UPC · Album
The Hits Album: 80’s Chartbusters
Various Artists
Last verified:
194399083420 is the Universal Product Code (UPC barcode) for the release “The Hits Album: 80’s Chartbusters” by Various Artists, released 2022-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 62 tracks, each with its own ISRC. Tracks include AUSM08100002, DED169400021, GBAAA0201011.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (123)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Down Under | Men at Work | AUSM08100002 |
| Girl I’m Gonna Miss You | Milli Vanilli | DED169400021 |
| Karma Chameleon | Culture Club | GBAAA0201011 |
| Heaven Is a Place on Earth | Belinda Carlisle | GBAAA0900051 |
| Love Action (I Believe in Love) | The Human League | GBAAA8100231 |
| Karma Chameleon | Culture Club | GBAAA8300010 |
| Heaven Is a Place on Earth | Belinda Carlisle | GBAAA8700010 |
| Wonderful Life | Black | GBAAM8700001 |
| When the Going Gets Tough, the Tough Get Going | Billy Ocean | GBAHK9700110 |
| Like to Get to Know You Well | Howard Jones | GBAHS0200070 |
| Like to Get to Know You Well | Howard Jones | GBAHS0600043 |
| Relax | Frankie Goes to Hollywood | GBAHW0100371 |
| Relax | Frankie Goes to Hollywood | GBAHW0900004 |
| Relax | Frankie Goes to Hollywood | GBAHW9900051 |
| Town Called Malice | The Jam | GBAKW8201004 |
| Running in the Family | Level 42 | GBAKW8701001 |
| Hold Me Now | Thompson Twins | GBARK8300013 |
| Hold Me Now | Thompson Twins | GBARK8300046 |
| Hold Me Now | Thompson Twins | GBARK8300053 |
| Hold Me Now | Thompson Twins | GBARK8300070 |
| All Around the World | Lisa Stansfield | GBARK8900003 |
| All Around the World | Lisa Stansfield | GBARK8900004 |
| All Around the World | Lisa Stansfield | GBARK8900017 |
| All Around the World | Lisa Stansfield | GBARL0300125 |
| Wake Me Up Before You Go‐Go | Wham! | GBARL0601596 |
| All Cried Out | Alison Moyet | GBARL0901096 |
| Antmusic | Adam and the Ants | GBARL1500860 |
| Hold Me Now (12″ version) | Thompson Twins | GBARL8300064 |
| All Around the World | Lisa Stansfield | GBARL8900017 |
| Wake Me Up Before You Go‐Go | Wham! | GBBBM0400014 |
| Wake Me Up Before You Go‐Go | Wham! | GBBBM8400002 |
| You Spin Me Round (Like a Record) | Dead or Alive | GBBBM8400015 |
| Wake Me Up Before You Go‐Go | Wham! | GBBBM8401280 |
| You Spin Me Round (Like a Record) | Dead or Alive | GBBBM8502013 |
| You Spin Me Round (Like a Record) | Dead or Alive | GBBBM9999987 |
| Wake Me Up Before You Go‐Go | Wham! | GBBBN0009712 |
| Antmusic | Adam and the Ants | GBBBN0400463 |
| Antmusic | Adam and the Ants | GBBBN0400723 |
| Wake Me Up Before You Go‐Go | Wham! | GBBBN0500713 |
| Antmusic | Adam and the Ants | GBBBN8000002 |
| Antmusic | Adam and the Ants | GBBBN8002071 |
| All Cried Out | Alison Moyet | GBBBN8400005 |
| Wouldn’t It Be Good | Nik Kershaw | GBBBY0300006 |
| Wonderful Life | Black | GBBCX0200013 |
| Heaven Is a Place on Earth | Belinda Carlisle | GBBLG8500257 |
| Relax | Frankie Goes to Hollywood | GBCFZ0900700 |
| Town Called Malice | The Jam | GBF068200100 |
| Running in the Family | Level 42 | GBF068625690 |
| Running in the Family | Level 42 | GBF068990011 |
| Tainted Love | Soft Cell | GBF088100001 |
| Tainted Love | Soft Cell | GBF088100017 |
| Tainted Love | Soft Cell | GBF088100120 |
| Mad World (full length version) | Tears for Fears | GBF088200040 |
| Mad World | Tears for Fears | GBF088200876 |
| In the Army Now | Status Quo | GBF088690116 |
| In the Army Now | Status Quo | GBF089090031 |
| Tainted Love / Where Did Our Love Go (original 12″) | Soft Cell | GBFO88100017 |
| In the Army Now | Status Quo | GBFOB8690116 |
| In the Army Now | Status Quo | GBUM70815711 |
| Wonderful Life | Black | GBUM71301146 |
| Tainted Love | Soft Cell | GBUM72304240 |
| Down Under | Men at Work | NLB638140003 |
| I’m So Excited | The Pointer Sisters | QZAL71700001 |
| Heaven Is a Place on Earth | Belinda Carlisle | UCMC18723313 |
| Hot in the City | Billy Idol | UDCH38400019 |
| How Will I Know | Whitney Houston | USAR10000250 |
| How Will I Know | Whitney Houston | USAR10001155 |
| Hold Me Now | Thompson Twins | USAR18400001 |
| How Will I Know | Whitney Houston | USAR18500150 |
| Hot in the City | Billy Idol | USCH30100007 |
| Call Me | Blondie | USCH30100031 |
| CALL ME - REMASTERED | BLONDIE | USCH30200013 |
| Call Me | Blondie | USCH37900008 |
| Hot in the City | Billy Idol | USCH38400019 |
| CALL ME | GIORGIO MORODER | USCH38900008 |
| CALL ME | VARIOUS ARTISTS | USCH39800016 |
| Like to Get to Know You Well | Howard Jones | USEE10100617 |
| Love Action (I Believe in Love) | The Human League | USGMP0800029 |
| Up Where We Belong | Joe Cocker, Jennifer Warnes | USIR28200024 |
| Up Where We Belong | Joe Cocker, Jennifer Warnes | USIR28200025 |
| Call Me | Blondie | USLIC0500092 |
| Endless Love | Diana Ross, Lionel Richie | USM018190008 |
| Wouldn’t It Be Good | Nik Kershaw | USMC18415162 |
| Heaven Is a Place on Earth | Belinda Carlisle | USMC18723313 |
| How Will I Know | Whitney Houston | USMC19545515 |
| Endless Love | Diana Ross, Lionel Richie | USMO18190008 |
| Farewell My Summer Love | Michael Jackson | USMO18482581 |
| Endless Love | Diana Ross, Lionel Richie | USMR18186827 |
| Fade to Grey | Visage | USPR38080067 |
| Unconditional Love | Donna Summer, Musical Youth | USPR39402410 |
| Word Up | Cameo | USPR39402455 |
| Word Up | Cameo | USPR39402457 |
| I’m So Excited | The Pointer Sisters | USRC10900447 |
| I’m So Excited | The Pointer Sisters | USRC18203285 |
| I’m So Excited | The Pointer Sisters | USRC18207960 |
| I’m So Excited | The Pointer Sisters | USRC19901795 |
| Dead Ringer for Love | Meat Loaf, Cher | USSM10014897 |
| Hold On Tight | Electric Light Orchestra | USSM10021063 |
| Let’s Hear It for the Boy | Deniece Williams | USSM10027607 |
| Rosanna | Toto | USSM11000657 |
| Dead Ringer for Love | Meat Loaf, Cher | USSM18100032 |
| Never Too Much | Luther Vandross | USSM18100052 |
| Down Under | Men at Work | USSM18100058 |
| Hold On Tight | Electric Light Orchestra | USSM18100353 |
| Down Under | Men at Work | USSM18100411 |
| Dead Ringer for Love | Meat Loaf, Cher | USSM18100462 |
| Never Too Much | Luther Vandross | USSM18100805 |
| Rosanna | Toto | USSM18200245 |
| Rosanna | Toto | USSM18200505 |
| Let’s Hear It for the Boy | Deniece Williams | USSM18400032 |
| Footloose | Kenny Loggins | USSM18400107 |
| Let’s Hear It for the Boy | Deniece Williams | USSM18400508 |
| Footloose | Kenny Loggins | USSM18400522 |
| Footloose | Kenny Loggins | USSM18400907 |
| Footloose | Kenny Loggins | USSM18400908 |
| Let’s Hear It for the Boy | Deniece Williams | USSM18400909 |
| Rosanna | Toto | USSM19801976 |
| Dead Ringer for Love | Meat Loaf, Cher | USSM19802342 |
| Footloose | Kenny Loggins | USSM19803320 |
| Let’s Hear It for the Boy | Deniece Williams | USSMI8400032 |
| Fade to Grey | Visage | USUM70601704 |
| CALL ME | BLONDIE | USUM72100711 |
| Relax | Frankie Goes to Hollywood | USWWW0132027 |
What other identifiers does this connect to?
Musical Works (ISWC)
+78 more
Songwriters/Publishers (IPI)
+29 more
Creative Contributors (ISNI)
+41 more
People also ask
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What is UPC 194399083420?
194399083420 is a Universal Product Code (UPC) assigned to The Hits Album: 80’s Chartbusters by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 62 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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