UPC · Release
Rudolf Barshai, The Moscow Chamber Orchestra
Last verified:
The UPC for “Rudolf Barshai. Collection” by Rudolf Barshai, The Moscow Chamber Orchestra is 194491427733. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-11-22. Label: АО "Фирма Мелодия". This release contains 75 tracks, each with its own ISRC. Tracks include UK2Y21901765, UK2Y21901766, UK2Y21901779.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | — | ||
| 2 | Violin Partita No. 2 in D Minor, BWV 1004: II. Courante | — | ||
| 3 | Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande | — | ||
| 4 | VIOLIN PARTITA NO. 2 IN D MINOR, BWV 1004: IV. GIGUE | — | ||
| 5 | VIOLIN PARTITA NO. 2 IN D MINOR, BWV 1004: V. CHACONNE | — | ||
| 6 | Viola Concerto in the Style of Handel: I. Allegro moderatо | — | ||
| 7 | Viola Concerto in the Style of Handel: II. Andante ma non troppo | — | ||
| 8 | Viola Concerto in the Style of Handel: III. Allegro molto | — | ||
| 9 | Trauermusik: I. Langsam | — | ||
| 10 | Trauermusik: II. Ruhig bewegt | — | ||
| 11 | Trauermusik: III. Lebhaft | — | ||
| 12 | Trauermusik: IV. Choral “Für deinen Thron tret ich hiermit” | — | ||
| 2-1 | Sinfonia Concertante in E‐Flat Major, K. 364: I. Allegro maestoso | — | ||
| 2-2 | Sinfonia Concertante in E‐Flat Major, K. 364: II. Andante | — | ||
| 2-3 | Sinfonia Concertante in E‐Flat Major, K. 364: III. Presto | — | ||
| 2-4 | String Quartet No. 3 in F Major, Op. 73: I. Allegretto | — | ||
| 2-5 | String Quartet No. 3 in F Major, Op. 73: II. Moderato con moto | — | ||
| 2-6 | STRING QUARTET NO. 3 IN F MAJOR, OP. 73: III. ALLEGRO NON TROPPO | — | ||
| 2-7 | STRING QUARTET NO. 3 IN F MAJOR, OP. 73: IV. ADAGIO | — | ||
| 2-8 | STRING QUARTET NO. 3 IN F MAJOR, OP. 73: V. MODERATO | — | ||
| 3-1 | Pavane, Z. 752 | — | ||
| 3-2 | Chaconne, Z. 730 | — | ||
| 3-3 | Sonata No. 3 for Strings in C Major: I. Allegro | — | ||
| 3-4 | Sonata No. 3 for Strings in C Major: II. Andante | — | ||
| 3-5 | Sonata No. 3 for Strings in C Major: III. Moderato | — | ||
| 3-6 | Divertimento in D Major, K. 136: I. Allegro | — | ||
| 3-7 | Divertimento in D Major, K. 136: II. Andante | — | ||
| 3-8 | Divertimento in D Major, K. 136: III. Presto | — | ||
| 3-9 | Brandenburg Concerto No. 3 in G Major, BWV 1048: I. No tempo | — | ||
| 3-10 | BRANDENBURG CONCERTO NO. 3 IN G MAJOR, BWV 1048: II. ADAGIO | — | ||
| 3-11 | BRANDENBURG CONCERTO NO. 3 IN G MAJOR, BWV 1048: III. ALLEGRO | — | ||
| 3-12 | Concerto in D Major “Basle”: I. Vivace | — | ||
| 3-13 | Concerto in D Major “Basle”: II. Arioso - Andantino | — | ||
| 3-14 | Concerto in D Major “Basle”: III. Rondo - Allegro | — | ||
| 3-15 | Concerto in E‐Flat Major “Dumbarton Oaks”: I. Tempo giusto | — | ||
| 3-16 | Concerto in E‐Flat Major “Dumbarton Oaks”: II. Allegretto | — | ||
| 3-17 | Concerto in E‐Flat Major “Dumbarton Oaks”: III. Con moto | — | ||
| 4-1 | The Art of Fugue, BWV 1080: Contrapunctus 1 (Arr. Rudolf Barshai) | — | ||
| 4-2 | THE ART OF FUGUE, BWV 1080: CONTRAPUNCTUS 2 (ARR. RUDOLF BARSHAI) | — | ||
| 4-3 | The Art of Fugue, BWV 1080: Contrapunctus 3 (Arr. Rudolf Barshai) | — | ||
| 4-4 | The Art of Fugue, BWV 1080: Contrapunctus 4 (Arr. Rudolf Barshai) | — | ||
| 4-5 | The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu (Arr. Rudolf Barshai) | — | ||
| 4-6 | The Art of Fugue, BWV 1080: Contrapunctus 5 (Arr. Rudolf Barshai) | — | ||
| 4-7 | The Art of Fugue, BWV 1080: Contrapunctus 6, a 4, in Stile francese (Arr. Rudolf Barshai) | — | ||
| 4-8 | The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per augmentationem et diminutionem (Arr. Rudolf Barshai) | — | ||
| 4-9 | The Art of Fugue, BWV 1080: Canon alla Ottava (Arr. Rudolf Barshai) | — | ||
| 4-10 | The Art of Fugue, BWV 1080: Contrapunctus 8, a 3 (Arr. Rudolf Barshai) | — | ||
| 4-11 | The Art of Fugue, BWV 1080: Contrapunctus 9, a 4, alla Duodecima (Arr. Rudolf Barshai) | — | ||
| 4-12 | The Art of Fugue, BWV 1080: Canon alla Decima. Contrapunto alla Terza (Arr. Rudolf Barshai) | — | ||
| 4-13 | The Art of Fugue, BWV 1080: Contrapunctus 10, a 4, alla Decima (Arr. Rudolf Barshai) | — | ||
| 4-14 | The Art of Fugue, BWV 1080: Contrapunctus 11, a 4 (Arr. Rudolf Barshai) | — | ||
| 5-1 | The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta (Arr. Rudolf Barshai) | — | ||
| 5-2 | The Art of Fugue, BWV 1080: Contrapunctus 12, a 4, rectus (Arr. Rudolf Barshai) | — | ||
| 5-3 | The Art of Fugue, BWV 1080: Contrapunctus 12, a 4, inversus (Arr. Rudolf Barshai) | — | ||
| 5-4 | The Art of Fugue, BWV 1080: Contrapunctus [13], a 3, rectus (Arr. Rudolf Barshai) | — | ||
| 5-5 | The Art of Fugue, BWV 1080: Contrapunctus [13], a 3, inversus (Arr. Rudolf Barshai) | — | ||
| 5-6 | The Art of Fugue, BWV 1080: Fuga a 2. Clav (Arr. Rudolf Barshai) | — | ||
| 5-7 | The Art of Fugue, BWV 1080: Alio modo. Fuga a 2. Clav (Arr. Rudolf Barshai) | — | ||
| 5-8 | The Art of Fugue, BWV 1080: Fuga a 3 Soggetti (Arr. Rudolf Barshai) | — | ||
| 5-9 | VISIONS FUGITIVES, OP. 22: I. LENTAMENTE (ARR. RUDOLF BARSHAI) | — | ||
| 5-10 | Visions Fugitives, Op. 22: II. Andante (Arr. Rudolf Barshai) | — | ||
| 5-11 | Visions Fugitives, Op. 22: III. Allegretto (Arr. Rudolf Barshai) | — | ||
| 5-12 | Visions Fugitives, Op. 22: IV. Animato (Arr. Rudolf Barshai) | — | ||
| 5-13 | Visions Fugitives, Op. 22: V. Molto giocoso (Arr. Rudolf Barshai) | — | ||
| 5-14 | VISIONS FUGITIVES, OP. 22: VI. CON ELEGANZA (ARR. RUDOLF BARSHAI) | — | ||
| 5-15 | Visions Fugitives, Op. 22: VIII. Commodo (Arr. Rudolf Barshai) | — | ||
| 5-16 | Visions Fugitives, Op. 22: IX. Allegretto tranquillo (Arr. Rudolf Barshai) | — | ||
| 5-17 | VISIONS FUGITIVES, OP. 22: X. RIDICOLOSAMENTE (ARR. RUDOLF BARSHAI) | — | ||
| 5-18 | Visions Fugitives, Op. 22: XI. Con vivacità (Arr. Rudolf Barshai) | — | ||
| 5-19 | Visions Fugitives, Op. 22: XII. Assai moderato (Arr. Rudolf Barshai) | — | ||
| 5-20 | Visions Fugitives, Op. 22: XIII. Allegretto (Arr. Rudolf Barshai) | — | ||
| 5-21 | Visions Fugitives, Op. 22: XIV. Feroce (Arr. Rudolf Barshai) | — | ||
| 5-22 | Visions Fugitives, Op. 22: XV. Inquieto (Arr. Rudolf Barshai) | — | ||
| 5-23 | VISIONS FUGITIVES, OP. 22: XVI. DOLENTE (ARR. RUDOLF BARSHAI) | — | ||
| 5-24 | The Well‐Tempered Clavier, Book 1: Prelude and Fugue No. 22 in В-Flat Minor, BWV 867 (Arr. Rudolf Barshai) | — |
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| SINFONIA CONCERTANTE IN E-FLAT MAJOR, K. 364: II. ANDANTE | T-010.194.421-1 | |
| SINFONIA CONCERTANTE IN E-FLAT MAJOR, K. 364: III. PRESTO | T-010.194.421-1 | |
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Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
194491427733 is a Universal Product Code (UPC) assigned to Rudolf Barshai. Collection by Rudolf Barshai, The Moscow Chamber Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Rudolf Barshai. Collection” by Rudolf Barshai, The Moscow Chamber Orchestra is 194491427733. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-11-22. Label: АО "Фирма Мелодия". This release contains 75 tracks, each with its own ISRC. Tracks include UK2Y21901765, UK2Y21901766, UK2Y21901779.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | — | ||
| 2 | Violin Partita No. 2 in D Minor, BWV 1004: II. Courante | — | ||
| 3 | Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande | — | ||
| 4 | VIOLIN PARTITA NO. 2 IN D MINOR, BWV 1004: IV. GIGUE | — | ||
| 5 | VIOLIN PARTITA NO. 2 IN D MINOR, BWV 1004: V. CHACONNE | — | ||
| 6 | Viola Concerto in the Style of Handel: I. Allegro moderatо | — | ||
| 7 | Viola Concerto in the Style of Handel: II. Andante ma non troppo | — | ||
| 8 | Viola Concerto in the Style of Handel: III. Allegro molto | — | ||
| 9 | Trauermusik: I. Langsam | — | ||
| 10 | Trauermusik: II. Ruhig bewegt | — | ||
| 11 | Trauermusik: III. Lebhaft | — | ||
| 12 | Trauermusik: IV. Choral “Für deinen Thron tret ich hiermit” | — | ||
| 2-1 | Sinfonia Concertante in E‐Flat Major, K. 364: I. Allegro maestoso | — | ||
| 2-2 | Sinfonia Concertante in E‐Flat Major, K. 364: II. Andante | — | ||
| 2-3 | Sinfonia Concertante in E‐Flat Major, K. 364: III. Presto | — | ||
| 2-4 | String Quartet No. 3 in F Major, Op. 73: I. Allegretto | — | ||
| 2-5 | String Quartet No. 3 in F Major, Op. 73: II. Moderato con moto | — | ||
| 2-6 | STRING QUARTET NO. 3 IN F MAJOR, OP. 73: III. ALLEGRO NON TROPPO | — | ||
| 2-7 | STRING QUARTET NO. 3 IN F MAJOR, OP. 73: IV. ADAGIO | — | ||
| 2-8 | STRING QUARTET NO. 3 IN F MAJOR, OP. 73: V. MODERATO | — | ||
| 3-1 | Pavane, Z. 752 | — | ||
| 3-2 | Chaconne, Z. 730 | — | ||
| 3-3 | Sonata No. 3 for Strings in C Major: I. Allegro | — | ||
| 3-4 | Sonata No. 3 for Strings in C Major: II. Andante | — | ||
| 3-5 | Sonata No. 3 for Strings in C Major: III. Moderato | — | ||
| 3-6 | Divertimento in D Major, K. 136: I. Allegro | — | ||
| 3-7 | Divertimento in D Major, K. 136: II. Andante | — | ||
| 3-8 | Divertimento in D Major, K. 136: III. Presto | — | ||
| 3-9 | Brandenburg Concerto No. 3 in G Major, BWV 1048: I. No tempo | — | ||
| 3-10 | BRANDENBURG CONCERTO NO. 3 IN G MAJOR, BWV 1048: II. ADAGIO | — | ||
| 3-11 | BRANDENBURG CONCERTO NO. 3 IN G MAJOR, BWV 1048: III. ALLEGRO | — | ||
| 3-12 | Concerto in D Major “Basle”: I. Vivace | — | ||
| 3-13 | Concerto in D Major “Basle”: II. Arioso - Andantino | — | ||
| 3-14 | Concerto in D Major “Basle”: III. Rondo - Allegro | — | ||
| 3-15 | Concerto in E‐Flat Major “Dumbarton Oaks”: I. Tempo giusto | — | ||
| 3-16 | Concerto in E‐Flat Major “Dumbarton Oaks”: II. Allegretto | — | ||
| 3-17 | Concerto in E‐Flat Major “Dumbarton Oaks”: III. Con moto | — | ||
| 4-1 | The Art of Fugue, BWV 1080: Contrapunctus 1 (Arr. Rudolf Barshai) | — | ||
| 4-2 | THE ART OF FUGUE, BWV 1080: CONTRAPUNCTUS 2 (ARR. RUDOLF BARSHAI) | — | ||
| 4-3 | The Art of Fugue, BWV 1080: Contrapunctus 3 (Arr. Rudolf Barshai) | — | ||
| 4-4 | The Art of Fugue, BWV 1080: Contrapunctus 4 (Arr. Rudolf Barshai) | — | ||
| 4-5 | The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu (Arr. Rudolf Barshai) | — | ||
| 4-6 | The Art of Fugue, BWV 1080: Contrapunctus 5 (Arr. Rudolf Barshai) | — | ||
| 4-7 | The Art of Fugue, BWV 1080: Contrapunctus 6, a 4, in Stile francese (Arr. Rudolf Barshai) | — | ||
| 4-8 | The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per augmentationem et diminutionem (Arr. Rudolf Barshai) | — | ||
| 4-9 | The Art of Fugue, BWV 1080: Canon alla Ottava (Arr. Rudolf Barshai) | — | ||
| 4-10 | The Art of Fugue, BWV 1080: Contrapunctus 8, a 3 (Arr. Rudolf Barshai) | — | ||
| 4-11 | The Art of Fugue, BWV 1080: Contrapunctus 9, a 4, alla Duodecima (Arr. Rudolf Barshai) | — | ||
| 4-12 | The Art of Fugue, BWV 1080: Canon alla Decima. Contrapunto alla Terza (Arr. Rudolf Barshai) | — | ||
| 4-13 | The Art of Fugue, BWV 1080: Contrapunctus 10, a 4, alla Decima (Arr. Rudolf Barshai) | — | ||
| 4-14 | The Art of Fugue, BWV 1080: Contrapunctus 11, a 4 (Arr. Rudolf Barshai) | — | ||
| 5-1 | The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta (Arr. Rudolf Barshai) | — | ||
| 5-2 | The Art of Fugue, BWV 1080: Contrapunctus 12, a 4, rectus (Arr. Rudolf Barshai) | — | ||
| 5-3 | The Art of Fugue, BWV 1080: Contrapunctus 12, a 4, inversus (Arr. Rudolf Barshai) | — | ||
| 5-4 | The Art of Fugue, BWV 1080: Contrapunctus [13], a 3, rectus (Arr. Rudolf Barshai) | — | ||
| 5-5 | The Art of Fugue, BWV 1080: Contrapunctus [13], a 3, inversus (Arr. Rudolf Barshai) | — | ||
| 5-6 | The Art of Fugue, BWV 1080: Fuga a 2. Clav (Arr. Rudolf Barshai) | — | ||
| 5-7 | The Art of Fugue, BWV 1080: Alio modo. Fuga a 2. Clav (Arr. Rudolf Barshai) | — | ||
| 5-8 | The Art of Fugue, BWV 1080: Fuga a 3 Soggetti (Arr. Rudolf Barshai) | — | ||
| 5-9 | VISIONS FUGITIVES, OP. 22: I. LENTAMENTE (ARR. RUDOLF BARSHAI) | — | ||
| 5-10 | Visions Fugitives, Op. 22: II. Andante (Arr. Rudolf Barshai) | — | ||
| 5-11 | Visions Fugitives, Op. 22: III. Allegretto (Arr. Rudolf Barshai) | — | ||
| 5-12 | Visions Fugitives, Op. 22: IV. Animato (Arr. Rudolf Barshai) | — | ||
| 5-13 | Visions Fugitives, Op. 22: V. Molto giocoso (Arr. Rudolf Barshai) | — | ||
| 5-14 | VISIONS FUGITIVES, OP. 22: VI. CON ELEGANZA (ARR. RUDOLF BARSHAI) | — | ||
| 5-15 | Visions Fugitives, Op. 22: VIII. Commodo (Arr. Rudolf Barshai) | — | ||
| 5-16 | Visions Fugitives, Op. 22: IX. Allegretto tranquillo (Arr. Rudolf Barshai) | — | ||
| 5-17 | VISIONS FUGITIVES, OP. 22: X. RIDICOLOSAMENTE (ARR. RUDOLF BARSHAI) | — | ||
| 5-18 | Visions Fugitives, Op. 22: XI. Con vivacità (Arr. Rudolf Barshai) | — | ||
| 5-19 | Visions Fugitives, Op. 22: XII. Assai moderato (Arr. Rudolf Barshai) | — | ||
| 5-20 | Visions Fugitives, Op. 22: XIII. Allegretto (Arr. Rudolf Barshai) | — | ||
| 5-21 | Visions Fugitives, Op. 22: XIV. Feroce (Arr. Rudolf Barshai) | — | ||
| 5-22 | Visions Fugitives, Op. 22: XV. Inquieto (Arr. Rudolf Barshai) | — | ||
| 5-23 | VISIONS FUGITIVES, OP. 22: XVI. DOLENTE (ARR. RUDOLF BARSHAI) | — | ||
| 5-24 | The Well‐Tempered Clavier, Book 1: Prelude and Fugue No. 22 in В-Flat Minor, BWV 867 (Arr. Rudolf Barshai) | — |
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| SINFONIA CONCERTANTE IN E-FLAT MAJOR, K. 364: II. ANDANTE | T-010.194.421-1 | |
| SINFONIA CONCERTANTE IN E-FLAT MAJOR, K. 364: III. PRESTO | T-010.194.421-1 | |
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