UPC · Album
Firebird Suite / Complete Petrouchka
Stravinsky, Seiji Ozawa, Boston Symphony
Last verified:
196873337722 is the Universal Product Code (UPC barcode) for the release “Firebird Suite / Complete Petrouchka” by Stravinsky, Seiji Ozawa, Boston Symphony, released 2025-08-27. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include USBC16900165, USBC16900166, USBC16900167.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (23)
| # | Track Title | Artist(s) | ISRC |
|---|---|---|---|
| 1 | Suite from "The Firebird" (1919) - I. Introduction | Boston Symphony Orchestra, Seiji Ozawa | USBC16900165 |
| 2 | Suite from "The Firebird" (1919) - II.The Firebird and Its Dance | Boston Symphony Orchestra, Seiji Ozawa | USBC16900166 |
| 3 | Suite from "The Firebird" (1919) - III. Varietion of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | USBC16900167 |
| 4 | Suite from "The Firebird" (1919) - IV. The Round of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | USBC16900168 |
| 5 | Suite from "The Firebird" (1919) - V. Infernal Dance of King Kastchei | Boston Symphony Orchestra, Seiji Ozawa | USBC16900169 |
| 6 | Suite from "The Firebird" (1919) - VI. Lullaby | Boston Symphony Orchestra, Seiji Ozawa | USBC16900170 |
| 7 | Suite from "The Firebird" (1919) - VII. Finale | Boston Symphony Orchestra, Seiji Ozawa | USBC16900171 |
| 8 | Petrouchka (1947) - Scene I: The Shrovetide Fair - Vivace | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803293 |
| 9 | Petrouchka (1947) - Scene I: The Shrovetide Fair - The Magic Trick | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803294 |
| 10 | Petrouchka (1947) - Scene I: The Shrovetide Fair - Russian Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803295 |
| 11 | Petrouchka (1947) - Scene II: Petrouchka's Cell | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803296 |
| 12 | Petrouchka (1947) - Scene III: The Moor's Cell - L'istesso tempo | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803297 |
| 13 | Petrouchka (1947) - Scene III: The Moor's Cell - Dance of the Ballerina | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803298 |
| 14 | Petrouchka (1947) - Scene III: The Moor's Cell - Waltz | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803299 |
| 15 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Tempo giusto | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803300 |
| 16 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Wet Nurses' Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803301 |
| 17 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Peasant with Bear | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803303 |
| 18 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Gypsies and a Rake Vendor | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803304 |
| 19 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Dance of the Coachmen | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803305 |
| 20 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Masquaraders | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803306 |
| 21 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - The Scuffle (Moor and Petrouchka) | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803307 |
| 22 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Death of Petrouchka | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803308 |
| 23 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Appearance of Petrouchka's Ghost | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803309 |
Additional database matches (23)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Suite from "The Firebird" (1919) - I. Introduction | Boston Symphony Orchestra, Seiji Ozawa | USSM12502785 |
| Suite from "The Firebird" (1919) - II.The Firebird and Its Dance | Boston Symphony Orchestra, Seiji Ozawa | USSM12502786 |
| Suite from "The Firebird" (1919) - III. Varietion of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | USSM12502787 |
| Suite from "The Firebird" (1919) - IV. The Round of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | USSM12502788 |
| Suite from "The Firebird" (1919) - V. Infernal Dance of King Kastchei | Boston Symphony Orchestra, Seiji Ozawa | USSM12502789 |
| Suite from "The Firebird" (1919) - VI. Lullaby | Boston Symphony Orchestra, Seiji Ozawa | USSM12502790 |
| Suite from "The Firebird" (1919) - VII. Finale | Boston Symphony Orchestra, Seiji Ozawa | USSM12502791 |
| Petrouchka (1947) - Scene I: The Shrovetide Fair - Vivace | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502798 |
| Petrouchka (1947) - Scene I: The Shrovetide Fair - The Magic Trick | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502799 |
| Petrouchka (1947) - Scene I: The Shrovetide Fair - Russian Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502800 |
| Petrouchka (1947) - Scene II: Petrouchka's Cell | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502801 |
| Petrouchka (1947) - Scene III: The Moor's Cell - L'istesso tempo | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502802 |
| Petrouchka (1947) - Scene III: The Moor's Cell - Dance of the Ballerina | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502803 |
| Petrouchka (1947) - Scene III: The Moor's Cell - Waltz | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502804 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Tempo giusto | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502805 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Wet Nurses' Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502806 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Peasant with Bear | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502807 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Gypsies and a Rake Vendor | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502808 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Dance of the Coachmen | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502809 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Masquaraders | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502810 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - The Scuffle (Moor and Petrouchka) | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502811 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Death of Petrouchka | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502812 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Appearance of Petrouchka's Ghost | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502813 |
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What is UPC 196873337722?
196873337722 is a Universal Product Code (UPC) assigned to Firebird Suite / Complete Petrouchka by Stravinsky, Seiji Ozawa, Boston Symphony. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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