UPC · Release
The Luck and Strange Concerts
David Gilmour
Last verified:
198029288513 is the Universal Product Code (UPC barcode) for the release “The Luck and Strange Concerts” by David Gilmour, released 2025-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 145 tracks, each with its own ISRC. Tracks include GBLTP2500001, GBLTP2500002, GBLTP2500003.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (145)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 5 A.M. | David Gilmour | — | |
| 2 | Black Cat | David Gilmour | — | |
| 3 | Luck and Strange | David Gilmour | — | |
| 4 | Breathe (in the Air) | David Gilmour | T-010.874.700-7 | |
| 5 | Time | David Gilmour | T-010.455.103-2 | |
| 6 | Fat Old Sun | David Gilmour | T-010.149.894-5 | |
| 2-1 | Marooned | David Gilmour | T-010.250.240-8 | |
| 2-2 | A Single Spark | David Gilmour | — | |
| 2-3 | Wish You Were Here | David Gilmour | T-010.461.800-9 | |
| 2-4 | Vita Brevis | David Gilmour | — | |
| 2-5 | Between Two Points | David Gilmour, Romany Gilmour | T-901.799.480-8 | |
| 2-6 | High Hopes | David Gilmour | T-010.870.572-1 | |
| 3-1 | Sorrow | David Gilmour | T-010.315.913-2 | |
| 3-2 | The Piper’s Call | David Gilmour | — | |
| 3-3 | A Great Day for Freedom | David Gilmour | T-010.870.566-3 | |
| 3-4 | In Any Tongue | David Gilmour | — | |
| 3-5 | The Great Gig in the Sky | David Gilmour | T-010.173.758-9 | |
| 3-6 | A Boat Lies Waiting | David Gilmour | — | |
| 4-1 | Coming Back to Life | David Gilmour | T-010.250.242-0 | |
| 4-2 | Dark and Velvet Nights | David Gilmour | — | |
| 4-3 | Sings | David Gilmour | — | |
| 4-4 | Scattered | David Gilmour | — | |
| 4-5 | Comfortably Numb | David Gilmour | T-011.289.191-4 | |
| 5-1 | 5 A.M. | David Gilmour | — | |
| 5-2 | Black Cat | David Gilmour | — | |
| 5-3 | Luck and Strange | David Gilmour | — | |
| 5-4 | Breathe (in the Air) | David Gilmour | T-010.874.700-7 | |
| 5-5 | Time | David Gilmour | T-010.455.103-2 | |
| 5-6 | Fat Old Sun | David Gilmour | T-010.149.894-5 | |
| 5-7 | Marooned | David Gilmour | T-010.250.240-8 | |
| 5-8 | A Single Spark | David Gilmour | — | |
| 5-9 | Wish You Were Here | David Gilmour | T-010.461.800-9 | |
| 5-10 | Vita Brevis | David Gilmour | — | |
| 5-11 | Between Two Points | David Gilmour, Romany Gilmour | T-901.799.480-8 | |
| 5-12 | High Hopes | David Gilmour | T-010.870.572-1 | |
| 6-1 | Sorrow | David Gilmour | T-010.315.913-2 | |
| 6-2 | The Piper’s Call | David Gilmour | — | |
| 6-3 | A Great Day for Freedom | David Gilmour | T-010.870.566-3 | |
| 6-4 | In Any Tongue | David Gilmour | — | |
| 6-5 | The Great Gig in the Sky | David Gilmour | T-010.173.758-9 | |
| 6-6 | A Boat Lies Waiting | David Gilmour | — | |
| 6-7 | Coming Back to Life | David Gilmour | T-010.250.242-0 | |
| 6-8 | Dark and Velvet Nights | David Gilmour | — | |
| 6-9 | Sings | David Gilmour | — | |
| 6-10 | Scattered | David Gilmour | — | |
| 6-11 | Comfortably Numb | David Gilmour | T-011.289.191-4 | |
| 7-1 | 5 A.M. | — | ||
| 7-2 | Black Cat | — | ||
| 7-3 | Luck and Strange | — | ||
| 7-4 | Breathe (in the Air) | — | ||
| 7-5 | Time | — | ||
| 7-6 | Fat Old Sun | — | ||
| 7-7 | Marooned | — | ||
| 7-8 | Wish You Were Here | — | ||
| 7-9 | Vita Brevis | — | ||
| 7-10 | Between Two Points | — | ||
| 7-11 | High Hopes | — | ||
| 8-1 | Sorrow | — | ||
| 8-2 | The Piper’s Call | — | ||
| 8-3 | A Great Day for Freedom | — | ||
| 8-4 | In Any Tongue | — | ||
| 8-5 | The Great Gig in the Sky | — | ||
| 8-6 | A Boat Lies Waiting | — | ||
| 8-7 | Coming Back to Life | — | ||
| 8-8 | Dark and Velvet Nights | — | ||
| 8-9 | Sings | — | ||
| 8-10 | Scattered | — | ||
| 8-11 | Comfortably Numb | — | ||
| 9-1 | Between Two Points (rehearsal) | — | ||
| 9-2 | Breathe (in the Air) / Time (rehearsal) | — | ||
| 9-3 | Dark and Velvet Nights (rehearsal) | — | ||
| 9-4 | Luck and Strange (rehearsal) | — | ||
| 9-5 | Rain in Rome | — | ||
| 9-6 | Backstage at the Royal Albert Hall | — | ||
| 9-7 | Backstage in America | — | ||
| 9-8 | The Making of Luck and Strange | — | ||
| 9-9 | A Single Spark (live) | — | ||
| 9-10 | Between Two Points (music video) | — | ||
| 9-12 | Wesley on Patrol | — | ||
| 9-13 | The Piper’s Call | — | ||
| 9-14 | The Piper’s Call (live from around the world) | — | ||
| 9-15 | Luck and Strange (music video) | — | ||
| 9-16 | Dark and Velvet Nights (music video) | — | ||
| 9-17 | Dark and Velvet Nights (animated) | — | ||
| 10-1 | 5 A.M. | — | ||
| 10-2 | Black Cat | — | ||
| 10-3 | Luck and Strange | — | ||
| 10-4 | Breathe (in the Air) | — | ||
| 10-5 | Time | — | ||
| 10-6 | Fat Old Sun | — | ||
| 10-7 | Marooned | — | ||
| 10-8 | Wish You Were Here | — | ||
| 10-9 | Vita Brevis | — | ||
| 10-10 | Between Two Points | — | ||
| 10-11 | High Hopes | — | ||
| 10-12 | Sorrow | — | ||
| 10-13 | The Piper’s Call | — | ||
| 10-14 | A Great Day for Freedom | — | ||
| 10-15 | In Any Tongue | — | ||
| 10-16 | The Great Gig in the Sky | — | ||
| 10-17 | A Boat Lies Waiting | — | ||
| 10-18 | Coming Back to Life | — | ||
| 10-19 | Dark and Velvet Nights | — | ||
| 10-20 | Sings | — | ||
| 10-21 | Scattered | — | ||
| 10-22 | Comfortably Numb | — | ||
| 11-1 | 5 A.M. | David Gilmour | — | |
| 11-2 | Black Cat | David Gilmour | — | |
| 11-3 | Luck and Strange | David Gilmour | — | |
| 11-4 | Breathe (in the Air) | David Gilmour | T-010.874.700-7 | |
| 11-5 | Time | David Gilmour | T-010.455.103-2 | |
| 11-6 | Fat Old Sun | David Gilmour | T-010.149.894-5 | |
| 11-7 | Marooned | David Gilmour | T-010.250.240-8 | |
| 11-8 | A Single Spark | David Gilmour | — | |
| 11-9 | Wish You Were Here | David Gilmour | T-010.461.800-9 | |
| 11-10 | Vita Brevis | David Gilmour | — | |
| 11-11 | Between Two Points | David Gilmour, Romany Gilmour | T-901.799.480-8 | |
| 11-12 | High Hopes | David Gilmour | T-010.870.572-1 | |
| 11-13 | Sorrow | David Gilmour | T-010.315.913-2 | |
| 11-14 | The Piper’s Call | David Gilmour | — | |
| 11-15 | A Great Day for Freedom | David Gilmour | T-010.870.566-3 | |
| 11-16 | In Any Tongue | David Gilmour | — | |
| 11-17 | The Great Gig in the Sky | David Gilmour | T-010.173.758-9 | |
| 11-18 | A Boat Lies Waiting | David Gilmour | — | |
| 11-19 | Coming Back to Life | David Gilmour | T-010.250.242-0 | |
| 11-20 | Dark and Velvet Nights | David Gilmour | — | |
| 11-21 | Sings | David Gilmour | — | |
| 11-22 | Scattered | David Gilmour | — | |
| 11-23 | Comfortably Numb | David Gilmour | T-011.289.191-4 | |
| 11-70 | Between Two Points | — | ||
| 11-71 | Breathe (in the Air) / Time | — | ||
| 11-72 | Dark and Velvet Nights | — | ||
| 11-73 | Luck and Strange | — | ||
| 11-74 | Rain in Rome | — | ||
| 11-75 | Backstage at the Royal Albert Hall | — | ||
| 11-76 | Backstage in America | — | ||
| 11-77 | The Making of Luck and Strange | — | ||
| 11-78 | A Single Spark (live) | — | ||
| 11-79 | Between Two Points | — | ||
| 11-81 | Wesley on Patrol | — | ||
| 11-82 | The Piper’s Call | — | ||
| 11-83 | The Piper’s Call (live around the world) | — | ||
| 11-84 | Luck and Strange | — | ||
| 11-85 | Dark and Velvet Nights | — | ||
| 11-86 | Dark and Velvet Nights (animated) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 198029288513?
198029288513 is a Universal Product Code (UPC) assigned to The Luck and Strange Concerts by David Gilmour. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 145 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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