UPC · Album
Commercial Classics: 20 Classical Themes From Australian Television Commercials
Various Artists
289430435266
20 tracksReleased 1991-01-01Decca
Last verified:
289430435266 is the Universal Product Code (UPC barcode) for the release “Commercial Classics: 20 Classical Themes From Australian Television Commercials” by Various Artists, released 1991-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include GBBBA9050360, GBF071301260, GBF071301300.
Format
2Number system
89430Manufacturer
43526Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCCommercial Classics: 20 Classical Themes From Australian Television Commercials
ISRC21 recordings
ISWC13 works
IPI1 songwriter
Track List (21)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | GBBBA9050360 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | GBF071301260 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | GBF071301300 |
| Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne spoglie” (Anvil Chorus) | Maggio Musicale Fiorentino Chorus, Orchestra of the Grand Theatre, Geneva, Alberto Erede | GBF075640009 |
| "Che farò senza Euridice?" da Orfeo ed Euridice | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | GBF076010210 |
| Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves) | Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli | GBF076540124 |
| Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Wilhelm Pitz, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, István Kertész | GBF076540403 |
| Carmen Suite no. 1: VI. Les toréadors | New Philharmonia Orchestra, Charles Munch | GBF076610371 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | GBF076710340 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | GBF076740405 |
| Serenade in G major, K525 “Eine kleine Nachtmusik”: I. Allegro | Vienna Mozart Ensemble, Willi Boskovsky | GBF076810231 |
| 1812 Overture — Finale | Los Angeles Philharmonic, Zubin Mehta | GBF076910400 |
| Così fan tutte: “Soave sia il vento” | Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész | GBF077110550 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | GBF077130101 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | GBF077230201 |
| Excalibur: Carmina Burana | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | GBF077540401 |
| Swan Lake: Act II: no. 13d: Danse des petits cygnes (Allegro moderato) | National Philharmonic Orchestra, Richard Bonynge | GBF077540825 |
| Suite bergamasque : III. Clair de lune | Pascal Rogé | GBF077710323 |
| Music for the Royal Fireworks: La réjouissance | Stuttgarter Kammerorchester, Karl Münchinger | GBF078110314 |
| Bailero | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | GBF078241602 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | USLIC0600050 |
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Rigoletto: Atto III. “La donna è mobile”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne spoglie” (Anvil Chorus)
Maggio Musicale Fiorentino Chorus, Orchestra of the Grand Theatre, Geneva, Alberto Erede
"Che farò senza Euridice?" da Orfeo ed Euridice
Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson
Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves)
Konzertvereinigung Wiener Staatsopernchor, Wiener Opernorchester, Lamberto Gardelli
Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae"
Wilhelm Pitz, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, István Kertész
Carmen Suite no. 1: VI. Les toréadors
New Philharmonia Orchestra, Charles Munch
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
Serenade in G major, K525 “Eine kleine Nachtmusik”: I. Allegro
Vienna Mozart Ensemble, Willi Boskovsky
1812 Overture — Finale
Los Angeles Philharmonic, Zubin Mehta
Così fan tutte: “Soave sia il vento”
Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész
Rigoletto: Atto III. “La donna è mobile”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Excalibur: Carmina Burana
Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
Swan Lake: Act II: no. 13d: Danse des petits cygnes (Allegro moderato)
National Philharmonic Orchestra, Richard Bonynge
Suite bergamasque : III. Clair de lune
Pascal Rogé
Music for the Royal Fireworks: La réjouissance
Stuttgarter Kammerorchester, Karl Münchinger
Bailero
Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000076893803000000008143802000000000818187870000000083593219000000008506757000000000894037700000000106702765000000010871642300000001088022680000000108964232
+38 more
0000000109404608000000010944472200000001094465330000000110495973000000011051648X0000000110574102000000011297410X0000000114461893000000011450226100000001145336070000000114686689000000011471225000000001147146510000000114719794000000011477078400000001149276300000000116585187000000011884208700000001188669510000000119390385000000011941043800000001195461750000000119550553000000011955593600000001203491520000000120978012000000012106800200000001212473500000000121505778000000012156871X0000000121615037000000012164935X000000012167737700000001216951960000000121779656000000012186165X00000001218887210000000123216953
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What is UPC 289430435266?
289430435266 is a Universal Product Code (UPC) assigned to Commercial Classics: 20 Classical Themes From Australian Television Commercials by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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