UPC · Release
The Hits Album: Floorfillers Throwback Classics
Various Artists
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196588697722 is the Universal Product Code (UPC barcode) for the release “The Hits Album: Floorfillers Throwback Classics” by Various Artists, released 2024-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include GBMC19610146, DEA819000222, DEA819200287.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Groove Is in the Heart | — | ||
| 2 | Gonna Make You Sweat (Everybody Dance Now) | — | ||
| 3 | Everybody’s Free (To Feel Good) | — | ||
| 4 | Such a Good Feeling | — | ||
| 5 | Dreamer | Livin’ Joy | T-070.261.422-9 | |
| 6 | Call on Me | — | ||
| 7 | The Power (7″ version) | Snap! | T-801.442.812-8 | |
| 8 | The Rhythm of the Night | — | ||
| 9 | It’s My Life | Dr. Alban | T-000.005.355-3 | |
| 10 | Run Away | — | ||
| 11 | Naked in the Rain | — | ||
| 12 | Insanity | — | ||
| 13 | Your Loving Arms | — | ||
| 14 | Not Over Yet | — | ||
| 15 | U Sure Do | — | ||
| 16 | There’s Nothing I Won’t Do | — | ||
| 17 | The Real Thing | — | ||
| 18 | Rhythm Is a Mystery | — | ||
| 19 | Push the Feeling On | — | ||
| 20 | One & One (radio version) | Robert Miles, Maria Nayler | T-042.115.159-8 | |
| 2-1 | Two Can Play That Game | — | ||
| 2-2 | Free | — | ||
| 2-3 | Finally | — | ||
| 2-4 | Too Blind to See It | — | ||
| 2-5 | Moving On Up | M People | T-010.867.994-2 | |
| 2-6 | Happenin’ All Over Again | — | ||
| 2-7 | Theme From “S’Express” | — | ||
| 2-8 | The Only Way Is Up | — | ||
| 2-9 | Don’t Make Me Wait | — | ||
| 2-10 | House Arrest | — | ||
| 2-11 | Pump Up the Jam | — | ||
| 2-12 | Got to Get | Rob ’n’ Raz, Leila K. | T-912.017.424-5 | |
| 2-13 | Teardrops | — | ||
| 2-14 | Lost in Music | — | ||
| 2-15 | I’m Every Woman | — | ||
| 2-16 | Make Luv | — | ||
| 2-17 | Touch Me (All Night long) | — | ||
| 2-18 | Special Kind of Love | — | ||
| 2-19 | Fascinating Rhythm | — | ||
| 2-20 | Tom’s Diner | — | ||
| 3-1 | Killer | — | ||
| 3-2 | Infinity | Guru Josh | T-011.388.021-9 | |
| 3-3 | Insomnia | — | ||
| 3-4 | Don’t You Want Me | — | ||
| 3-5 | Swamp Thing | — | ||
| 3-6 | It’s Like That | — | ||
| 3-7 | Return of the Mack (C & J radio edit) | Mark Morrison | T-010.150.236-6 | |
| 3-8 | Free Your Mind | — | ||
| 3-9 | Wait | — | ||
| 3-10 | One by One | — | ||
| 3-11 | Spinning Around | Kylie Minogue | T-071.189.047-9 | |
| 3-12 | Crying at the Discoteque | Alcazar | — | |
| 3-13 | Around the World (La La La La La) | ATC | T-800.687.412-1 | |
| 3-14 | From Paris to Berlin | — | ||
| 3-16 | All I Wanna Do | — | ||
| 3-17 | You’re Not Alone | — | ||
| 3-18 | Touch Me | — | ||
| 3-19 | Another Chance | — | ||
| 3-20 | Barber’s Adagio for Strings | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Crying at the Discoteque | Alcazar | T-071.858.407-6 |
| Return of the Mack (C&J X-tended radio edit) | Mark Morrison | T-010.150.236-6 |
| Crying at the Discoteque | Alcazar | T-071.858.407-6 |
What other identifiers does this connect to?
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What is UPC 196588697722?
196588697722 is a Universal Product Code (UPC) assigned to The Hits Album: Floorfillers Throwback Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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