HWV 348-350: VII. Allegro deciso | — | ||
| 22-12 | Concerto for Trumpets and Horns in D major, HWV 335a: I. Largo / III. Allegro ma non troppo / II. Allegro | — | ||
| 22-13 | Suite for String Orchestra: I. Sarabanda. Largo | — | ||
| 22-14 | Suite for String Orchestra: II. Giga. Allegro | — | ||
| 22-15 | Suite for String Orchestra: III. Badinerie. Vivace | — | ||
| 23-1 | Nobilissima visione: I. Einleitung und Rondo. Sehr langsam - Rondo. Mäßig schnell | — | ||
| 23-2 | Nobilissima visione: II. Marsch und Pastorale. Lebhaft | — | ||
| 23-3 | Nobilissima visione: III. Passacaglia. Feierlich bewegt | — | ||
| 23-4 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | The Cleveland Orchestra, George Szell | — | |
| 23-5 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. “Turandot” Scherzo. Moderato - Lebhaft | The Cleveland Orchestra, George Szell | — | |
| 23-6 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | The Cleveland Orchestra, George Szell | — | |
| 23-7 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | The Cleveland Orchestra, George Szell | — | |
| 24-1 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | — | ||
| 24-2 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso - Poco più mosso - Tempo I | — | ||
| 24-3 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace - Presto - Tempo I | — | ||
| 24-4 | Symphony no. 21 in F-sharp minor, op. 51: Andante sostenuto - Allegro non troppo, ma con impeto - Poco meno mosso (quasi Andante) - Allegro I - Più vivo e poco agitato - Più largamente (quasi Andante) - Allegro I - Poco meno moss (quasi Andante) - Tempo I | — | ||
| 25-1 | Alexander Nevsky, op. 78: I. Russia under the Mongolian Yoke | — | ||
| 25-2 | Alexander Nevsky, op. 78: II. Slng about Alexander Nevsky | — | ||
| 25-3 | Alexander Nevsky, op. 78: III. The Crusaders in Pskov | — | ||
| 25-4 | Alexander Nevsky, op. 78: IV. Arise, Ye Russian People | — | ||
| 25-5 | Alexander Nevsky, op. 78: V. The Battle on the Ice | — | ||
| 25-6 | Alexander Nevsky, op. 78: VI. Field of the Dead | — | ||
| 25-7 | Alexander Nevsky, op. 78: VII. Alexander's Entry into Pskov | — | ||
| 25-8 | Classical Symphony (no. 1) in D major, op. 25: I. Allegro | — | ||
| 25-9 | Classical Symphony (no. 1) in D major, op. 25: II. Larghetto | — | ||
| 25-10 | Classical Symphony (no. 1) in D major, op. 25: III. Gavotta. Non troppo allegro | — | ||
| 25-11 | Classical Symphony (no. 1) in D major, op. 25: IV. Finale. Molto vivace | — | ||
| 25-12 | Russian Easter Festival, op. 36 | — | ||
| 26-1 | Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | — | ||
| 26-2 | Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante - attacca | — | ||
| 26-3 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro Vivacissimo | — | ||
| 26-4 | Concerto for Cello and Orchestra no. 1 in A minor, op. 33: Allegro non troppo - | — | ||
| 26-5 | Concerto for Cello and Orchestra no. 1 in A minor, op. 33: Allegretto con moto (- Cadenza) - | — | ||
| 26-6 | Concerto for Cello and Orchestra no. 1 in A minor, op. 33: Tempo I - Un peu moins vite - Molto allegro | — | ||
| 27-1 | Louisiana Story: I. Pastoral. The Bayou and the Marsh Buggy | — | ||
| 27-2 | Louisiana Story: II. Chorale. The Derrick Arrives | — | ||
| 27-3 | Louisiana Story: III. Passacaglia. Robbing the Alligator's Nest / IV. Fugue. Boy Fights Alligator | — | ||
| 27-4 | 5 Portraits: Bugles and Birds | — | ||
| 27-5 | 5 Portraits: Percussion Piece | — | ||
| 27-6 | 5 Portraits: Cantabile for Strings | — | ||
| 27-7 | 5 Portraits: Tango Lullaby | — | ||
| 27-8 | 5 Portraits: Fugue | — | ||
| 27-9 | Wozzeck, op. 7: Interlude - Military Music - Cradle Song | — | ||
| 27-10 | Wozzeck, op. 7: Marie's Bible Reading | — | ||
| 27-11 | Wozzeck, op. 7: Death of Wozzeck - Final Scene | — | ||
| 27-12 | Children's Symphony: I. Allegro moderato | — | ||
| 27-13 | Children's Symphony: II. Andante patetico | — | ||
| 27-14 | Children's Symphony: III. Allegro scherzando | — | ||
| 27-15 | Children's Symphony: IV. Allegro marziale | — | ||
| 27-16 | The Wonderful One-Hoss Shay | — | ||
| 28-1 | Symphony no. 101 in D major “The Clock”, Hob. I:101: I. Adagio | — | ||
| 28-2 | Symphony no. 101 in D major “The Clock”, Hob. I:101: II. Andante | — | ||
| 28-3 | Symphony no. 101 in D major “The Clock”, Hob. I:101: III. Menuet. Allegretto - Trio | — | ||
| 28-4 | Symphony no. 101 in D major “The Clock”, Hob. I:101: IV. Finale. Vivace | — | ||
| 28-5 | Symphony no. 92 in G major “Oxford”, Hob. I:92: I. Adagio - Allegro spiritoso | The Cleveland Orchestra, George Szell | — | |
| 28-6 | Symphony no. 92 in G major “Oxford”, Hob. I:92: II. Adagio | The Cleveland Orchestra, George Szell | — | |
| 28-7 | Symphony no. 92 in G major “Oxford”, Hob. I:92: III. Menuet - Trio | The Cleveland Orchestra, George Szell | — | |
| 28-8 | Symphony no. 92 in G major “Oxford”, Hob. I:92: IV. Finale. Presto | The Cleveland Orchestra, George Szell | — | |
| 28-9 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | — | ||
| 28-10 | Symphony no. 88 in G major, Hob. I:88: II. Largo | — | ||
| 28-11 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto. Allegretto - Trio | — | ||
| 28-12 | Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito | — | ||
| 29-1 | Rapsodie espagnole, M 54: I. Prélude à la nuit | — | ||
| 29-2 | Rapsodie espagnole, M 54: II. Malagueña | — | ||
| 29-3 | Rapsodie espagnole, M 54: III. Habanera | — | ||
| 29-4 | Rapsodie espagnole, M 54: IV. Feria | — | ||
| 29-5 | Háry János Suite, op. 15: I. Prelude: The Fairy Tale Begins | — | ||
| 29-6 | Háry János Suite, op. 15: II. Viennese Musical Clock | — | ||
| 29-7 | Háry János Suite, op. 15: III. Song | — | ||
| 29-8 | Háry János Suite, op. 15: IV. The Battle and Defeat of Napoleon | — | ||
| 29-9 | Háry János Suite, op. 15: V. Intermezzo | — | ||
| 29-10 | Háry János Suite, op. 15: VI. Entrance of the Emperor and His Court | — | ||
| 30-1 | Daphnis et Chloé: Suite no. 1, M 57a. Nocturne - (Modéré - Lent et très souple de mesure - 𝅘𝅥 = 40 - 𝅘𝅥 = 50) | — | ||
| 30-2 | Daphnis et Chloé: Suite no. 1, M 57a. Interlude - (Même mouvement) | — | ||
| 30-3 | Daphnis et Chloé: Suite no. 1, M 57a. Danse guerrière (Animé très rude 𝅘𝅥 = 138) | — | ||
| 30-4 | Daphnis et Chloé: Suite no. 2, M 57b. Lever du jour - (Lent) | — | ||
| 30-5 | Daphnis et Chloé: Suite no. 2, M 57b. Pantomime - (Lent - Très lent - Vif - Très lent - 𝅘𝅥 = 80) | — | ||
| 30-6 | Daphnis et Chloé: Suite no. 2, M 57b. Danse générale (Animé) | — | ||
| 31-1 | Prélude à l'après-midi d'un faune, L 86: Très modéré | — | ||
| 31-2 | L'Apprenti sorcier | — | ||
| 31-3 | Concertino for Piano and Orchestra: Allegro molto moderato - Larghetto sostenuto - Allegro | — | ||
| 31-4 | Finlandia, op. 26: Andante sostenuto - Allegro moderato - Allegro | — | ||
| 31-5 | The Swan of Tuonela, op. 22/2: Andante molto sostenuto | — | ||
| 31-6 | Prélude in C-sharp minor, op. 3/2: Lento | — | ||
| 31-7 | Prélude in G major, op. 32/5: Moderato | — | ||
| 31-8 | Prélude in G minor, op. 23/5: Alla marcia | — | ||
| 32-1 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato - Andante molto - Allegro - Moderato | — | ||
| 32-2 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | — | ||
| 32-3 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace - Andante tenero - Vivace, come prima | — | ||
| 33-1 | Die Fledermaus: Overture | — | ||
| 33-2 | Die Fledermaus: Act I. No. 1 Introduction: “Do you still belong to me” (Alfred, Adele) / No. 1a Solo and Duet: “I've a sister rarely writes me” (Rosalinda, Adele) | — | ||
| 33-3 | Die Fledermaus: Act I. No. 2 Trio: “Let me tell you” (Eisenstein, Rosalinda, Blind) | — | ||
| 33-4 | Die Fledermaus: Act I. No. 3 Duet: “I've a plan for a man” (Falke, Eisenstein) | — | ||
| 33-5 | Die Fledermaus: Act I. No. 4 Trio: “The graying sea, the leaden sky” (Rosalinda, Adele, Eisenstein) | — | ||
| 33-6 | Die Fledermaus: Act I. No. 5 Finale I: “What a lovely rendezvous” (Alfred, Rosalinda, Frank) | — | ||
| 33-7 | Die Fledermaus: Act II. No. 6 Entr'acte and Ensemble: “You will find if your mind is an ever-sharp stiletto” (chorus) | — | ||
| 33-8 | Die Fledermaus: Act II. No. 7 Couplet: “I've many peculiarities” (Orlofsky) | — | ||
| 33-9 | Die Fledermaus: Act II. No. 8 Ensemble and Couplet: “It seems we're entertaining an uninvited guest” - “Look me over once, look me over twice” (Adele's Laughing Song) (Orlofsky, Falke, ensemble, Adele, Eisenstein) | — | ||
| 34-1 | Die Fledermaus: Act II. No. 9 Duet: “What a beauty” (Eisenstein, Rosalinda) | — | ||
| 34-2 | Die Fledermaus: Act II. No. 10 Csárdás: “Some days you're lonely” (Rosalinda) | — | ||
| 34-3 | Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble) | — | ||
| 34-4 | Die Fledermaus: Act II. Ballet: Roses from the South, op. 388 | — | ||
| 34-5 | Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele) | — | ||
| 34-6 | Die Fledermaus: Act III. No. 12: Entr'acte | — | ||
| 34-7 | Die Fledermaus: Act III. No. 13 Melodrama: “Then up with the wine and drink her down” (Frank) | — | ||
| 34-8 | Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | — | ||
| 34-9 | Die Fledermaus: Act III. No. 15 Trio: “The case that you take up” (Rosalinda, Alfred, Eisenstein) | — | ||
| 34-10 | Die Fledermaus: Act III. No. 16 Finale III: “Die Fledermaus, die Fledermaus” (ensemble) | — | ||
| 35-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 35-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto - attacca | — | ||
| 35-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | — | ||
| 35-4 | Poème, op. 25: Lento e misterioso - Molto animato - Animato - Poco lento - Poco meno lento - Allegro - Tempo I - Tranquillo | — | ||
| 36-1 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: I. Allegro | — | ||
| 36-2 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: II. Adagio un poco moto (attacca) | — | ||
| 36-3 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: III. Rondo. Allegro | — | ||
| 36-4 | Piano Concerto No. 20 in D minor, K466: Allegro | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 36-5 | Piano Concerto No. 20 in D minor, K466: Romance | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 36-6 | Piano Concerto No. 20 in D minor, K466: Rondo: Allegro Assai | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 37-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 37-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I | — | ||
| 37-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 37-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | — | ||
| 38-1 | Symphony no. 3: Part I. Passacaglia - | — | ||
| 38-2 | Symphony no. 3: Part I. Fugue | — | ||
| 38-3 | Symphony no. 3: Part II. Chorale - | — | ||
| 38-4 | Symphony no. 3: Part II. Toccata | — | ||
| 38-5 | Ibéria, L 122/2: I. Par les rues et par les chemins | — | ||
| 38-6 | Ibéria, L 122/2: II. Les Parfums de la nuit | — | ||
| 38-7 | Ibéria, L 122/2: III. Le Matin d'un jour de fête | — | ||
| 39-1 | Symphony no. 2 in E minor, op. 27: I. Largo - Allegro molto | — | ||
| 39-2 | Symphony no. 2 in E minor, op. 27: II. Allegro molto | — | ||
| 39-3 | Symphony no. 2 in E minor, op. 27: III. Adagio | — | ||
| 39-4 | Symphony no. 2 in E minor, op. 27: IV. Allegro vivace | — | ||
| 40-1 | Symphonie fantastique, op. 14: I. Rêveries - Passions (Largo - Allegro agitato ed appassionato assai) | — | ||
| 40-2 | Symphonie fantastique, op. 14: II. Un bal (Valse. Allegro non troppo) | — | ||
| 40-3 | Symphonie fantastique, op. 14: III. Scène aux champs (Adagio) | — | ||
| 40-4 | Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo) | — | ||
| 40-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat (Larghetto - Adagio) | — | ||
| 41-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 41-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 41-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | — | ||
| 41-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo, ma con brio - Più Allegro | — | ||
| 42-1 | Symphony no. 6 in B minor “Pathétique”, op. 74: I. Adagio - Allegro non troppo - Andante - Moderato moss - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso | — | ||
| 42-2 | Symphony no. 6 in B minor “Pathétique”, op. 74: II. Allegro con grazia | — | ||
| 42-3 | Symphony no. 6 in B minor “Pathétique”, op. 74: III. Allegro molto vivace | — | ||
| 42-4 | Symphony no. 6 in B minor “Pathétique”, op. 74: IV. Finale. Adagio lamentoso - Andante | — | ||
| 43-1 | Eine Nacht in Venedig: Overture | — | ||
| 43-2 | Accelerationen, op. 234 (Waltz) | — | ||
| 43-3 | Feuerfest!, op. 269 (Polka française) | — | ||
| 43-4 | Bahn frei!, op. 45 (Polka schnell) | — | ||
| 43-5 | Wein, Weib und Gesang, op. 333 (Waltz) | — | ||
| 43-6 | Perpetuum mobile, op. 257 (Musical Joke) | — | ||
| 43-7 | Kaiser-Waltzer, op. 437 | — | ||
| 43-8 | Coriolan Overture, op. 62 (Allegro con brio) | — | ||
| 43-9 | Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro | — | ||
| 44-1 | Cakewalk, Ballet Suite: I. Grand Walkaround | — | ||
| 44-2 | Cakewalk, Ballet Suite: II. 3 Variations: Wallflower Waltz - | — | ||
| 44-3 | Cakewalk, Ballet Suite: II. 3 Variations: Sleight of Feet - | — | ||
| 44-4 | Cakewalk, Ballet Suite: II. 3 Variations: Perpendicular Points | — | ||
| 44-5 | Cakewalk, Ballet Suite: III. Freebee | — | ||
| 44-6 | Cakewalk, Ballet Suite: IV. Magic Act: Entrance of the Magicians - | — | ||
| 44-7 | Cakewalk, Ballet Suite: IV. Magic Act: Venus and Three Graces - | — | ||
| 44-8 | Cakewalk, Ballet Suite: IV. Magic Act: The Wild Pony - | — | ||
| 44-9 | Cakewalk, Ballet Suite: IV. Magic Act: Pas de deux - | — | ||
| 44-10 | Cakewalk, Ballet Suite: IV. Magic Act: Rideout - | — | ||
| 44-11 | Cakewalk, Ballet Suite: IV. Magic Act: Finale. Gala Cakewalk | — | ||
| 44-12 | Fall River Legend, Ballet Suite: I. Prologue and Waltzes | — | ||
| 44-13 | Fall River Legend, Ballet Suite: II. Elegy | — | ||
| 44-14 | Fall River Legend, Ballet Suite: III. Church Social | — | ||
| 44-15 | Fall River Legend, Ballet Suite: III. Serenade | — | ||
| 44-16 | Fall River Legend, Ballet Suite: IV. Hymnal Variations | — | ||
| 44-17 | Fall River Legend, Ballet Suite: V. Cotillion | — | ||
| 44-18 | Fall River Legend, Ballet Suite: VI. Epilogue | — | ||
| 44-19 | 4 Dances from Façade: Popular Song | — | ||
| 44-20 | 4 Dances from Façade: Country Song | — | ||
| 44-21 | 4 Dances from Façade: Scotch Rhapsody | — | ||
| 44-22 | 4 Dances from Façade: Tarantella Sevillana | — | ||
| 44-23 | Fancy Free: 3 Dance Variations: Danzon | — | ||
| 44-24 | Fancy Free: 3 Dance Variations: Waltz | — | ||
| 44-25 | Fancy Free: 3 Dance Variations: Galop | — | ||
| 45-1 | A Trumpet Voluntary in D major | — | ||
| 45-2 | Poem for Flute and Orchestra | — | ||
| 45-3 | Concerto for Oboe and String Orchestra no. 3 in G minor, HWV 287: I. Grave | — | ||
| 45-4 | Concerto for Oboe and String Orchestra no. 3 in G minor, HWV 287: II. Allegro | — | ||
| 45-5 | Concerto for Oboe and String Orchestra no. 3 in G minor, HWV 287: III. Sarabande. Largo | — | ||
| 45-6 | Concerto for Oboe and String Orchestra no. 3 in G minor, HWV 287: IV. Allegro | — | ||
| 45-7 | Concert Piece for Bassoon and String Orchestra | — | ||
| 45-8 | Adagio and Rondo in F major: I. Adagio | — | ||
| 45-9 | Adagio and Rondo in F major: II. Rondo | — | ||
| 45-10 | Larghetto for Horn and Orchestra | — | ||
| 45-11 | Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile | — | ||
| 45-12 | Concertino for Clarinet and Orchestra in E-flat major, op. 26: Adagio ma non troppo | — | ||
| 46-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 46-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto - attacca | — | ||
| 46-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 47-1 | Lemminkäinen Suite, op. 22: No. 1: Lemminkäinen and the Maidens of the Island. Allegro molto moderato | — | ||
| 47-2 | Lemminkäinen Suite, op. 22: No. 2: The Swan of Tuonela. Andante molto sostenuto | — | ||
| 47-3 | Lemminkäinen Suite, op. 22: No. 3: Lemminkäinen in Tuonela. Il tempo largamente | — | ||
| 47-4 | Lemminkäinen Suite, op. 22: No. 4: Return of Lemminkäinen. Allegro con fuoco | — | ||
| 48-1 | Symphony no. 45 in F-sharp minor “Farewell”, Hob. I:45: I. Allegro assai | — | ||
| 48-2 | Symphony no. 45 in F-sharp minor “Farewell”, Hob. I:45: II. Adagio | — | ||
| 48-3 | Symphony no. 45 in F-sharp minor “Farewell”, Hob. I:45: III. Menuet. Allegretto - Trio | — | ||
| 48-4 | Symphony no. 45 in F-sharp minor “Farewell”, Hob. I:45: IV. Finale. Presto | — | ||
| 48-5 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: I. Adagio - Allegro | — | ||
| 48-6 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: II. Recitativo. Adagio - Allegro - Adagio | — | ||
| 48-7 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: III. Adagio - Ferma (Cadenza) - Allegro - Adagio | — | ||
| 48-8 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: IV. Menuetto - Trio | — | ||
| 48-9 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: V. Finale. Allegro | — | ||
| 49-1 | Jeanne d'Arc au bûcher: Prologue (chœur, récitant) | — | ||
| 49-2 | Jeanne d'Arc au bûcher: Scène 1. Les Voix du ciel (chœur) | — | ||
| 49-3 | Jeanne d'Arc au bûcher: Scène 2. Le Livre (Frère Dominique, Jeanne, chœur) | — | ||
| 49-4 | Jeanne d'Arc au bûcher: Scène 3. Les Voix de la terre (Frère Dominique, Jeanne, chœur) | — | ||
| 49-5 | Jeanne d'Arc au bûcher: Scène 4. Jeanne livrée aux bêtes (l'Appariteur, héraut, chœur, Porcus, l'Âne, Pecus) | — | ||
| 49-6 | Jeanne d'Arc au bûcher: Scène 5. Jeanne au poteau (Jeanne, Frère Dominique, chœur) | — | ||
| 49-7 | Jeanne d'Arc au bûcher: Scène 6. Les Rois ou L'invention du jeu de cartes (héraut I-III, Jeanne, Regnault de Chartres, le Duc de Bedford, Guillaume de Flavy, Jean de Luxembourg, chœur) | — | ||
| 49-8 | Jeanne d'Arc au bûcher: Scène 7. Catherine et Marguerite (Jeanne, Frère Dominique, chœur, Catherine, Marguerite) | — | ||
| 49-9 | Jeanne d'Arc au bûcher: Scène 8. Le Roi qui va-t-à Reims (chœur, chœur d'enfants, Heurtebise, la Mère aux Tonneaux, le Clerc, Jeanne, Frère Dominique) | — | ||
| 49-10 | Jeanne d'Arc au bûcher: Scène 9. L'Épée de Jeanne (Marguerite, Jeanne, chœur, Frère Dominique, Catherine, voix d'enfants) | — | ||
| 49-11 | Jeanne d'Arc au bûcher: Scène 10. Trimazô (Jeanne) | — | ||
| 49-12 | Jeanne d'Arc au bûcher: Scène 11. Jeanne d'Arc en flammes (La Vierge, chœur, un prêtre, Jeanne, Marguerite, Catherine, enfants) | — | ||
| 50-1 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: Allegro maestoso. Tempo giusto | — | ||
| 50-2 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: Quasi Adagio - | — | ||
| 50-3 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: Allegretto vivace - Allegro animato - Tempo I (Allegro maestoso) - | — | ||
| 50-4 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: Allegro marziale animato - Presto | — | ||
| 50-5 | Fantasia on Hungarian Folk Melodies for Piano and Orchestra, S 123: Andante mesto - Adagio - Allegro molto (Cadenza) - | — | ||
| 50-6 | Fantasia on Hungarian Folk Melodies for Piano and Orchestra, S 123: Allegro eroico - | — | ||
| 50-7 | Fantasia on Hungarian Folk Melodies for Piano and Orchestra, S 123: Molto Adagio, quasi Fantasia - Moderato. Fest - Allegretto alla Zingarese - Molto animato - Cadenza - | — | ||
| 50-8 | Fantasia on Hungarian Folk Melodies for Piano and Orchestra, S 123: Vivace assai - Prestissimo | — | ||
| 50-9 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 50-10 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | — | ||
| 50-11 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 51-1 | Symphony no. 7 in C-sharp minor, op. 131: I. Moderato | — | ||
| 51-2 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | — | ||
| 51-3 | Symphony no. 7 in C-sharp minor, op. 131: III. Andante espressivo | — | ||
| 51-4 | Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace | — | ||
| 51-5 | Romeo and Juliet: Andante non tanto quasi Moderato - Allegro giusto - Moderato assai | — | ||
| 51-6 | 1812 Festival Orchestra, op. 49: Largo - Andante - Allegro giusto - Largo - Allegro vivace | — | ||
| 51-7 | Slavonic March, op. 31: Moderato in modo di marcia funebre - Più mosso. Allegro - Andante molto maestoso - Allegro risoluto | — | ||
| 52-1 | Die Fledermaus: Overture | — | ||
| 52-2 | Pizzicato-Polka | — | ||
| 52-3 | Unter Donner und Blitz, op. 324 (Polka schnell) | — | ||
| 52-4 | Tik-Tak-Polka, op. 365 (Polka schnell) | — | ||
| 52-5 | Ägyptischer Marsch, op. 335 | — | ||
| 52-6 | Das Spitzentuch der Königin: Overture | — | ||
| 52-7 | Explosions-Polka, op. 43 | — | ||
| 52-8 | Annen-Polka, op. 117 | — | ||
| 52-9 | Tritsch-Tratsch-Polka, op. 214 (Polka schnell) | — | ||
| 52-10 | Radetzky-Marsch, op. 228 | — | ||
| 52-11 | Waldmeister: Overture | — | ||
| 53-1 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto | — | ||
| 53-2 | Pictures at an Exhibition: I. Gnomus. Vivo | — | ||
| 53-3 | Pictures at an Exhibition: Promenade | — | ||
| 53-4 | Pictures at an Exhibition: II. Il vecchio castello. Andante | — | ||
| 53-5 | Pictures at an Exhibition: Promenade. Moderato non tanto, pesamente | — | ||
| 53-6 | Pictures at an Exhibition: III. Tuileries. Allegretto non troppo, capriccioso | — | ||
| 53-7 | Pictures at an Exhibition: IV. Bydlo. Sempre moderato, pesante | — | ||
| 53-8 | Pictures at an Exhibition: Promenade. Tranquillo | — | ||
| 53-9 | Pictures at an Exhibition: V. Ballet des poussins dans leurs coques. Scherzino. Vivo, leggiero | — | ||
| 53-10 | Pictures at an Exhibition: VI. Samuel Goldenberg et Schmuÿle. Andante | — | ||
| 53-11 | Pictures at an Exhibition: VII. Limoges - Le Marché. Allegretto vivo, sempre scherzando - attacca | — | ||
| 53-12 | Pictures at an Exhibition: VIII. Catacombae (Sepulcrum romanum). Largo - attacca | — | ||
| 53-13 | Pictures at an Exhibition: VIII. Cum mortuis in lingua mortua. Andante non troppo, con lamento | — | ||
| 53-14 | Pictures at an Exhibition: IX. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto - attacca | — | ||
| 53-15 | Pictures at an Exhibition: X La Grande Porte de Kiev. Allegro alla breve. Maestoso. Con grandezza | — | ||
| 54-1 | The Nutcracker: Suite, op. 71a: I. Ouverture miniature. Allegro giusto | — | ||
| 54-2 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Marche. Tempo di marcia viva | — | ||
| 54-3 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo | — | ||
| 54-4 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse russe. Trépak. Tempo di Trépak, molto vivace | — | ||
| 54-5 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse arabe. Allegretto | — | ||
| 54-6 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato | — | ||
| 54-7 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai | — | ||
| 54-8 | The Nutcracker: Suite, op. 71a: III. Valse de fleurs. Tempo di valse | — | ||
| 54-9 | The Sleeping Beauty: Suite, op. 66a: I. Introduction. Le Fée des lilas. Allegro vivo - Andantino - Andante sostenuto | — | ||
| 54-10 | The Sleeping Beauty: Suite, op. 66a: II. Adagio. Pas d'action. Andante - Adagio maestoso - Tempo I - Molto sostenuto, quasi più andante - Tempo I | — | ||
| 54-11 | The Sleeping Beauty: Suite, op. 66a: III. Pas de caractère. La Chat botté et la Chatte blanche. Allegro moderato | — | ||
| 54-12 | The Sleeping Beauty: Suite, op. 66a: IV. Panorama. Andantino | — | ||
| 54-13 | The Sleeping Beauty: Suite, op. 66a: V. Valse. Allegro (Tempo di valse) | — | ||
| 55-1 | Tristan und Isolde: Prelude | — | ||
| 55-2 | Tristan und Isolde: Liebesnacht | — | ||
| 55-3 | Tristan und Isolde: Liebestod | — | ||
| 55-4 | Götterdämmerung: Siegfried's Death and Funeral Music | — | ||
| 55-5 | Götterdämmerung: Brunnhilde's Immolation Scene. “Starke Scheite schichtet mir dort” | — | ||
| 56-1 | Symphony “Mathis der Maler”: I. Engelkonzert. Ruhig bewegt | — | ||
| 56-2 | Symphony “Mathis der Maler”: II. Grablegung. Sehr langsam | — | ||
| 56-3 | Symphony “Mathis der Maler”: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft | — | ||
| 56-4 | Concert Music for String Orchestra and Brass, op. 50: Part I. Mäßig schnell, mit Kraft - | — | ||
| 56-5 | Concert Music for String Orchestra and Brass, op. 50: Part I. Sehr breit, aber stets fließend | — | ||
| 56-6 | Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft - | — | ||
| 56-7 | Concert Music for String Orchestra and Brass, op. 50: Part II. Langsam - | — | ||
| 56-8 | Concert Music for String Orchestra and Brass, op. 50: Part II. Im ersten Zeitmaß - | — | ||
| 56-9 | Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft | — | ||
| 57-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 57-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 57-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I | — | ||
| 57-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 58-1 | Capriccio espagnol, op. 34: I. Aborada | — | ||
| 58-2 | Capriccio espagnol, op. 34: II. Variazioni | — | ||
| 58-3 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 58-4 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 58-5 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 58-6 | The Tale of Tsar Saltan, op. 57: The Flight of the Bumblebee | — | ||
| 58-7 | The Snow Maiden: Dance of the Tumblers | — | ||
| 58-8 | Capriccio italien, op. 45: Andante un poco rubato - Allegro moderato - Andante - Presto - Allegro moderato - Presto - Prestissimo | — | ||
| 58-9 | String Quartet no. 1, op. 11: Andante cantabile | — | ||
| 59-2 | Lohengrin: Prelude to Act III | — | ||
| 59-3 | Die Walküre: The Ride of the Valkyries | — | ||
| 59-4 | Die Walküre: Magic Fire Music | — | ||
| 59-5 | Die Meistersinger von Nürnberg: Prelude to Act III | — | ||
| 59-6 | Die Meistersinger von Nürnberg: Dance of the Apprentices | — | ||
| 59-7 | Die Meistersinger von Nürnberg: Entry of the Masters | — | ||
| 60-1 | Estudiantina, op. 191: Introduction. Tempo di Valse - / I. Estudiantina (Refrain) - / II. Estudiantina (Couplet) - Chanson d'automne - / III. Jota de la Estudiantina - Tirana - / IV. De Cádiz al Puerto - El Tripili - Coda | — | ||
| 60-2 | España, op. 236: Introduction. Andantino quasi Allegretto - / I. Con fuoco - Con grazia - / II. Arioso - Risoluto - / III. Leggiero - Con spirito - Amabile - / IV. Energico - Coda. Risoluto | — | ||
| 60-3 | Pluie de diamants, op. 160: Introduction. Polonaise - / I. Con anima - Con fuoco - / II. Scherzando - Cantabile - / III. Con espressione - Scherzando - / IV. [...] - Amabile - Coda | — | ||
| 60-4 | Les Patineurs, op. 183: Introduction. Andante / I. Espressivo / II. Risoluto / III. Espressivo - Grazioso / IV. Amabile / Coda. Risoluto | — | ||
| 60-5 | Die lustige Witwe: Walzer-Intermezzo (“Lippen schweigen”). Allegretto moderato | — | ||
| 60-6 | Das Land des Lächelns: “Dein ist mein ganzes Herz” | — | ||
| 60-7 | Eva: Eva-Walzer | — | ||
| 60-8 | Die lustige Witwe: Vilja-Lied | — | ||
| 60-9 | Gold und Silber, op. 79 (Waltz) | — | ||
| 61-1 | Ein Heldenleben, op. 40: Der Held. Lebhaft bewegt | — | ||
| 61-2 | Ein Heldenleben, op. 40: Des Helden Widersacher. Etwas langsamer | — | ||
| 61-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin. Lebhaft bewegt | — | ||
| 61-4 | Ein Heldenleben, op. 40: Des Helden Walstatt. Lebhaft | — | ||
| 61-5 | Ein Heldenleben, op. 40: Des Helden Friedenwerke. Mit großem Schwung und Begeisterung | — | ||
| 61-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung. Mäßig langsam | — | ||
| 62-1 | Scheherazade, op. 35: I. Largo e maestoso - Allegro non troppo - Tranquillo (The Sea and Sinbad's Ship) | — | ||
| 62-2 | Scheherazade, op. 35: II. Lento - Andantino - Allegro molto - Vivace scherzando - Moderato assai - Allegro molto ed animato - Con moto (Ths Story of the Kalender Prince) | — | ||
| 62-3 | Scheherazade, op. 35: III. Andantino quasi allegretto (The Young Prince and the Young Princess) | — | ||
| 62-4 | Scheherazade, op. 35: IV. Allegro molto e frenetico - Vivo - Allegro non troppo e maestoso - Tempo come I (Festival at Baghdad - The Sea - The Shipwreck on a Rock Surmounted by a Bronze Warrior - Conclusion) | — | ||
| 63-1 | Gaîté Parisienne: Ouverture. Allegro (from La Vie parisienne) | — | ||
| 63-2 | Gaîté Parisienne: I. Allegro brillante (Tortoni) (from Mesdames de la Halle) | — | ||
| 63-3 | Gaîté Parisienne: II. Polka (from Le Voyage dans la lune) | — | ||
| 63-4 | Gaîté Parisienne: III. Poco allegro - A tempo de Ländler (from Lieschen et Fritzchen) | — | ||
| 63-5 | Gaîté Parisienne: IV. Mazurka. Largo - Allegro - Meno mosso - A Tempo (from Vert-Vert) | — | ||
| 63-6 | Gaîté Parisienne: V. Valse (from La Vie parisienne) | — | ||
| 63-7 | Gaîté Parisienne: VI. Allegro (Galop) (from La Vie parisienne) | — | ||
| 63-8 | Gaîté Parisienne: VII. Polka. Grazioso (from La Belle Hélène) | — | ||
| 63-9 | Gaîté Parisienne: VIII. Valse lente (from Orphée aux enfers) | — | ||
| 63-10 | Gaîté Parisienne: IX. Tempo di Marcia (March) (from Tromb-al-Cazar) | — | ||
| 63-11 | Gaîté Parisienne: X. Valse moderato - Calmato (from La Vie parisienne) | — | ||
| 63-12 | Gaîté Parisienne: XI. Vivo - attacca (from La Vie parisienne) | — | ||
| 63-13 | Gaîté Parisienne: XII. Valse. Valse con Grazia (from Les Contes d'Hoffmann) | — | ||
| 63-14 | Gaîté Parisienne: XIII. Allegro molto (from Le Voyage dans la lune) | — | ||
| 63-15 | Gaîté Parisienne: XIV. Valse. Valse moderato (Grande Valse) (from La Périchole) | — | ||
| 63-16 | Gaîté Parisienne: XV. Allegro vivo | — | ||
| 63-17 | Gaîté Parisienne: XVI. Cancan. Moderato - Allegro | — | ||
| 63-18 | Gaîté Parisienne: XVII. Quadrille - / XVIII. Allegro | — | ||
| 63-19 | Gaîté Parisienne: XIX. Allegro moderato | — | ||
| 63-20 | Gaîté Parisienne: XX. Allegro | — | ||
| 63-21 | Gaîté Parisienne: XXI. [Vivo] | — | ||
| 63-22 | Gaîté Parisienne: XXII. Vivo - Molto marcato (Cancan) - attacca | — | ||
| 63-23 | Gaîté Parisienne: XXIII. Barcarolle. Allegro moderato - Vivo | — | ||
| 63-24 | Les Sylphides: Prélude in A major, op. 28/7 | — | ||
| 63-25 | Les Sylphides: Nocturne in A-flat major, op. 32/2 | — | ||
| 63-26 | Les Sylphides: Waltz in G-flat major, op. posth. 70/1 | — | ||
| 63-27 | Les Sylphides: Prélude in A major, op. 28/7 | — | ||
| 63-28 | Les Sylphides: Mazurka in C major, op. posth. 67/3 | — | ||
| 63-29 | Les Sylphides: Mazurka in D major, op. 33/2 | — | ||
| 63-30 | Les Sylphides: Waltz in C-sharp minor, op. 64/2 | — | ||
| 63-31 | Les Sylphides: Waltz in E-flat major “Grande Valse brillante”, op. 18 | — | ||
| 64-1 | 3 Pictures for Orchestra: No. 1: The Seine at Night | — | ||
| 64-2 | 3 Pictures for Orchestra: No. 2: Wheat Field at Noon | — | ||
| 64-3 | 3 Pictures for Orchestra: No. 3: Sea Piece with Birds | — | ||
| 64-4 | 5 Songs from William Blake: No. 1: The Divine Image | — | ||
| 64-5 | 5 Songs from William Blake: No. 2: Tiger! Tiger! | — | ||
| 64-6 | 5 Songs from William Blake: No. 3: The Land of Dreams | — | ||
| 64-7 | 5 Songs from William Blake: No. 4: The Little Black Boy | — | ||
| 64-8 | 5 Songs from William Blake: No. 5: And Did Those Feet | — | ||
| 65-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 65-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 65-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 65-4 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 65-5 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | — | ||
| 65-6 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 66-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 66-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 66-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 67-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Più vivo (Allegro) - Allegro molto - Tempo I - Allegro | — | ||
| 67-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non tropp - Allegro vivace - Alla breve. L'istesso tempo - Adagio | — | ||
| 67-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Meno mosso - Allegro vivace - Moderato - Tempo I - Andante con moto - Allegretto - Allegro vivace | — | ||
| 67-4 | Vocalise, op. 34/14: Lentamente. Molto cantabile | — | ||
| 68-1 | Boléro, M 81: Tempo di Bolero moderato assai | — | ||
| 68-2 | La Valse, M 72: Mouvement de valse viennoise - Un peu plus modéré - Premier mouvement - Assez animé | — | ||
| 68-3 | Escales: I. Rome - Palermo. Calme - Assez animé - Calme | — | ||
| 68-4 | Escales: II. Tunis - Nefta. Modéré, très rhythmé - attacca | — | ||
| 68-5 | Escales: III. Valencia. Animé - Légèrement moins animé - Modéré - Animé - Un peu plus animé | — | ||
| 68-6 | Pavane pour une infante défunte, M 19: Lent | — | ||
| 68-7 | Suite bergamasque: No. 3: Clair de lune. Andante très expressif | — | ||
| 68-8 | España. Allegro con fuoco | — | ||
| 69-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I | — | ||
| 69-2 | Concerto for Orchestra, Sz. 116: II. Giuco delle coppie. Allegretto scherzando | — | ||
| 69-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | — | ||
| 69-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 69-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 70-1 | Armenian Suite: I. Introduction: Harvest | — | ||
| 70-2 | Armenian Suite: II. Song: Reminiscences of a Song from Childhood | — | ||
| 70-3 | Armenian Suite: III. Lullaby | — | ||
| 70-4 | Armenian Suite: IV. Dance No. 1: Love Song | — | ||
| 70-5 | Armenian Suite: V. Interlude: The Bells Rang Out Good Morning | — | ||
| 70-6 | Armenian Suite: VI. Dance No. 2: Allegro spiritoso | — | ||
| 70-7 | Armenian Suite: VII. Finale | — | ||
| 70-8 | Desolate City | — | ||
| 70-9 | Concerto for Violin and Orchestra: I. Maestoso | — | ||
| 70-10 | Concerto for Violin and Orchestra: II. Allegro | — | ||
| 70-11 | Symphony no. 2 “Psalms”: I. Psalm 130 | — | ||
| 71-1 | Symphony no. 6: Largo - Moderato con moto - Leggeramente - Adagio - Allegro risoluto - Presto - Larghissimo | — | ||
| 71-2 | Symphony no. 4: I. Piacevole | — | ||
| 71-3 | Symphony no. 4: II. Ballando | — | ||
| 71-4 | Symphony no. 4: III. Contemplativo | — | ||
| 71-5 | Symphony no. 4: IV. Energico | — | ||
| 72-1 | Le Sacre du printemps: Part I: L'Adoration de la terre: Introduction / Les Augures printaniers (Danses des adolescentes) / Jeu du rapt / Rondes printanières / Jeux des cités rivales / Cortège du Sage / Adoration de la terre / Le Sage / Danse de la terre | — | ||
| 72-2 | Le Sacre du printemps: Part II: Le Sacrifice: Introduction / Cercles mystérieux des adolescentes / Glorification de l'Élue / Évocation des ancêtres / Action rituelle des ancêtres / Danse sacrale. L'Élue | — | ||
| 73-1 | Peer Gynt Suite no. 1, op. 46: I. Morning Mood. Allegretto pastorale | — | ||
| 73-2 | Peer Gynt Suite no. 1, op. 46: II. The Death of Åse. Andante doloroso | — | ||
| 73-3 | Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance. Tempo di mazurka | — | ||
| 73-4 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | — | ||
| 73-5 | Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride - Ingrid's Lament. Allegro furioso - Andante doloroso | — | ||
| 73-6 | Peer Gynt Suite no. 2, op. 55: II. Arabian Dance. Allegretto vivace | — | ||
| 73-7 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Homecoming - Stormy Evening on the Sea. Allegro agitato | — | ||
| 73-8 | Peer Gynt Suite no. 2, op. 55: IV. Solveig's Song. Andante - Allegretto tranquillamente | — | ||
| 73-9 | L'Arlésienne Suite no. 1: I. Prelude. Allegro deciso (Tempo di Marcia) - Andantino - Andante molto | — | ||
| 73-10 | L'Arlésienne Suite no. 1: II. Minuetto. Allegro giocoso | — | ||
| 73-11 | L'Arlésienne Suite no. 1: III. Adagietto. Adagio | — | ||
| 73-12 | L'Arlésienne Suite no. 1: IV. Carillon. Allegro moderato - Andantino - Tempo I | — | ||
| 73-13 | L'Arlésienne Suite no. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I | — | ||
| 73-14 | L'Arlésienne Suite no. 2: II. Intermezzo. Andante moderato ma con moto - Allegro moderato - Tempo I | — | ||
| 73-15 | L'Arlésienne Suite no. 2: III. Menuet. Andantino quasi Allegretto | — | ||
| 73-16 | L'Arlésienne Suite no. 2: IV. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso | — | ||
| 74-1 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 74-2 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto - attacca | — | ||
| 74-3 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 74-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 74-5 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 74-6 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 75-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | — | ||
| 75-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace - Doppio più lento | — | ||
| 75-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | — | ||
| 75-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | — | ||
| 75-5 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più presto | — | ||
| 75-6 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto - Tranquillo - Poco a poco stretto - Tempo I | — | ||
| 75-7 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Largamente assai - Un pochettino stretto | — | ||
| 76-1 | The Bells, op. 35: I. The Silver Sleigh Bells. Allegro, ma non tanto | — | ||
| 76-2 | The Bells, op. 35: II. The Mellow Wedding Bells. Lento - Adagio | — | ||
| 76-3 | The Bells, op. 35: III. The Loud Alarm Bells. Presto - Prestissimo | — | ||
| 76-4 | The Bells, op. 35: IV. The Mournful Iron Bells. Lento lugubre - Allegro - Andante - Tempo I | — | ||
| 76-5 | The Isle of the Dead, op. 29: Lento - Tranquillo - Largo - Allegro molto - Largo - Tempo I | — | ||
| 77-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo | — | ||
| 77-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 77-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | — | ||
| 77-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — | ||
| 78-1 | Fantasia and Fugue in B minor, BWV 542: Fantasie (Praeludium) | — | ||
| 78-2 | Fantasia and Fugue in B minor, BWV 542: Fuga | — | ||
| 78-3 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: Air on the G String | — | ||
| 78-4 | Prelude and Fugue in C minor, BWV 546: Praeludium | — | ||
| 78-5 | Prelude and Fugue in C minor, BWV 546: Fuga | — | ||
| 78-6 | “Ich steh mit einem Fuß im Grabe”, BWV 156: “Ich steh mit einem Fuß im Grabe” | — | ||
| 78-7 | “Ach Gott, vom Himmel sieh darein”, Choral Prelude, BWV 741 | — | ||
| 78-8 | Fugue in G minor, BWV 578 | — | ||
| 78-9 | Fantasia and Fugue in C minor, BWV 537: Fantasia | — | ||
| 78-10 | Fantasia and Fugue in C minor, BWV 537: Fuga | — | ||
| 78-11 | “Komm, süßer Tod, komm, sel'ge Ruh!”, BWV 478 | — | ||
| 79-1 | Concerto for 2 Violins, Strings and Basso continuo in A minor, RV 522: I. Allegro | — | ||
| 79-2 | Concerto for 2 Violins, Strings and Basso continuo in A minor, RV 522: II. Larghetto e spiritoso | — | ||
| 79-3 | Concerto for 2 Violins, Strings and Basso continuo in A minor, RV 522: III. Allegro | — | ||
| 79-4 | Concerto for Violin, Strings and Basso continuo no. 1 in A minor, BWV 1041: I. [Allegro moderato] | — | ||
| 79-5 | Concerto for Violin, Strings and Basso continuo no. 1 in A minor, BWV 1041: II. Andante | — | ||
| 79-6 | Concerto for Violin, Strings and Basso continuo no. 1 in A minor, BWV 1041: III. Allegro assai | — | ||
| 79-7 | Concerto for Violin, Strings and Basso continuo no. 2 in E major, BWV 1042: I. Allegro | — | ||
| 79-8 | Concerto for Violin, Strings and Basso continuo no. 2 in E major, BWV 1042: II. Adagio | — | ||
| 79-9 | Concerto for Violin, Strings and Basso continuo no. 2 in E major, BWV 1042: III. Allegro assai | — | ||
| 79-10 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato - attacca | — | ||
| 79-11 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante - attacca | — | ||
| 79-12 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 80-1 | Parsifal: Prelude | — | ||
| 80-2 | Parsifal: Act I. Transformation Music - Closing Scene | — | ||
| 80-3 | Parsifal: Act II. Klingsor's Magic Garden | — | ||
| 80-4 | Parsifal: Act III. Good Friday Music | — | ||
| 80-5 | Parsifal: Act III. Closing Scene | — | ||
| 81-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato - attacca | — | ||
| 81-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante - attacca | — | ||
| 81-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 81-4 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro | — | ||
| 81-5 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile | — | ||
| 81-6 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Andante grazioso - Allegro ma non troppo | — | ||
| 81-7 | Concerto for Violin and Orchestra no. 1 in D major, op. 6: I. Allegro maestoso | — | ||
| 81-8 | Concerto for Violin and Orchestra no. 1 in D major, op. 6: II. Adagio | — | ||
| 81-9 | Concerto for Violin and Orchestra no. 1 in D major, op. 6: III. Rondo. Allegro spiritoso | — | ||
| 82-1 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato - Più vivo - Allegro - Maestoso (Alla marcia) - Moderato | — | ||
| 82-2 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 82-3 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando - Moderato - Allegro scherzando - Presto - Moderato - Allegro scherzando - Alla breve - Presto - Maestoso - Risoluto | — | ||
| 82-4 | Prélude in G major, op. 32/5: Moderato | — | ||
| 82-5 | Prélude in G minor, op. 23/5: Alla marcia | — | ||
| 83-1 | Symphony no. 7 | — | ||
| 83-2 | Symphony “1933” (no. 1): I. Allegro | — | ||
| 83-3 | Symphony “1933” (no. 1): II. Andante | — | ||
| 83-4 | Symphony “1933” (no. 1): III. Finale. Maestoso | — | ||
| 84-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 84-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 84-3 | Symphony no. 5 in C minor, op. 67: III. Allegro - attacca | — | ||
| 84-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 84-5 | Symphony no. 40 in G minor, K. 550: I. Molto Allegro | — | ||
| 84-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 84-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto - Trio | — | ||
| 84-8 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 85-1 | Symphony no. 4, op. 51: I. Adagio - Allegro | — | ||
| 85-2 | Symphony no. 4, op. 51: II. Andante | — | ||
| 85-3 | Symphony no. 4, op. 51: III. Allegretto | — | ||
| 85-4 | Symphony no. 4, op. 51: IV. Presto | — | ||
| 85-5 | 4 Squares of Philadelphia: Prologue - Washington Square. Early Morning | — | ||
| 85-6 | 4 Squares of Philadelphia: Rittenhouse Square. Afternoon | — | ||
| 85-7 | 4 Squares of Philadelphia: Logan Square at Dukas | — | ||
| 85-8 | 4 Squares of Philadelphia: Franklin Square at Night - Epilogue | — | ||
| 86-1 | Prélude à l'après-midi d'un faune, L 86: Très modéré | — | ||
| 86-2 | Daphnis et Chloé, Suite no. 2, M 57b: I. Lever du jour. Lent | — | ||
| 86-3 | Daphnis et Chloé, Suite no. 2, M 57b: II. Pantomime. Lent - Très lent - Vif - Très lent - 𝅘𝅥 = 80 - attacca | — | ||
| 86-4 | Daphnis et Chloé, Suite no. 2, M 57b: III. Danse générale. Animé | — | ||
| 86-5 | Nocturnes, L 91: Nuages. Modéré - Un peu animé | — | ||
| 86-6 | Nocturnes, L 91: Fêtes. Animé et très rythmé - De plus en plus sonore et en serrant le mouvement | — | ||
| 86-7 | Nocturnes, L 91: Sirènes. Modérément animé | — | ||
| 87-1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | — | ||
| 87-2 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | — | ||
| 87-3 | Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegretto non troppo | — | ||
| 87-4 | Symphonie espagnole in D minor, op. 21: IV. Andante | — | ||
| 87-5 | Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro | — | ||
| 87-6 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - attacca | — | ||
| 87-7 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio | — | ||
| 87-8 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: III. Finale. Allegro energico - Presto | — | ||
| 88-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 88-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 88-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 88-4 | Concerto for Violin and Orchestra no. 4 in D minor, op. 31: I. Andante - Moderato - attacca | — | ||
| 88-5 | Concerto for Violin and Orchestra no. 4 in D minor, op. 31: II. Adagio religioso | — | ||
| 88-6 | Concerto for Violin and Orchestra no. 4 in D minor, op. 31: III. Scherzo. Vivace - Trio (meno mosso) | — | ||
| 88-7 | Concerto for Violin and Orchestra no. 4 in D minor, op. 31: IV. Finale marziale. Andante - Allegro | — | ||
| 89-1 | Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto | — | ||
| 89-2 | Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo | — | ||
| 89-3 | Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo. Molto vivace | — | ||
| 89-4 | Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco | — | ||
| 90-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 90-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 90-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più Adagio - Tempo I | — | ||
| 90-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 91-1 | Moto perpetuo, op. 11 | — | ||
| 91-2 | Sacrae symphoniae - Book 1: No. 33 Sonata pian' e forte | — | ||
| 91-3 | Concerto for Percussion and Small Orchestra, op. 109: Vif 𝅘𝅥 = 116. Rude et dramatique | — | ||
| 91-4 | Serenade in E-flat major, op. 7 | — | ||
| 91-5 | Serenade no. 2 in A major, op. 16: III. Adagio non troppo | — | ||
| 91-6 | Serenade no. 2 in A major, op. 16: V. Rondo. Allegro | — | ||
| 91-7 | Pomp and Circumstance March no. 1 in D major, op. 39/1: Allegro, con molto fuoco - Trio. Largamente - Molto maestoso | — | ||
| 92-1 | Iberia: Book I. Evocación | — | ||
| 92-2 | Iberia: Book I. El puerto | — | ||
| 92-3 | Iberia: Book I. El Corpus en Sevilla | — | ||
| 92-4 | Iberia: Book II. Rondeña | — | ||
| 92-5 | Iberia: Book II. Almeria | — | ||
| 92-6 | Iberia: Book II. Triana | — | ||
| 92-7 | Iberia: Book III. El Albaicín | — | ||
| 92-8 | Iberia: Book III. El Polo | — | ||
| 92-9 | Iberia: Book III. Lavapiés | — | ||
| 92-10 | Iberia: Book IV. Málaga | — | ||
| 92-11 | Iberia: Book IV. Jérez | — | ||
| 92-12 | Iberia: Book IV. Eritaña | — | ||
| 93-1 | Gayane: Sabre Dance | — | ||
| 93-2 | Gayane: Lullaby | — | ||
| 93-3 | Gayane: Dance of the Rose Maidens | — | ||
| 93-4 | Gayane: Andante (Introduction) | — | ||
| 93-5 | Gayane: Lesghinka | — | ||
| 93-6 | The Comedians, op. 26: I. Prologue | — | ||
| 93-7 | The Comedians, op. 26: II. Comedians' Gallop. Presto | — | ||
| 93-8 | The Comedians, op. 26: III. March. Moderato | — | ||
| 93-9 | The Comedians, op. 26: IV. Waltz. Moderato | — | ||
| 93-10 | The Comedians, op. 26: V. Pantomine. Sostenuto e pesante | — | ||
| 93-11 | The Comedians, op. 26: VI. Intermezzo. Allegro scherzando | — | ||
| 93-12 | The Comedians, op. 26: VII. Little Lyrical Scene. Andante semplice | — | ||
| 93-13 | The Comedians, op. 26: VIII. Gavotte. Allegretto | — | ||
| 93-14 | The Comedians, op. 26: IX. Scherzo. Presto assai e molto leggiero | — | ||
| 93-15 | The Comedians, op. 26: X. Epilogue. Allegro molto e con brio | — | ||
| 94-1 | Appalachian Spring: Introduction of Characters. Very Slowly | — | ||
| 94-2 | Appalachian Spring: Display of Action. Allegro | — | ||
| 94-3 | Appalachian Spring: Pas de deux for the Bride and the Groom. Moderato | — | ||
| 94-4 | Appalachian Spring: Revival Meeting. Fast - Molto Moderato | — | ||
| 94-5 | Appalachian Spring: Bride's Solo. Subito Allegro - Presto | — | ||
| 94-6 | Appalachian Spring: As at first (slowly) | — | ||
| 94-7 | Appalachian Spring: Shaker Theme: “The Gift to Be Simple” and variations underscoring scenes of daily activity for the bride and groom. Doppio movimento | — | ||
| 94-8 | Appalachian Spring: Coda. Moderato - Andante (very calm) | — | ||
| 94-9 | Billy the Kid: Introduction. The Open Prairie | — | ||
| 94-10 | Billy the Kid: Street in a Frontier Town - Mexican Dance and Finale | — | ||
| 94-11 | Billy the Kid: Prairie Night (Card game at night) | — | ||
| 94-12 | Billy the Kid: Gun Battle | — | ||
| 94-13 | Billy the Kid: Celebration (after Billy's capture) | — | ||
| 94-14 | Billy the Kid: Billy's Death | — | ||
| 94-15 | Billy the Kid: The Open Prairie Again | — | ||
| 95-1 | Die Fledermaus: Overture | — | ||
| 95-2 | Die Fledermaus: Suite | — | ||
| 95-3 | Tausend und eine Nacht, op. 346 (Waltz) | — | ||
| 95-4 | Sphärenklänge, op. 235 (Waltz) | — | ||
| 95-5 | Schwert und Leier, op. 71 (Waltz) | — | ||
| 95-6 | Kaiser-Walzer, op. 437 | — | ||
| 95-7 | An der schönen blauen Donau, op. 314 | — | ||
| 95-8 | Rosen aus dem Süden, op. 388 (Waltz) | — | ||
| 96-1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 96-2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - attacca | — | ||
| 96-3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 96-4 | Burleske for Piano and Orchestra in D minor, TrV 145 | — | ||
| 97-1 | Don Juan, op. 20: Allegro molto con brio | — | ||
| 97-2 | Der Rosenkavalier: Waltzes | — | ||
| 97-3 | Till Eulenspiegel lustige Streiche, op. 28: Gemächlich - | — | ||
| 97-4 | Till Eulenspiegel lustige Streiche, op. 28: Immer sehr lebhaft - | — | ||
| 97-5 | Till Eulenspiegel lustige Streiche, op. 28: Etwas gemütlicher - | — | ||
| 97-6 | Till Eulenspiegel lustige Streiche, op. 28: 4 bars before fig. 38 - | — | ||
| 97-7 | Till Eulenspiegel lustige Streiche, op. 28: Epilog. Doppelt so langsam | — | ||
| 97-8 | Feuersnot, op. 50: Love Scene | — | ||
| 98-1 | Credendum (Article of Faith): I. Declaration. Moderato con fuoco - attacca | — | ||
| 98-2 | Credendum (Article of Faith): II. Chorale. Lento - attacca | — | ||
| 98-3 | Credendum (Article of Faith): III. Finale. Presto | — | ||
| 98-4 | Concerto for Piano and Orchestra no. 1: I. Allegro 𝅘𝅥 = ca. 92 | — | ||
| 98-5 | Concerto for Piano and Orchestra no. 1: II. 𝅘𝅥 = 72-76 | — | ||
| 98-6 | Concerto for Piano and Orchestra no. 1: III. 𝅘𝅥 𝅼 = 66-72 | — | ||
| 99-1 | Serenade for String Orchestra in C major, op. 48: I. Pezzo in forma di Sonatina. Andante non troppo - Allegro moderato | — | ||
| 99-2 | Serenade for String Orchestra in C major, op. 48: II. Valse. Moderato. Tempo di Valse | — | ||
| 99-3 | Serenade for String Orchestra in C major, op. 48: III. Élégie. Larghetto elegiaco | — | ||
| 99-4 | Serenade for String Orchestra in C major, op. 48: IV. Finale. Tema russo. Andante - Allegro con spirito | — | ||
| 99-5 | String Quartet no. 2: Notturno | — | ||
| 99-6 | Adagio for Strings. Molto adagio | — | ||
| 99-7 | Fantasia on Greensleeves from Sir John in Love | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 100-1 | Symphony no. 3 in B minor “Ilya Muromets”, op. 42: I. Pèlerins errants. Ilia Mourometz et Sviatogor. Andante sostenuto - Più mosso - Andante con moto - Allegro risoluto - Tranquillo misterioso - Tempo I - Più mosso e molto agitato - Maestoso | — | ||
| 100-2 | Symphony no. 3 in B minor “Ilya Muromets”, op. 42: II. Solovéï le Brigand. Andante - Tranquillo molto - Animando poco a poco - Agitato - Tempo I - Poco più mosso | — | ||
| 100-3 | Symphony no. 3 in B minor “Ilya Muromets”, op. 42: III. Chez Vladimir Beau Soleil. Allegro | — | ||
| 100-4 | Symphony no. 3 in B minor “Ilya Muromets”, op. 42: IV. Les Prouesses et la Pétrification d'Ilia Mourometz. Allegro tumultoso - Allegro furioso - Tranquillo - Più mosso - Giocoso - Maestoso solenne - Poco mosso - Andante sostenuto | — | ||
| 101-1 | Swan Lake, op. 20: Act I. No. 1: Scène. Allegro giusto | — | ||
| 101-2 | Swan Lake, op. 20: Act I. No. 2: Valse. Tempo di valse | — | ||
| 101-3 | Swan Lake, op. 20: Act I. No. 7: Sujet | — | ||
| 101-4 | Swan Lake, op. 20: Act I. No. 8: Danse des coupes. Tempo di polacca | — | ||
| 101-5 | Swan Lake, op. 20: Act II. No. 10: Scène. Moderato | — | ||
| 101-6 | Swan Lake, op. 20: Act II. No. 13e Danse des cygnes: Pas d'action. Andante - Andante non troppo - Tempo I - Allegro - | — | ||
| 101-7 | Swan Lake, op. 20: Act II. No. 13d Danse des cygnes: Allegro moderato | — | ||
| 101-8 | Swan Lake, op. 20: Act II. No. 13g Danse des cygnes: Coda. Allegro vivo | — | ||
| 101-9 | Swan Lake, op. 20: Act III. No. 21: Danse espagnole. Allegro non troppo (Tempo di bolero) | — | ||
| 101-10 | Swan Lake, op. 20: Act III. No. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | — | ||
| 101-11 | Swan Lake, op. 20: Act III. No. 23: Mazurka. Tempo di mazurka | — | ||
| 101-12 | Swan Lake, op. 20: Act IV. No. 27: Danses des petits cygnes. Moderato | — | ||
| 101-13 | Swan Lake, op. 20: Act IV. No. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | — | ||
| 102-1 | Guillaume Tell: Overture. Andante – Allegro – Andantino – Allegro vivace | — | ||
| 102-2 | Orphée aux enfers: Overture | — | ||
| 102-3 | The Bartered Bride: Overture. Vivacissimo | — | ||
| 102-4 | Mignon: Overture | — | ||
| 102-5 | Die schöne Galathée: Overture | — | ||
| 102-6 | Leichte Kavallerie: Overture | — | ||
| 102-7 | Le Carnaval romain, op. 9: Allegro assai con fuoco – Andante sostenuto – Tempo I. Allegro vivace | — | ||
| 103-1 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: I. Allegro moderato - attacca | — | ||
| 103-2 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: II. Romance. Andante non troppo - Allegro con fuoco - Cadenza | — | ||
| 103-3 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: III. Allegro moderato (à la zingara) | — | ||
| 103-4 | Introduction et Rondo capriccioso in A minor, op. 28: Andante (malinconico) - Allegro ma non troppo - Più allegro | — | ||
| 103-5 | Tzigane, M 76: Lento, quasi cadenza - Molto espressivo. Portando - Quasi cadenza - Moderato - Allegro - Sempre accelerando - Presto | — | ||
| 104-1 | Symphony no. 3 in C minor “Organ”, op. 78: I. Adagio - Allegro moderato - | — | ||
| 104-2 | Symphony no. 3 in C minor “Organ”, op. 78: I. Poco adagio | — | ||
| 104-3 | Symphony no. 3 in C minor “Organ”, op. 78: II. Allegro moderato - Presto - | — | ||
| 104-4 | Symphony no. 3 in C minor “Organ”, op. 78: II. Maestoso - Allegro | — | ||
| 105-1 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | — | ||
| 105-2 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | — | ||
| 105-3 | Ein Sommernachtstraum, op. 61: Overture, op. 21: Allegro di molto | — | ||
| 105-4 | Ein Sommernachtstraum, op. 61: No. 1: Scherzo. Allegro vivace | — | ||
| 105-5 | Ein Sommernachtstraum, op. 61: No. 5 [Intermezzo]. Allegro appassionato | — | ||
| 105-6 | Ein Sommernachtstraum, op. 61: No. 7 [Notturno]. Andante tranquillo | — | ||
| 106-1 | The Red Poppy, op. 70: Russian Sailors' Dance | — | ||
| 106-2 | The Bartered Bride: Polka. Moderato | — | ||
| 106-3 | The Bartered Bride: Furiant. Allegro energico | — | ||
| 106-4 | The Bartered Bride: Dance of the Comedians. Vivace | — | ||
| 106-5 | Hungarian Dances, WoO 1: No. 5 in G minor. Allegro - Vivace | — | ||
| 106-6 | Hungarian Dances, WoO 1: No. 6 in D major. Vivace | — | ||
| 106-7 | Hungarian Dances, WoO 1: No. 17 in F-sharp minor. Andantino - Vivace | — | ||
| 106-8 | Hungarian Dances, WoO 1: No. 18 in D major. Molto vivace | — | ||
| 106-9 | Hungarian Dances, WoO 1: No. 19 in B minor. Allegretto | — | ||
| 106-10 | Hungarian Dances, WoO 1: No. 20 in E minor. Poco allegretto - Vivace | — | ||
| 106-11 | Hungarian Dances, WoO 1: No. 21 in E minor. Vivace | — | ||
| 106-12 | Gayane: Sabre Dance | — | ||
| 107-1 | En Saga, op. 9 | — | ||
| 107-2 | Pohjola's Daughter, op. 49 | — | ||
| 107-3 | The Oceanides, op. 73: Sostenuto assai | — | ||
| 107-4 | Tapiola, op. 112: Largamente - Allegro - Allegro modera | — | ||
| 107-5 | Swedish Rhapsody no. 1 “Midsommarvaka”, op. 19 | — | ||
| 107-6 | Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance. Tempo di mazurka | — | ||
| 107-7 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | — | ||
| 108-1 | 2 Romanian Rhapsodies, op. 11: No. 1 in A major | — | ||
| 108-2 | 2 Romanian Rhapsodies, op. 11: No. 2 in D major | — | ||
| 108-3 | Carnival, op. 92: Allegro - Andante con moto - Allegro | — | ||
| 108-4 | Francesca da Rimini, op. 32: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo | — | ||
| 109-1 | Zigeunerweisen, op. 20: Moderato - | — | ||
| 109-2 | Zigeunerweisen, op. 20: Lento - | — | ||
| 109-3 | Zigeunerweisen, op. 20: Un peu plus lent - | — | ||
| 109-4 | Zigeunerweisen, op. 20: Allegro molto vivace | — | ||
| 109-5 | Havanaise in E major, op. 83: Allegretto lusinghiero - | — | ||
| 109-6 | Havanaise in E major, op. 83: Allegro - Tempo I - | — | ||
| 109-7 | Havanaise in E major, op. 83: Allegro non troppo - Più Allegro - Allegretto | — | ||
| 109-8 | Introduction et Rondo capriccioso in A minor, op. 28: Andante (malinconico) - Allegro ma non troppo - Più allegro | — | ||
| 109-9 | Poème, op. 25: Lento e misterioso - Molto animato - Animato - Poco lento - Poco meno lento - Allegro - Tempo I - Tranquillo | — | ||
| 110-1 | The Moldau (Vltava): The First Source of the Moldau / The Second Source / Woods; Hunt. Allegro comodo non agitato / Peasant Wedding. L'istesso tempo ma moderato / Moon; Nymph's Roundelay. L'istesso tempo / St. John's Rapids. Tempo I / The Moldau flows broadly onward. Più moto / Vyšehrad | — | ||
| 110-2 | Aufforderung zum Tanz, op. 65 | — | ||
| 110-3 | Mephisto Waltz no. 1 “Der Tanz in der Dorfschenke”, S 110/2: Allegro vivace, quasi Presto | — | ||
| 110-4 | La Damnation de Faust, op. 24: Menuets des Follets. Moderato - Presto e leggiero | — | ||
| 110-5 | La Damnation de Faust, op. 24: Ballet des Sylphes. Allegro (tempo di valse) | — | ||
| 110-6 | La Damnation de Faust, op. 24: Marche hongroise (Rákóczy March). Allegro marcato | — | ||
| 111-1 | Variations, Chaconne and Finale: Theme (Kyrie from Missa de Angelis) / Var. I. Semplice e grazioso / Var. II. Andante religioso / Var. III. Vivacissimo / Var. IV. Allegro pesante / Var. V. Amabile / Var. VI. Funebre | — | ||
| 111-2 | Variations, Chaconne and Finale: Chaconne. Adagio serioso | — | ||
| 111-3 | Variations, Chaconne and Finale: Finale. Allegro vivo, giocoso e ritmico | — | ||
| 111-4 | Symphony in D | — | ||
| 112-1 | Classical Symphony (no. 1) in D major, op. 25: I. Allegro | — | ||
| 112-2 | Classical Symphony (no. 1) in D major, op. 25: II. Larghetto | — | ||
| 112-3 | Classical Symphony (no. 1) in D major, op. 25: III. Gavotta. Non troppo allegro | — | ||
| 112-4 | Classical Symphony (no. 1) in D major, op. 25: IV. Finale. Molto vivace | — | ||
| 112-5 | Schwanda the Bagpiper (Švanda dudák): Polka | — | ||
| 112-6 | Schwanda the Bagpiper (Švanda dudák): Fugue | — | ||
| 112-7 | Symphony no. 1 in C major: I. Allegro | — | ||
| 112-8 | Symphony no. 1 in C major: II. Adagio | — | ||
| 112-9 | Symphony no. 1 in C major: III. Scherzo. Allegro vivace | — | ||
| 112-10 | Symphony no. 1 in C major: IV. Finale. Allegro vivace | — | ||
| 113-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | — | ||
| 113-2 | Don Quixote, op. 35: Thema. Mäßig: Der Ritter von der traurigen Gestalt - Maggiore: Sancho Panza | — | ||
| 113-3 | Don Quixote, op. 35: Variation I. Gemächlich: Das Abenteuer mit den Windmühlen | — | ||
| 113-4 | Don Quixote, op. 35: Variation II. Kregerisch: Der Kampf gegen die Hammelherde | — | ||
| 113-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß: Gespräche zwischen Ritter und Knappe | — | ||
| 113-6 | Don Quixote, op. 35: Variation IV. Etwas breiter: Das Abenteuer mit der Prozession von Büßern | — | ||
| 113-7 | Don Quixote, op. 35: Variation V. Sehr langsam: Don Quixotes Waffenwache und Herzensergüsse | — | ||
| 113-8 | Don Quixote, op. 35: Variation VI. Schnell: Die verzauberte Dulzinea | — | ||
| 113-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher: Der Ritt durch die Luft | — | ||
| 113-10 | Don Quixote, op. 35: Variation VIII. Gemächlich: Die Fahrt auf dem verzauberten Nachen | — | ||
| 113-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch: Der Kampf gegen die vermeintlichen | — | ||
| 113-12 | Don Quixote, op. 35: Variation X. Viel breiter: Zweikampf mit dem Ritter vom blanken Monde - Heimkehr des geschlagenen Don Quixote | — | ||
| 113-13 | Don Quixote, op. 35: Finale. Sehr ruhig: Don Quixotes Tod | — | ||
| 114-1 | Symphony no. 99 in E-flat major, Hob. I:99: I. Adagio - Vivace assai | — | ||
| 114-2 | Symphony no. 99 in E-flat major, Hob. I:99: II. Adagio | — | ||
| 114-3 | Symphony no. 99 in E-flat major, Hob. I:99: III. Menuet. Allegretto - Trio | — | ||
| 114-4 | Symphony no. 99 in E-flat major, Hob. I:99: IV. Finale. Vivace | — | ||
| 114-5 | Symphony no. 100 in G major “Military”, Hob. I:100: I. Adagio - Allegro | — | ||
| 114-6 | Symphony no. 100 in G major “Military”, Hob. I:100: II. Allegretto | — | ||
| 114-7 | Symphony no. 100 in G major “Military”, Hob. I:100: III. Menuet. Moderato - Trio | — | ||
| 114-8 | Symphony no. 100 in G major “Military”, Hob. I:100: IV. Finale. Presto | — | ||
| 115-1 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: I. Allegro | — | ||
| 115-2 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: II. Adagio un poco moto - attacca | — | ||
| 115-3 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: III. Rondo. Allegro | — | ||
| 116-1 | Der Rosenkavalier, TrV 227d: Prelude to Act I. Con moto agitato - attacca / Presentation of the Silver Rose. Allegro molto - attacca / Baron Ochs's Waltz. Tempo di valse, assai comodo da primo - attacca / Closing Duet: “Ist ein Traum”. Moderato molto sostenuto - attacca / Waltz (Reprise) | — | ||
| 116-2 | Die Frau ohne Schatten: Symphonic Fantasia, TrV 234a | — | ||
| 117-1 | Panamericana: Molto moderato e marcato | — | ||
| 117-2 | American Fantasy | — | ||
| 117-3 | Irish Rhapsody | — | ||
| 117-4 | Naughty Marietta: Selections | — | ||
| 117-5 | The Fortune Teller: Selections | — | ||
| 118-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 118-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Szene am Bach. Andante molto moto | — | ||
| 118-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute. Allegro - attacca | — | ||
| 118-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter, Sturm. Allegro - attacca | — | ||
| 118-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 118-6 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | — | ||
| 118-7 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | — | ||
| 119-1 | Show Boat | — | ||
| 119-2 | South Pacific | — | ||
| 119-3 | On Your Toes: Slaughter on Tenth Avenue | — | ||
| 119-4 | The Triumph of Neptune: Harlequinade | — | ||
| 119-5 | The Triumph of Neptune: Dance of the Fairy Princess | — | ||
| 119-6 | The Triumph of Neptune: Schottische | — | ||
| 119-7 | The Triumph of Neptune: Cloudland | — | ||
| 119-8 | The Triumph of Neptune: Sunday Morning (Intermezzo) | — | ||
| 119-9 | The Triumph of Neptune: The Sailor's Return (Polka) | — | ||
| 119-10 | The Triumph of Neptune: Hornpipe | — | ||
| 119-11 | The Triumph of Neptune: The Frozen Forest | — | ||
| 119-12 | The Triumph of Neptune: Apotheosis of Neptune | — | ||
| 119-13 | Semiramide: Overture. Allegro vivace - Andantino - Allegro | — | ||
| 120-1 | Symphony no. 40 in G minor, K. 550: I. Molto Allegro | — | ||
| 120-2 | Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace - Trio | — | ||
| 120-3 | Symphony no. 3 in A minor “Scottish”, op. 56: II. Vivace non troppo | — | ||
| 120-4 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | — | ||
| 120-5 | Scheherazade, op. 35: III. Andantino quasi allegretto (The Young Prince and the Young Princess) | — | ||
| 120-6 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | — | ||
| 120-7 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 120-8 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — |
Identifier Graph
194397574821 is a Universal Product Code (UPC) assigned to The Columbia Legacy by Eugene Ormandy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 915 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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Creative Contributors (ISNI)
The UPC for “The Columbia Legacy” by Eugene Ormandy is 194397574821. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Sony Classical. This release contains 915 tracks, each with its own ISRC. Tracks include USSM11711134, USSM11711135, USSM11711136.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | — | ||
| 2 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | — | ||
| 3 | Symphonie espagnole in D minor, op. 21: IV. Andante | — | ||
| 4 | Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro | — | ||
| 5 | Prince Igor: Polovtsian Dances | — | ||
| 6 | Ancient Airs and Dances, Suite no. 3: Arie di corte. Andante cantbile - Allegretto - Vivace - Lento con grande espressione - Allegro vivace - Vivacissimo - Andante cantabile | — | ||
| 7 | Orphée et Eurydice: Mélodie | — | ||
| 8 | Dichter und Bauer: Overture | — | ||
| 2-1 | My Country at War: I. 1941 | — | ||
| 2-2 | My Country at War: II. Bataan | — | ||
| 2-3 | My Country at War: III. Elegy | — | ||
| 2-4 | My Country at War: IV. Hymn of the People | — | ||
| 2-5 | Sea Chanty: Allegro non troppo | — | ||
| 2-6 | Sea Chanty: Andante espressivo | — | ||
| 2-7 | Sea Chanty: Allegro giocoso | — | ||
| 2-8 | Serenade for Flute, Harp and String Orchestra, op. 35: Andante con moto (𝅘𝅥 = 69-72) | — | ||
| 2-9 | Night Soliloquy: Largo (𝅘𝅥 = 50) | — | ||
| 3-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 3-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 3-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | — | ||
| 3-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 3-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 3-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 3-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | — | ||
| 3-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro | — | ||
| 4-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 4-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 4-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più Adagio - Tempo I | — | ||
| 4-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 4-5 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 4-6 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - attacca | — | ||
| 4-7 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 5-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 5-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 5-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 6-1 | The Red Poppy, op. 70: Russian Sailors' Dance. Allegro - Pesanto - Moderato - Animato - Sostenuto poco - Più tranquillo - Più mosso - Presto - Più mosso Prestissimo | — | ||
| 6-2 | Malazarte: Batuque | — | ||
| 6-3 | The Bartered Bride: Dance of the Comedians. Vivace | — | ||
| 6-4 | Slavonic Dance in E minor, op. 72/2: Allegretto grazioso | — | ||
| 6-5 | Hungarian Dance no. 5 in G minor, WoO 1/5: Allegro | — | ||
| 6-6 | Wein, Weib ung Gesang, op. 333 (Waltz) | — | ||
| 6-7 | La Damoiselle élue, L 62 | — | ||
| 7-1 | Nocturnes, L 91: I. Nuages | — | ||
| 7-2 | Nocturnes, L 91: II. Fêtes | — | ||
| 7-3 | Pini di Roma: I. I pini di Villa Borghese. Allegretto vivace - Più vivo - Vivace | — | ||
| 7-4 | Pini di Roma: II. Pini presso una catacomba. Lento - Più mosso - Ancora più mosso | — | ||
| 7-5 | Pini di Roma: III. I pini del Gianicolo. Lento | — | ||
| 7-6 | Pini di Roma: IV. I pini della Via Appia. Tempo di Marcia | — | ||
| 8-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | — | ||
| 8-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio, ma non troppo | — | ||
| 8-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | — | ||
| 8-4 | Kol Nidrei, op. 47. Adagio ma non troppo - Un poco più animato | — | ||
| 9-1 | Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto | — | ||
| 9-2 | Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo | — | ||
| 9-3 | Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo. Molto vivace | — | ||
| 9-4 | Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco | — | ||
| 10-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 10-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 10-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 11-1 | Der Rosenkavalier, Concert Suite for Orchestra, TrV 227d: Prelude to Act I. Con moto agitato - attacca / Presentation of the Silver Rose. Allegro molto - attacca / Baron Ochs's Waltz. Tempo di valse, assai comodo da primo - attacca / Closing Duet: “Ist ein Traum”. Moderato molto sostenuto - attacca / Waltz (Reprise) | — | ||
| 11-2 | Tod und Verklärung, op. 24: Largo - attacca | — | ||
| 11-3 | Tod und Verklärung, op. 24: Allegro molto agitato - attacca | — | ||
| 11-4 | Tod und Verklärung, op. 24: Meno mosso, ma sempre alla breve - attacca | — | ||
| 11-5 | Tod und Verklärung, op. 24: Moderato | — | ||
| 11-6 | Salome, op. 54: Dance of the Seven Veils | — | ||
| 12-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo | — | ||
| 12-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | — | ||
| 12-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | — | ||
| 12-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — | ||
| 12-5 | Serenade for String Orchestra in C major, op. 48: I. Pezzo in forma di Sonatina. Andante non troppo - Allegro moderato | — | ||
| 12-6 | Serenade for String Orchestra in C major, op. 48: II. Valse. Moderato. Tempo di Valse | — | ||
| 12-7 | Serenade for String Orchestra in C major, op. 48: III. Élégie. Larghetto elegiaco | — | ||
| 12-8 | Serenade for String Orchestra in C major, op. 48: IV. Finale. Tema russo. Andante - Allegro con spirito | — | ||
| 13-1 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 13-2 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto - attacca | — | ||
| 13-3 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 13-4 | Piano Concerto for the Left Hand in D major, M 82: Lento - Andante - Allegro - Tempo I | — | ||
| 14-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 14-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 14-3 | Symphony no. 3 in F major, op. 90: III. Poco Allegretto | — | ||
| 14-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 14-5 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 14-6 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation I. Poco più animato | — | ||
| 14-7 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation II. Più vivace | — | ||
| 14-8 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation III. Con moto | — | ||
| 14-9 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation IV. Andante con moto | — | ||
| 14-10 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation V. Vivace | — | ||
| 14-11 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VI. Vivace | — | ||
| 14-12 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VII. Grazioso | — | ||
| 14-13 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VIII. Presto non troppo | — | ||
| 14-14 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Finale. Andante | — | ||
| 14-15 | Les Préludes, S 97 | — | ||
| 15-1 | Scheherazade, op. 35: I. Largo e maestoso - Allegro non troppo - Tranquillo (The Sea and Sinbad's Ship) | — | ||
| 15-2 | Scheherazade, op. 35: II. Lento - Andantino - Allegro molto - Vivace scherzando - Moderato assai - Allegro molto ed animato - Con moto (The Story of the Kalender Prince) | — | ||
| 15-3 | Scheherazade, op. 35: III. Andantino quasi allegretto (The Young Prince and the Young Princess) | — | ||
| 15-4 | Scheherazade, op. 35: IV. Allegro molto e frenetico - Vivo - Allegro non troppo e maestoso - Tempo come I (Festival at Baghdad - The Sea - The Shipwreck on a Rock Surmounted by a Bronze Warrior - Conclusion) | — | ||
| 16-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 16-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | — | ||
| 16-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 16-4 | Rhapsody in Blue | — | ||
| 17-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 17-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | — | ||
| 17-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | — | ||
| 17-4 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Presto - Allegro assai - Presto - | — | ||
| 17-5 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Recitativo: “O Freunde, nicht diese Töne!” - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco Adagio - Prestissimo | — | ||
| 18-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | — | ||
| 18-2 | Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato | — | ||
| 18-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - attacca | — | ||
| 18-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | — | ||
| 19-1 | Peer Gynt Suite no. 1, op. 46: I. Morning Mood. Allegretto pastorale | — | ||
| 19-2 | Peer Gynt Suite no. 1, op. 46: II. The Death of Åse. Andante doloroso | — | ||
| 19-3 | Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance. Tempo di Mazurka | — | ||
| 19-4 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | — | ||
| 19-5 | Hungarian Rhapsody in F minor, S 359/1 | — | ||
| 19-6 | Hungarian Rhapsody in C-sharp minor, S 244/2 | — | ||
| 20-1 | Die Fledermaus: Overture | — | ||
| 20-2 | Der Zigeunerbaron: Overture | — | ||
| 20-3 | An der schönen blauen Donau, op. 314 (Waltz) | — | ||
| 20-4 | Geschichten aus dem Wienerwald, op. 325 (Waltz) | — | ||
| 20-5 | Ruslan and Lyudmila: Overture. Presto | — | ||
| 20-6 | Aufforderung zum Tanz, op. 65 | — | ||
| 20-7 | Der Freischütz, op. 7: Overture. Adagio - Molto vivace | — | ||
| 20-8 | Schwanda the Bagpiper (Švanda dudák): Polka and Fugue | — | ||
| 21-1 | Scythian Suite, op. 20: I. The Adoration of Veles and Ala. Allegro feroce - Poco meno mosso - Poco più lento | — | ||
| 21-2 | Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness. Allegro sostenuto | — | ||
| 21-3 | Scythian Suite, op. 20: III. lNight. Andantino - Poco più mosso | — | ||
| 21-4 | Scythian Suite, op. 20: IV. The Glorious Departure of Lolli and the Sun's Procession. Tempestoso - Allegro - Andante sostenuto | — | ||
| 21-5 | Feste romane: I. Circenses | — | ||
| 21-6 | Feste romane: II. Il giubileo | — | ||
| 21-7 | Feste romane: III. L'Ottobrata | — | ||
| 21-8 | Feste romane: IV. La Befana | — | ||
| 22-1 | Passacaglia and Fugue in C minor, BWV 582 | — | ||
| 22-2 | Toccata and Fugue in D minor, BWV 565 | — | ||
| 22-3 | “Herz und Mund und Tat und Leben”, BWV 147: Jesus bleibet meine Freude | — | ||
| 22-4 | Wachet auf, ruft uns die Stimme, BWV 645 | — | ||
| 22-5 | Water Music, HWV 348-350: I. Allegro | — | ||
| 22-6 | Water Music, HWV 348-350: II. Andante | — | ||
| 22-7 | Water Music, HWV 348-350: III. Allegro | — | ||
| 22-8 | Water Music, HWV 348-350: IV. Air | — | ||
| 22-9 | Water Music, HWV 348-350: V. Bourrée | — | ||
| 22-10 | Water Music, HWV 348-350: VI. Hornpipe | — | ||
| 22-11 | Water Music, HWV 348-350: VII. Allegro deciso | — | ||
| 22-12 | Concerto for Trumpets and Horns in D major, HWV 335a: I. Largo / III. Allegro ma non troppo / II. Allegro | — | ||
| 22-13 | Suite for String Orchestra: I. Sarabanda. Largo | — | ||
| 22-14 | Suite for String Orchestra: II. Giga. Allegro | — | ||
| 22-15 | Suite for String Orchestra: III. Badinerie. Vivace | — | ||
| 23-1 | Nobilissima visione: I. Einleitung und Rondo. Sehr langsam - Rondo. Mäßig schnell | — | ||
| 23-2 | Nobilissima visione: II. Marsch und Pastorale. Lebhaft | — | ||
| 23-3 | Nobilissima visione: III. Passacaglia. Feierlich bewegt | — | ||
| 23-4 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | The Cleveland Orchestra, George Szell | — | |
| 23-5 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. “Turandot” Scherzo. Moderato - Lebhaft | The Cleveland Orchestra, George Szell | — | |
| 23-6 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | The Cleveland Orchestra, George Szell | — | |
| 23-7 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | The Cleveland Orchestra, George Szell | — | |
| 24-1 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | — | ||
| 24-2 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso - Poco più mosso - Tempo I | — | ||
| 24-3 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace - Presto - Tempo I | — | ||
| 24-4 | Symphony no. 21 in F-sharp minor, op. 51: Andante sostenuto - Allegro non troppo, ma con impeto - Poco meno mosso (quasi Andante) - Allegro I - Più vivo e poco agitato - Più largamente (quasi Andante) - Allegro I - Poco meno moss (quasi Andante) - Tempo I | — | ||
| 25-1 | Alexander Nevsky, op. 78: I. Russia under the Mongolian Yoke | — | ||
| 25-2 | Alexander Nevsky, op. 78: II. Slng about Alexander Nevsky | — | ||
| 25-3 | Alexander Nevsky, op. 78: III. The Crusaders in Pskov | — | ||
| 25-4 | Alexander Nevsky, op. 78: IV. Arise, Ye Russian People | — | ||
| 25-5 | Alexander Nevsky, op. 78: V. The Battle on the Ice | — | ||
| 25-6 | Alexander Nevsky, op. 78: VI. Field of the Dead | — | ||
| 25-7 | Alexander Nevsky, op. 78: VII. Alexander's Entry into Pskov | — | ||
| 25-8 | Classical Symphony (no. 1) in D major, op. 25: I. Allegro | — | ||
| 25-9 | Classical Symphony (no. 1) in D major, op. 25: II. Larghetto | — | ||
| 25-10 | Classical Symphony (no. 1) in D major, op. 25: III. Gavotta. Non troppo allegro | — | ||
| 25-11 | Classical Symphony (no. 1) in D major, op. 25: IV. Finale. Molto vivace | — | ||
| 25-12 | Russian Easter Festival, op. 36 | — | ||
| 26-1 | Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | — | ||
| 26-2 | Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante - attacca | — | ||
| 26-3 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro Vivacissimo | — | ||
| 26-4 | Concerto for Cello and Orchestra no. 1 in A minor, op. 33: Allegro non troppo - | — | ||
| 26-5 | Concerto for Cello and Orchestra no. 1 in A minor, op. 33: Allegretto con moto (- Cadenza) - | — | ||
| 26-6 | Concerto for Cello and Orchestra no. 1 in A minor, op. 33: Tempo I - Un peu moins vite - Molto allegro | — | ||
| 27-1 | Louisiana Story: I. Pastoral. The Bayou and the Marsh Buggy | — | ||
| 27-2 | Louisiana Story: II. Chorale. The Derrick Arrives | — | ||
| 27-3 | Louisiana Story: III. Passacaglia. Robbing the Alligator's Nest / IV. Fugue. Boy Fights Alligator | — | ||
| 27-4 | 5 Portraits: Bugles and Birds | — | ||
| 27-5 | 5 Portraits: Percussion Piece | — | ||
| 27-6 | 5 Portraits: Cantabile for Strings | — | ||
| 27-7 | 5 Portraits: Tango Lullaby | — | ||
| 27-8 | 5 Portraits: Fugue | — | ||
| 27-9 | Wozzeck, op. 7: Interlude - Military Music - Cradle Song | — | ||
| 27-10 | Wozzeck, op. 7: Marie's Bible Reading | — | ||
| 27-11 | Wozzeck, op. 7: Death of Wozzeck - Final Scene | — | ||
| 27-12 | Children's Symphony: I. Allegro moderato | — | ||
| 27-13 | Children's Symphony: II. Andante patetico | — | ||
| 27-14 | Children's Symphony: III. Allegro scherzando | — | ||
| 27-15 | Children's Symphony: IV. Allegro marziale | — | ||
| 27-16 | The Wonderful One-Hoss Shay | — | ||
| 28-1 | Symphony no. 101 in D major “The Clock”, Hob. I:101: I. Adagio | — | ||
| 28-2 | Symphony no. 101 in D major “The Clock”, Hob. I:101: II. Andante | — | ||
| 28-3 | Symphony no. 101 in D major “The Clock”, Hob. I:101: III. Menuet. Allegretto - Trio | — | ||
| 28-4 | Symphony no. 101 in D major “The Clock”, Hob. I:101: IV. Finale. Vivace | — | ||
| 28-5 | Symphony no. 92 in G major “Oxford”, Hob. I:92: I. Adagio - Allegro spiritoso | The Cleveland Orchestra, George Szell | — | |
| 28-6 | Symphony no. 92 in G major “Oxford”, Hob. I:92: II. Adagio | The Cleveland Orchestra, George Szell | — | |
| 28-7 | Symphony no. 92 in G major “Oxford”, Hob. I:92: III. Menuet - Trio | The Cleveland Orchestra, George Szell | — | |
| 28-8 | Symphony no. 92 in G major “Oxford”, Hob. I:92: IV. Finale. Presto | The Cleveland Orchestra, George Szell | — | |
| 28-9 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | — | ||
| 28-10 | Symphony no. 88 in G major, Hob. I:88: II. Largo | — | ||
| 28-11 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto. Allegretto - Trio | — | ||
| 28-12 | Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito | — | ||
| 29-1 | Rapsodie espagnole, M 54: I. Prélude à la nuit | — | ||
| 29-2 | Rapsodie espagnole, M 54: II. Malagueña | — | ||
| 29-3 | Rapsodie espagnole, M 54: III. Habanera | — | ||
| 29-4 | Rapsodie espagnole, M 54: IV. Feria | — | ||
| 29-5 | Háry János Suite, op. 15: I. Prelude: The Fairy Tale Begins | — | ||
| 29-6 | Háry János Suite, op. 15: II. Viennese Musical Clock | — | ||
| 29-7 | Háry János Suite, op. 15: III. Song | — | ||
| 29-8 | Háry János Suite, op. 15: IV. The Battle and Defeat of Napoleon | — | ||
| 29-9 | Háry János Suite, op. 15: V. Intermezzo | — | ||
| 29-10 | Háry János Suite, op. 15: VI. Entrance of the Emperor and His Court | — | ||
| 30-1 | Daphnis et Chloé: Suite no. 1, M 57a. Nocturne - (Modéré - Lent et très souple de mesure - 𝅘𝅥 = 40 - 𝅘𝅥 = 50) | — | ||
| 30-2 | Daphnis et Chloé: Suite no. 1, M 57a. Interlude - (Même mouvement) | — | ||
| 30-3 | Daphnis et Chloé: Suite no. 1, M 57a. Danse guerrière (Animé très rude 𝅘𝅥 = 138) | — | ||
| 30-4 | Daphnis et Chloé: Suite no. 2, M 57b. Lever du jour - (Lent) | — | ||
| 30-5 | Daphnis et Chloé: Suite no. 2, M 57b. Pantomime - (Lent - Très lent - Vif - Très lent - 𝅘𝅥 = 80) | — | ||
| 30-6 | Daphnis et Chloé: Suite no. 2, M 57b. Danse générale (Animé) | — | ||
| 31-1 | Prélude à l'après-midi d'un faune, L 86: Très modéré | — | ||
| 31-2 | L'Apprenti sorcier | — | ||
| 31-3 | Concertino for Piano and Orchestra: Allegro molto moderato - Larghetto sostenuto - Allegro | — | ||
| 31-4 | Finlandia, op. 26: Andante sostenuto - Allegro moderato - Allegro | — | ||
| 31-5 | The Swan of Tuonela, op. 22/2: Andante molto sostenuto | — | ||
| 31-6 | Prélude in C-sharp minor, op. 3/2: Lento | — | ||
| 31-7 | Prélude in G major, op. 32/5: Moderato | — | ||
| 31-8 | Prélude in G minor, op. 23/5: Alla marcia | — | ||
| 32-1 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato - Andante molto - Allegro - Moderato | — | ||
| 32-2 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | — | ||
| 32-3 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace - Andante tenero - Vivace, come prima | — | ||
| 33-1 | Die Fledermaus: Overture | — | ||
| 33-2 | Die Fledermaus: Act I. No. 1 Introduction: “Do you still belong to me” (Alfred, Adele) / No. 1a Solo and Duet: “I've a sister rarely writes me” (Rosalinda, Adele) | — | ||
| 33-3 | Die Fledermaus: Act I. No. 2 Trio: “Let me tell you” (Eisenstein, Rosalinda, Blind) | — | ||
| 33-4 | Die Fledermaus: Act I. No. 3 Duet: “I've a plan for a man” (Falke, Eisenstein) | — | ||
| 33-5 | Die Fledermaus: Act I. No. 4 Trio: “The graying sea, the leaden sky” (Rosalinda, Adele, Eisenstein) | — | ||
| 33-6 | Die Fledermaus: Act I. No. 5 Finale I: “What a lovely rendezvous” (Alfred, Rosalinda, Frank) | — | ||
| 33-7 | Die Fledermaus: Act II. No. 6 Entr'acte and Ensemble: “You will find if your mind is an ever-sharp stiletto” (chorus) | — | ||
| 33-8 | Die Fledermaus: Act II. No. 7 Couplet: “I've many peculiarities” (Orlofsky) | — | ||
| 33-9 | Die Fledermaus: Act II. No. 8 Ensemble and Couplet: “It seems we're entertaining an uninvited guest” - “Look me over once, look me over twice” (Adele's Laughing Song) (Orlofsky, Falke, ensemble, Adele, Eisenstein) | — | ||
| 34-1 | Die Fledermaus: Act II. No. 9 Duet: “What a beauty” (Eisenstein, Rosalinda) | — | ||
| 34-2 | Die Fledermaus: Act II. No. 10 Csárdás: “Some days you're lonely” (Rosalinda) | — | ||
| 34-3 | Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble) | — | ||
| 34-4 | Die Fledermaus: Act II. Ballet: Roses from the South, op. 388 | — | ||
| 34-5 | Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele) | — | ||
| 34-6 | Die Fledermaus: Act III. No. 12: Entr'acte | — | ||
| 34-7 | Die Fledermaus: Act III. No. 13 Melodrama: “Then up with the wine and drink her down” (Frank) | — | ||
| 34-8 | Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | — | ||
| 34-9 | Die Fledermaus: Act III. No. 15 Trio: “The case that you take up” (Rosalinda, Alfred, Eisenstein) | — | ||
| 34-10 | Die Fledermaus: Act III. No. 16 Finale III: “Die Fledermaus, die Fledermaus” (ensemble) | — | ||
| 35-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 35-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto - attacca | — | ||
| 35-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | — | ||
| 35-4 | Poème, op. 25: Lento e misterioso - Molto animato - Animato - Poco lento - Poco meno lento - Allegro - Tempo I - Tranquillo | — | ||
| 36-1 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: I. Allegro | — | ||
| 36-2 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: II. Adagio un poco moto (attacca) | — | ||
| 36-3 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: III. Rondo. Allegro | — | ||
| 36-4 | Piano Concerto No. 20 in D minor, K466: Allegro | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 36-5 | Piano Concerto No. 20 in D minor, K466: Romance | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 36-6 | Piano Concerto No. 20 in D minor, K466: Rondo: Allegro Assai | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 37-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 37-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I | — | ||
| 37-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 37-4 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | — | ||
| 38-1 | Symphony no. 3: Part I. Passacaglia - | — | ||
| 38-2 | Symphony no. 3: Part I. Fugue | — | ||
| 38-3 | Symphony no. 3: Part II. Chorale - | — | ||
| 38-4 | Symphony no. 3: Part II. Toccata | — | ||
| 38-5 | Ibéria, L 122/2: I. Par les rues et par les chemins | — | ||
| 38-6 | Ibéria, L 122/2: II. Les Parfums de la nuit | — | ||
| 38-7 | Ibéria, L 122/2: III. Le Matin d'un jour de fête | — | ||
| 39-1 | Symphony no. 2 in E minor, op. 27: I. Largo - Allegro molto | — | ||
| 39-2 | Symphony no. 2 in E minor, op. 27: II. Allegro molto | — | ||
| 39-3 | Symphony no. 2 in E minor, op. 27: III. Adagio | — | ||
| 39-4 | Symphony no. 2 in E minor, op. 27: IV. Allegro vivace | — | ||
| 40-1 | Symphonie fantastique, op. 14: I. Rêveries - Passions (Largo - Allegro agitato ed appassionato assai) | — | ||
| 40-2 | Symphonie fantastique, op. 14: II. Un bal (Valse. Allegro non troppo) | — | ||
| 40-3 | Symphonie fantastique, op. 14: III. Scène aux champs (Adagio) | — | ||
| 40-4 | Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo) | — | ||
| 40-5 | Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat (Larghetto - Adagio) | — | ||
| 41-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 41-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 41-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | — | ||
| 41-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo, ma con brio - Più Allegro | — | ||
| 42-1 | Symphony no. 6 in B minor “Pathétique”, op. 74: I. Adagio - Allegro non troppo - Andante - Moderato moss - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso | — | ||
| 42-2 | Symphony no. 6 in B minor “Pathétique”, op. 74: II. Allegro con grazia | — | ||
| 42-3 | Symphony no. 6 in B minor “Pathétique”, op. 74: III. Allegro molto vivace | — | ||
| 42-4 | Symphony no. 6 in B minor “Pathétique”, op. 74: IV. Finale. Adagio lamentoso - Andante | — | ||
| 43-1 | Eine Nacht in Venedig: Overture | — | ||
| 43-2 | Accelerationen, op. 234 (Waltz) | — | ||
| 43-3 | Feuerfest!, op. 269 (Polka française) | — | ||
| 43-4 | Bahn frei!, op. 45 (Polka schnell) | — | ||
| 43-5 | Wein, Weib und Gesang, op. 333 (Waltz) | — | ||
| 43-6 | Perpetuum mobile, op. 257 (Musical Joke) | — | ||
| 43-7 | Kaiser-Waltzer, op. 437 | — | ||
| 43-8 | Coriolan Overture, op. 62 (Allegro con brio) | — | ||
| 43-9 | Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro | — | ||
| 44-1 | Cakewalk, Ballet Suite: I. Grand Walkaround | — | ||
| 44-2 | Cakewalk, Ballet Suite: II. 3 Variations: Wallflower Waltz - | — | ||
| 44-3 | Cakewalk, Ballet Suite: II. 3 Variations: Sleight of Feet - | — | ||
| 44-4 | Cakewalk, Ballet Suite: II. 3 Variations: Perpendicular Points | — | ||
| 44-5 | Cakewalk, Ballet Suite: III. Freebee | — | ||
| 44-6 | Cakewalk, Ballet Suite: IV. Magic Act: Entrance of the Magicians - | — | ||
| 44-7 | Cakewalk, Ballet Suite: IV. Magic Act: Venus and Three Graces - | — | ||
| 44-8 | Cakewalk, Ballet Suite: IV. Magic Act: The Wild Pony - | — | ||
| 44-9 | Cakewalk, Ballet Suite: IV. Magic Act: Pas de deux - | — | ||
| 44-10 | Cakewalk, Ballet Suite: IV. Magic Act: Rideout - | — | ||
| 44-11 | Cakewalk, Ballet Suite: IV. Magic Act: Finale. Gala Cakewalk | — | ||
| 44-12 | Fall River Legend, Ballet Suite: I. Prologue and Waltzes | — | ||
| 44-13 | Fall River Legend, Ballet Suite: II. Elegy | — | ||
| 44-14 | Fall River Legend, Ballet Suite: III. Church Social | — | ||
| 44-15 | Fall River Legend, Ballet Suite: III. Serenade | — | ||
| 44-16 | Fall River Legend, Ballet Suite: IV. Hymnal Variations | — | ||
| 44-17 | Fall River Legend, Ballet Suite: V. Cotillion | — | ||
| 44-18 | Fall River Legend, Ballet Suite: VI. Epilogue | — | ||
| 44-19 | 4 Dances from Façade: Popular Song | — | ||
| 44-20 | 4 Dances from Façade: Country Song | — | ||
| 44-21 | 4 Dances from Façade: Scotch Rhapsody | — | ||
| 44-22 | 4 Dances from Façade: Tarantella Sevillana | — | ||
| 44-23 | Fancy Free: 3 Dance Variations: Danzon | — | ||
| 44-24 | Fancy Free: 3 Dance Variations: Waltz | — | ||
| 44-25 | Fancy Free: 3 Dance Variations: Galop | — | ||
| 45-1 | A Trumpet Voluntary in D major | — | ||
| 45-2 | Poem for Flute and Orchestra | — | ||
| 45-3 | Concerto for Oboe and String Orchestra no. 3 in G minor, HWV 287: I. Grave | — | ||
| 45-4 | Concerto for Oboe and String Orchestra no. 3 in G minor, HWV 287: II. Allegro | — | ||
| 45-5 | Concerto for Oboe and String Orchestra no. 3 in G minor, HWV 287: III. Sarabande. Largo | — | ||
| 45-6 | Concerto for Oboe and String Orchestra no. 3 in G minor, HWV 287: IV. Allegro | — | ||
| 45-7 | Concert Piece for Bassoon and String Orchestra | — | ||
| 45-8 | Adagio and Rondo in F major: I. Adagio | — | ||
| 45-9 | Adagio and Rondo in F major: II. Rondo | — | ||
| 45-10 | Larghetto for Horn and Orchestra | — | ||
| 45-11 | Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile | — | ||
| 45-12 | Concertino for Clarinet and Orchestra in E-flat major, op. 26: Adagio ma non troppo | — | ||
| 46-1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 46-2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto - attacca | — | ||
| 46-3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 47-1 | Lemminkäinen Suite, op. 22: No. 1: Lemminkäinen and the Maidens of the Island. Allegro molto moderato | — | ||
| 47-2 | Lemminkäinen Suite, op. 22: No. 2: The Swan of Tuonela. Andante molto sostenuto | — | ||
| 47-3 | Lemminkäinen Suite, op. 22: No. 3: Lemminkäinen in Tuonela. Il tempo largamente | — | ||
| 47-4 | Lemminkäinen Suite, op. 22: No. 4: Return of Lemminkäinen. Allegro con fuoco | — | ||
| 48-1 | Symphony no. 45 in F-sharp minor “Farewell”, Hob. I:45: I. Allegro assai | — | ||
| 48-2 | Symphony no. 45 in F-sharp minor “Farewell”, Hob. I:45: II. Adagio | — | ||
| 48-3 | Symphony no. 45 in F-sharp minor “Farewell”, Hob. I:45: III. Menuet. Allegretto - Trio | — | ||
| 48-4 | Symphony no. 45 in F-sharp minor “Farewell”, Hob. I:45: IV. Finale. Presto | — | ||
| 48-5 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: I. Adagio - Allegro | — | ||
| 48-6 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: II. Recitativo. Adagio - Allegro - Adagio | — | ||
| 48-7 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: III. Adagio - Ferma (Cadenza) - Allegro - Adagio | — | ||
| 48-8 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: IV. Menuetto - Trio | — | ||
| 48-9 | Symphony no. 7 in C major “Le Midi”, Hob. I:7: V. Finale. Allegro | — | ||
| 49-1 | Jeanne d'Arc au bûcher: Prologue (chœur, récitant) | — | ||
| 49-2 | Jeanne d'Arc au bûcher: Scène 1. Les Voix du ciel (chœur) | — | ||
| 49-3 | Jeanne d'Arc au bûcher: Scène 2. Le Livre (Frère Dominique, Jeanne, chœur) | — | ||
| 49-4 | Jeanne d'Arc au bûcher: Scène 3. Les Voix de la terre (Frère Dominique, Jeanne, chœur) | — | ||
| 49-5 | Jeanne d'Arc au bûcher: Scène 4. Jeanne livrée aux bêtes (l'Appariteur, héraut, chœur, Porcus, l'Âne, Pecus) | — | ||
| 49-6 | Jeanne d'Arc au bûcher: Scène 5. Jeanne au poteau (Jeanne, Frère Dominique, chœur) | — | ||
| 49-7 | Jeanne d'Arc au bûcher: Scène 6. Les Rois ou L'invention du jeu de cartes (héraut I-III, Jeanne, Regnault de Chartres, le Duc de Bedford, Guillaume de Flavy, Jean de Luxembourg, chœur) | — | ||
| 49-8 | Jeanne d'Arc au bûcher: Scène 7. Catherine et Marguerite (Jeanne, Frère Dominique, chœur, Catherine, Marguerite) | — | ||
| 49-9 | Jeanne d'Arc au bûcher: Scène 8. Le Roi qui va-t-à Reims (chœur, chœur d'enfants, Heurtebise, la Mère aux Tonneaux, le Clerc, Jeanne, Frère Dominique) | — | ||
| 49-10 | Jeanne d'Arc au bûcher: Scène 9. L'Épée de Jeanne (Marguerite, Jeanne, chœur, Frère Dominique, Catherine, voix d'enfants) | — | ||
| 49-11 | Jeanne d'Arc au bûcher: Scène 10. Trimazô (Jeanne) | — | ||
| 49-12 | Jeanne d'Arc au bûcher: Scène 11. Jeanne d'Arc en flammes (La Vierge, chœur, un prêtre, Jeanne, Marguerite, Catherine, enfants) | — | ||
| 50-1 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: Allegro maestoso. Tempo giusto | — | ||
| 50-2 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: Quasi Adagio - | — | ||
| 50-3 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: Allegretto vivace - Allegro animato - Tempo I (Allegro maestoso) - | — | ||
| 50-4 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: Allegro marziale animato - Presto | — | ||
| 50-5 | Fantasia on Hungarian Folk Melodies for Piano and Orchestra, S 123: Andante mesto - Adagio - Allegro molto (Cadenza) - | — | ||
| 50-6 | Fantasia on Hungarian Folk Melodies for Piano and Orchestra, S 123: Allegro eroico - | — | ||
| 50-7 | Fantasia on Hungarian Folk Melodies for Piano and Orchestra, S 123: Molto Adagio, quasi Fantasia - Moderato. Fest - Allegretto alla Zingarese - Molto animato - Cadenza - | — | ||
| 50-8 | Fantasia on Hungarian Folk Melodies for Piano and Orchestra, S 123: Vivace assai - Prestissimo | — | ||
| 50-9 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 50-10 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | — | ||
| 50-11 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 51-1 | Symphony no. 7 in C-sharp minor, op. 131: I. Moderato | — | ||
| 51-2 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | — | ||
| 51-3 | Symphony no. 7 in C-sharp minor, op. 131: III. Andante espressivo | — | ||
| 51-4 | Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace | — | ||
| 51-5 | Romeo and Juliet: Andante non tanto quasi Moderato - Allegro giusto - Moderato assai | — | ||
| 51-6 | 1812 Festival Orchestra, op. 49: Largo - Andante - Allegro giusto - Largo - Allegro vivace | — | ||
| 51-7 | Slavonic March, op. 31: Moderato in modo di marcia funebre - Più mosso. Allegro - Andante molto maestoso - Allegro risoluto | — | ||
| 52-1 | Die Fledermaus: Overture | — | ||
| 52-2 | Pizzicato-Polka | — | ||
| 52-3 | Unter Donner und Blitz, op. 324 (Polka schnell) | — | ||
| 52-4 | Tik-Tak-Polka, op. 365 (Polka schnell) | — | ||
| 52-5 | Ägyptischer Marsch, op. 335 | — | ||
| 52-6 | Das Spitzentuch der Königin: Overture | — | ||
| 52-7 | Explosions-Polka, op. 43 | — | ||
| 52-8 | Annen-Polka, op. 117 | — | ||
| 52-9 | Tritsch-Tratsch-Polka, op. 214 (Polka schnell) | — | ||
| 52-10 | Radetzky-Marsch, op. 228 | — | ||
| 52-11 | Waldmeister: Overture | — | ||
| 53-1 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto | — | ||
| 53-2 | Pictures at an Exhibition: I. Gnomus. Vivo | — | ||
| 53-3 | Pictures at an Exhibition: Promenade | — | ||
| 53-4 | Pictures at an Exhibition: II. Il vecchio castello. Andante | — | ||
| 53-5 | Pictures at an Exhibition: Promenade. Moderato non tanto, pesamente | — | ||
| 53-6 | Pictures at an Exhibition: III. Tuileries. Allegretto non troppo, capriccioso | — | ||
| 53-7 | Pictures at an Exhibition: IV. Bydlo. Sempre moderato, pesante | — | ||
| 53-8 | Pictures at an Exhibition: Promenade. Tranquillo | — | ||
| 53-9 | Pictures at an Exhibition: V. Ballet des poussins dans leurs coques. Scherzino. Vivo, leggiero | — | ||
| 53-10 | Pictures at an Exhibition: VI. Samuel Goldenberg et Schmuÿle. Andante | — | ||
| 53-11 | Pictures at an Exhibition: VII. Limoges - Le Marché. Allegretto vivo, sempre scherzando - attacca | — | ||
| 53-12 | Pictures at an Exhibition: VIII. Catacombae (Sepulcrum romanum). Largo - attacca | — | ||
| 53-13 | Pictures at an Exhibition: VIII. Cum mortuis in lingua mortua. Andante non troppo, con lamento | — | ||
| 53-14 | Pictures at an Exhibition: IX. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto - attacca | — | ||
| 53-15 | Pictures at an Exhibition: X La Grande Porte de Kiev. Allegro alla breve. Maestoso. Con grandezza | — | ||
| 54-1 | The Nutcracker: Suite, op. 71a: I. Ouverture miniature. Allegro giusto | — | ||
| 54-2 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Marche. Tempo di marcia viva | — | ||
| 54-3 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo | — | ||
| 54-4 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse russe. Trépak. Tempo di Trépak, molto vivace | — | ||
| 54-5 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse arabe. Allegretto | — | ||
| 54-6 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato | — | ||
| 54-7 | The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai | — | ||
| 54-8 | The Nutcracker: Suite, op. 71a: III. Valse de fleurs. Tempo di valse | — | ||
| 54-9 | The Sleeping Beauty: Suite, op. 66a: I. Introduction. Le Fée des lilas. Allegro vivo - Andantino - Andante sostenuto | — | ||
| 54-10 | The Sleeping Beauty: Suite, op. 66a: II. Adagio. Pas d'action. Andante - Adagio maestoso - Tempo I - Molto sostenuto, quasi più andante - Tempo I | — | ||
| 54-11 | The Sleeping Beauty: Suite, op. 66a: III. Pas de caractère. La Chat botté et la Chatte blanche. Allegro moderato | — | ||
| 54-12 | The Sleeping Beauty: Suite, op. 66a: IV. Panorama. Andantino | — | ||
| 54-13 | The Sleeping Beauty: Suite, op. 66a: V. Valse. Allegro (Tempo di valse) | — | ||
| 55-1 | Tristan und Isolde: Prelude | — | ||
| 55-2 | Tristan und Isolde: Liebesnacht | — | ||
| 55-3 | Tristan und Isolde: Liebestod | — | ||
| 55-4 | Götterdämmerung: Siegfried's Death and Funeral Music | — | ||
| 55-5 | Götterdämmerung: Brunnhilde's Immolation Scene. “Starke Scheite schichtet mir dort” | — | ||
| 56-1 | Symphony “Mathis der Maler”: I. Engelkonzert. Ruhig bewegt | — | ||
| 56-2 | Symphony “Mathis der Maler”: II. Grablegung. Sehr langsam | — | ||
| 56-3 | Symphony “Mathis der Maler”: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft | — | ||
| 56-4 | Concert Music for String Orchestra and Brass, op. 50: Part I. Mäßig schnell, mit Kraft - | — | ||
| 56-5 | Concert Music for String Orchestra and Brass, op. 50: Part I. Sehr breit, aber stets fließend | — | ||
| 56-6 | Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft - | — | ||
| 56-7 | Concert Music for String Orchestra and Brass, op. 50: Part II. Langsam - | — | ||
| 56-8 | Concert Music for String Orchestra and Brass, op. 50: Part II. Im ersten Zeitmaß - | — | ||
| 56-9 | Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft | — | ||
| 57-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 57-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 57-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I | — | ||
| 57-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 58-1 | Capriccio espagnol, op. 34: I. Aborada | — | ||
| 58-2 | Capriccio espagnol, op. 34: II. Variazioni | — | ||
| 58-3 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 58-4 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 58-5 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 58-6 | The Tale of Tsar Saltan, op. 57: The Flight of the Bumblebee | — | ||
| 58-7 | The Snow Maiden: Dance of the Tumblers | — | ||
| 58-8 | Capriccio italien, op. 45: Andante un poco rubato - Allegro moderato - Andante - Presto - Allegro moderato - Presto - Prestissimo | — | ||
| 58-9 | String Quartet no. 1, op. 11: Andante cantabile | — | ||
| 59-2 | Lohengrin: Prelude to Act III | — | ||
| 59-3 | Die Walküre: The Ride of the Valkyries | — | ||
| 59-4 | Die Walküre: Magic Fire Music | — | ||
| 59-5 | Die Meistersinger von Nürnberg: Prelude to Act III | — | ||
| 59-6 | Die Meistersinger von Nürnberg: Dance of the Apprentices | — | ||
| 59-7 | Die Meistersinger von Nürnberg: Entry of the Masters | — | ||
| 60-1 | Estudiantina, op. 191: Introduction. Tempo di Valse - / I. Estudiantina (Refrain) - / II. Estudiantina (Couplet) - Chanson d'automne - / III. Jota de la Estudiantina - Tirana - / IV. De Cádiz al Puerto - El Tripili - Coda | — | ||
| 60-2 | España, op. 236: Introduction. Andantino quasi Allegretto - / I. Con fuoco - Con grazia - / II. Arioso - Risoluto - / III. Leggiero - Con spirito - Amabile - / IV. Energico - Coda. Risoluto | — | ||
| 60-3 | Pluie de diamants, op. 160: Introduction. Polonaise - / I. Con anima - Con fuoco - / II. Scherzando - Cantabile - / III. Con espressione - Scherzando - / IV. [...] - Amabile - Coda | — | ||
| 60-4 | Les Patineurs, op. 183: Introduction. Andante / I. Espressivo / II. Risoluto / III. Espressivo - Grazioso / IV. Amabile / Coda. Risoluto | — | ||
| 60-5 | Die lustige Witwe: Walzer-Intermezzo (“Lippen schweigen”). Allegretto moderato | — | ||
| 60-6 | Das Land des Lächelns: “Dein ist mein ganzes Herz” | — | ||
| 60-7 | Eva: Eva-Walzer | — | ||
| 60-8 | Die lustige Witwe: Vilja-Lied | — | ||
| 60-9 | Gold und Silber, op. 79 (Waltz) | — | ||
| 61-1 | Ein Heldenleben, op. 40: Der Held. Lebhaft bewegt | — | ||
| 61-2 | Ein Heldenleben, op. 40: Des Helden Widersacher. Etwas langsamer | — | ||
| 61-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin. Lebhaft bewegt | — | ||
| 61-4 | Ein Heldenleben, op. 40: Des Helden Walstatt. Lebhaft | — | ||
| 61-5 | Ein Heldenleben, op. 40: Des Helden Friedenwerke. Mit großem Schwung und Begeisterung | — | ||
| 61-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung. Mäßig langsam | — | ||
| 62-1 | Scheherazade, op. 35: I. Largo e maestoso - Allegro non troppo - Tranquillo (The Sea and Sinbad's Ship) | — | ||
| 62-2 | Scheherazade, op. 35: II. Lento - Andantino - Allegro molto - Vivace scherzando - Moderato assai - Allegro molto ed animato - Con moto (Ths Story of the Kalender Prince) | — | ||
| 62-3 | Scheherazade, op. 35: III. Andantino quasi allegretto (The Young Prince and the Young Princess) | — | ||
| 62-4 | Scheherazade, op. 35: IV. Allegro molto e frenetico - Vivo - Allegro non troppo e maestoso - Tempo come I (Festival at Baghdad - The Sea - The Shipwreck on a Rock Surmounted by a Bronze Warrior - Conclusion) | — | ||
| 63-1 | Gaîté Parisienne: Ouverture. Allegro (from La Vie parisienne) | — | ||
| 63-2 | Gaîté Parisienne: I. Allegro brillante (Tortoni) (from Mesdames de la Halle) | — | ||
| 63-3 | Gaîté Parisienne: II. Polka (from Le Voyage dans la lune) | — | ||
| 63-4 | Gaîté Parisienne: III. Poco allegro - A tempo de Ländler (from Lieschen et Fritzchen) | — | ||
| 63-5 | Gaîté Parisienne: IV. Mazurka. Largo - Allegro - Meno mosso - A Tempo (from Vert-Vert) | — | ||
| 63-6 | Gaîté Parisienne: V. Valse (from La Vie parisienne) | — | ||
| 63-7 | Gaîté Parisienne: VI. Allegro (Galop) (from La Vie parisienne) | — | ||
| 63-8 | Gaîté Parisienne: VII. Polka. Grazioso (from La Belle Hélène) | — | ||
| 63-9 | Gaîté Parisienne: VIII. Valse lente (from Orphée aux enfers) | — | ||
| 63-10 | Gaîté Parisienne: IX. Tempo di Marcia (March) (from Tromb-al-Cazar) | — | ||
| 63-11 | Gaîté Parisienne: X. Valse moderato - Calmato (from La Vie parisienne) | — | ||
| 63-12 | Gaîté Parisienne: XI. Vivo - attacca (from La Vie parisienne) | — | ||
| 63-13 | Gaîté Parisienne: XII. Valse. Valse con Grazia (from Les Contes d'Hoffmann) | — | ||
| 63-14 | Gaîté Parisienne: XIII. Allegro molto (from Le Voyage dans la lune) | — | ||
| 63-15 | Gaîté Parisienne: XIV. Valse. Valse moderato (Grande Valse) (from La Périchole) | — | ||
| 63-16 | Gaîté Parisienne: XV. Allegro vivo | — | ||
| 63-17 | Gaîté Parisienne: XVI. Cancan. Moderato - Allegro | — | ||
| 63-18 | Gaîté Parisienne: XVII. Quadrille - / XVIII. Allegro | — | ||
| 63-19 | Gaîté Parisienne: XIX. Allegro moderato | — | ||
| 63-20 | Gaîté Parisienne: XX. Allegro | — | ||
| 63-21 | Gaîté Parisienne: XXI. [Vivo] | — | ||
| 63-22 | Gaîté Parisienne: XXII. Vivo - Molto marcato (Cancan) - attacca | — | ||
| 63-23 | Gaîté Parisienne: XXIII. Barcarolle. Allegro moderato - Vivo | — | ||
| 63-24 | Les Sylphides: Prélude in A major, op. 28/7 | — | ||
| 63-25 | Les Sylphides: Nocturne in A-flat major, op. 32/2 | — | ||
| 63-26 | Les Sylphides: Waltz in G-flat major, op. posth. 70/1 | — | ||
| 63-27 | Les Sylphides: Prélude in A major, op. 28/7 | — | ||
| 63-28 | Les Sylphides: Mazurka in C major, op. posth. 67/3 | — | ||
| 63-29 | Les Sylphides: Mazurka in D major, op. 33/2 | — | ||
| 63-30 | Les Sylphides: Waltz in C-sharp minor, op. 64/2 | — | ||
| 63-31 | Les Sylphides: Waltz in E-flat major “Grande Valse brillante”, op. 18 | — | ||
| 64-1 | 3 Pictures for Orchestra: No. 1: The Seine at Night | — | ||
| 64-2 | 3 Pictures for Orchestra: No. 2: Wheat Field at Noon | — | ||
| 64-3 | 3 Pictures for Orchestra: No. 3: Sea Piece with Birds | — | ||
| 64-4 | 5 Songs from William Blake: No. 1: The Divine Image | — | ||
| 64-5 | 5 Songs from William Blake: No. 2: Tiger! Tiger! | — | ||
| 64-6 | 5 Songs from William Blake: No. 3: The Land of Dreams | — | ||
| 64-7 | 5 Songs from William Blake: No. 4: The Little Black Boy | — | ||
| 64-8 | 5 Songs from William Blake: No. 5: And Did Those Feet | — | ||
| 65-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 65-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 65-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 65-4 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 65-5 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | — | ||
| 65-6 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 66-1 | Symphony in D minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 66-2 | Symphony in D minor, FWV 48: II. Allegretto | — | ||
| 66-3 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 67-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Più vivo (Allegro) - Allegro molto - Tempo I - Allegro | — | ||
| 67-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non tropp - Allegro vivace - Alla breve. L'istesso tempo - Adagio | — | ||
| 67-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Meno mosso - Allegro vivace - Moderato - Tempo I - Andante con moto - Allegretto - Allegro vivace | — | ||
| 67-4 | Vocalise, op. 34/14: Lentamente. Molto cantabile | — | ||
| 68-1 | Boléro, M 81: Tempo di Bolero moderato assai | — | ||
| 68-2 | La Valse, M 72: Mouvement de valse viennoise - Un peu plus modéré - Premier mouvement - Assez animé | — | ||
| 68-3 | Escales: I. Rome - Palermo. Calme - Assez animé - Calme | — | ||
| 68-4 | Escales: II. Tunis - Nefta. Modéré, très rhythmé - attacca | — | ||
| 68-5 | Escales: III. Valencia. Animé - Légèrement moins animé - Modéré - Animé - Un peu plus animé | — | ||
| 68-6 | Pavane pour une infante défunte, M 19: Lent | — | ||
| 68-7 | Suite bergamasque: No. 3: Clair de lune. Andante très expressif | — | ||
| 68-8 | España. Allegro con fuoco | — | ||
| 69-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I | — | ||
| 69-2 | Concerto for Orchestra, Sz. 116: II. Giuco delle coppie. Allegretto scherzando | — | ||
| 69-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | — | ||
| 69-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | — | ||
| 69-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | — | ||
| 70-1 | Armenian Suite: I. Introduction: Harvest | — | ||
| 70-2 | Armenian Suite: II. Song: Reminiscences of a Song from Childhood | — | ||
| 70-3 | Armenian Suite: III. Lullaby | — | ||
| 70-4 | Armenian Suite: IV. Dance No. 1: Love Song | — | ||
| 70-5 | Armenian Suite: V. Interlude: The Bells Rang Out Good Morning | — | ||
| 70-6 | Armenian Suite: VI. Dance No. 2: Allegro spiritoso | — | ||
| 70-7 | Armenian Suite: VII. Finale | — | ||
| 70-8 | Desolate City | — | ||
| 70-9 | Concerto for Violin and Orchestra: I. Maestoso | — | ||
| 70-10 | Concerto for Violin and Orchestra: II. Allegro | — | ||
| 70-11 | Symphony no. 2 “Psalms”: I. Psalm 130 | — | ||
| 71-1 | Symphony no. 6: Largo - Moderato con moto - Leggeramente - Adagio - Allegro risoluto - Presto - Larghissimo | — | ||
| 71-2 | Symphony no. 4: I. Piacevole | — | ||
| 71-3 | Symphony no. 4: II. Ballando | — | ||
| 71-4 | Symphony no. 4: III. Contemplativo | — | ||
| 71-5 | Symphony no. 4: IV. Energico | — | ||
| 72-1 | Le Sacre du printemps: Part I: L'Adoration de la terre: Introduction / Les Augures printaniers (Danses des adolescentes) / Jeu du rapt / Rondes printanières / Jeux des cités rivales / Cortège du Sage / Adoration de la terre / Le Sage / Danse de la terre | — | ||
| 72-2 | Le Sacre du printemps: Part II: Le Sacrifice: Introduction / Cercles mystérieux des adolescentes / Glorification de l'Élue / Évocation des ancêtres / Action rituelle des ancêtres / Danse sacrale. L'Élue | — | ||
| 73-1 | Peer Gynt Suite no. 1, op. 46: I. Morning Mood. Allegretto pastorale | — | ||
| 73-2 | Peer Gynt Suite no. 1, op. 46: II. The Death of Åse. Andante doloroso | — | ||
| 73-3 | Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance. Tempo di mazurka | — | ||
| 73-4 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | — | ||
| 73-5 | Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride - Ingrid's Lament. Allegro furioso - Andante doloroso | — | ||
| 73-6 | Peer Gynt Suite no. 2, op. 55: II. Arabian Dance. Allegretto vivace | — | ||
| 73-7 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Homecoming - Stormy Evening on the Sea. Allegro agitato | — | ||
| 73-8 | Peer Gynt Suite no. 2, op. 55: IV. Solveig's Song. Andante - Allegretto tranquillamente | — | ||
| 73-9 | L'Arlésienne Suite no. 1: I. Prelude. Allegro deciso (Tempo di Marcia) - Andantino - Andante molto | — | ||
| 73-10 | L'Arlésienne Suite no. 1: II. Minuetto. Allegro giocoso | — | ||
| 73-11 | L'Arlésienne Suite no. 1: III. Adagietto. Adagio | — | ||
| 73-12 | L'Arlésienne Suite no. 1: IV. Carillon. Allegro moderato - Andantino - Tempo I | — | ||
| 73-13 | L'Arlésienne Suite no. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I | — | ||
| 73-14 | L'Arlésienne Suite no. 2: II. Intermezzo. Andante moderato ma con moto - Allegro moderato - Tempo I | — | ||
| 73-15 | L'Arlésienne Suite no. 2: III. Menuet. Andantino quasi Allegretto | — | ||
| 73-16 | L'Arlésienne Suite no. 2: IV. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso | — | ||
| 74-1 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 74-2 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto - attacca | — | ||
| 74-3 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 74-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 74-5 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 74-6 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 75-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | — | ||
| 75-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace - Doppio più lento | — | ||
| 75-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | — | ||
| 75-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | — | ||
| 75-5 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più presto | — | ||
| 75-6 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto - Tranquillo - Poco a poco stretto - Tempo I | — | ||
| 75-7 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Largamente assai - Un pochettino stretto | — | ||
| 76-1 | The Bells, op. 35: I. The Silver Sleigh Bells. Allegro, ma non tanto | — | ||
| 76-2 | The Bells, op. 35: II. The Mellow Wedding Bells. Lento - Adagio | — | ||
| 76-3 | The Bells, op. 35: III. The Loud Alarm Bells. Presto - Prestissimo | — | ||
| 76-4 | The Bells, op. 35: IV. The Mournful Iron Bells. Lento lugubre - Allegro - Andante - Tempo I | — | ||
| 76-5 | The Isle of the Dead, op. 29: Lento - Tranquillo - Largo - Allegro molto - Largo - Tempo I | — | ||
| 77-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo | — | ||
| 77-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 77-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro | — | ||
| 77-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — | ||
| 78-1 | Fantasia and Fugue in B minor, BWV 542: Fantasie (Praeludium) | — | ||
| 78-2 | Fantasia and Fugue in B minor, BWV 542: Fuga | — | ||
| 78-3 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: Air on the G String | — | ||
| 78-4 | Prelude and Fugue in C minor, BWV 546: Praeludium | — | ||
| 78-5 | Prelude and Fugue in C minor, BWV 546: Fuga | — | ||
| 78-6 | “Ich steh mit einem Fuß im Grabe”, BWV 156: “Ich steh mit einem Fuß im Grabe” | — | ||
| 78-7 | “Ach Gott, vom Himmel sieh darein”, Choral Prelude, BWV 741 | — | ||
| 78-8 | Fugue in G minor, BWV 578 | — | ||
| 78-9 | Fantasia and Fugue in C minor, BWV 537: Fantasia | — | ||
| 78-10 | Fantasia and Fugue in C minor, BWV 537: Fuga | — | ||
| 78-11 | “Komm, süßer Tod, komm, sel'ge Ruh!”, BWV 478 | — | ||
| 79-1 | Concerto for 2 Violins, Strings and Basso continuo in A minor, RV 522: I. Allegro | — | ||
| 79-2 | Concerto for 2 Violins, Strings and Basso continuo in A minor, RV 522: II. Larghetto e spiritoso | — | ||
| 79-3 | Concerto for 2 Violins, Strings and Basso continuo in A minor, RV 522: III. Allegro | — | ||
| 79-4 | Concerto for Violin, Strings and Basso continuo no. 1 in A minor, BWV 1041: I. [Allegro moderato] | — | ||
| 79-5 | Concerto for Violin, Strings and Basso continuo no. 1 in A minor, BWV 1041: II. Andante | — | ||
| 79-6 | Concerto for Violin, Strings and Basso continuo no. 1 in A minor, BWV 1041: III. Allegro assai | — | ||
| 79-7 | Concerto for Violin, Strings and Basso continuo no. 2 in E major, BWV 1042: I. Allegro | — | ||
| 79-8 | Concerto for Violin, Strings and Basso continuo no. 2 in E major, BWV 1042: II. Adagio | — | ||
| 79-9 | Concerto for Violin, Strings and Basso continuo no. 2 in E major, BWV 1042: III. Allegro assai | — | ||
| 79-10 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato - attacca | — | ||
| 79-11 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante - attacca | — | ||
| 79-12 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 80-1 | Parsifal: Prelude | — | ||
| 80-2 | Parsifal: Act I. Transformation Music - Closing Scene | — | ||
| 80-3 | Parsifal: Act II. Klingsor's Magic Garden | — | ||
| 80-4 | Parsifal: Act III. Good Friday Music | — | ||
| 80-5 | Parsifal: Act III. Closing Scene | — | ||
| 81-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato - attacca | — | ||
| 81-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante - attacca | — | ||
| 81-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 81-4 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro | — | ||
| 81-5 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile | — | ||
| 81-6 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Andante grazioso - Allegro ma non troppo | — | ||
| 81-7 | Concerto for Violin and Orchestra no. 1 in D major, op. 6: I. Allegro maestoso | — | ||
| 81-8 | Concerto for Violin and Orchestra no. 1 in D major, op. 6: II. Adagio | — | ||
| 81-9 | Concerto for Violin and Orchestra no. 1 in D major, op. 6: III. Rondo. Allegro spiritoso | — | ||
| 82-1 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato - Più vivo - Allegro - Maestoso (Alla marcia) - Moderato | — | ||
| 82-2 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 82-3 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando - Moderato - Allegro scherzando - Presto - Moderato - Allegro scherzando - Alla breve - Presto - Maestoso - Risoluto | — | ||
| 82-4 | Prélude in G major, op. 32/5: Moderato | — | ||
| 82-5 | Prélude in G minor, op. 23/5: Alla marcia | — | ||
| 83-1 | Symphony no. 7 | — | ||
| 83-2 | Symphony “1933” (no. 1): I. Allegro | — | ||
| 83-3 | Symphony “1933” (no. 1): II. Andante | — | ||
| 83-4 | Symphony “1933” (no. 1): III. Finale. Maestoso | — | ||
| 84-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 84-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 84-3 | Symphony no. 5 in C minor, op. 67: III. Allegro - attacca | — | ||
| 84-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 84-5 | Symphony no. 40 in G minor, K. 550: I. Molto Allegro | — | ||
| 84-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 84-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto - Trio | — | ||
| 84-8 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 85-1 | Symphony no. 4, op. 51: I. Adagio - Allegro | — | ||
| 85-2 | Symphony no. 4, op. 51: II. Andante | — | ||
| 85-3 | Symphony no. 4, op. 51: III. Allegretto | — | ||
| 85-4 | Symphony no. 4, op. 51: IV. Presto | — | ||
| 85-5 | 4 Squares of Philadelphia: Prologue - Washington Square. Early Morning | — | ||
| 85-6 | 4 Squares of Philadelphia: Rittenhouse Square. Afternoon | — | ||
| 85-7 | 4 Squares of Philadelphia: Logan Square at Dukas | — | ||
| 85-8 | 4 Squares of Philadelphia: Franklin Square at Night - Epilogue | — | ||
| 86-1 | Prélude à l'après-midi d'un faune, L 86: Très modéré | — | ||
| 86-2 | Daphnis et Chloé, Suite no. 2, M 57b: I. Lever du jour. Lent | — | ||
| 86-3 | Daphnis et Chloé, Suite no. 2, M 57b: II. Pantomime. Lent - Très lent - Vif - Très lent - 𝅘𝅥 = 80 - attacca | — | ||
| 86-4 | Daphnis et Chloé, Suite no. 2, M 57b: III. Danse générale. Animé | — | ||
| 86-5 | Nocturnes, L 91: Nuages. Modéré - Un peu animé | — | ||
| 86-6 | Nocturnes, L 91: Fêtes. Animé et très rythmé - De plus en plus sonore et en serrant le mouvement | — | ||
| 86-7 | Nocturnes, L 91: Sirènes. Modérément animé | — | ||
| 87-1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | — | ||
| 87-2 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | — | ||
| 87-3 | Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegretto non troppo | — | ||
| 87-4 | Symphonie espagnole in D minor, op. 21: IV. Andante | — | ||
| 87-5 | Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro | — | ||
| 87-6 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - attacca | — | ||
| 87-7 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio | — | ||
| 87-8 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: III. Finale. Allegro energico - Presto | — | ||
| 88-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 88-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 88-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 88-4 | Concerto for Violin and Orchestra no. 4 in D minor, op. 31: I. Andante - Moderato - attacca | — | ||
| 88-5 | Concerto for Violin and Orchestra no. 4 in D minor, op. 31: II. Adagio religioso | — | ||
| 88-6 | Concerto for Violin and Orchestra no. 4 in D minor, op. 31: III. Scherzo. Vivace - Trio (meno mosso) | — | ||
| 88-7 | Concerto for Violin and Orchestra no. 4 in D minor, op. 31: IV. Finale marziale. Andante - Allegro | — | ||
| 89-1 | Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto | — | ||
| 89-2 | Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo | — | ||
| 89-3 | Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo. Molto vivace | — | ||
| 89-4 | Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco | — | ||
| 90-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 90-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 90-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più Adagio - Tempo I | — | ||
| 90-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 91-1 | Moto perpetuo, op. 11 | — | ||
| 91-2 | Sacrae symphoniae - Book 1: No. 33 Sonata pian' e forte | — | ||
| 91-3 | Concerto for Percussion and Small Orchestra, op. 109: Vif 𝅘𝅥 = 116. Rude et dramatique | — | ||
| 91-4 | Serenade in E-flat major, op. 7 | — | ||
| 91-5 | Serenade no. 2 in A major, op. 16: III. Adagio non troppo | — | ||
| 91-6 | Serenade no. 2 in A major, op. 16: V. Rondo. Allegro | — | ||
| 91-7 | Pomp and Circumstance March no. 1 in D major, op. 39/1: Allegro, con molto fuoco - Trio. Largamente - Molto maestoso | — | ||
| 92-1 | Iberia: Book I. Evocación | — | ||
| 92-2 | Iberia: Book I. El puerto | — | ||
| 92-3 | Iberia: Book I. El Corpus en Sevilla | — | ||
| 92-4 | Iberia: Book II. Rondeña | — | ||
| 92-5 | Iberia: Book II. Almeria | — | ||
| 92-6 | Iberia: Book II. Triana | — | ||
| 92-7 | Iberia: Book III. El Albaicín | — | ||
| 92-8 | Iberia: Book III. El Polo | — | ||
| 92-9 | Iberia: Book III. Lavapiés | — | ||
| 92-10 | Iberia: Book IV. Málaga | — | ||
| 92-11 | Iberia: Book IV. Jérez | — | ||
| 92-12 | Iberia: Book IV. Eritaña | — | ||
| 93-1 | Gayane: Sabre Dance | — | ||
| 93-2 | Gayane: Lullaby | — | ||
| 93-3 | Gayane: Dance of the Rose Maidens | — | ||
| 93-4 | Gayane: Andante (Introduction) | — | ||
| 93-5 | Gayane: Lesghinka | — | ||
| 93-6 | The Comedians, op. 26: I. Prologue | — | ||
| 93-7 | The Comedians, op. 26: II. Comedians' Gallop. Presto | — | ||
| 93-8 | The Comedians, op. 26: III. March. Moderato | — | ||
| 93-9 | The Comedians, op. 26: IV. Waltz. Moderato | — | ||
| 93-10 | The Comedians, op. 26: V. Pantomine. Sostenuto e pesante | — | ||
| 93-11 | The Comedians, op. 26: VI. Intermezzo. Allegro scherzando | — | ||
| 93-12 | The Comedians, op. 26: VII. Little Lyrical Scene. Andante semplice | — | ||
| 93-13 | The Comedians, op. 26: VIII. Gavotte. Allegretto | — | ||
| 93-14 | The Comedians, op. 26: IX. Scherzo. Presto assai e molto leggiero | — | ||
| 93-15 | The Comedians, op. 26: X. Epilogue. Allegro molto e con brio | — | ||
| 94-1 | Appalachian Spring: Introduction of Characters. Very Slowly | — | ||
| 94-2 | Appalachian Spring: Display of Action. Allegro | — | ||
| 94-3 | Appalachian Spring: Pas de deux for the Bride and the Groom. Moderato | — | ||
| 94-4 | Appalachian Spring: Revival Meeting. Fast - Molto Moderato | — | ||
| 94-5 | Appalachian Spring: Bride's Solo. Subito Allegro - Presto | — | ||
| 94-6 | Appalachian Spring: As at first (slowly) | — | ||
| 94-7 | Appalachian Spring: Shaker Theme: “The Gift to Be Simple” and variations underscoring scenes of daily activity for the bride and groom. Doppio movimento | — | ||
| 94-8 | Appalachian Spring: Coda. Moderato - Andante (very calm) | — | ||
| 94-9 | Billy the Kid: Introduction. The Open Prairie | — | ||
| 94-10 | Billy the Kid: Street in a Frontier Town - Mexican Dance and Finale | — | ||
| 94-11 | Billy the Kid: Prairie Night (Card game at night) | — | ||
| 94-12 | Billy the Kid: Gun Battle | — | ||
| 94-13 | Billy the Kid: Celebration (after Billy's capture) | — | ||
| 94-14 | Billy the Kid: Billy's Death | — | ||
| 94-15 | Billy the Kid: The Open Prairie Again | — | ||
| 95-1 | Die Fledermaus: Overture | — | ||
| 95-2 | Die Fledermaus: Suite | — | ||
| 95-3 | Tausend und eine Nacht, op. 346 (Waltz) | — | ||
| 95-4 | Sphärenklänge, op. 235 (Waltz) | — | ||
| 95-5 | Schwert und Leier, op. 71 (Waltz) | — | ||
| 95-6 | Kaiser-Walzer, op. 437 | — | ||
| 95-7 | An der schönen blauen Donau, op. 314 | — | ||
| 95-8 | Rosen aus dem Süden, op. 388 (Waltz) | — | ||
| 96-1 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 96-2 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - attacca | — | ||
| 96-3 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 96-4 | Burleske for Piano and Orchestra in D minor, TrV 145 | — | ||
| 97-1 | Don Juan, op. 20: Allegro molto con brio | — | ||
| 97-2 | Der Rosenkavalier: Waltzes | — | ||
| 97-3 | Till Eulenspiegel lustige Streiche, op. 28: Gemächlich - | — | ||
| 97-4 | Till Eulenspiegel lustige Streiche, op. 28: Immer sehr lebhaft - | — | ||
| 97-5 | Till Eulenspiegel lustige Streiche, op. 28: Etwas gemütlicher - | — | ||
| 97-6 | Till Eulenspiegel lustige Streiche, op. 28: 4 bars before fig. 38 - | — | ||
| 97-7 | Till Eulenspiegel lustige Streiche, op. 28: Epilog. Doppelt so langsam | — | ||
| 97-8 | Feuersnot, op. 50: Love Scene | — | ||
| 98-1 | Credendum (Article of Faith): I. Declaration. Moderato con fuoco - attacca | — | ||
| 98-2 | Credendum (Article of Faith): II. Chorale. Lento - attacca | — | ||
| 98-3 | Credendum (Article of Faith): III. Finale. Presto | — | ||
| 98-4 | Concerto for Piano and Orchestra no. 1: I. Allegro 𝅘𝅥 = ca. 92 | — | ||
| 98-5 | Concerto for Piano and Orchestra no. 1: II. 𝅘𝅥 = 72-76 | — | ||
| 98-6 | Concerto for Piano and Orchestra no. 1: III. 𝅘𝅥 𝅼 = 66-72 | — | ||
| 99-1 | Serenade for String Orchestra in C major, op. 48: I. Pezzo in forma di Sonatina. Andante non troppo - Allegro moderato | — | ||
| 99-2 | Serenade for String Orchestra in C major, op. 48: II. Valse. Moderato. Tempo di Valse | — | ||
| 99-3 | Serenade for String Orchestra in C major, op. 48: III. Élégie. Larghetto elegiaco | — | ||
| 99-4 | Serenade for String Orchestra in C major, op. 48: IV. Finale. Tema russo. Andante - Allegro con spirito | — | ||
| 99-5 | String Quartet no. 2: Notturno | — | ||
| 99-6 | Adagio for Strings. Molto adagio | — | ||
| 99-7 | Fantasia on Greensleeves from Sir John in Love | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 100-1 | Symphony no. 3 in B minor “Ilya Muromets”, op. 42: I. Pèlerins errants. Ilia Mourometz et Sviatogor. Andante sostenuto - Più mosso - Andante con moto - Allegro risoluto - Tranquillo misterioso - Tempo I - Più mosso e molto agitato - Maestoso | — | ||
| 100-2 | Symphony no. 3 in B minor “Ilya Muromets”, op. 42: II. Solovéï le Brigand. Andante - Tranquillo molto - Animando poco a poco - Agitato - Tempo I - Poco più mosso | — | ||
| 100-3 | Symphony no. 3 in B minor “Ilya Muromets”, op. 42: III. Chez Vladimir Beau Soleil. Allegro | — | ||
| 100-4 | Symphony no. 3 in B minor “Ilya Muromets”, op. 42: IV. Les Prouesses et la Pétrification d'Ilia Mourometz. Allegro tumultoso - Allegro furioso - Tranquillo - Più mosso - Giocoso - Maestoso solenne - Poco mosso - Andante sostenuto | — | ||
| 101-1 | Swan Lake, op. 20: Act I. No. 1: Scène. Allegro giusto | — | ||
| 101-2 | Swan Lake, op. 20: Act I. No. 2: Valse. Tempo di valse | — | ||
| 101-3 | Swan Lake, op. 20: Act I. No. 7: Sujet | — | ||
| 101-4 | Swan Lake, op. 20: Act I. No. 8: Danse des coupes. Tempo di polacca | — | ||
| 101-5 | Swan Lake, op. 20: Act II. No. 10: Scène. Moderato | — | ||
| 101-6 | Swan Lake, op. 20: Act II. No. 13e Danse des cygnes: Pas d'action. Andante - Andante non troppo - Tempo I - Allegro - | — | ||
| 101-7 | Swan Lake, op. 20: Act II. No. 13d Danse des cygnes: Allegro moderato | — | ||
| 101-8 | Swan Lake, op. 20: Act II. No. 13g Danse des cygnes: Coda. Allegro vivo | — | ||
| 101-9 | Swan Lake, op. 20: Act III. No. 21: Danse espagnole. Allegro non troppo (Tempo di bolero) | — | ||
| 101-10 | Swan Lake, op. 20: Act III. No. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace | — | ||
| 101-11 | Swan Lake, op. 20: Act III. No. 23: Mazurka. Tempo di mazurka | — | ||
| 101-12 | Swan Lake, op. 20: Act IV. No. 27: Danses des petits cygnes. Moderato | — | ||
| 101-13 | Swan Lake, op. 20: Act IV. No. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | — | ||
| 102-1 | Guillaume Tell: Overture. Andante – Allegro – Andantino – Allegro vivace | — | ||
| 102-2 | Orphée aux enfers: Overture | — | ||
| 102-3 | The Bartered Bride: Overture. Vivacissimo | — | ||
| 102-4 | Mignon: Overture | — | ||
| 102-5 | Die schöne Galathée: Overture | — | ||
| 102-6 | Leichte Kavallerie: Overture | — | ||
| 102-7 | Le Carnaval romain, op. 9: Allegro assai con fuoco – Andante sostenuto – Tempo I. Allegro vivace | — | ||
| 103-1 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: I. Allegro moderato - attacca | — | ||
| 103-2 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: II. Romance. Andante non troppo - Allegro con fuoco - Cadenza | — | ||
| 103-3 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: III. Allegro moderato (à la zingara) | — | ||
| 103-4 | Introduction et Rondo capriccioso in A minor, op. 28: Andante (malinconico) - Allegro ma non troppo - Più allegro | — | ||
| 103-5 | Tzigane, M 76: Lento, quasi cadenza - Molto espressivo. Portando - Quasi cadenza - Moderato - Allegro - Sempre accelerando - Presto | — | ||
| 104-1 | Symphony no. 3 in C minor “Organ”, op. 78: I. Adagio - Allegro moderato - | — | ||
| 104-2 | Symphony no. 3 in C minor “Organ”, op. 78: I. Poco adagio | — | ||
| 104-3 | Symphony no. 3 in C minor “Organ”, op. 78: II. Allegro moderato - Presto - | — | ||
| 104-4 | Symphony no. 3 in C minor “Organ”, op. 78: II. Maestoso - Allegro | — | ||
| 105-1 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | — | ||
| 105-2 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | — | ||
| 105-3 | Ein Sommernachtstraum, op. 61: Overture, op. 21: Allegro di molto | — | ||
| 105-4 | Ein Sommernachtstraum, op. 61: No. 1: Scherzo. Allegro vivace | — | ||
| 105-5 | Ein Sommernachtstraum, op. 61: No. 5 [Intermezzo]. Allegro appassionato | — | ||
| 105-6 | Ein Sommernachtstraum, op. 61: No. 7 [Notturno]. Andante tranquillo | — | ||
| 106-1 | The Red Poppy, op. 70: Russian Sailors' Dance | — | ||
| 106-2 | The Bartered Bride: Polka. Moderato | — | ||
| 106-3 | The Bartered Bride: Furiant. Allegro energico | — | ||
| 106-4 | The Bartered Bride: Dance of the Comedians. Vivace | — | ||
| 106-5 | Hungarian Dances, WoO 1: No. 5 in G minor. Allegro - Vivace | — | ||
| 106-6 | Hungarian Dances, WoO 1: No. 6 in D major. Vivace | — | ||
| 106-7 | Hungarian Dances, WoO 1: No. 17 in F-sharp minor. Andantino - Vivace | — | ||
| 106-8 | Hungarian Dances, WoO 1: No. 18 in D major. Molto vivace | — | ||
| 106-9 | Hungarian Dances, WoO 1: No. 19 in B minor. Allegretto | — | ||
| 106-10 | Hungarian Dances, WoO 1: No. 20 in E minor. Poco allegretto - Vivace | — | ||
| 106-11 | Hungarian Dances, WoO 1: No. 21 in E minor. Vivace | — | ||
| 106-12 | Gayane: Sabre Dance | — | ||
| 107-1 | En Saga, op. 9 | — | ||
| 107-2 | Pohjola's Daughter, op. 49 | — | ||
| 107-3 | The Oceanides, op. 73: Sostenuto assai | — | ||
| 107-4 | Tapiola, op. 112: Largamente - Allegro - Allegro modera | — | ||
| 107-5 | Swedish Rhapsody no. 1 “Midsommarvaka”, op. 19 | — | ||
| 107-6 | Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance. Tempo di mazurka | — | ||
| 107-7 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | — | ||
| 108-1 | 2 Romanian Rhapsodies, op. 11: No. 1 in A major | — | ||
| 108-2 | 2 Romanian Rhapsodies, op. 11: No. 2 in D major | — | ||
| 108-3 | Carnival, op. 92: Allegro - Andante con moto - Allegro | — | ||
| 108-4 | Francesca da Rimini, op. 32: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo | — | ||
| 109-1 | Zigeunerweisen, op. 20: Moderato - | — | ||
| 109-2 | Zigeunerweisen, op. 20: Lento - | — | ||
| 109-3 | Zigeunerweisen, op. 20: Un peu plus lent - | — | ||
| 109-4 | Zigeunerweisen, op. 20: Allegro molto vivace | — | ||
| 109-5 | Havanaise in E major, op. 83: Allegretto lusinghiero - | — | ||
| 109-6 | Havanaise in E major, op. 83: Allegro - Tempo I - | — | ||
| 109-7 | Havanaise in E major, op. 83: Allegro non troppo - Più Allegro - Allegretto | — | ||
| 109-8 | Introduction et Rondo capriccioso in A minor, op. 28: Andante (malinconico) - Allegro ma non troppo - Più allegro | — | ||
| 109-9 | Poème, op. 25: Lento e misterioso - Molto animato - Animato - Poco lento - Poco meno lento - Allegro - Tempo I - Tranquillo | — | ||
| 110-1 | The Moldau (Vltava): The First Source of the Moldau / The Second Source / Woods; Hunt. Allegro comodo non agitato / Peasant Wedding. L'istesso tempo ma moderato / Moon; Nymph's Roundelay. L'istesso tempo / St. John's Rapids. Tempo I / The Moldau flows broadly onward. Più moto / Vyšehrad | — | ||
| 110-2 | Aufforderung zum Tanz, op. 65 | — | ||
| 110-3 | Mephisto Waltz no. 1 “Der Tanz in der Dorfschenke”, S 110/2: Allegro vivace, quasi Presto | — | ||
| 110-4 | La Damnation de Faust, op. 24: Menuets des Follets. Moderato - Presto e leggiero | — | ||
| 110-5 | La Damnation de Faust, op. 24: Ballet des Sylphes. Allegro (tempo di valse) | — | ||
| 110-6 | La Damnation de Faust, op. 24: Marche hongroise (Rákóczy March). Allegro marcato | — | ||
| 111-1 | Variations, Chaconne and Finale: Theme (Kyrie from Missa de Angelis) / Var. I. Semplice e grazioso / Var. II. Andante religioso / Var. III. Vivacissimo / Var. IV. Allegro pesante / Var. V. Amabile / Var. VI. Funebre | — | ||
| 111-2 | Variations, Chaconne and Finale: Chaconne. Adagio serioso | — | ||
| 111-3 | Variations, Chaconne and Finale: Finale. Allegro vivo, giocoso e ritmico | — | ||
| 111-4 | Symphony in D | — | ||
| 112-1 | Classical Symphony (no. 1) in D major, op. 25: I. Allegro | — | ||
| 112-2 | Classical Symphony (no. 1) in D major, op. 25: II. Larghetto | — | ||
| 112-3 | Classical Symphony (no. 1) in D major, op. 25: III. Gavotta. Non troppo allegro | — | ||
| 112-4 | Classical Symphony (no. 1) in D major, op. 25: IV. Finale. Molto vivace | — | ||
| 112-5 | Schwanda the Bagpiper (Švanda dudák): Polka | — | ||
| 112-6 | Schwanda the Bagpiper (Švanda dudák): Fugue | — | ||
| 112-7 | Symphony no. 1 in C major: I. Allegro | — | ||
| 112-8 | Symphony no. 1 in C major: II. Adagio | — | ||
| 112-9 | Symphony no. 1 in C major: III. Scherzo. Allegro vivace | — | ||
| 112-10 | Symphony no. 1 in C major: IV. Finale. Allegro vivace | — | ||
| 113-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | — | ||
| 113-2 | Don Quixote, op. 35: Thema. Mäßig: Der Ritter von der traurigen Gestalt - Maggiore: Sancho Panza | — | ||
| 113-3 | Don Quixote, op. 35: Variation I. Gemächlich: Das Abenteuer mit den Windmühlen | — | ||
| 113-4 | Don Quixote, op. 35: Variation II. Kregerisch: Der Kampf gegen die Hammelherde | — | ||
| 113-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß: Gespräche zwischen Ritter und Knappe | — | ||
| 113-6 | Don Quixote, op. 35: Variation IV. Etwas breiter: Das Abenteuer mit der Prozession von Büßern | — | ||
| 113-7 | Don Quixote, op. 35: Variation V. Sehr langsam: Don Quixotes Waffenwache und Herzensergüsse | — | ||
| 113-8 | Don Quixote, op. 35: Variation VI. Schnell: Die verzauberte Dulzinea | — | ||
| 113-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher: Der Ritt durch die Luft | — | ||
| 113-10 | Don Quixote, op. 35: Variation VIII. Gemächlich: Die Fahrt auf dem verzauberten Nachen | — | ||
| 113-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch: Der Kampf gegen die vermeintlichen | — | ||
| 113-12 | Don Quixote, op. 35: Variation X. Viel breiter: Zweikampf mit dem Ritter vom blanken Monde - Heimkehr des geschlagenen Don Quixote | — | ||
| 113-13 | Don Quixote, op. 35: Finale. Sehr ruhig: Don Quixotes Tod | — | ||
| 114-1 | Symphony no. 99 in E-flat major, Hob. I:99: I. Adagio - Vivace assai | — | ||
| 114-2 | Symphony no. 99 in E-flat major, Hob. I:99: II. Adagio | — | ||
| 114-3 | Symphony no. 99 in E-flat major, Hob. I:99: III. Menuet. Allegretto - Trio | — | ||
| 114-4 | Symphony no. 99 in E-flat major, Hob. I:99: IV. Finale. Vivace | — | ||
| 114-5 | Symphony no. 100 in G major “Military”, Hob. I:100: I. Adagio - Allegro | — | ||
| 114-6 | Symphony no. 100 in G major “Military”, Hob. I:100: II. Allegretto | — | ||
| 114-7 | Symphony no. 100 in G major “Military”, Hob. I:100: III. Menuet. Moderato - Trio | — | ||
| 114-8 | Symphony no. 100 in G major “Military”, Hob. I:100: IV. Finale. Presto | — | ||
| 115-1 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: I. Allegro | — | ||
| 115-2 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: II. Adagio un poco moto - attacca | — | ||
| 115-3 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: III. Rondo. Allegro | — | ||
| 116-1 | Der Rosenkavalier, TrV 227d: Prelude to Act I. Con moto agitato - attacca / Presentation of the Silver Rose. Allegro molto - attacca / Baron Ochs's Waltz. Tempo di valse, assai comodo da primo - attacca / Closing Duet: “Ist ein Traum”. Moderato molto sostenuto - attacca / Waltz (Reprise) | — | ||
| 116-2 | Die Frau ohne Schatten: Symphonic Fantasia, TrV 234a | — | ||
| 117-1 | Panamericana: Molto moderato e marcato | — | ||
| 117-2 | American Fantasy | — | ||
| 117-3 | Irish Rhapsody | — | ||
| 117-4 | Naughty Marietta: Selections | — | ||
| 117-5 | The Fortune Teller: Selections | — | ||
| 118-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 118-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Szene am Bach. Andante molto moto | — | ||
| 118-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute. Allegro - attacca | — | ||
| 118-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter, Sturm. Allegro - attacca | — | ||
| 118-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 118-6 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | — | ||
| 118-7 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | — | ||
| 119-1 | Show Boat | — | ||
| 119-2 | South Pacific | — | ||
| 119-3 | On Your Toes: Slaughter on Tenth Avenue | — | ||
| 119-4 | The Triumph of Neptune: Harlequinade | — | ||
| 119-5 | The Triumph of Neptune: Dance of the Fairy Princess | — | ||
| 119-6 | The Triumph of Neptune: Schottische | — | ||
| 119-7 | The Triumph of Neptune: Cloudland | — | ||
| 119-8 | The Triumph of Neptune: Sunday Morning (Intermezzo) | — | ||
| 119-9 | The Triumph of Neptune: The Sailor's Return (Polka) | — | ||
| 119-10 | The Triumph of Neptune: Hornpipe | — | ||
| 119-11 | The Triumph of Neptune: The Frozen Forest | — | ||
| 119-12 | The Triumph of Neptune: Apotheosis of Neptune | — | ||
| 119-13 | Semiramide: Overture. Allegro vivace - Andantino - Allegro | — | ||
| 120-1 | Symphony no. 40 in G minor, K. 550: I. Molto Allegro | — | ||
| 120-2 | Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace - Trio | — | ||
| 120-3 | Symphony no. 3 in A minor “Scottish”, op. 56: II. Vivace non troppo | — | ||
| 120-4 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | — | ||
| 120-5 | Scheherazade, op. 35: III. Andantino quasi allegretto (The Young Prince and the Young Princess) | — | ||
| 120-6 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | — | ||
| 120-7 | Symphony in D minor, FWV 48: III. Allegro non troppo | — | ||
| 120-8 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | — |
