UPC · Release
Aaron Copland
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194399774625 is the Universal Product Code (UPC barcode) for the release “Copland Conducts Copland: The Complete Columbia Album Collection” by Aaron Copland, released 2024-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 199 tracks, each with its own ISRC. Tracks include USSM10008194, USSM10008195, USSM10008196.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Clarinet and String Orchestra (with Harp and Piano) (arco 62): I. Slowly and expressively - Cadenza | — | ||
| 2 | Concerto for Clarinet and String Orchestra (with Harp and Piano) (arco 62): II. Rather Fast | — | ||
| 3 | Quartet for Piano and Strings (arco 67): I. Adagio serio | — | ||
| 4 | Quartet for Piano and Strings (arco 67): II. Allegro giusto | — | ||
| 5 | Quartet for Piano and Strings (arco 67): III. Non troppo lento | — | ||
| 6 | Piano Variations (arco 21) (1930) | — | ||
| 7 | 2 Pieces for Violin and Piano, No. 1 (arco 13/1): Nocturne | — | ||
| 8 | Vitebsk, Study on a Jewish Theme for Violin, Cello and Piano (arco 20) | — | ||
| 9 | 2 Pieces for Violin and Piano, No. 2 (arco 13/2): Ukelele Serenade | — | ||
| 2-1 | Old American Songs - Set I (arco 65) No. 1, The Boatmen's Dance "'Minstrel Song" | — | ||
| 2-2 | Old American Songs - Set I (arco 65) No. 2, The Dodger "Campaign Song" | — | ||
| 2-3 | Old American Songs - Set I (arco 65) No. 3, Long Time Ago "Ballad" | — | ||
| 2-4 | Old American Songs - Set I (arco 65) No. 4, Simple Gifts "Shaker Song" | — | ||
| 2-5 | Old American Songs - Set I (arco 65) No. 5, I Bought Me a Cat "Children's Song" | — | ||
| 2-6 | Old American Songs - Set II (arco 68) No. 1, The Little Horses "A Children's Lullaby" | — | ||
| 2-7 | Old American Songs - Set II (arco 68) No. 2, Zion's Walls "A Revivalist Song" | — | ||
| 2-8 | Old American Songs - Set II (arco 68) No. 3, The Golden Willow Tree "Anglo-American Ballad'" | — | ||
| 2-9 | Old American Songs - Set II (arco 68) No. 4, At the River "Hymn Tune" | — | ||
| 2-10 | Old American Songs - Set II (arco 68) No. 5, Ching-a-Ring Chaw "Minstrel Song" | — | ||
| 2-11 | 12 Poems of Emily Dickinson (arco 66) No. 1, "Nature, the gentlest mother" to David Diamond | — | ||
| 2-12 | 12 Poems of Emily Dickinson (arco 66) No. 2, "There came a wind like a bugle" to Elliott Carter | — | ||
| 2-13 | 12 Poems of Emily Dickinson (arco 66) No. 3, "Why do they shut me out of Heaven" to Ingolf Dahl | — | ||
| 2-14 | 12 Poems of Emily Dickinson (arco 66) No. 4, "The world feels dusty" to Alexei Haieff | — | ||
| 2-15 | 12 Poems of Emily Dickinson (arco 66) No. 5, "Heart, we will forget him!" to Marcelle de Manziarly | — | ||
| 2-16 | 12 Poems of Emily Dickinson (arco 66) No. 6, "Dear March, come In!" to Juan Orrego-Salas | — | ||
| 2-17 | 12 Poems of Emily Dickinson (arco 66) No. 7, "Sleep is supposed to be" to Irving Fine | — | ||
| 2-18 | 12 Poems of Emily Dickinson (arco 66) No. 8, "When they come back" to Harold Shapero | — | ||
| 2-19 | 12 Poems of Emily Dickinson (arco 66) No. 9, "I Felt a funeral in my brain" to Camargo Guarnieri | — | ||
| 2-20 | 12 Poems of Emily Dickinson (arco 66) No. 10, "I've heard an organ talk sometimes" to Alberto Ginastera | — | ||
| 2-21 | 12 Poems of Emily Dickinson (arco 66) No. 11, "Going to Heaven!" to Lukas Foss | — | ||
| 2-22 | 12 Poems of Emily Dickinson (arco 66) No. 12, "The Chariot" to Arthur Berger | — | ||
| 3-1 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Very slowly ~ Introduction of characters | — | ||
| 3-2 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Allegro ~ Display of action | — | ||
| 3-3 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Moderato ~ Pas de deux for the bride and groom | — | ||
| 3-4 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Fast – Molto Moderato ~ Revival meeting | — | ||
| 3-5 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Subito Allegro – Presto ~ Bride's solo | — | ||
| 3-6 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): As at first (slowly) ~ Reprise of the introduction | — | ||
| 3-7 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Doppio movimento ~ Shaker theme, "The Gift to Be Simple" and variations underscoring scenes of daily activity for the bride and groom | — | ||
| 3-8 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Moderato – Andante (very calm) ~ Coda | — | ||
| 3-9 | The Tender Land - Orchestral Suite of the Opera (arco 77): I. Introduction and Love Music | — | ||
| 3-10 | The Tender Land - Orchestral Suite of the Opera (arco 77): II. Party Scene | — | ||
| 3-11 | The Tender Land - Orchestral Suite of the Opera (arco 77): III. Finale: Promise of Living | — | ||
| 4-1 | Concerto for Clarinet and String Orchestra (with Harp and Piano) (arco 62): I. Slowly and expressively - Cadenza | — | ||
| 4-2 | Concerto for Clarinet and String Orchestra (with Harp and Piano) (arco 62): II. Rather Fast | — | ||
| 4-3 | Old American Songs, Book 1: No. 1. The Boatmen's Dance | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-4 | Old American Songs, Book 1: No. 2. The Dodger | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-5 | Old American Songs, Book 1: No. 3. Long Time Ago | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-6 | Old American Songs, Book 1: No. 4. Simple Gifts | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-7 | Old American Songs, Book 1: No. 5. I Bought Me a Cat | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-8 | Old American Songs, Book 2: No. 1. The Little Horses | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-9 | Old American Songs, Book 2: No. 2. Zion's Walls | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-10 | Old American Songs, Book 2: No. 3. The Golden Willow Tree | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-11 | Old American Songs, Book 2: No. 4. At the River | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-12 | Old American Songs, Book 2: No. 5. Ching-a-ring Chaw | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 5-1 | Concerto for Piano and Orchestra (arco 12): I. Andante sostenuto - attacca | — | ||
| 5-2 | Concerto for Piano and Orchestra (arco 12): II. Molto moderato - Allegro assai | — | ||
| 5-3 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): I. Prologue. Molto moderato | — | ||
| 5-4 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): II. Dance. Allegro molto | — | ||
| 5-5 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): III. Interlude. Lento moderato | — | ||
| 5-6 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): IV. Burlesque. Allegro vivo | — | ||
| 5-7 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): V. Epilogue. Moderato - Molto moderato - Lento molto | — | ||
| 6-1 | The Tender Land (Opera in Three Acts) (arco 69) Act I: The Day before Graduation (Late Afternoon). Gently flowing | — | ||
| 6-2 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Moderate tempo | — | ||
| 6-3 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Moderately fast | — | ||
| 6-4 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Somewhat faster | — | ||
| 6-5 | The Tender Land (Opera in Three Acts) (arco 69) Act I: With motion | — | ||
| 6-6 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Moderately | — | ||
| 6-7 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Trifle slower | — | ||
| 6-8 | The Tender Land (Opera in Three Acts) (arco 69) Act II: That Evening. Lively and rough | — | ||
| 6-9 | The Tender Land (Opera in Three Acts) (arco 69) Act II: Quite slow | — | ||
| 6-10 | The Tender Land (Opera in Three Acts) (arco 69) Act II: Very broadly | — | ||
| 6-11 | The Tender Land (Opera in Three Acts) (arco 69) Act II: Briskly | — | ||
| 6-12 | The Tender Land (Opera in Three Acts) (arco 69) Act II: Somewhat slower | — | ||
| 6-13 | The Tender Land (Opera in Three Acts) (arco 69) Act III: Later that Night - Then Graduation Day (Dawn). Introduction - Starting slowly | — | ||
| 6-14 | The Tender Land (Opera in Three Acts) (arco 69) Act III: As at first | — | ||
| 6-15 | The Tender Land (Opera in Three Acts) (arco 69) Act III: Fast tempo | — | ||
| 6-16 | The Tender Land (Opera in Three Acts) (arco 69) Act III: Broadly | — | ||
| 6-17 | The Tender Land (Opera in Three Acts) (arco 69) Act III: (Still slower) | — | ||
| 7-1 | Music for a Great City (arco 84): I. Skyline | — | ||
| 7-2 | Music for a Great City (arco 84): II. Night Thoughts | — | ||
| 7-3 | Music for a Great City (arco 84): III. Subway Jam | — | ||
| 7-4 | Music for a Great City (arco 84): IV. Toward the Bridge | — | ||
| 7-5 | Statements for Orchestra (arco 25): I. Militant | — | ||
| 7-6 | Statements for Orchestra (arco 25): II. Cryptic | — | ||
| 7-7 | Statements for Orchestra (arco 25): III. Dogmatic | — | ||
| 7-8 | Statements for Orchestra (arco 25): IV. Subjective | — | ||
| 7-9 | Statements for Orchestra (arco 25): V. Jingo | — | ||
| 7-10 | Statements for Orchestra (arco 25): VI. Prophetic | — | ||
| 8-1 | 12 Poems of Emily Dickinson (arco 66) No. 1, "Nature, the gentlest mother" to David Diamond | — | ||
| 8-2 | 12 Poems of Emily Dickinson (arco 66) No. 2, "There came a wind like a bugle" to Elliott Carter | — | ||
| 8-3 | 12 Poems of Emily Dickinson (arco 66) No. 3, "Why do they shut me out of Heaven" to Ingolf Dahl | — | ||
| 8-4 | 12 Poems of Emily Dickinson (arco 66) No. 4, "The world feels dusty" to Alexei Haieff | — | ||
| 8-5 | 12 Poems of Emily Dickinson (arco 66) No. 5, "Heart, we will forget him" to Marcelle de Manziarly | — | ||
| 8-6 | 12 Poems of Emily Dickinson (arco 66) No. 6, "Dear March, come in" to Juan Orrego-Salas | — | ||
| 8-7 | 12 Poems of Emily Dickinson (arco 66) No. 7, "Sleep is supposed to be" to Irving Fine | — | ||
| 8-8 | 12 Poems of Emily Dickinson (arco 66) No. 8, "When they come back" to Harold Shapero | — | ||
| 8-9 | 12 Poems of Emily Dickinson (arco 66) No. 9, "I felt a funeral in my brain" to Camargo Guarnieri | — | ||
| 8-10 | 12 Poems of Emily Dickinson (arco 66) No. 10, "I've heard an organ talk sometimes" to Alberto Ginastera | — | ||
| 8-11 | 12 Poems of Emily Dickinson (arco 66) No. 11, "Going to Heaven" to Lukas Foss | — | ||
| 8-12 | 12 Poems of Emily Dickinson (arco 66) No. 12, "The Chariot" to Arthur Berger | — | ||
| 8-13 | Las Agachadas "The Shake-Down Song" (arco 48) | — | ||
| 8-14 | In the Beginning (arco 59) | — | ||
| 8-15 | Lark (arco 35) | — | ||
| 9-1 | Quartet for Piano, Violin, Viola and Cello (arco 67): I. Adagio serio | — | ||
| 9-2 | Quartet for Piano, Violin, Viola and Cello (arco 67): II. Allegro giusto | — | ||
| 9-3 | Quartet for Piano, Violin, Viola and Cello (arco 67): III. Non troppo lento | — | ||
| 9-4 | Sextet for Clarinet, Piano, 2 Violins, Viola and Cello (arco 32): I. Allegro vivace | — | ||
| 9-5 | Sextet for Clarinet, Piano, 2 Violins, Viola and Cello (arco 32): II. Lento | — | ||
| 9-6 | Sextet for Clarinet, Piano, 2 Violins, Viola and Cello (arco 32): III. Finale. Precise and Rhythmic | — | ||
| 9-7 | Vitebsk, Study on a Jewish Theme for Violin, Cello and Piano (arco 20) | — | ||
| 10-1 | Short Symphony "Symphony No. 2" (arco 24) | — | ||
| 10-2 | Dance Symphony (arco 11): I. Dance of the Adolescent. Introduction. Lento - Molto allegro - Adagio molto | — | ||
| 10-3 | Dance Symphony (arco 11): II. Dance of the Girl Who Moves as if in a Dream. Andante moderato | — | ||
| 10-4 | Dance Symphony (arco 11): III. Dance of Mockery. Allegro vivo | — | ||
| 11-1 | An Outdoor Overture (arco 34) | — | ||
| 11-2 | Our Town Suite (arco 41.4) (Muisc from the Film Score) | — | ||
| 11-5 | Quiet City (for English Horn, Trumpet and String Orchestra) (arco 43) | — | ||
| 12-1 | Billy the Kid - Ballet Suite (arco 33-A): Introduction. The Open Prairie | — | ||
| 12-2 | Billy the Kid - Ballet Suite (arco 33-A): Street in a Frontier Town | — | ||
| 12-3 | Billy the Kid - Ballet Suite (arco 33-A): Mexican Dance and Finale | — | ||
| 12-4 | Billy the Kid - Ballet Suite (arco 33-A): Prarie Night (Card Game at Night) | — | ||
| 12-5 | Billy the Kid - Ballet Suite (arco 33-A): Gun Battle | — | ||
| 12-6 | Billy the Kid - Ballet Suite (arco 33-A): Celebration (after Billy's Capture) | — | ||
| 12-7 | Billy the Kid - Ballet Suite (arco 33-A): Billy's Death | — | ||
| 12-8 | Billy the Kid - Ballet Suite (arco 33-A): The Open Prairie Again | — | ||
| 12-9 | 4 Dance Episodes from 'Rodeo' (arco 47a): I. Buckaroo Holiday. Allegro con spirito | — | ||
| 12-10 | 4 Dance Episodes from 'Rodeo' (arco 47a): II. Corral Nocturne. Moderato | — | ||
| 12-11 | 4 Dance Episodes from 'Rodeo' (arco 47a): III. Saturday Night Waltz. Introduction - Slow Waltz | — | ||
| 12-12 | 4 Dance Episodes from 'Rodeo' (arco 47a): IV. Hoe-Down. Allegro | — | ||
| 13-1 | Fanfare for the Common Man for Brass and Percussion (arco 51) | — | ||
| 13-2 | Lincoln Portrait for Narrator and Orchestra (arco 46): Lento - | — | ||
| 13-3 | Lincoln Portrait for Narrator and Orchestra (arco 46): Subito Allegro - | — | ||
| 13-4 | Lincoln Portrait for Narrator and Orchestra (arco 46): "Fellow citizens, we cannot escape history...." | — | ||
| 13-5 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Very Slowly - | — | ||
| 13-6 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Allegro - | — | ||
| 13-7 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Moderato - | — | ||
| 13-8 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Fast - Molto Moderato | — | ||
| 13-9 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Subito Allegro - Presto | — | ||
| 13-10 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): As at first (slowly) | — | ||
| 13-11 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Doppio movimento | — | ||
| 13-12 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Moderato - Andante (very calm) | — | ||
| 14-1 | Symphonic Ode (arco 19) | — | ||
| 14-2 | Preamble for a Solemn Occasion (arco 64) - Hymn for the United Nations | — | ||
| 14-3 | Orchestral Variations (arco 76): Theme. Grave | — | ||
| 14-4 | Orchestral Variations (arco 76): Variations 1-20 | — | ||
| 14-5 | Orchestral Variations (arco 76): Coda. Subito lento moderato | — | ||
| 15-1 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Very slowly - | — | ||
| 15-2 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Allegro - | — | ||
| 15-3 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Moderato - | — | ||
| 15-4 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Fast - Molto moderato | — | ||
| 15-5 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Subito Allegro - Presto | — | ||
| 15-6 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Meno mosso | — | ||
| 15-7 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Doppio movimento | — | ||
| 15-8 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Rather Slow | — | ||
| 15-9 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Very Deliberate | — | ||
| 15-10 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Poco piu mosso | — | ||
| 15-11 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): A trifle shower | — | ||
| 15-12 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Molto allegro ed agitato | — | ||
| 15-13 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Broadly | — | ||
| 15-14 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Moderato | — | ||
| 15-15 | Copland Rehearses 'Appalachian Spring' with the Columbia Chamber Orchestra | — | ||
| 16-1 | Sonata for Violin and Piano (arco 52) (1942/3): I. Andante semplice - Allegro | — | ||
| 16-2 | Sonata for Violin and Piano (arco 52) (1942/3): II. Lento - attacca | — | ||
| 16-3 | Sonata for Violin and Piano (arco 52) (1942/3): III. Allegretto giusto | — | ||
| 16-4 | Duo for Flute and Piano (arco 94): I. Flowing | — | ||
| 16-5 | Duo for Flute and Piano (arco 94): II. Poetic, somewhat mournful | — | ||
| 16-6 | Duo for Flute and Piano (arco 94): III. Lively, with bounce | — | ||
| 16-7 | Nonet for 3 Violins, 3 Violas and 3 Cellos (arco 80): I. Slow and Solemn | — | ||
| 16-8 | Nonet for 3 Violins, 3 Violas and 3 Cellos (arco 80): II. Ritmico ed un poco marcato | — | ||
| 16-9 | Nonet for 3 Violins, 3 Violas and 3 Cellos (arco 80): III. Tempo as at First | — | ||
| 17-2 | 3 Latin American Sketches (arco 78) No. 1, Estribillo | — | ||
| 17-3 | 3 Latin American Sketches (arco 78) No. 2, Paisaje Mexicano | — | ||
| 17-4 | 3 Latin American Sketches (arco 78) No. 3, Danza de Jalisco | — | ||
| 17-5 | El Salon Mexico (arco 28) (A Popular Type Dance Hall in Mexico City) | — | ||
| 17-6 | Dance Panels (arco 79) - Ballet in 7 Sections: I. Introduction. Moderato (Tempo di valzer) - Espressivo un poco rubato | — | ||
| 17-7 | Dance Panels (arco 79) - Ballet in 7 Sections: II. Allegretto con tenerezza (un poco rubato) | — | ||
| 17-8 | Dance Panels (arco 79) - Ballet in 7 Sections: III. Scherzando - Moderato | — | ||
| 17-9 | Dance Panels (arco 79) - Ballet in 7 Sections: IV. Pas de trois. Lento | — | ||
| 17-10 | Dance Panels (arco 79) - Ballet in 7 Sections: V. Con brio | — | ||
| 17-11 | Dance Panels (arco 79) - Ballet in 7 Sections: VI. Con moto | — | ||
| 17-12 | Dance Panels (arco 79) - Ballet in 7 Sections: VII. Molto ritmico - Coda - Come prima - Moderato | — | ||
| 18-1 | The Red Pony - Film Suite (arco 63-A): I. Morning on the Ranch | — | ||
| 18-2 | The Red Pony - Film Suite (arco 63-A): II. The Gift | — | ||
| 18-3 | The Red Pony - Film Suite (arco 63-A): IIIa. Dream March | — | ||
| 18-4 | The Red Pony - Film Suite (arco 63-A): IIIb. Circus Music | — | ||
| 18-5 | The Red Pony - Film Suite (arco 63-A): IV. Walk to the Bunkhouse | — | ||
| 18-6 | The Red Pony - Film Suite (arco 63-A): V. Grandfather's Story | — | ||
| 18-7 | The Red Pony - Film Suite (arco 63-A): VI. Happy Ending | — | ||
| 18-9 | Music for Movies (arco 49): I. New England Countryside (from "The City") | — | ||
| 18-10 | Music for Movies (arco 49): II. Barley Wagons (from "Of 'Mice and Men") | — | ||
| 18-11 | Music for Movies (arco 49): III. Sunday Traffic (from "The City") | — | ||
| 18-12 | Music for Movies (arco 49): IV. Grovers Corners (from "Our Town") | — | ||
| 18-13 | Music for Movies (arco 49): V. Threshing Machines (from "Of Mice and Men") | — | ||
| 19-1 | Symphony No. 3 (arco 58): I. Molto moderato - With Simple Expression | — | ||
| 19-2 | Symphony No. 3 (arco 58): II. Allegro molto | — | ||
| 19-3 | Symphony No. 3 (arco 58): III. Andantino quasi allegretto | — | ||
| 19-4 | Symphony No. 3 (arco 58): IV. Molto deliberato (Fanfare) - Allegro risoluto | — | ||
| 20-1 | Inscape (arco 90) | — | ||
| 20-2 | Connotations for Orchestra (arco 83) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
194399774625 is a Universal Product Code (UPC) assigned to Copland Conducts Copland: The Complete Columbia Album Collection by Aaron Copland. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 199 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
194399774625 is the Universal Product Code (UPC barcode) for the release “Copland Conducts Copland: The Complete Columbia Album Collection” by Aaron Copland, released 2024-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 199 tracks, each with its own ISRC. Tracks include USSM10008194, USSM10008195, USSM10008196.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Clarinet and String Orchestra (with Harp and Piano) (arco 62): I. Slowly and expressively - Cadenza | — | ||
| 2 | Concerto for Clarinet and String Orchestra (with Harp and Piano) (arco 62): II. Rather Fast | — | ||
| 3 | Quartet for Piano and Strings (arco 67): I. Adagio serio | — | ||
| 4 | Quartet for Piano and Strings (arco 67): II. Allegro giusto | — | ||
| 5 | Quartet for Piano and Strings (arco 67): III. Non troppo lento | — | ||
| 6 | Piano Variations (arco 21) (1930) | — | ||
| 7 | 2 Pieces for Violin and Piano, No. 1 (arco 13/1): Nocturne | — | ||
| 8 | Vitebsk, Study on a Jewish Theme for Violin, Cello and Piano (arco 20) | — | ||
| 9 | 2 Pieces for Violin and Piano, No. 2 (arco 13/2): Ukelele Serenade | — | ||
| 2-1 | Old American Songs - Set I (arco 65) No. 1, The Boatmen's Dance "'Minstrel Song" | — | ||
| 2-2 | Old American Songs - Set I (arco 65) No. 2, The Dodger "Campaign Song" | — | ||
| 2-3 | Old American Songs - Set I (arco 65) No. 3, Long Time Ago "Ballad" | — | ||
| 2-4 | Old American Songs - Set I (arco 65) No. 4, Simple Gifts "Shaker Song" | — | ||
| 2-5 | Old American Songs - Set I (arco 65) No. 5, I Bought Me a Cat "Children's Song" | — | ||
| 2-6 | Old American Songs - Set II (arco 68) No. 1, The Little Horses "A Children's Lullaby" | — | ||
| 2-7 | Old American Songs - Set II (arco 68) No. 2, Zion's Walls "A Revivalist Song" | — | ||
| 2-8 | Old American Songs - Set II (arco 68) No. 3, The Golden Willow Tree "Anglo-American Ballad'" | — | ||
| 2-9 | Old American Songs - Set II (arco 68) No. 4, At the River "Hymn Tune" | — | ||
| 2-10 | Old American Songs - Set II (arco 68) No. 5, Ching-a-Ring Chaw "Minstrel Song" | — | ||
| 2-11 | 12 Poems of Emily Dickinson (arco 66) No. 1, "Nature, the gentlest mother" to David Diamond | — | ||
| 2-12 | 12 Poems of Emily Dickinson (arco 66) No. 2, "There came a wind like a bugle" to Elliott Carter | — | ||
| 2-13 | 12 Poems of Emily Dickinson (arco 66) No. 3, "Why do they shut me out of Heaven" to Ingolf Dahl | — | ||
| 2-14 | 12 Poems of Emily Dickinson (arco 66) No. 4, "The world feels dusty" to Alexei Haieff | — | ||
| 2-15 | 12 Poems of Emily Dickinson (arco 66) No. 5, "Heart, we will forget him!" to Marcelle de Manziarly | — | ||
| 2-16 | 12 Poems of Emily Dickinson (arco 66) No. 6, "Dear March, come In!" to Juan Orrego-Salas | — | ||
| 2-17 | 12 Poems of Emily Dickinson (arco 66) No. 7, "Sleep is supposed to be" to Irving Fine | — | ||
| 2-18 | 12 Poems of Emily Dickinson (arco 66) No. 8, "When they come back" to Harold Shapero | — | ||
| 2-19 | 12 Poems of Emily Dickinson (arco 66) No. 9, "I Felt a funeral in my brain" to Camargo Guarnieri | — | ||
| 2-20 | 12 Poems of Emily Dickinson (arco 66) No. 10, "I've heard an organ talk sometimes" to Alberto Ginastera | — | ||
| 2-21 | 12 Poems of Emily Dickinson (arco 66) No. 11, "Going to Heaven!" to Lukas Foss | — | ||
| 2-22 | 12 Poems of Emily Dickinson (arco 66) No. 12, "The Chariot" to Arthur Berger | — | ||
| 3-1 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Very slowly ~ Introduction of characters | — | ||
| 3-2 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Allegro ~ Display of action | — | ||
| 3-3 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Moderato ~ Pas de deux for the bride and groom | — | ||
| 3-4 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Fast – Molto Moderato ~ Revival meeting | — | ||
| 3-5 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Subito Allegro – Presto ~ Bride's solo | — | ||
| 3-6 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): As at first (slowly) ~ Reprise of the introduction | — | ||
| 3-7 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Doppio movimento ~ Shaker theme, "The Gift to Be Simple" and variations underscoring scenes of daily activity for the bride and groom | — | ||
| 3-8 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Moderato – Andante (very calm) ~ Coda | — | ||
| 3-9 | The Tender Land - Orchestral Suite of the Opera (arco 77): I. Introduction and Love Music | — | ||
| 3-10 | The Tender Land - Orchestral Suite of the Opera (arco 77): II. Party Scene | — | ||
| 3-11 | The Tender Land - Orchestral Suite of the Opera (arco 77): III. Finale: Promise of Living | — | ||
| 4-1 | Concerto for Clarinet and String Orchestra (with Harp and Piano) (arco 62): I. Slowly and expressively - Cadenza | — | ||
| 4-2 | Concerto for Clarinet and String Orchestra (with Harp and Piano) (arco 62): II. Rather Fast | — | ||
| 4-3 | Old American Songs, Book 1: No. 1. The Boatmen's Dance | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-4 | Old American Songs, Book 1: No. 2. The Dodger | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-5 | Old American Songs, Book 1: No. 3. Long Time Ago | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-6 | Old American Songs, Book 1: No. 4. Simple Gifts | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-7 | Old American Songs, Book 1: No. 5. I Bought Me a Cat | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-8 | Old American Songs, Book 2: No. 1. The Little Horses | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-9 | Old American Songs, Book 2: No. 2. Zion's Walls | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-10 | Old American Songs, Book 2: No. 3. The Golden Willow Tree | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-11 | Old American Songs, Book 2: No. 4. At the River | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 4-12 | Old American Songs, Book 2: No. 5. Ching-a-ring Chaw | William Warfield, Columbia Symphony Orchestra, Aaron Copland | — | |
| 5-1 | Concerto for Piano and Orchestra (arco 12): I. Andante sostenuto - attacca | — | ||
| 5-2 | Concerto for Piano and Orchestra (arco 12): II. Molto moderato - Allegro assai | — | ||
| 5-3 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): I. Prologue. Molto moderato | — | ||
| 5-4 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): II. Dance. Allegro molto | — | ||
| 5-5 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): III. Interlude. Lento moderato | — | ||
| 5-6 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): IV. Burlesque. Allegro vivo | — | ||
| 5-7 | Music for the Theatre (Suite in 5 Parts for Small Orchestra) (arco 10): V. Epilogue. Moderato - Molto moderato - Lento molto | — | ||
| 6-1 | The Tender Land (Opera in Three Acts) (arco 69) Act I: The Day before Graduation (Late Afternoon). Gently flowing | — | ||
| 6-2 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Moderate tempo | — | ||
| 6-3 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Moderately fast | — | ||
| 6-4 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Somewhat faster | — | ||
| 6-5 | The Tender Land (Opera in Three Acts) (arco 69) Act I: With motion | — | ||
| 6-6 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Moderately | — | ||
| 6-7 | The Tender Land (Opera in Three Acts) (arco 69) Act I: Trifle slower | — | ||
| 6-8 | The Tender Land (Opera in Three Acts) (arco 69) Act II: That Evening. Lively and rough | — | ||
| 6-9 | The Tender Land (Opera in Three Acts) (arco 69) Act II: Quite slow | — | ||
| 6-10 | The Tender Land (Opera in Three Acts) (arco 69) Act II: Very broadly | — | ||
| 6-11 | The Tender Land (Opera in Three Acts) (arco 69) Act II: Briskly | — | ||
| 6-12 | The Tender Land (Opera in Three Acts) (arco 69) Act II: Somewhat slower | — | ||
| 6-13 | The Tender Land (Opera in Three Acts) (arco 69) Act III: Later that Night - Then Graduation Day (Dawn). Introduction - Starting slowly | — | ||
| 6-14 | The Tender Land (Opera in Three Acts) (arco 69) Act III: As at first | — | ||
| 6-15 | The Tender Land (Opera in Three Acts) (arco 69) Act III: Fast tempo | — | ||
| 6-16 | The Tender Land (Opera in Three Acts) (arco 69) Act III: Broadly | — | ||
| 6-17 | The Tender Land (Opera in Three Acts) (arco 69) Act III: (Still slower) | — | ||
| 7-1 | Music for a Great City (arco 84): I. Skyline | — | ||
| 7-2 | Music for a Great City (arco 84): II. Night Thoughts | — | ||
| 7-3 | Music for a Great City (arco 84): III. Subway Jam | — | ||
| 7-4 | Music for a Great City (arco 84): IV. Toward the Bridge | — | ||
| 7-5 | Statements for Orchestra (arco 25): I. Militant | — | ||
| 7-6 | Statements for Orchestra (arco 25): II. Cryptic | — | ||
| 7-7 | Statements for Orchestra (arco 25): III. Dogmatic | — | ||
| 7-8 | Statements for Orchestra (arco 25): IV. Subjective | — | ||
| 7-9 | Statements for Orchestra (arco 25): V. Jingo | — | ||
| 7-10 | Statements for Orchestra (arco 25): VI. Prophetic | — | ||
| 8-1 | 12 Poems of Emily Dickinson (arco 66) No. 1, "Nature, the gentlest mother" to David Diamond | — | ||
| 8-2 | 12 Poems of Emily Dickinson (arco 66) No. 2, "There came a wind like a bugle" to Elliott Carter | — | ||
| 8-3 | 12 Poems of Emily Dickinson (arco 66) No. 3, "Why do they shut me out of Heaven" to Ingolf Dahl | — | ||
| 8-4 | 12 Poems of Emily Dickinson (arco 66) No. 4, "The world feels dusty" to Alexei Haieff | — | ||
| 8-5 | 12 Poems of Emily Dickinson (arco 66) No. 5, "Heart, we will forget him" to Marcelle de Manziarly | — | ||
| 8-6 | 12 Poems of Emily Dickinson (arco 66) No. 6, "Dear March, come in" to Juan Orrego-Salas | — | ||
| 8-7 | 12 Poems of Emily Dickinson (arco 66) No. 7, "Sleep is supposed to be" to Irving Fine | — | ||
| 8-8 | 12 Poems of Emily Dickinson (arco 66) No. 8, "When they come back" to Harold Shapero | — | ||
| 8-9 | 12 Poems of Emily Dickinson (arco 66) No. 9, "I felt a funeral in my brain" to Camargo Guarnieri | — | ||
| 8-10 | 12 Poems of Emily Dickinson (arco 66) No. 10, "I've heard an organ talk sometimes" to Alberto Ginastera | — | ||
| 8-11 | 12 Poems of Emily Dickinson (arco 66) No. 11, "Going to Heaven" to Lukas Foss | — | ||
| 8-12 | 12 Poems of Emily Dickinson (arco 66) No. 12, "The Chariot" to Arthur Berger | — | ||
| 8-13 | Las Agachadas "The Shake-Down Song" (arco 48) | — | ||
| 8-14 | In the Beginning (arco 59) | — | ||
| 8-15 | Lark (arco 35) | — | ||
| 9-1 | Quartet for Piano, Violin, Viola and Cello (arco 67): I. Adagio serio | — | ||
| 9-2 | Quartet for Piano, Violin, Viola and Cello (arco 67): II. Allegro giusto | — | ||
| 9-3 | Quartet for Piano, Violin, Viola and Cello (arco 67): III. Non troppo lento | — | ||
| 9-4 | Sextet for Clarinet, Piano, 2 Violins, Viola and Cello (arco 32): I. Allegro vivace | — | ||
| 9-5 | Sextet for Clarinet, Piano, 2 Violins, Viola and Cello (arco 32): II. Lento | — | ||
| 9-6 | Sextet for Clarinet, Piano, 2 Violins, Viola and Cello (arco 32): III. Finale. Precise and Rhythmic | — | ||
| 9-7 | Vitebsk, Study on a Jewish Theme for Violin, Cello and Piano (arco 20) | — | ||
| 10-1 | Short Symphony "Symphony No. 2" (arco 24) | — | ||
| 10-2 | Dance Symphony (arco 11): I. Dance of the Adolescent. Introduction. Lento - Molto allegro - Adagio molto | — | ||
| 10-3 | Dance Symphony (arco 11): II. Dance of the Girl Who Moves as if in a Dream. Andante moderato | — | ||
| 10-4 | Dance Symphony (arco 11): III. Dance of Mockery. Allegro vivo | — | ||
| 11-1 | An Outdoor Overture (arco 34) | — | ||
| 11-2 | Our Town Suite (arco 41.4) (Muisc from the Film Score) | — | ||
| 11-5 | Quiet City (for English Horn, Trumpet and String Orchestra) (arco 43) | — | ||
| 12-1 | Billy the Kid - Ballet Suite (arco 33-A): Introduction. The Open Prairie | — | ||
| 12-2 | Billy the Kid - Ballet Suite (arco 33-A): Street in a Frontier Town | — | ||
| 12-3 | Billy the Kid - Ballet Suite (arco 33-A): Mexican Dance and Finale | — | ||
| 12-4 | Billy the Kid - Ballet Suite (arco 33-A): Prarie Night (Card Game at Night) | — | ||
| 12-5 | Billy the Kid - Ballet Suite (arco 33-A): Gun Battle | — | ||
| 12-6 | Billy the Kid - Ballet Suite (arco 33-A): Celebration (after Billy's Capture) | — | ||
| 12-7 | Billy the Kid - Ballet Suite (arco 33-A): Billy's Death | — | ||
| 12-8 | Billy the Kid - Ballet Suite (arco 33-A): The Open Prairie Again | — | ||
| 12-9 | 4 Dance Episodes from 'Rodeo' (arco 47a): I. Buckaroo Holiday. Allegro con spirito | — | ||
| 12-10 | 4 Dance Episodes from 'Rodeo' (arco 47a): II. Corral Nocturne. Moderato | — | ||
| 12-11 | 4 Dance Episodes from 'Rodeo' (arco 47a): III. Saturday Night Waltz. Introduction - Slow Waltz | — | ||
| 12-12 | 4 Dance Episodes from 'Rodeo' (arco 47a): IV. Hoe-Down. Allegro | — | ||
| 13-1 | Fanfare for the Common Man for Brass and Percussion (arco 51) | — | ||
| 13-2 | Lincoln Portrait for Narrator and Orchestra (arco 46): Lento - | — | ||
| 13-3 | Lincoln Portrait for Narrator and Orchestra (arco 46): Subito Allegro - | — | ||
| 13-4 | Lincoln Portrait for Narrator and Orchestra (arco 46): "Fellow citizens, we cannot escape history...." | — | ||
| 13-5 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Very Slowly - | — | ||
| 13-6 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Allegro - | — | ||
| 13-7 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Moderato - | — | ||
| 13-8 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Fast - Molto Moderato | — | ||
| 13-9 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Subito Allegro - Presto | — | ||
| 13-10 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): As at first (slowly) | — | ||
| 13-11 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Doppio movimento | — | ||
| 13-12 | Appalachian Spring - Suite (Ballet for Martha) (arco 55-A): Moderato - Andante (very calm) | — | ||
| 14-1 | Symphonic Ode (arco 19) | — | ||
| 14-2 | Preamble for a Solemn Occasion (arco 64) - Hymn for the United Nations | — | ||
| 14-3 | Orchestral Variations (arco 76): Theme. Grave | — | ||
| 14-4 | Orchestral Variations (arco 76): Variations 1-20 | — | ||
| 14-5 | Orchestral Variations (arco 76): Coda. Subito lento moderato | — | ||
| 15-1 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Very slowly - | — | ||
| 15-2 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Allegro - | — | ||
| 15-3 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Moderato - | — | ||
| 15-4 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Fast - Molto moderato | — | ||
| 15-5 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Subito Allegro - Presto | — | ||
| 15-6 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Meno mosso | — | ||
| 15-7 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Doppio movimento | — | ||
| 15-8 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Rather Slow | — | ||
| 15-9 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Very Deliberate | — | ||
| 15-10 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Poco piu mosso | — | ||
| 15-11 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): A trifle shower | — | ||
| 15-12 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Molto allegro ed agitato | — | ||
| 15-13 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Broadly | — | ||
| 15-14 | Appalachian Spring (arco 55) - Ballet for Martha (for 13 instruments): Moderato | — | ||
| 15-15 | Copland Rehearses 'Appalachian Spring' with the Columbia Chamber Orchestra | — | ||
| 16-1 | Sonata for Violin and Piano (arco 52) (1942/3): I. Andante semplice - Allegro | — | ||
| 16-2 | Sonata for Violin and Piano (arco 52) (1942/3): II. Lento - attacca | — | ||
| 16-3 | Sonata for Violin and Piano (arco 52) (1942/3): III. Allegretto giusto | — | ||
| 16-4 | Duo for Flute and Piano (arco 94): I. Flowing | — | ||
| 16-5 | Duo for Flute and Piano (arco 94): II. Poetic, somewhat mournful | — | ||
| 16-6 | Duo for Flute and Piano (arco 94): III. Lively, with bounce | — | ||
| 16-7 | Nonet for 3 Violins, 3 Violas and 3 Cellos (arco 80): I. Slow and Solemn | — | ||
| 16-8 | Nonet for 3 Violins, 3 Violas and 3 Cellos (arco 80): II. Ritmico ed un poco marcato | — | ||
| 16-9 | Nonet for 3 Violins, 3 Violas and 3 Cellos (arco 80): III. Tempo as at First | — | ||
| 17-2 | 3 Latin American Sketches (arco 78) No. 1, Estribillo | — | ||
| 17-3 | 3 Latin American Sketches (arco 78) No. 2, Paisaje Mexicano | — | ||
| 17-4 | 3 Latin American Sketches (arco 78) No. 3, Danza de Jalisco | — | ||
| 17-5 | El Salon Mexico (arco 28) (A Popular Type Dance Hall in Mexico City) | — | ||
| 17-6 | Dance Panels (arco 79) - Ballet in 7 Sections: I. Introduction. Moderato (Tempo di valzer) - Espressivo un poco rubato | — | ||
| 17-7 | Dance Panels (arco 79) - Ballet in 7 Sections: II. Allegretto con tenerezza (un poco rubato) | — | ||
| 17-8 | Dance Panels (arco 79) - Ballet in 7 Sections: III. Scherzando - Moderato | — | ||
| 17-9 | Dance Panels (arco 79) - Ballet in 7 Sections: IV. Pas de trois. Lento | — | ||
| 17-10 | Dance Panels (arco 79) - Ballet in 7 Sections: V. Con brio | — | ||
| 17-11 | Dance Panels (arco 79) - Ballet in 7 Sections: VI. Con moto | — | ||
| 17-12 | Dance Panels (arco 79) - Ballet in 7 Sections: VII. Molto ritmico - Coda - Come prima - Moderato | — | ||
| 18-1 | The Red Pony - Film Suite (arco 63-A): I. Morning on the Ranch | — | ||
| 18-2 | The Red Pony - Film Suite (arco 63-A): II. The Gift | — | ||
| 18-3 | The Red Pony - Film Suite (arco 63-A): IIIa. Dream March | — | ||
| 18-4 | The Red Pony - Film Suite (arco 63-A): IIIb. Circus Music | — | ||
| 18-5 | The Red Pony - Film Suite (arco 63-A): IV. Walk to the Bunkhouse | — | ||
| 18-6 | The Red Pony - Film Suite (arco 63-A): V. Grandfather's Story | — | ||
| 18-7 | The Red Pony - Film Suite (arco 63-A): VI. Happy Ending | — | ||
| 18-9 | Music for Movies (arco 49): I. New England Countryside (from "The City") | — | ||
| 18-10 | Music for Movies (arco 49): II. Barley Wagons (from "Of 'Mice and Men") | — | ||
| 18-11 | Music for Movies (arco 49): III. Sunday Traffic (from "The City") | — | ||
| 18-12 | Music for Movies (arco 49): IV. Grovers Corners (from "Our Town") | — | ||
| 18-13 | Music for Movies (arco 49): V. Threshing Machines (from "Of Mice and Men") | — | ||
| 19-1 | Symphony No. 3 (arco 58): I. Molto moderato - With Simple Expression | — | ||
| 19-2 | Symphony No. 3 (arco 58): II. Allegro molto | — | ||
| 19-3 | Symphony No. 3 (arco 58): III. Andantino quasi allegretto | — | ||
| 19-4 | Symphony No. 3 (arco 58): IV. Molto deliberato (Fanfare) - Allegro risoluto | — | ||
| 20-1 | Inscape (arco 90) | — | ||
| 20-2 | Connotations for Orchestra (arco 83) | — |
