UPC · Release
Lost in Japan III, Part I
Elijah Nang
Last verified:
1963621176013 is the Universal Product Code (UPC barcode) for the release “Lost in Japan III, Part I” by Elijah Nang, released 2023-03-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 9 tracks, each with its own ISRC. Tracks include FR9Z62300090, FR9Z62300091, FR9Z62300092.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (9)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lost in Japan | Elijah Nang | T-318.859.741-9 | |
| 2 | Aki II | Elijah Nang | T-318.859.755-5 | |
| 3 | Yokohama Blues | Elijah Nang | T-318.859.817-2 | |
| 4 | Rain in Gion | Elijah Nang | T-318.859.788-4 | |
| 5 | Sora | Elijah Nang | — | |
| 6 | Hanabi | Elijah Nang | T-318.859.710-2 | |
| 7 | Karate | Elijah Nang | T-318.859.721-5 | |
| 8 | Sobu Garden | Elijah Nang | T-318.859.800-3 | |
| 9 | Iaijutsu | Elijah Nang | T-323.709.158-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
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What is UPC 1963621176013?
1963621176013 is a Universal Product Code (UPC) assigned to Lost in Japan III, Part I by Elijah Nang. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 9 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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