UPC · Release
SLTF:AFTERIMAGES
Meishi Smile
Last verified:
199502421687 is the Universal Product Code (UPC barcode) for the release “SLTF:AFTERIMAGES” by Meishi Smile, released 2025-10-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 3 tracks, each with its own ISRC. Tracks include QM32Q2500410, QM32Q2400358, QM32Q2500412.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (3)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Memory | Meishi Smile | — | |
| 3 | Stay Like This Forever | Meishi Smile | T-326.314.259-8 | |
| 4 | Stay Like This Forever (V6 8-9-19) | Meishi Smile | T-326.314.259-8 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Stay Like This Forever (Spencer Sike remix) | Meishi Smile | T-326.314.259-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
Identifier Graph
People also ask
Verified on
What is UPC 199502421687?
199502421687 is a Universal Product Code (UPC) assigned to SLTF:AFTERIMAGES by Meishi Smile. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 3 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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