UPC · Release
Private Tapes, Volume 1
The Beatles
3104453702031
108 tracksReleased 2003-01-01
Last verified:
3104453702031 is the Universal Product Code (UPC barcode) for the release “Private Tapes, Volume 1” by The Beatles, released 2003-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 108 tracks, each with its own ISRC. Tracks include GBUM71308738.
Format
310GS1 prefix
4453Company prefix
70203Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPrivate Tapes, Volume 1
ISRC1 recording
ISWC28 works
Track List (108)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Saw Her Standing There | — | ||
| 2 | One After 909 (take 1) | — | ||
| 3 | One After 909 (take 2) | — | ||
| 4 | Catswalk (take 1) | — | ||
| 5 | Catswalk (take 2) | — | ||
| 6 | Julian and Cynthia | — | ||
| 7 | Bad to Me (Lennon demo) | The Beatles | T-010.162.722-8 | |
| 8 | I'm in Love | — | ||
| 9 | Reading From the First Book of Kings | — | ||
| 10 | Singing From the Book of Psalms | — | ||
| 11 | Asking for Directions, Part 1 | — | ||
| 12 | Asking for Directions, Part 2 | — | ||
| 13 | Asking for Directions, Part 3 | — | ||
| 14 | Asking for Directions, Part 4 | — | ||
| 15 | Tammy | — | ||
| 16 | Somewhere Over the Rainbow | — | ||
| 17 | Guitar Instrumentals, Part 1 | — | ||
| 18 | Radio Fragments 1 | — | ||
| 19 | Guitar Instrumentals, Part 2 | — | ||
| 20 | Michelle | — | ||
| 21 | Guitar Instrumentals, Part 3 | — | ||
| 22 | Guitar Instrumentals, Part 4 | — | ||
| 23 | Guitar Instrumentals, Part 5 | — | ||
| 24 | Three Coins in a Fountain | — | ||
| 25 | Radio Fragments 2 | — | ||
| 26 | Mary, Mary Quite Contrary | — | ||
| 27 | Rockin' and Rollin' (Backing Track) | — | ||
| 28 | Rockin' and Rollin' (Guitar Overdub) | — | ||
| 29 | Rockin' and Rollin' (Horn Overdub) | — | ||
| 30 | Radio Fragments 3 | — | ||
| 31 | Rockin' and Rollin' (vocal Overdub) | — | ||
| 32 | Radio Fragments 4 | — | ||
| 33 | Listen to the Radio and Talk 1 | — | ||
| 34 | Listen to the Radio and Talk 2 | — | ||
| 35 | Beatle Speech | — | ||
| 36 | Radio Fragments 5 | — | ||
| 37 | Don't Bother Me (take 1) | — | ||
| 38 | Don't Bother Me (take 2) | — | ||
| 39 | Guitar Exercise, Part 1 | — | ||
| 40 | Guitar Exercise, Part 2 | — | ||
| 2-1 | The Public Ear Bit (take 1) | — | ||
| 2-2 | The Public Ear Bit (take 2) | — | ||
| 2-3 | One and One Is Two | — | ||
| 2-4 | If I Fell (take 1) | — | ||
| 2-5 | If I Fell (take 2) | — | ||
| 2-6 | If I Fell (take 3) | — | ||
| 2-7 | If I Fell (take 4) | — | ||
| 2-8 | If I Fell (take 5) | — | ||
| 2-9 | Talking Guitar Blues (take 1) | — | ||
| 2-10 | Talking Guitar Blues (take 2) | — | ||
| 2-11 | Bouree | — | ||
| 2-12 | Top Gear Promo, Part 1 | — | ||
| 2-13 | Top Gear Promo, Part 2 | — | ||
| 2-14 | Am Sonntag Will Mein Suesser Mit Mir Segein' Gehn | — | ||
| 2-15 | We Can Work It Out | — | ||
| 2-16 | Michelle | — | ||
| 2-17 | He Said, He Said (take 1) | — | ||
| 2-18 | He Said, He Said (take 2) | — | ||
| 2-19 | He Said, He Said (take 3) | — | ||
| 2-20 | He Said, He Said (take 4) | — | ||
| 2-21 | He Said, He Said (take 5) | — | ||
| 2-22 | She Said, She Said (take 1) | — | ||
| 2-23 | She Said, She Said (take 2) | — | ||
| 2-24 | She Said, She Said (take 3) | — | ||
| 2-25 | Mellotron Improvisation (take 1) | — | ||
| 2-26 | Mellotron Improvisation (take 2) | — | ||
| 2-27 | Mellotron Improvisation (take 3) | — | ||
| 2-28 | Mellotron Improvisation (take 4) | — | ||
| 2-29 | Mellotron Improvisation (take 5) | — | ||
| 2-30 | Strawberry Fields Forever (demo 1 / Warm Up) | — | ||
| 2-31 | Strawberry Fields Forever (demo 1 / take 1) | — | ||
| 2-32 | Strawberry Fields Forever (demo 1 / take 2) | — | ||
| 2-33 | Strawberry Fields Forever (demo 1 / take 3) | — | ||
| 2-34 | Strawberry Fields Forever (demo 1 / take 4) | — | ||
| 2-35 | Strawberry Fields Forever (demo 1 / take 5) | — | ||
| 2-36 | Strawberry Fields Forever (demo 1 / take 6) | — | ||
| 2-37 | Strawberry Fields Forever (demo 1 / rehearsal) | — | ||
| 2-38 | Strawberry Fields Forever (demo 2 / rehearsal) | — | ||
| 2-39 | Strawberry Fields Forever (demo 2 / Guitar Overdub) | — | ||
| 2-40 | Strawberry Fields Forever (demo 2 / Playback) | — | ||
| 2-41 | Strawberry Fields Forever (demo 2 / vocal Overdub) | — | ||
| 2-42 | Strawberry Fields Forever (demo 3 / Playback) | — | ||
| 2-43 | Strawberry Fields Forever (demo 3 / take 1) | — | ||
| 2-44 | Strawberry Fields Forever (demo 3 / take 2) | — | ||
| 2-45 | Strawberry Fields Forever (demo 3 / take 3) | — | ||
| 2-46 | Strawberry Fields Forever (demo 3 / take 4) | — | ||
| 2-47 | Strawberry Fields Forever (demo 3 / take 5) | — | ||
| 2-48 | Strawberry Fields Forever (demo 3 / take 6) | — | ||
| 2-49 | Strawberry Fields Forever (demo 3 / take 7) | — | ||
| 2-50 | Strawberry Fields Forever (demo 3 / take 8) | — | ||
| 2-51 | Strawberry Fields Forever (demo 3 / rehearsal) | — | ||
| 2-52 | Strawberry Fields Forever (demo 3 / Mellotron and vocal Overdub) | — | ||
| 2-54 | Tapeloop and Backwards Speaks | — | ||
| 3-1 | Good Morning, Good Morning | — | ||
| 3-2 | Across the Universe | — | ||
| 3-3 | She's Walkin' Past My Door | — | ||
| 3-4 | You Know My Name (Look Up the Number) | — | ||
| 3-5 | Little Girls Private Tapes, Part 1 | — | ||
| 3-6 | Little Girls Private Tapes, Part 2 | — | ||
| 3-7 | The Magician | — | ||
| 3-8 | What the Magicians Are Cooking Up Now | — | ||
| 3-9 | Jessie's Dream | — | ||
| 3-10 | Step Inside Love | — | ||
| 3-11 | All Together on the Wireless Machine | — | ||
| 3-12 | Stranger in My Arms | — | ||
| 3-13 | Lucy From Little Town | — | ||
| 3-14 | Pedro the Fisherman | — | ||
| 3-15 | Down in Eastern Australia I Met Her | — |
I Saw Her Standing There
—
One After 909 (take 1)
—
One After 909 (take 2)
—
Catswalk (take 1)
—
Catswalk (take 2)
—
Julian and Cynthia
—
I'm in Love
—
Reading From the First Book of Kings
—
Singing From the Book of Psalms
—
Asking for Directions, Part 1
—
Asking for Directions, Part 2
—
Asking for Directions, Part 3
—
Asking for Directions, Part 4
—
Tammy
—
Somewhere Over the Rainbow
—
Guitar Instrumentals, Part 1
—
Radio Fragments 1
—
Guitar Instrumentals, Part 2
—
Michelle
—
Guitar Instrumentals, Part 3
—
Guitar Instrumentals, Part 4
—
Guitar Instrumentals, Part 5
—
Three Coins in a Fountain
—
Radio Fragments 2
—
Mary, Mary Quite Contrary
—
Rockin' and Rollin' (Backing Track)
—
Rockin' and Rollin' (Guitar Overdub)
—
Rockin' and Rollin' (Horn Overdub)
—
Radio Fragments 3
—
Rockin' and Rollin' (vocal Overdub)
—
Radio Fragments 4
—
Listen to the Radio and Talk 1
—
Listen to the Radio and Talk 2
—
Beatle Speech
—
Radio Fragments 5
—
Don't Bother Me (take 1)
—
Don't Bother Me (take 2)
—
Guitar Exercise, Part 1
—
Guitar Exercise, Part 2
—
The Public Ear Bit (take 1)
—
The Public Ear Bit (take 2)
—
One and One Is Two
—
If I Fell (take 1)
—
If I Fell (take 2)
—
If I Fell (take 3)
—
If I Fell (take 4)
—
If I Fell (take 5)
—
Talking Guitar Blues (take 1)
—
Talking Guitar Blues (take 2)
—
Bouree
—
Top Gear Promo, Part 1
—
Top Gear Promo, Part 2
—
Am Sonntag Will Mein Suesser Mit Mir Segein' Gehn
—
We Can Work It Out
—
Michelle
—
He Said, He Said (take 1)
—
He Said, He Said (take 2)
—
He Said, He Said (take 3)
—
He Said, He Said (take 4)
—
He Said, He Said (take 5)
—
She Said, She Said (take 1)
—
She Said, She Said (take 2)
—
She Said, She Said (take 3)
—
Mellotron Improvisation (take 1)
—
Mellotron Improvisation (take 2)
—
Mellotron Improvisation (take 3)
—
Mellotron Improvisation (take 4)
—
Mellotron Improvisation (take 5)
—
Strawberry Fields Forever (demo 1 / Warm Up)
—
Strawberry Fields Forever (demo 1 / take 1)
—
Strawberry Fields Forever (demo 1 / take 2)
—
Strawberry Fields Forever (demo 1 / take 3)
—
Strawberry Fields Forever (demo 1 / take 4)
—
Strawberry Fields Forever (demo 1 / take 5)
—
Strawberry Fields Forever (demo 1 / take 6)
—
Strawberry Fields Forever (demo 1 / rehearsal)
—
Strawberry Fields Forever (demo 2 / rehearsal)
—
Strawberry Fields Forever (demo 2 / Guitar Overdub)
—
Strawberry Fields Forever (demo 2 / Playback)
—
Strawberry Fields Forever (demo 2 / vocal Overdub)
—
Strawberry Fields Forever (demo 3 / Playback)
—
Strawberry Fields Forever (demo 3 / take 1)
—
Strawberry Fields Forever (demo 3 / take 2)
—
Strawberry Fields Forever (demo 3 / take 3)
—
Strawberry Fields Forever (demo 3 / take 4)
—
Strawberry Fields Forever (demo 3 / take 5)
—
Strawberry Fields Forever (demo 3 / take 6)
—
Strawberry Fields Forever (demo 3 / take 7)
—
Strawberry Fields Forever (demo 3 / take 8)
—
Strawberry Fields Forever (demo 3 / rehearsal)
—
Strawberry Fields Forever (demo 3 / Mellotron and vocal Overdub)
—
Tapeloop and Backwards Speaks
—
Good Morning, Good Morning
—
Across the Universe
—
She's Walkin' Past My Door
—
You Know My Name (Look Up the Number)
—
Little Girls Private Tapes, Part 1
—
Little Girls Private Tapes, Part 2
—
The Magician
—
What the Magicians Are Cooking Up Now
—
Jessie's Dream
—
Step Inside Love
—
All Together on the Wireless Machine
—
Stranger in My Arms
—
Lucy From Little Town
—
Pedro the Fisherman
—
Down in Eastern Australia I Met Her
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
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What is UPC 3104453702031?
3104453702031 is a Universal Product Code (UPC) assigned to Private Tapes, Volume 1 by The Beatles. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 108 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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