UPC · Release
THE IDOLM@STER LIVE THE@TER PERFORMANCE 12
萩原雪歩, 浅倉杏美, 周防桃子, 渡部恵子, 二階堂千鶴, 野村香菜子, ロコ, 中村温姫
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195533016076 is the Universal Product Code (UPC barcode) for the release “THE IDOLM@STER LIVE THE@TER PERFORMANCE 12” by 萩原雪歩, 浅倉杏美, 周防桃子, 渡部恵子, 二階堂千鶴, 野村香菜子, ロコ, 中村温姫, released 2024-01-17. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 5 tracks, each with its own ISRC. Tracks include JPI101400602, JPI101400604, JPI101400606.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (5)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | IMPRESSION→LOCOMOTION! | ロコ, 中村温姫 | T-914.209.597-4 | |
| 2 | 恋心マスカレード | 二階堂千鶴, 野村香菜子 | T-914.209.603-5 | |
| 3 | ハミングロード | 萩原雪歩, 浅倉杏美 | — | |
| 4 | デコレーション・ドリ〜ミンッ♪ | 周防桃子, 渡部恵子 | T-914.209.600-2 | |
| 5 | ココロがかえる場所 | 萩原雪歩, 浅倉杏美, 周防桃子, 渡部恵子, 二階堂千鶴, 野村香菜子, ロコ, 中村温姫 | T-914.206.573-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
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What is UPC 195533016076?
195533016076 is a Universal Product Code (UPC) assigned to THE IDOLM@STER LIVE THE@TER PERFORMANCE 12 by 萩原雪歩, 浅倉杏美, 周防桃子, 渡部恵子, 二階堂千鶴, 野村香菜子, ロコ, 中村温姫. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 5 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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