UPC · Release
Happy Mistake (Remixes Part II)
Matt Moss, Jasmine Crowe
Last verified:
199350033803 is the Universal Product Code (UPC barcode) for the release “Happy Mistake (Remixes Part II)” by Matt Moss, Jasmine Crowe, released 2025-03-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 9 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (9)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Happy Mistake (Erik Elias mix) | — | ||
| 2 | Happy Mistake (Erik Elias Stripped mix) | — | ||
| 3 | Happy Mistake (Stephen Richards Main mix) | — | ||
| 4 | Happy Mistake (Stephen Richards dubstramental) | — | ||
| 5 | Happy Mistake (Adam Moskovitz Anthem mix) | — | ||
| 6 | Happy Mistake (Danny Morris Serendipitous remix) | — | ||
| 7 | Happy Mistake (Danny Morris Serendiptious dub) | — | ||
| 8 | Happy Mistake (Joel Dickinson club mix) | — | ||
| 9 | Happy Mistake (Joel Dickinson dub) | — |
Credits Graph
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What is UPC 199350033803?
199350033803 is a Universal Product Code (UPC) assigned to Happy Mistake (Remixes Part II) by Matt Moss, Jasmine Crowe. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 9 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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