UPC · Release
NOW That’s What I Call a Massive 70s Party
Various Artists
198028304528
88 tracksReleased 2024-01-01Sony Music
Last verified:
198028304528 is the Universal Product Code (UPC barcode) for the release “NOW That’s What I Call a Massive 70s Party” by Various Artists, released 2024-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 88 tracks, each with its own ISRC. Tracks include GBCEE0100120, FR22F7800350, USPR37907202.
Format
1Number system
98028Manufacturer
30452Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCNOW That’s What I Call a Massive 70s Party
ISRC51 recordings
ISWC102 works
IPI35 songwriters
Track List (88)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Crazy Little Thing Called Love | Queen | T-010.139.364-9 | |
| 2 | Sweet Caroline | — | ||
| 3 | Crocodile Rock | — | ||
| 4 | Y.M.C.A. | Village People | T-071.017.471-2 | |
| 5 | Hot Stuff (single version) | Donna Summer | T-800.186.425-2 | |
| 6 | You Sexy Thing | Hot Chocolate | T-010.459.942-9 | |
| 7 | December, 1963 (Oh What a Night!) | — | ||
| 8 | I Will Survive | Gloria Gaynor | T-070.081.926-6 | |
| 9 | Young Hearts Run Free | Candi Staton | T-070.212.176-3 | |
| 10 | I’m Every Woman | Chaka Khan | T-070.081.875-2 | |
| 11 | Le Freak | Chic | T-070.057.531-0 | |
| 12 | He’s the Greatest Dancer | Sister Sledge | T-070.077.141-0 | |
| 13 | Sunny | Boney M. | T-070.244.064-9 | |
| 14 | Yes Sir I Can Boogie | Baccara | T-801.991.349-7 | |
| 15 | Follow Me | Amanda Lear | T-802.071.673-9 | |
| 16 | Knock on Wood | Amii Stewart | T-070.241.510-8 | |
| 17 | Disco Inferno | The Trammps | T-070.233.660-4 | |
| 18 | Love Is in the Air | — | ||
| 19 | I’m in the Mood for Dancing | The Nolans | T-010.034.554-7 | |
| 20 | Grandma’s Party | — | ||
| 21 | The Devil Went Down to Georgia | — | ||
| 22 | Daytrip to Bangor (Didn’t We Have a Lovely Time) | — | ||
| 2-1 | The Ballroom Blitz | — | ||
| 2-2 | Devil Gate Drive | Suzi Quatro | T-010.455.629-7 | |
| 2-3 | Tiger Feet | Mud | T-010.455.309-4 | |
| 2-4 | See My Baby Drive | — | ||
| 2-5 | My Coo Ca Choo | — | ||
| 2-6 | The Bump | — | ||
| 2-7 | Cum On Feel the Noize | — | ||
| 2-8 | Rockin’ All Over the World | Status Quo | T-070.128.513-3 | |
| 2-9 | You Ain’t Seen Nothing Yet | — | ||
| 2-10 | Denis | Blondie | T-070.233.624-0 | |
| 2-11 | Top of the Pops | — | ||
| 2-12 | The Grease Megamix | John Travolta, Olivia Newton-John | T-073.220.498-6 | |
| 2-13 | Bye Bye Baby | — | ||
| 2-14 | Sugar Baby Love | The Rubettes | T-010.013.173-4 | |
| 2-15 | Dancin’ Party | Showaddywaddy | T-070.040.555-5 | |
| 2-16 | The Boy From New York City | — | ||
| 2-17 | Magic | Pilot | T-010.457.847-3 | |
| 2-18 | A Glass of Champagne | Sailor | T-801.398.855-2 | |
| 2-19 | Lay Your Love on Me | — | ||
| 2-20 | Remember You’re a Womble | — | ||
| 2-21 | Hooked on a Feeling | — | ||
| 2-22 | Dance Away | — | ||
| 3-1 | Boogie Nights | Heatwave | T-070.884.482-9 | |
| 3-2 | Boogie Wonderland | Earth, Wind & Fire, The Emotions | T-042.106.031-2 | |
| 3-3 | Ain’t No Stoppin’ Us Now | McFadden & Whitehead | T-911.053.586-9 | |
| 3-4 | That’s the Way (I Like It) | KC and the Sunshine Band | T-070.940.528-6 | |
| 3-5 | Ladies Night | — | ||
| 3-6 | You’re the First, the Last, My Everything | Barry White | T-070.212.121-8 | |
| 3-7 | Relight My Fire | Dan Hartman | T-070.243.131-9 | |
| 3-8 | You Make Me Feel (Mighty Real) | Sylvester | — | |
| 3-9 | Black Is Black | — | ||
| 3-10 | Strut Your Funky Stuff | Frantique | T-003.029.685-5 | |
| 3-11 | I Love the Nightlife (Disco ’Round) | Alicia Bridges | T-070.240.718-8 | |
| 3-12 | More, More, More | Andrea True Connection | T-070.270.253-1 | |
| 3-13 | Rock Your Baby | George McCrae | T-030.167.090-5 | |
| 3-14 | Rock the Boat | — | ||
| 3-15 | You to Me Are Everything | — | ||
| 3-16 | I Love to Love | Tina Charles | T-003.022.607-3 | |
| 3-17 | This Is It | Melba Moore | — | |
| 3-18 | Lady Marmalade | LaBelle | T-070.099.675-3 | |
| 3-19 | Right Back Where We Started From | Maxine Nightingale | T-010.060.393-7 | |
| 3-20 | Heaven Must Be Missing an Angel | — | ||
| 3-21 | Native New Yorker | Odyssey | T-070.242.425-6 | |
| 3-22 | Don’t Leave Me This Way | Thelma Houston | T-070.233.736-7 | |
| 4-1 | We Don’t Talk Anymore | — | ||
| 4-2 | Copacabana (At the Copa) | — | ||
| 4-3 | You Make Me Feel Like Dancing | Leo Sayer | T-900.243.925-0 | |
| 4-4 | Get Down | — | ||
| 4-5 | Kung Fu Fighting | — | ||
| 4-6 | Uptown Top Ranking | — | ||
| 4-7 | One Step Beyond | Madness | T-010.173.459-1 | |
| 4-8 | I Want You Back | — | ||
| 4-9 | Get Up I Feel Like Being a Sex Machine | — | ||
| 4-10 | I Was Made for Dancin’ | Leif Garrett | T-914.807.366-9 | |
| 4-11 | In the Navy | Village People | T-070.919.157-0 | |
| 4-12 | Singin’ in the Rain (version 45 tours) | Sheila | T-070.135.677-5 | |
| 4-13 | From New York to LA | Patsy Gallant | T-920.300.187-0 | |
| 4-14 | Boogie Shoes | KC and the Sunshine Band | T-070.880.895-0 | |
| 4-15 | Let’s All Chant | The Michael Zager Band | T-070.241.640-7 | |
| 4-16 | Paloma Blanca | — | ||
| 4-17 | Y viva España | — | ||
| 4-18 | Tie a Yellow Ribbon Round the Ole Oak Tree | Tony Orlando & Dawn | T-070.247.340-2 | |
| 4-19 | Save Your Kisses for Me | Brotherhood of Man | T-010.138.809-3 | |
| 4-20 | Forever and Ever | — | ||
| 4-21 | The Floral Dance | — | ||
| 4-22 | Galloping Home | — |
Sweet Caroline
—
Crocodile Rock
—
December, 1963 (Oh What a Night!)
—
Love Is in the Air
—
Grandma’s Party
—
The Devil Went Down to Georgia
—
Daytrip to Bangor (Didn’t We Have a Lovely Time)
—
The Ballroom Blitz
—
See My Baby Drive
—
My Coo Ca Choo
—
The Bump
—
Cum On Feel the Noize
—
You Ain’t Seen Nothing Yet
—
Top of the Pops
—
Bye Bye Baby
—
The Boy From New York City
—
Lay Your Love on Me
—
Remember You’re a Womble
—
Hooked on a Feeling
—
Dance Away
—
Ladies Night
—
You Make Me Feel (Mighty Real)
Sylvester
—
Black Is Black
—
Rock the Boat
—
You to Me Are Everything
—
This Is It
Melba Moore
—
Heaven Must Be Missing an Angel
—
We Don’t Talk Anymore
—
Copacabana (At the Copa)
—
Get Down
—
Kung Fu Fighting
—
Uptown Top Ranking
—
I Want You Back
—
Get Up I Feel Like Being a Sex Machine
—
Paloma Blanca
—
Y viva España
—
Forever and Ever
—
The Floral Dance
—
Galloping Home
—
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Yes Sir, I Can Boogie | Baccara | T-801.991.349-7 |
| Knock on Wood (1985 7" remix) | Amii Stewart | T-070.241.510-8 |
| This Is It | Melba Moore | T-070.189.446-3 |
| DENIS (2001 DIGITAL REMASTER) | BLONDIE | T-070.233.624-0 |
| Hot Stuff | Donna Summer | T-800.186.425-2 |
| Got to Get You Into My Life | Earth, Wind & Fire | T-010.162.856-1 |
| Yes Sir, I Can Boogie | Baccara | T-801.991.349-7 |
Amii Stewart
Melba Moore
Donna Summer
Earth, Wind & Fire
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.022.607-3T-003.029.685-5T-003.022.607-3T-004.016.249-9T-010.013.173-4T-010.034.554-7T-010.060.393-7T-010.138.809-3T-010.139.364-9T-010.162.856-1
+92 more
T-010.173.459-1T-010.455.309-4T-010.455.629-7T-010.457.847-3T-010.459.942-9T-010.013.173-4T-010.034.554-7T-010.060.393-7T-010.138.809-3T-010.139.364-9T-010.140.846-1T-010.173.459-1T-010.181.963-9T-010.455.309-4T-010.455.629-7T-010.457.847-3T-010.459.942-9T-010.462.552-6T-010.546.700-2T-010.831.053-7T-011.230.787-5T-011.737.171-7T-030.167.090-5T-030.167.090-5T-039.782.949-0T-042.106.031-2T-042.106.031-2T-070.040.555-5T-070.057.531-0T-070.077.141-0T-070.081.875-2T-070.081.926-6T-070.099.675-3T-070.128.513-3T-070.212.121-8T-070.212.176-3T-070.233.624-0T-070.233.660-4T-070.233.736-7T-070.240.718-8T-070.241.510-8T-070.242.425-6T-070.243.131-9T-070.244.064-9T-070.247.340-2T-070.270.253-1T-070.880.895-0T-070.884.482-9T-070.919.157-0T-070.940.528-6T-070.028.140-8T-070.040.555-5T-070.057.531-0T-070.077.141-0T-070.080.454-1T-070.081.875-2T-070.081.926-6T-070.099.675-3T-070.100.650-9T-070.128.513-3T-070.212.121-8T-070.212.176-3T-070.233.095-7T-070.233.624-0T-070.233.660-4T-070.233.736-7T-070.234.207-1T-070.240.718-8T-070.241.510-8T-070.242.425-6T-070.243.131-9T-070.244.064-9T-070.247.340-2T-070.270.253-1T-070.884.482-9T-070.889.758-8T-070.919.157-0T-070.922.382-4T-071.017.471-2T-073.220.498-6T-800.186.425-2T-801.398.855-2T-801.991.349-7T-802.071.673-9T-900.243.925-0T-911.053.586-9T-914.807.366-9T-070.135.677-5T-070.189.446-3T-070.233.624-0T-070.241.640-7T-920.300.187-0
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551522050000000055473308000000005932711300000000594323270000000063097365000000007358619700000000736386200000000073671535000000007822972X0000000078273827
+41 more
0000000078393263000000007840953600000000796988510000000079712537000000008008665X0000000080128522000000008118760400000000812101730000000081897411000000008195368X00000000915511070000000105463336000000010657380100000001067007190000000107204012000000010726965X000000010791390000000001086750430000000109201181000000010922644200000001094060560000000109414291000000010942748X000000010985910000000001118843050000000114414595000000011450512000000001146614810000000114871366000000011511746100000001152653090000000115301664000000011540413700000001154809060000000115481570000000011680617000000001188066170000000119402729000000011955775500000001201987290000000120293582
Identifier Graph
People also ask
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What is UPC 198028304528?
198028304528 is a Universal Product Code (UPC) assigned to NOW That’s What I Call a Massive 70s Party by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 88 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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