UPC · Release
Power Of The Rock Anthology 1983-1998
Vengeance
Last verified:
2090504469258 is the Universal Product Code (UPC barcode) for the release “Power Of The Rock Anthology 1983-1998” by Vengeance, released 2019-01-01 on Pseudonym. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 121 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (121)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Down and Out | — | ||
| 2 | Tonight, Tonight | — | ||
| 3 | Get Out | — | ||
| 4 | You Took Me by Suprise | — | ||
| 5 | Metal Days | — | ||
| 6 | Destroyer | — | ||
| 7 | Prisoner of the Night | — | ||
| 8 | On the Run | — | ||
| 9 | Vengeance | — | ||
| 2-1 | She's the Woman | — | ||
| 2-2 | Dreamworld | — | ||
| 2-3 | Power of the Rock | — | ||
| 2-4 | May Heaven Strike Me Down | — | ||
| 2-5 | I'll Come Running | — | ||
| 2-6 | Second to None | — | ||
| 2-7 | Only the Wind (remix) | — | ||
| 2-8 | Love Lies Bleeding | — | ||
| 2-9 | We Shall Rock | — | ||
| 3-1 | Take It or Leave It | — | ||
| 3-2 | Code of Honour | — | ||
| 3-3 | Rock 'n' Roll Shower | — | ||
| 3-4 | Take Me to the Limit | — | ||
| 3-5 | Engines | — | ||
| 3-6 | Hear Me Out | — | ||
| 3-7 | Women in the World | — | ||
| 3-8 | Looks of a Winner | — | ||
| 3-9 | Ain't Gonna Take You Home | — | ||
| 4-1 | Arabia | — | ||
| 4-2 | Brodway - Hollywood - Beverly Hills | — | ||
| 4-3 | Cry of the Sirens | — | ||
| 4-4 | Wallbanger | — | ||
| 4-5 | The Best Gunfighter in Town | — | ||
| 4-6 | Castles in the Air | — | ||
| 4-7 | If Lovin' You Is Wrong | — | ||
| 4-8 | Children of the Streets | — | ||
| 4-9 | Just What My Doctor Ordered | — | ||
| 4-10 | That's the Way the Story Goes | — | ||
| 4-11 | Bad Boy for Love | — | ||
| 4-12 | How About Tonight | — | ||
| 5-1 | Wings of an Arrow | — | ||
| 5-2 | Blood Money | — | ||
| 5-3 | Outta Control | — | ||
| 5-4 | Trouble in Town | — | ||
| 5-5 | As the Last Teardrop Falls | — | ||
| 5-6 | The Last of the Fallen Heroes | — | ||
| 5-7 | Hold on Tight | — | ||
| 5-8 | Keepin' Up With the Joneses | — | ||
| 5-9 | Funky Little Lady | — | ||
| 5-10 | Football Crazy | — | ||
| 5-11 | Edge of Time | — | ||
| 5-12 | Outta My Head | — | ||
| 5-13 | One 'o' Nine (109) | — | ||
| 5-14 | As the Last Teardrop Falls - (alternative version) | — | ||
| 5-15 | Trouble in Town - (demo) | — | ||
| 6-1 | Planet Zilch | — | ||
| 6-2 | Follow a Tender | — | ||
| 6-3 | Dreamulator | — | ||
| 6-4 | Dark Side of the Brain | — | ||
| 6-5 | Loaded Gun | — | ||
| 6-6 | She Said | — | ||
| 6-7 | Lonley Girl | — | ||
| 6-8 | Right to the Core | — | ||
| 6-9 | Live or Die | — | ||
| 6-10 | PG 16 | — | ||
| 6-11 | Flight 19 | — | ||
| 7-1 | Down and Out - Demo '83 | — | ||
| 7-2 | Straight and Fair - Demo '83 | — | ||
| 7-3 | Metal Days - Demo '83 | — | ||
| 7-4 | Death Ride to Glory | — | ||
| 7-5 | Tonight, Tonight - Live '85 | — | ||
| 7-6 | Dreamworld - (demo) | — | ||
| 7-7 | Power of the Rock - (demo) | — | ||
| 7-8 | 1.000 Girls - (demo) | — | ||
| 7-9 | She's Got the Looks - (demo) | — | ||
| 7-10 | Trouble (Only the Wind) - (demo) | — | ||
| 7-11 | I'll Come Running - (demo) | — | ||
| 7-12 | We'll Make It Through the Night - (demo) | — | ||
| 7-13 | We Shall Rock - (demo) | — | ||
| 7-14 | Serious Crime (Love Lies Bleeding) - (demo) | — | ||
| 7-15 | She's the Woman - (demo) | — | ||
| 7-16 | Crazy Horses - (demo) | — | ||
| 7-17 | May Heaven Strike Me Down - (single version) | — | ||
| 7-18 | Death Ride to Glory - Live '86 | — | ||
| 8-1 | Down and Our - Live '86 | — | ||
| 8-2 | Tonight, Tonight - Live '86 | — | ||
| 8-3 | Rock 'n' Roll Shower - Demo 1 | — | ||
| 8-4 | Take Me to the Limit - (demo) | — | ||
| 8-5 | I Said Nonono (Ain't Gonna take You Home) - (demo) | — | ||
| 8-6 | Don't You See - (demo) | — | ||
| 8-7 | Women in the World - (demo) | — | ||
| 8-8 | Code of Honour - (demo) | — | ||
| 8-9 | Take It or Leave It - (demo) | — | ||
| 8-10 | Hear Me Out - (demo) | — | ||
| 8-11 | Love Child (Looks of a Winner) - (demo) | — | ||
| 8-12 | Rock 'n' Roll Shower - Demo 2 | — | ||
| 8-13 | Engines - (demo) | — | ||
| 8-14 | Rock 'n' Roll Shower Jingles Vara's Vuurwerk | — | ||
| 8-15 | Ain't Gonna Take You Home - (single version) | — | ||
| 8-16 | Children of the Streets - (demo) | — | ||
| 8-17 | Cry of the Sirens - (demo) | — | ||
| 8-18 | Memories - (demo) | — | ||
| 8-19 | Castles in the Air - (demo) | — | ||
| 8-20 | That's the Way the Story Goes - (demo) | — | ||
| 9-1 | Wallbanger - (demo) | — | ||
| 9-2 | Bad Boy for Love - (demo) | — | ||
| 9-3 | Arabia - (demo) | — | ||
| 9-4 | How About Tonight - (demo) | — | ||
| 9-5 | If Lovin' You Is Wrong - (demo) | — | ||
| 9-6 | The Best Gunfighter in Town - (demo) | — | ||
| 9-7 | Just What My Doctor Ordered - (demo) | — | ||
| 9-8 | In the Cavalry - (demo) | — | ||
| 9-9 | Dreamworld - Live '89 | — | ||
| 9-10 | Take It to the Limit - Live '89 | — | ||
| 9-11 | Rock 'n' Roll Shower - Live '89 | — | ||
| 9-12 | May Heaven Strike Me Down - Live '89 | — | ||
| 9-13 | Big Fat Car | — | ||
| 9-14 | What the Hell Is Going On | — | ||
| 9-15 | Lonely Rider | — | ||
| 9-16 | Rock 'n' Roll Man | — | ||
| 9-17 | Dreamulator - (alternative version) | — | ||
| 9-18 | Crazy Horses | — |
Credits Graph
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What is UPC 2090504469258?
2090504469258 is a Universal Product Code (UPC) assigned to Power Of The Rock Anthology 1983-1998 by Vengeance. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 121 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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