UPC · Release
NOW That’s What I Call an Era: The Sound of the Suburbs 1977~1980
Various Artists
Last verified:
198028436427 is the Universal Product Code (UPC barcode) for the release “NOW That’s What I Call an Era: The Sound of the Suburbs 1977~1980” by Various Artists, released 2025-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 80 tracks, each with its own ISRC. Tracks include USUM71923522, BEB017765001, GBAAM0201034.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (80)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | London Calling | — | ||
| 2 | Blitzkrieg Bop | — | ||
| 3 | Lust for Life (edit) | Iggy Pop | T-010.511.504-5 | |
| 4 | Going Underground | — | ||
| 5 | Rat Trap | — | ||
| 6 | Teenage Kicks | — | ||
| 7 | Hong Kong Garden | — | ||
| 8 | Top of the Pops | — | ||
| 9 | Ça plane pour moi | Plastic Bertrand | T-106.354.422-7 | |
| 10 | Cool for Cats | Squeeze | T-010.180.285-0 | |
| 11 | Boys Don't Cry | — | ||
| 12 | Love Will Tear Us Apart | Joy Division | T-010.140.665-8 | |
| 13 | Geno | Dexys Midnight Runners | T-010.181.769-9 | |
| 14 | Roxanne | — | ||
| 15 | Brass in Pocket | Pretenders | T-010.472.047-9 | |
| 16 | Atomic | Blondie | T-070.004.154-8 | |
| 17 | Echo Beach | — | ||
| 18 | It’s Different for Girls | Joe Jackson | T-010.074.827-3 | |
| 19 | Over You | — | ||
| 20 | Antmusic | — | ||
| 2-1 | The Sound of the Suburbs | — | ||
| 2-2 | No More Heroes | — | ||
| 2-3 | Babylon's Burning | — | ||
| 2-4 | Sheena Is a Punk Rocker | — | ||
| 2-5 | Cherry Bomb | The Runaways | T-071.594.580-4 | |
| 2-6 | King Rocker | — | ||
| 2-7 | Because the Night | — | ||
| 2-8 | Is She Really Going Out With Him? | — | ||
| 2-9 | (I Don't Want to Go to) Chelsea | — | ||
| 2-10 | Roadrummer (0nce) | — | ||
| 2-11 | 2-4-6-8 Motorway | — | ||
| 2-12 | Milk and Alcohol | — | ||
| 2-13 | Just One More Night | — | ||
| 2-14 | Do Anything You Wanna Do | — | ||
| 2-15 | Another Girl, Another Planet | The Only Ones | T-010.312.294-6 | |
| 2-16 | Into the Valley | — | ||
| 2-17 | Shot by Both Side | — | ||
| 2-18 | Automatic Lover | — | ||
| 2-19 | If the Kids Are United | — | ||
| 2-20 | Banana Splits | — | ||
| 3-1 | Gangsters | The Special A.K.A. | T-010.470.401-9 | |
| 3-2 | The Prince | Madness | — | |
| 3-3 | On My Radio | — | ||
| 3-4 | Mirror in the Bathroom | — | ||
| 3-5 | Special Brew | — | ||
| 3-6 | Food for Though | — | ||
| 3-7 | (White Man) In Hammersmith Palais | — | ||
| 3-8 | Like Clockwork | — | ||
| 3-9 | Death Disco | — | ||
| 3-10 | Love Is the Drug | — | ||
| 3-11 | (I Can’t Get No) Satisfaction | DEVO | T-010.072.181-0 | |
| 3-12 | Typical Girls | The Slits | T-010.182.188-8 | |
| 3-13 | 7 Teen | — | ||
| 3-14 | Making Plans for Nigel | — | ||
| 3-15 | Take Me I'm Yours | — | ||
| 3-16 | HANGING ON THE TELEPHONE (2001 REMASTER) | BLONDIE | T-070.234.406-6 | |
| 3-17 | Stop Your Sobbing | — | ||
| 3-18 | Airport | — | ||
| 3-19 | Time for Action | — | ||
| 3-20 | Back of My Hand | — | ||
| 3-21 | All Around the World | — | ||
| 4-1 | Rock Lobster | The B-52s | T-905.780.897-6 | |
| 4-2 | C30, C60, C90, Go | Bow Wow Wow | T-914.892.357-3 | |
| 4-3 | Dog Eat Dog | — | ||
| 4-4 | Ieya | — | ||
| 4-5 | Happy House | — | ||
| 4-6 | Eighth Day | Hazel O’Connor | T-010.474.602-2 | |
| 4-7 | Whip It | DEVO | T-071.017.445-0 | |
| 4-8 | Money | — | ||
| 4-9 | Nightclubbing | — | ||
| 4-10 | Sister Europe | — | ||
| 4-11 | Atmosphere | — | ||
| 4-12 | Underpass | — | ||
| 4-13 | Are 'Friends' Electric | — | ||
| 4-14 | Life in Tokyo | — | ||
| 4-15 | Messages | — | ||
| 4-16 | The Number One Song in Heaven | — | ||
| 4-17 | Sleepwalk | — | ||
| 4-18 | To Cut a Long Story Short | — | ||
| 4-19 | Video Killed the Radio Star | Buggles | T-010.470.465-5 |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Prince | Madness | — |
| Another Girl Another Planet | The Only Ones | T-010.312.294-6 |
| The Prince | Madness | — |
| The Prince | Madness | — |
| ATOMIC (2001 DIGITAL REMASTER) | BLONDIE | T-070.004.154-8 |
| Hanging On the Telephone | Blondie | T-070.234.406-6 |
| HANING ON THE TELEPHONE | BLONDIE | T-070.234.406-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 198028436427?
198028436427 is a Universal Product Code (UPC) assigned to NOW That’s What I Call an Era: The Sound of the Suburbs 1977~1980 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 80 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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