UPC · Release
Various Artists
Last verified:
The UPC for “La musique des Lumières” by Various Artists is 3149020860144. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Harmonia Mundi. This release contains 453 tracks, each with its own ISRC. Tracks include FRZ149317070, FRZ149317080, FRZ149317090.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vingt-cinquième ordre: I. La Visionnaire. Gravement et marqué | Christophe Rousset | — | |
| 2 | Vingt-cinquième ordre: II. La Mistérieuse. Modérément | Christophe Rousset | — | |
| 3 | Vingt-cinquième ordre: III. La Montflambert. Tendrement, sans lenteur | Christophe Rousset | — | |
| 4 | Vingt-cinquième ordre: IV. La Muse victorieuse. Audacieusement | Christophe Rousset | — | |
| 5 | Vingt-cinquième ordre: V. Les Ombres errantes. Languissamment | Christophe Rousset | — | |
| 6 | Vingt-sixième ordre: I. La Convalescente | Christophe Rousset | — | |
| 7 | Vingt-sixième ordre: II. Gavotte | Christophe Rousset | — | |
| 8 | Vingt-sixième ordre: III. La Sophie | Christophe Rousset | — | |
| 9 | Vingt-sixième ordre: IV. L'Epineuse | Christophe Rousset | — | |
| 10 | Vingt-sixième ordre: V. La Pantomime. Gayement et marqué, et d'une grande précision | Christophe Rousset | — | |
| 11 | Sixième ordre: I. Les Moissonneurs. Gayement | Christophe Rousset | — | |
| 12 | Sixième ordre: II. Les Langueurs tendres. Tendres | Christophe Rousset | — | |
| 13 | Sixième ordre: III. Le Gazouillement, Rondeau. Gracieusement et coule | Christophe Rousset | — | |
| 14 | Sixième ordre: IV. La Bersan. Légèrement | Christophe Rousset | — | |
| 15 | Sixième ordre: V. Les Baricades Mistérieuses, Rondeau. Vivement | Christophe Rousset | — | |
| 16 | Sixième ordre: VI. Les Bergeries, Rondeau. Naïvement | Christophe Rousset | — | |
| 17 | Sixième ordre: VII. La Commère. Vivement | Christophe Rousset | — | |
| 18 | Sixième ordre: VIII. Le Moucheron. Légèrement | Christophe Rousset | — | |
| 19 | Pièces de clavecin en concerts. Premier concert: I. La Coulicam | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 20 | Pièces de clavecin en concerts. Premier concert: II. La Livri | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 21 | Pièces de clavecin en concerts. Premier concert: III. Le Vézinet | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 22 | Pièces de clavecin en concerts. Cinquième concert: I. La Forqueray | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 23 | Pièces de clavecin en concerts. Cinquième concert: II. La Cupis | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 24 | Pièces de clavecin en concerts. Cinquième concert: III. La Marais | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 25 | Pièces de clavecin en concerts. Cinquième concert: IV. L'indiscrete pour clavecin seul | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 2-1 | Messe de Requiem: I. Requiem | — | ||
| 2-2 | Messe de Requiem: II. Kyrie | — | ||
| 2-3 | Messe de Requiem: III. Graduel | — | ||
| 2-4 | Messe de Requiem: IV. Offertoire | — | ||
| 2-5 | Messe de Requiem: V. Sanctus | — | ||
| 2-6 | Messe de Requiem: VI. Agnus Dei | — | ||
| 2-7 | Messe de Requiem: VII. Post-Communion | — | ||
| 2-8 | Stabat mater: I. Duo: Stabat mater dolorosa | — | ||
| 2-9 | Stabat mater: II. Aria (soprano): Cujus animam gementem | — | ||
| 2-10 | Stabat mater: III. Duo: O quam tristis et afflicta | — | ||
| 2-11 | Stabat mater: IV. Aria (alto): Quae moerebat et dolebat | — | ||
| 2-12 | Stabat mater: V. Duo: Quis est homo, qui non fleret | — | ||
| 2-13 | Stabat mater: VI. Aria: Vidit suum dulcem natum | — | ||
| 2-14 | Stabat mater: VII. Aria (alto): Eja, mater, fons amoris | — | ||
| 2-15 | Stabat mater: VIII. Duo: Fac, ut ardeat cor meum | — | ||
| 2-16 | Stabat mater: IX. Duo: Sancta mater, istud agas | — | ||
| 2-17 | Stabat mater: X. Aria (alto): Fac, ut portem Christi mortem | — | ||
| 2-18 | Stabat mater: XI. Duo: Inflammatus et accensus | — | ||
| 2-19 | Stabat mater: XII. Duo: Quando corpus morietur - Amen | — | ||
| 3-1 | Solomon, HWV 67: Act I, No. 1 Overture | — | ||
| 3-2 | Solomon, HWV 67: Act I, Scene I. No. 2 Chorus "Your harps and cymbals sound" (Priests) | — | ||
| 3-3 | Solomon, HWV 67: Act I, Scene I. No. 3 Air "Praise ye the Lord for all his mercies past" (Levite) | — | ||
| 3-4 | Solomon, HWV 67: Act I, Scene I. No. 4 Chorus "With pious heart, and holy tongue" (Priests) | — | ||
| 3-5 | Solomon, HWV 67: Act I, Scene I. No. 5 Accompagnato "Almighty pow'r" (Solomon) | — | ||
| 3-6 | Solomon, HWV 67: Act I, Scene I. No. 6 Recitative "Imperial Solomon" (Zadok) | — | ||
| 3-7 | Solomon, HWV 67: Act I, Scene I. No. 7 Air "Sacred raptures cheer my breast" (Zadok) | — | ||
| 3-8 | Solomon, HWV 67: Act I, Scene I. No. 8 Chorus "Throughout the land Jehovah's praise record" (Israelites) | — | ||
| 3-9 | Solomon, HWV 67: Act I, Scene I. No. 9 Recitative "Bless'd be the Lord" (Solomon) | — | ||
| 3-10 | Solomon, HWV 67: Act I, Scene I. No. 10 Air "What though I trace each herb and flow'r" (Solomon) | — | ||
| 3-11 | Solomon, HWV 67: Act I, Scene II. No. 11 Recitative "And see my queen, my wedded love" (Solomon) | — | ||
| 3-12 | Solomon, HWV 67: Act I, Scene II. No. 12 Air "Bless'd the day when first my eyes" (Queen) | — | ||
| 3-13 | Solomon, HWV 67: Act I, Scene II. No. 13 Recitative "Thou fair inhabitant of Nile" (Solomon, Queen) | — | ||
| 3-14 | Solomon, HWV 67: Act I, Scene II. No. 14 Duet "Welcome as the dawn of day" (Queen, Solomon) | — | ||
| 3-15 | Solomon, HWV 67: Act I, Scene II. No. 17 Recitative "My blooming fair" (Solomon) | — | ||
| 3-16 | Solomon, HWV 67: Act I, Scene II. No. 18 Air "Haste, haste to the cedar grove" (Solomon) | — | ||
| 3-17 | Solomon, HWV 67: Act I, Scene II. No. 19 Recitative "When thou art absent from my sight" (Queen) | — | ||
| 3-18 | Solomon, HWV 67: Act I, Scene II. No. 20 Air "With thee th'unshelter'd moor I'd tread" (Queen) | — | ||
| 3-19 | Solomon, HWV 67: Act I, Scene II. No. 21 Recitative "Search round the world" (Zadok) | — | ||
| 3-20 | Solomon, HWV 67: Act I, Scene II. No. 22 Chorus "May no rash intruder disturb their soft hours" | — | ||
| 3-21 | Solomon, HWV 67: Act II, Scene I. No. 23 Chorus "From the censer curling rise" (Israelites) | — | ||
| 3-22 | Solomon, HWV 67: Act II, Scene I. No. 24 Recitative "Prais'd be the Lord" (Solomon) | — | ||
| 3-23 | Solomon, HWV 67: Act II, Scene I. No. 25 Air "When the sun o'er yonder hills" (Solomon) | — | ||
| 3-24 | Solomon, HWV 67: Act II, Scene I. No. 26 Recitative "Great Prince, thy resolution's just" (Levite) | — | ||
| 3-25 | Solomon, HWV 67: Act II, Scene I. No. 27 Air "Thrice bless'd that wise discerning king" (Levite) | — | ||
| 3-26 | Solomon, HWV 67: Act II, Scene II. No. 28 Recitative "My sovereign leige / Thou son of David, hear a mother's grief" (Solomon) | — | ||
| 3-27 | Solomon, HWV 67: Act II, Scene III. No. 29 Trio "Words are weak to paint my fears" (Solomon, Two Harlots) | — | ||
| 4-1 | Solomon, HWV 67: Act II, Scene III. No. 30 Recitative "What says the other to th'imputed charge?" (Solomon, Second Harlot) | — | ||
| 4-2 | Solomon, HWV 67: Act II, Scene III. No. 31 Air "Thy sentence, great king" (Second Harlot) | — | ||
| 4-3 | Solomon, HWV 67: Act II, Scene III. No. 32 Recitative "Withhold, withhold the executing hand" (First Harlot) | — | ||
| 4-4 | Solomon, HWV 67: Act II, Scene III. No. 33 Air "Can I see my enfant gor'd" (First Harlot) | — | ||
| 4-5 | Solomon, HWV 67: Act II, Scene III. No. 34 Accompagnato "Israel, attend to what your king shall say" (Solomon) | — | ||
| 4-6 | Solomon, HWV 67: Act II, Scene III. No. 35 Duet "Thrice bless'd the king" (First Harlot, Solomon) | — | ||
| 4-7 | Solomon, HWV 67: Act II, Scene III. No. 36 Chorus "From the east unto the west" (Israelites) | — | ||
| 4-8 | Solomon, HWV 67: Act II, Scene III. No. 37 Recitative "From morn to eve I could enraptur'd sing" (Zadok) | — | ||
| 4-9 | Solomon, HWV 67: Act II, Scene III. No. 38 Air "See the tall palm that lifts the head" (Zadok) | — | ||
| 4-10 | Solomon, HWV 67: Act II, Scene III. No. 39 Recitative "No more shall armed bands our hopes destroy" (First Harlot) | — | ||
| 4-11 | Solomon, HWV 67: Act II, Scene III. No. 40 Air "Beneath the vine, or fig-tree's shade" (First Harlot) | — | ||
| 4-12 | Solomon, HWV 67: Act II, Scene III. No. 41 Chorus "Swell, swell the full chorus to Solomon's praise" (Priests) | — | ||
| 4-13 | Solomon, HWV 67: Act III, No. 42 Symphony "Arrival of the Queen of Sheba" | — | ||
| 4-14 | Solomon, HWV 67: Act III, No. 43 Recitative "From Arabia's spicy shores" (Queen of Sheba, Solomon) | — | ||
| 4-15 | Solomon, HWV 67: Act III, No. 44 Air "Ev'ry sight these eyes behold" (Queen of Sheba) | — | ||
| 4-16 | Solomon, HWV 67: Act III, No. 45 Recitative "Sweep, sweep the string" (Solomon) | — | ||
| 4-17 | Solomon, HWV 67: Act III, No. 46 Solo "Music, spread thy voice around" (Solomon, Israelites) | — | ||
| 4-18 | Solomon, HWV 67: Act III, No. 47 Solo "Now a diff'rent measure try" (Solomon, Israelites) | — | ||
| 4-19 | Solomon, HWV 67: Act III, No. 48 Recitative "Then at once from rage remove" (Solomon) | — | ||
| 4-20 | Solomon, HWV 67: Act III, No. 49 Chorus "Draw the tear from hopeless love" (Israelites) | — | ||
| 4-21 | Solomon, HWV 67: Act III, No. 50 Recitative "Next the tortur'd soul release" (Solomon) | — | ||
| 4-22 | Solomon, HWV 67: Act III, No. 51 Solo "Thus rolling surges rise" (Solomon, Israelites) | — | ||
| 4-23 | Solomon, HWV 67: Act III, No. 52 Recitative "Thy harmony's divine, great king" (Queen of Sheba) | — | ||
| 4-24 | Solomon, HWV 67: Act III, No. 53 Recitative "Thrice happy king, to have achiev'd" (Zadok) | — | ||
| 4-25 | Solomon, HWV 67: Act III, No. 54 Air "Golden columns, fair and bright" (Zadok) | — | ||
| 4-26 | Solomon, HWV 67: Act III, No. 55 Recitative "Gold now is common on our happy shore" (Solomon) | — | ||
| 4-27 | Solomon, HWV 67: Act III, No. 56 Air "How green our fertile pastures look" (Solomon) | — | ||
| 4-28 | Solomon, HWV 67: Act III, No. 57 Recitative "May peace in Salem ever dwell" (Queen of Sheba) | — | ||
| 4-29 | Solomon, HWV 67: Act III, No. 58 Air "Will the sun forget to streak" (Queen of Sheba) | — | ||
| 4-30 | Solomon, HWV 67: Act III, No. 59 Recitative "Adieu, fair queen, and in thy breast" (Solomon) | — | ||
| 4-31 | Solomon, HWV 67: Act III, No. 60 Duet "Ev'ry joy that wisdom knows" (Queen of Sheba, Solomon) | — | ||
| 4-32 | Solomon, HWV 67: Act III, No. 61 Double Chorus "Praise the Lord with harp and tongue!" | — | ||
| 5-1 | Le Quattro Stagioni, "La primavera": I. Allegro | — | ||
| 5-2 | Le Quattro Stagioni, "La primavera": II. Largo | — | ||
| 5-3 | Le Quattro Stagioni, "La primavera": III. Allegro | — | ||
| 5-4 | Le Quattro Stagioni, "L'estate": I. Allegro non molto - Allegro | — | ||
| 5-5 | Le Quattro Stagioni, "L'estate": II. Adagio - Presto - Adagio | — | ||
| 5-6 | Le Quattro Stagioni, "L'estate": III. Presto | — | ||
| 5-7 | Le Quattro Stagioni, "L'autunno": I. Allegro | — | ||
| 5-8 | Le Quattro Stagioni, "L'autunno": II. Adagio molto | — | ||
| 5-9 | Le Quattro Stagioni, "L'autunno": III. Allegro | — | ||
| 5-10 | Le Quattro Stagioni, "L'inverno": I. Allegro non molto | — | ||
| 5-11 | Le Quattro Stagioni, "L'inverno": II. Largo | — | ||
| 5-12 | Le Quattro Stagioni, "L'inverno": III. Allegro | — | ||
| 5-13 | Violin Concerto "The Frogs": I. Ohne Satzbezeichnung | — | ||
| 5-14 | Violin Concerto "The Frogs": II. Adagio | — | ||
| 5-15 | Violin Concerto "The Frogs": III. Menuet alternativement | — | ||
| 5-16 | Brandenburg Concerto No. 6, BWV 1051: I. [Allegro] | — | ||
| 5-17 | Brandenburg Concerto No. 6, BWV 1051: II. Adagio ma non tanto | — | ||
| 5-18 | Brandenburg Concerto No. 6, BWV 1051: III. Allegro | — | ||
| 5-19 | Concerto pour orgue, Op. 4 No. 3: I. Adagio | — | ||
| 5-20 | Concerto pour orgue, Op. 4 No. 3: II. Allegro | — | ||
| 5-21 | Concerto pour orgue, Op. 4 No. 3: III. Adagio | — | ||
| 5-22 | Concerto pour orgue, Op. 4 No. 3: IV. Allegro | — | ||
| 6-1 | Concerto grosso No. 5: I. Allegro | — | ||
| 6-2 | Concerto grosso No. 5: II. Allegro - Adagio | — | ||
| 6-3 | Concerto grosso No. 5: III. Allegro | — | ||
| 6-4 | Concerto for violon and orchestra "à Lunardo Venier": I. Andante cantabile - Allegro assai | — | ||
| 6-5 | Concerto for violon and orchestra "à Lunardo Venier": II. Andante cantabile | — | ||
| 6-6 | Concerto for violon and orchestra "à Lunardo Venier": III. Presto | — | ||
| 6-7 | Concerto for violoncello harpsichord and string orchestra: I. Allegro | Jean-Guihen Queyras, Freiburger Barockorchester, Petra Müllejans | — | |
| 6-8 | Concerto for violoncello harpsichord and string orchestra: II. Adagio | Jean-Guihen Queyras, Freiburger Barockorchester, Petra Müllejans | — | |
| 6-9 | Concerto for violoncello harpsichord and string orchestra: III. Allegro non tanto | Jean-Guihen Queyras, Freiburger Barockorchester, Petra Müllejans | — | |
| 6-10 | Harpsichord Concerto No. 5, Wq. 43: I. Ohne satzbezeichnung | — | ||
| 6-11 | Harpsichord Concerto No. 5, Wq. 43: II. Adagio | — | ||
| 6-12 | Harpsichord Concerto No. 5, Wq. 43: III. Menuet alternativement | — | ||
| 6-13 | Concerto for harpsichord, two violons & violoncello, Op. 7 No. 5: I. Allegro di molto | — | ||
| 6-14 | Concerto for harpsichord, two violons & violoncello, Op. 7 No. 5: II. Andante | — | ||
| 6-15 | Concerto for harpsichord, two violons & violoncello, Op. 7 No. 5: III. Allegro | — | ||
| 7-1 | Violin Concerto No. 1, Hob. VIIa:1 : I. Allegro moderato | — | ||
| 7-2 | Violin Concerto No. 1, Hob. VIIa:1 : II. Adagio | — | ||
| 7-3 | Violin Concerto No. 1, Hob. VIIa:1 : III. Finale. Presto | — | ||
| 7-4 | Concerto, K. 107 No. 2: I. Allegro | — | ||
| 7-5 | Concerto, K. 107 No. 2: II. Allegretto (variations) | — | ||
| 7-6 | Symphonie concertante, K. 297b: I. Allegro | — | ||
| 7-7 | Symphonie concertante, K. 297b: II. Adagio | — | ||
| 7-8 | Symphonie concertante, K. 297b: III. Andantino con variazioni | — | ||
| 7-9 | Violoncello Concerto, Ben. 106: I. Allegro | — | ||
| 7-10 | Violoncello Concerto, Ben. 106: II. Adagio | — | ||
| 7-11 | Violoncello Concerto, Ben. 106: III. Rondo. Allegro molto | — | ||
| 8-1 | Piano Concerto No. 21, K. 467: I. Allegro maestoso | — | ||
| 8-2 | Piano Concerto No. 21, K. 467: II. Andante | — | ||
| 8-3 | Piano Concerto No. 21, K. 467: III. Allegro vivace assai | — | ||
| 8-4 | Piano Concerto No. 2, Op. 19: I. Allegro con brio | — | ||
| 8-5 | Piano Concerto No. 2, Op. 19: II. Adagio | — | ||
| 8-6 | Piano Concerto No. 2, Op. 19: III. Rondo. Molto allegro | — | ||
| 9-1 | Sinfonia in D major, JC 14: I. Allegro - Largo - Presto | — | ||
| 9-2 | Sinfonia in G major, JC 39: I. Allegro ma non tanto - Grave - Allegro assai - Minuetto | — | ||
| 9-3 | Sinfonie in F major, Falck 67: I. Vivace | — | ||
| 9-4 | Sinfonie in F major, Falck 67: II. Andante | — | ||
| 9-5 | Sinfonie in F major, Falck 67: III. Allegro | — | ||
| 9-6 | Sinfonie in F major, Falck 67: IV. Menuetto l & ll | — | ||
| 9-7 | Orchester-Sinfonie No. 1, Wq. 183/1: I. Allegro di molto | — | ||
| 9-8 | Orchester-Sinfonie No. 1, Wq. 183/1: II. Largo | — | ||
| 9-9 | Orchester-Sinfonie No. 1, Wq. 183/1: III. Presto | — | ||
| 9-10 | Symphony in G minor Op. 6 No. 6: I. Allegro | — | ||
| 9-11 | Symphony in G minor Op. 6 No. 6: II. Andante più tosto adagio | — | ||
| 9-12 | Symphony in G minor Op. 6 No. 6: III. Allegro molto | — | ||
| 9-13 | Symphony 'La casa del Diavolo' Op.12 No.4, G. 506: I. Andante sostenuto - Allegro assai | — | ||
| 9-14 | Symphony 'La casa del Diavolo' Op.12 No.4, G. 506: II. Andantino con moto | — | ||
| 9-15 | Symphony 'La casa del Diavolo' Op.12 No.4, G. 506: III. Andante sostenuto - Allegro assai con moto | — | ||
| 10-1 | Symphony No. 6 'Le matin', Hob. I:6: I. Adagio - Allegro | — | ||
| 10-2 | Symphony No. 6 'Le matin', Hob. I:6: II. Adagio - Andante - Adagio | — | ||
| 10-3 | Symphony No. 6 'Le matin', Hob. I:6: III. Menuetto avec Trio | — | ||
| 10-4 | Symphony No. 6 'Le matin', Hob. I:6: IV. Finale: Allegro | — | ||
| 10-5 | Symphony No. 7 'Le midi', Hob. I:7: I. Allegro - Largo - Presto | — | ||
| 10-6 | Symphony No. 7 'Le midi', Hob. I:7: II. Allegro ma non tanto - Grave - Allegro assai - Minuetto | — | ||
| 10-7 | Symphony No. 7 'Le midi', Hob. I:7: III. Vivace | — | ||
| 10-8 | Symphony No. 7 'Le midi', Hob. I:7: IV. Andante | — | ||
| 10-9 | Symphony No. 31 'Paris', K. 297: I. Allegro assai | — | ||
| 10-10 | Symphony No. 31 'Paris', K. 297: II/1. Andante | — | ||
| 10-11 | Symphony No. 31 'Paris', K. 297: III. Allegro | — | ||
| 11-1 | Symphony No. 92 'Oxford': I. Adagio - Allegro spiritoso | — | ||
| 11-2 | Symphony No. 92 'Oxford': II. Adagio | — | ||
| 11-3 | Symphony No. 92 'Oxford': III. Menuet. Allegretto | — | ||
| 11-4 | Symphony No. 92 'Oxford': IV. Finale. Presto | — | ||
| 11-5 | Symphony No. 41 'Jupiter' K. 551: I. Allegro vivace | — | ||
| 11-6 | Symphony No. 41 'Jupiter' K. 551: II. Andante cantabile | — | ||
| 11-7 | Symphony No. 41 'Jupiter' K. 551: III. Menuetto - Allegretto - Trio | — | ||
| 11-8 | Symphony No. 41 'Jupiter' K. 551: IV. Molto allegro | — | ||
| 12-1 | Symphonie no. 9 en ré mineur, op. 125 : I. Allegro ma non troppo, un poco maestoso | Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 12-2 | Symphonie no. 9 en ré mineur, op. 125 : II. Molto vivace | Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 12-3 | Symphonie no. 9 en ré mineur, op. 125 : III. Adagio molto e cantabile | Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 12-4 | Symphonie no. 9 en ré mineur, op. 125 : IV. Finale. Presto | La Chapelle Royale, Collegium Vocale Gent, Melanie Diener, Dietrich Henschel, Petra Lang, Endrik Wottrich, Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 13-1 | Castor & Pollux: Prologue: Ouverture | — | ||
| 13-2 | Castor & Pollux: Prologue, Scène I. "Vénus, ô Vénus" (Chœur des Arts et des Plaisirs) | — | ||
| 13-3 | Castor & Pollux: Prologue, Scène I. Symphonie | — | ||
| 13-4 | Castor & Pollux: Prologue, Scène II. "Je vous revois, belle Déesse" (Mars) | — | ||
| 13-5 | Castor & Pollux: Prologue, Scène II. Gavottes. "Renais, plus brillante" (L'Amour) | — | ||
| 13-6 | Castor & Pollux: Prologue, Scène II. Premier Menuet. Tambourin. "Naisez, dous de Flore" (L'Amours, chœur) | — | ||
| 13-7 | Castor & Pollux: Prologue, Scène II. Deuxième Menuet. Tambourin. "D'un spectacle nouveau" (Minerve) / Ouverture (reprise) | — | ||
| 13-8 | Castor & Pollux: Act Premier, Scène I. "Que tout gémisse" (Troupe de Spartiates) | — | ||
| 13-9 | Castor & Pollux: Act Premier, Scène II. "Où courez-vous?" (Télaïre, Phébé) | — | ||
| 13-10 | Castor & Pollux : Acte premier, Scène 3. "Tristes apprêts, pâles flambeaux" | Agnès Mellon, Les Arts Florissants, William Christie | — | |
| 13-11 | Castor & Pollux: Act Premier, Scène IV. Symphonie guerrière. "D'où partent ces cris nouveaux?" (Télaïre) / Premier Air pour les Athlètes "Eclatez, fières trompettes" | — | ||
| 13-12 | Castor & Pollux: Act Premier, Scène IV. Deuxième et troisième Airs des Athlètes | — | ||
| 13-13 | Castor & Pollux: Act Premier, Scène V. "Je remets à vos pieds ces dépouilles sanglantes" (Télaïre, Pollux) | — | ||
| 13-14 | Castor & Pollux: Act Premier, Scène V. Premier Air pour les Athlètes (reprise) | — | ||
| 14-1 | Castor & Pollux: Act deuxième, Scène I. "Nature, Amour, qui partagez mon cœur" (Pollux) / Scène II | — | ||
| 14-2 | Castor & Pollux: Act deuxième, Scène III. "Le souverain des Dieux" (Le Grand-Prêtre) | — | ||
| 14-3 | Castor & Pollux: Act deuxième, Scène IV. "Ma voix, puissant maître du monde" (Jupiter, Pollux) | — | ||
| 14-4 | Castor & Pollux: Act deuxième, Scène V. Entrée d'Hébé et de sa suite. "Connaissez notre puissance" | — | ||
| 14-5 | Castor & Pollux: Act deuxième, Scène V. Air gracieux pour Hébé et ses suivantes. "Qu'Hébé de fleurs" | — | ||
| 14-6 | Castor & Pollux: Act deuxième, Scène V. Deuxième Air pour Hébé et ses suivantes / "Voici des Dieux" (Un Plaisir) / Entrée d'Hébé (reprise) | — | ||
| 14-7 | Castor & Pollux: Act troisième, Scène I. "Rassemblez-vous, peuples" (Phébé) / Scène II | — | ||
| 14-8 | Castor & Pollux: Act troisième, Scène III. "Son char a reculé tout à coup à mes yeux" (Télaïre) | — | ||
| 14-9 | Castor & Pollux: Act troisième, Scène IV. "Sortez d'esclavage" (Phébé) / Premier Air des Démons | — | ||
| 14-10 | Castor & Pollux: Act troisième, Scène IV. "Brisons tous nos fers" (Chœur des Démons) / Deuxième Air des Démons | — | ||
| 14-11 | Castor & Pollux: Act troisième, Scène V. "Tout cède à ce héros vainqueur" (Phébé) / Premier Air des Démons (reprise) | — | ||
| 15-1 | Castor & Pollux: Act quatrième, Scène I. "Séjour de l'éternelle paix" (Castor) | — | ||
| 15-2 | Castor & Pollux: Act quatrième, Scène II. "Qu'il soit heureux comme nous" (Chœur des Ombres heureuses) | — | ||
| 15-3 | Castor & Pollux: Act quatrième, Scène II. Loure. "Ici se lève l'aurore" (Une Ombre) | — | ||
| 15-4 | Castor & Pollux: Act quatrième, Scène II. Gavotte. "Sur les Ombres fugitives" (Une Ombre) | — | ||
| 15-5 | Castor & Pollux: Act quatrième, Scène II. Passepieds. "Autant d'amours que de fleurs" (Une autre Ombre) | — | ||
| 15-6 | Castor & Pollux: Act quatrième, Scène II. Chœur. "Fuyez, fuyez, Ombres légères "/ Scène III. "Rassurez-vous, habitants fortunés" (Pollux) | — | ||
| 15-7 | Castor & Pollux: Act quatrième, Scène IV. "Mais, qui s'offre à mes yeux" (Pollux) / "Revenez, revenez sur les rivages sombres" (Chœur des Ombres) / Gavotte (reprise) | — | ||
| 15-8 | Castor & Pollux: Act cinquième, Scène I. "Castor revoit le jour" (Phébé) | — | ||
| 15-9 | Castor & Pollux: Act cinquième, Scène II. "Le Ciel est donc touché" (Castor, Télaïre) / Scène III. "Vivez, heureux époux" (Castor, Télaïre, Troupe des Spartiates) | — | ||
| 15-10 | Castor & Pollux: Act cinquième, Scène III. "Peuples, éloignez-vous" (Castor) / Scène IV. "Eh quoi ! tous ces objets ne peuvent t'attendrir ?" (Castor, Télaïre) | — | ||
| 15-11 | Castor & Pollux: Act cinquième, Scène IV. "Qu'ai-je entendu ! Quel bruit !" (Télaïre) | — | ||
| 15-12 | Castor & Pollux: Act cinquième, Scène V. "Les Destins sont contents" (Jupiter) / Scène VI. "Mon frère... ô Ciel !" (Castor) | — | ||
| 15-13 | Castor & Pollux: Act cinquième, Scène VI. "Palais de ma grandeur où je dicte mes lois" (Jupiter) / Scène VII. "Tant de vertus doivent préten" (Jupiter) | — | ||
| 15-14 | Castor & Pollux: Act cinquième, Scène VII. Entrée des Astres. Gigue | — | ||
| 15-15 | Castor & Pollux: Act cinquième, Scène VII. Ariette. "Brillez, brillez, Astres nouveaux" (Une planète) | — | ||
| 15-16 | Castor & Pollux: Act cinquième, Scène VII. Chaconne. "Que les Cieux, que la Terre et l'Onde" (Chœurs) | — | ||
| 16-1 | Orfeo & Euridice: Overtura | — | ||
| 16-2 | Orfeo & Euridice: Atto I, Scena I. "Ah! Se intorno a quest'urna funesta" (Coro, Orfeo) | — | ||
| 16-3 | Orfeo & Euridice: Atto I, Scena I. "Basta, basta, o compagni!" (Orfeo) | — | ||
| 16-4 | Orfeo & Euridice: Atto I, Scena I. Ballo | — | ||
| 16-5 | Orfeo & Euridice: Atto I, Scena I. "Ah, se intorno a quest'urna funesta" (Coro, Orfeo) | — | ||
| 16-6 | Orfeo & Euridice: Atto I, Scena I. "Chiamo il mio ben così" (Orfeo) | — | ||
| 16-7 | Orfeo & Euridice: Atto I, Scena I. "O Numi! Barbari numi" (Orfeo, Amore) | — | ||
| 16-8 | Orfeo & Euridice: Atto I, Scena II. "Gli sguardi trattieni" (Amore) | — | ||
| 16-9 | Orfeo & Euridice: Atto I, Scena II. "Che disse! Che ascoltai!" (Orfeo) | — | ||
| 16-10 | Orfeo & Euridice: Atto II, Scena I. "Chi mai dell'Erebo" (Coro) | — | ||
| 16-11 | Orfeo & Euridice: Atto II, Scena I. "Chi mai dell'Erebo" (Coro) | — | ||
| 16-12 | Orfeo & Euridice: Atto II, Scena I. "Deh! Placatevi con me" (Orfeo, Coro) | — | ||
| 16-13 | Orfeo & Euridice: Atto II, Scena I. "Misero giovane" (Coro) | — | ||
| 16-14 | Orfeo & Euridice: Atto II, Scena I. "Mille pene, ombre moleste" (Orfeo) | — | ||
| 16-15 | Orfeo & Euridice: Atto II, Scena I. "Ah! Quale incognito" (Coro) / "Men tiranne ah, voi sareste" (Orfeo) / "Ah! Quale incognito" (Coro) | — | ||
| 17-1 | Orfeo & Euridice: Atto II, Scena II. Ballo | — | ||
| 17-2 | Orfeo & Euridice: Atto II, Scena II. "Che puro ciel!" (Orfeo) | — | ||
| 17-3 | Orfeo & Euridice: Atto II, Scena II. "Vieni ai regni del riposo" (Coro) | — | ||
| 17-4 | Orfeo & Euridice: Atto II, Scena II. Ballo [II] | — | ||
| 17-5 | Orfeo & Euridice: Atto II, Scena II. "Anime avventurose" (Orfeo) | — | ||
| 17-6 | Orfeo & Euridice: Atto II, Scena II. "Torna, o bella, al tuo consorte" (Coro) | — | ||
| 17-7 | Orfeo & Euridice: Atto III, Scena I. "Vieni! Segui i miei passi" (Orfeo, Euridice) | — | ||
| 17-8 | Orfeo & Euridice: Atto III, Scena I. "Vieni, appaga il tuo consorte!" (Orfeo, Euridice) | — | ||
| 17-9 | Orfeo & Euridice: Atto III, Scena I. "Qual' vita è questa mai" (Orfeo) | — | ||
| 17-10 | Orfeo & Euridice: Atto III, Scena I. "Ecco un nuovo tormento!" (Orfeo, Euridice) | — | ||
| 17-11 | Orfeo & Euridice: Atto III, Scena I. "Che farò senza Euridice?" (Orfeo) | — | ||
| 17-12 | Orfeo & Euridice: Atto III, Scena I-II. "Ah! finisca e per sempre" (Orfeo, Amore, Euridice) | — | ||
| 17-13 | Orfeo & Euridice: Atto III, Scena III. Ballo ultimo. Maestoso | — | ||
| 17-14 | Orfeo & Euridice: Atto III, Scena III. Ballo. Grazioso | — | ||
| 17-15 | Orfeo & Euridice: Atto III, Scena III. Ballo. Allegro | — | ||
| 17-16 | Orfeo & Euridice: Atto III, Scena III. Ballo. Andante | — | ||
| 17-17 | Orfeo & Euridice: Atto III, Scena III. Ballo. Allegro [II] | — | ||
| 17-18 | Orfeo & Euridice: Atto III, Scena III. "Trionfi Amore, e il mondo intiero" (Coro, Orfeo, Amore, Euridice) | — | ||
| 18-1 | Le nozze di Figaro, K. 492: Sinfonia | Concerto Köln, René Jacobs | T-900.795.649-2 | |
| 18-2 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duettino “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) | Concerto Köln, René Jacobs | — | |
| 18-3 | Le nozze di Figaro, K. 492: Atto I, Scena I. Recitativo “Cosa stai misurando” (Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 18-4 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) | Concerto Köln, René Jacobs | — | |
| 18-5 | Le nozze di Figaro, K. 492: Atto I, Scene I-II. Recitativo “Or bene ascolta, e taci” (Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 18-6 | Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina “Se vuol ballare, signor Contino” (Figaro) | Concerto Köln, René Jacobs | — | |
| 18-7 | Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettate il giorno” (Bartolo, Marcellina) | Concerto Köln, René Jacobs | — | |
| 18-8 | Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria “La vendetta, oh, la vendetta” (Bartolo) | Concerto Köln, René Jacobs | — | |
| 18-9 | Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna) | Concerto Köln, René Jacobs | — | |
| 18-10 | Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) | Concerto Köln, René Jacobs | — | |
| 18-11 | Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Susanna, Cherubino) | Concerto Köln, René Jacobs | — | |
| 18-12 | Le nozze di Figaro, K. 492: Atto I, Scena V. No. 6 Aria “Non so più cosa son, cosa faccio” (Cherubino) | Concerto Köln, René Jacobs | — | |
| 18-13 | Le nozze di Figaro, K. 492: Atto I, Scene VI-VII. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio) | Concerto Köln, René Jacobs | — | |
| 18-14 | Le nozze di Figaro, K. 492: Atto I, Scena VII No. 7 Terzetto “Cosa sento! tosto andate” (Il Conte, Basilio, Suzana) | Concerto Köln, René Jacobs | — | |
| 18-15 | Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto” (Il Conte, Suzanna, Cherubino, Basilio) | Concerto Köln, René Jacobs | — | |
| 18-16 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. No. 8 Coro “Giovani liete, fiori spargete” (Coro) | Concerto Köln, René Jacobs | — | |
| 18-17 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos'è questa commedia?” (Il Conte, Suzanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 18-18 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. No. 9 Coro “Giovani liete, fiori spargete” (Coro) | Concerto Köln, René Jacobs | — | |
| 18-19 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Susanna, Il Conte, Basilio, Figaro, Cherubino) | Concerto Köln, René Jacobs | — | |
| 18-20 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. No. 10 Aria “Non più andrai, farfallone amoroso” (Figaro) | Lorenzo Regazzo, Concerto Köln, René Jacobs | — | |
| 19-1 | Le nozze di Figaro, K. 492: Atto II, Scena I. No. 11 Cavatina “Porgi, amor qualche ristoro” (La Contessa) | Concerto Köln, René Jacobs | — | |
| 19-2 | Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 19-3 | Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duomi, Susanna” (La Contessa, Cherubino, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-4 | Le nozze di Figaro, K. 492: Atto II, Scena II. No. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino) | Angelika Kirchschlager, Concerto Köln, René Jacobs | — | |
| 19-5 | Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Bravo! che bella voce” (La Contessa, Cherubino, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-6 | Le nozze di Figaro, K. 492: Atto II, Scena II. No. 13 Aria “Venite… inginocchiatevi…” (Susanna) | Concerto Köln, René Jacobs | — | |
| 19-7 | Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie!” (La Contessa, Cherubino, Susanna, Il Conte) | Concerto Köln, René Jacobs | — | |
| 19-8 | Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa) | Concerto Köln, René Jacobs | — | |
| 19-9 | Le nozze di Figaro, K. 492: Atto II, Scena III. No. 14 Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-10 | Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, la Contessa) | Concerto Köln, René Jacobs | — | |
| 19-11 | Le nozze di Figaro, K. 492: Atto II, Scena IV. No. 15 Duettino “Aprite, presto, aprite” (Susanna, Cherubino) | Concerto Köln, René Jacobs | — | |
| 19-12 | Le nozze di Figaro, K. 492: Atto II, Scena IV. Recitativo “Or guarda il demonietto!” (Susanna) | Concerto Köln, René Jacobs | — | |
| 19-13 | Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, la Contessa) | Concerto Köln, René Jacobs | — | |
| 19-14 | Le nozze di Figaro, K. 492: Atto II, Scena VII. No. 16 Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-15 | Le nozze di Figaro, K. 492: Atto II, Scena IX. “Signori, di fuori” (Figaro, Il Conte, Susanna, la Contessa) | Concerto Köln, René Jacobs | — | |
| 19-16 | Le nozze di Figaro, K. 492: Atto II, Scena X. No. 16 Finale “Ah signor… signor” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-17 | Le nozze di Figaro, K. 492: Atto II, Scena XI. No. 16 Finale “Voi signor che giusto siete” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-18 | Le nozze di Figaro, K. 492: Atto III, Scene I-II. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-19 | Le nozze di Figaro, K. 492: Atto III, Scena II. No. 17 Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-20 | Le nozze di Figaro, K. 492: Atto III, Scene II-III. Recitativo “E perche fosti meco” (Il Conte, Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 19-21 | Le nozze di Figaro, K. 492: Atto III, Scena IV. No. 18 Recitativo “Hai già vinta la causa” (Il Conte) / No. 18 Aria “Vedrò, mentre io sospiro” (Il Conte) | Concerto Köln, René Jacobs | — | |
| 20-1 | Le nozze di Figaro, K. 492: Atto III, Scena V. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, il Conte, Bartolo) | Concerto Köln, René Jacobs | — | |
| 20-2 | Le nozze di Figaro, K. 492: Atto III, Scene V. No. 19 Sestetto “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, il Conte, Susanna) | Concerto Köln, René Jacobs | — | |
| 20-3 | Le nozze di Figaro, K. 492: Atto III, Scene VI-VII. Recitativo “Eccovi, o caro amico” (Marcellina, Bartolo, Figaro, Susanna) | Concerto Köln, René Jacobs | — | |
| 20-4 | Le nozze di Figaro, K. 492: Atto III, Scene VIII. No. 20 Recitativo e Aria “E Susanna non vien!” (La Contessa) | Concerto Köln, René Jacobs | — | |
| 20-5 | Le nozze di Figaro, K. 492: Atto III, Scena IX. Recitativo “Io vi dico, signor, che Cherubino” (Antonio, il Conte) | Concerto Köln, René Jacobs | — | |
| 20-6 | Le nozze di Figaro, K. 492: Act III, Scena X, No. 21 “Su l’aria…” (Susanna, la Contessa) | Concerto Köln, René Jacobs | — | |
| 20-7 | Le nozze di Figaro, K. 492: Atto III, Scena XI. No. 22 Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) | Concerto Köln, René Jacobs | — | |
| 20-8 | Le nozze di Figaro, K. 492: Atto III, Scene XI-XIII. Recitativo “Questo sono, Madama” (Barbarina, la Contessa, Susanna, Antonio, il Conte, Cherubino) | Concerto Köln, René Jacobs | — | |
| 20-9 | Le nozze di Figaro, K. 492: Atto IV, Scene XII-XIV. No. 23 Finale “Ecco la marcia, Andiamo” (Figaro, Susanna, il Conte, la Contessa, Due Ragazze, Coro) | Concerto Köln, René Jacobs | — | |
| 20-10 | Le nozze di Figaro, K. 492: Atto IV, Scena I. No. 24 Cavatina “L’ho perduta… me meschina” (Barbarina) | Concerto Köln, René Jacobs | — | |
| 20-11 | Le nozze di Figaro, K. 492: Atto IV, Scene II-IV. Recitativo “Barbarina, cos’ hai” (Figaro, Barbarina, Marcellina) | Concerto Köln, René Jacobs | — | |
| 20-12 | Le nozze di Figaro, K. 492: Atto IV, Scena VI. No. 25 Aria “Il capro e la capretta” (Marcellina) | Concerto Köln, René Jacobs | — | |
| 20-13 | Le nozze di Figaro, K. 492: Atto IV, Scene V-VII. Recitativo “Nel padiglione a manca” (Barbarina, Figaro, Bartolo, Basilio) | Concerto Köln, René Jacobs | — | |
| 20-14 | Le nozze di Figaro, K. 492: Atto IV, Scena VII. No. 26 Aria “In quegl’anni in cui val poco” (Basilio) | Concerto Köln, René Jacobs | — | |
| 20-15 | Le nozze di Figaro, K. 492: Atto IV, Scena VIII. No. 27 Recitativo “Tutto è disposto” (Figaro) | Concerto Köln, René Jacobs | — | |
| 20-16 | Le nozze di Figaro, K. 492: Atto IV, Scena IX. Recitativo “Signora, ella mi disse” (Susanna, la Contessa, Marcellina) | Concerto Köln, René Jacobs | — | |
| 20-17 | Le nozze di Figaro, K. 492: Atto IV, Scena X. No. 28 Recitativo e Aria “Giunse alfin il momento” (Susanna) | Concerto Köln, René Jacobs | — | |
| 20-18 | Le nozze di Figaro, K. 492: Atto IV, Scena XI. Recitativo “Perfida! E in quella forma” (Figaro, Cherubino, la Contessa) | Concerto Köln, René Jacobs | — | |
| 20-19 | Le nozze di Figaro, K. 492: Atto IV, Scene XI-XIII. No. 29 Finale “Pian pianin le andrò più presso” (Cherubino, la Contessa, il Conte, Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 20-20 | Le nozze di Figaro, K. 492: Atto IV, Scena XIV. “Non la trovo” (Il Conte) | Concerto Köln, René Jacobs | — | |
| 20-21 | Le nozze di Figaro, K. 492: Atto IV, Scena ultima. “Gente, gente” (Il Conte, Figaro, Basilio, Antonio, La Contessa, Susanna, Barbarina, Cherubino) | Concerto Köln, René Jacobs | — | |
| 21-1 | Sonata in C minor, RV 53: I. Adagio | — | ||
| 21-2 | Sonata in C minor, RV 53: II. Allegro | — | ||
| 21-3 | Sonata in C minor, RV 53: III. Andante | — | ||
| 21-4 | Sonata in C minor, RV 53: IV. Allegro | — | ||
| 21-5 | Sonata in A minor, TWV 41:a3: I. Siciliana | — | ||
| 21-6 | Sonata in A minor, TWV 41:a3: II. Sppirituoso | — | ||
| 21-7 | Sonata in A minor, TWV 41:a3: III. Andante | — | ||
| 21-8 | Sonata in A minor, TWV 41:a3: IV. Vivace | — | ||
| 21-9 | Sonata Sopr'il Soggetto Reale: I. Largo | — | ||
| 21-10 | Sonata Sopr'il Soggetto Reale: II. Allegro | — | ||
| 21-11 | Sonata Sopr'il Soggetto Reale: III. Andante | — | ||
| 21-12 | Sonata Sopr'il Soggetto Reale: IV. Allegro | — | ||
| 21-13 | Sonata in F major, Wq. 154: I. Allegretto | — | ||
| 21-14 | Sonata in F major, Wq. 154: II. Andante | — | ||
| 21-15 | Sonata in F major, Wq. 154: III. Allegro | — | ||
| 21-16 | Sonata in A major, F. VII/2: I. Allegro | — | ||
| 21-17 | Sonata in A major, F. VII/2: II. Andante | — | ||
| 21-18 | Sonata in A major, F. VII/2: III. Tempo di minuetto | — | ||
| 21-19 | Sonata in F major, Op. XVI No. 4: I. Andante | — | ||
| 21-20 | Sonata in F major, Op. XVI No. 4: II. Polonaise andante | — | ||
| 21-21 | Sonata in F major, Op. XVI No. 4: III. Manuetto | — | ||
| 21-22 | Sonata in F major, Op. XVI No. 4: IV. Presto | — | ||
| 22-1 | Frische Clavier Früchte, Suonata Terza: I. | — | ||
| 22-2 | Frische Clavier Früchte, Suonata Terza: II. Aria | — | ||
| 22-3 | Frische Clavier Früchte, Suonata Terza: III. | — | ||
| 22-4 | Frische Clavier Früchte, Suonata Terza: IV. Aria | — | ||
| 22-5 | Frische Clavier Früchte, Suonata Terza: V. | — | ||
| 22-6 | Frische Clavier Früchte, Suonata Quinta: I. | — | ||
| 22-7 | Frische Clavier Früchte, Suonata Quinta: II. | — | ||
| 22-8 | Frische Clavier Früchte, Suonata Quinta: III. | — | ||
| 22-9 | Frische Clavier Früchte, Suonata Quinta: IV. | — | ||
| 22-10 | Frische Clavier Früchte, Suonata Settima: I. | — | ||
| 22-11 | Frische Clavier Früchte, Suonata Settima: II. Adagio | — | ||
| 22-12 | Frische Clavier Früchte, Suonata Settima: III. | — | ||
| 22-13 | Frische Clavier Früchte, Suonata Settima: IV. | — | ||
| 22-14 | Pièces de clavecin avec voix et violon, Op. 5: I. Paratum cor meum (Ps. 56, 10) | — | ||
| 22-15 | Pièces de clavecin avec voix et violon, Op. 5: II. In Domino Laudabitur (Ps. 33, 2) | — | ||
| 22-16 | Sonata in F major, K. 376: I. Allegro | — | ||
| 22-17 | Sonata in F major, K. 376: II. Andante | — | ||
| 22-18 | Sonata in F major, K. 376: III. Rondeau. Allegretto grazioso | — | ||
| 22-19 | Sonata in G major, K. 379: I. Adagio - Allegro | — | ||
| 22-20 | Sonata in G major, K. 379: II. Thema con variazioni. Andantino cantabile | — | ||
| 23-1 | Trio in C major No. 43, Hob. XV:27: I. Allegro | — | ||
| 23-2 | Trio in C major No. 43, Hob. XV:27: II. Andante | — | ||
| 23-3 | Trio in C major No. 43, Hob. XV:27: III. Finale. Presto | — | ||
| 23-4 | Trio in G major, K. 496: I. Allegro | — | ||
| 23-5 | Trio in G major, K. 496: II. Andante | — | ||
| 23-6 | Trio in G major, K. 496: III. Allegretto | — | ||
| 23-7 | Trio in C minor, Op. 1 No. 3: I. Allegro con brio | — | ||
| 23-8 | Trio in C minor, Op. 1 No. 3: II. Andante cantabile con variazioni | — | ||
| 23-9 | Trio in C minor, Op. 1 No. 3: III. Menuetto quasi allegro | — | ||
| 23-10 | Trio in C minor, Op. 1 No. 3: IV. Prestissimo | — | ||
| 24-1 | Sonata in C minor No. 33, Hob. XVI:20: I. Moderato | — | ||
| 24-2 | Sonata in C minor No. 33, Hob. XVI:20: II. Andante con moto | — | ||
| 24-3 | Sonata in C minor No. 33, Hob. XVI:20: III. Finale. Allegro | — | ||
| 24-4 | Sonata in D major No. 39, Hob. XVI:24: I. Allegro | — | ||
| 24-5 | Sonata in D major No. 39, Hob. XVI:24: II. Adagio molto | — | ||
| 24-6 | Sonata in D major No. 39, Hob. XVI:24: III. Allegro | — | ||
| 24-7 | Sonata in C major No. 60, Hob. XVI:50: I. Allegro | — | ||
| 24-8 | Sonata in C major No. 60, Hob. XVI:50: II. Adagio | — | ||
| 24-9 | Sonata in C major No. 60, Hob. XVI:50: III. Allegro molto | — | ||
| 24-10 | Sonata in E flat major No. 62 Hob. XVI:52: I. Allegro | — | ||
| 24-11 | Sonata in E flat major No. 62 Hob. XVI:52: II. Adagio | — | ||
| 24-12 | Sonata in E flat major No. 62 Hob. XVI:52: III. Presto | — | ||
| 25-1 | Sonate en Mi bémol majeur / E flat major / Es-dur KV 282 (189 g): Adagio | Andreas Staier | — | |
| 25-2 | Sonate en Mi bémol majeur / E flat major / Es-dur KV 282 (189 g): Menuetto I & II | Andreas Staier | — | |
| 25-3 | Sonate en Mi bémol majeur / E flat major / Es-dur KV 282 (189 g): Allegro | Andreas Staier | — | |
| 25-4 | Piano Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Andreas Staier | — | |
| 25-5 | Piano Sonata no. 10 in C major, K. 300h/330: II. Andante cantabile | Andreas Staier | — | |
| 25-6 | Piano Sonata no. 10 in C major, K. 300h/330: III. Allegretto | Andreas Staier | — | |
| 25-7 | Piano Sonata no. 12 in F major, K. 300k/332: I. Allegro | Andreas Staier | — | |
| 25-8 | Piano Sonata no. 12 in F major, K. 300k/332: II. Adagio | Andreas Staier | — | |
| 25-9 | Piano Sonata no. 12 in F major, K. 300k/332: III. Allegro assai | Andreas Staier | T-313.706.321-5 | |
| 25-10 | Sonate en do mineur / C minor / c-moll KV 457: Molto allegro | Andreas Staier | — | |
| 25-11 | Sonate en do mineur / C minor / c-moll KV 457: Adagio | Andreas Staier | — | |
| 25-12 | Sonate en do mineur / C minor / c-moll KV 457: Allegro assai | Andreas Staier | — | |
| 26-1 | Sonata in F minor No. 1, Op. 2 No.1: I. Allegro | — | ||
| 26-2 | Sonata in F minor No. 1, Op. 2 No.1: II. Adagio | — | ||
| 26-3 | Sonata in F minor No. 1, Op. 2 No.1: III. Menuetto. Allegretto | — | ||
| 26-4 | Sonata in F minor No. 1, Op. 2 No.1: IV. Prestissimo | — | ||
| 26-5 | Sonata in D minor No. 17 'The Tempest', Op. 31 No.2: I. Largo - Allegro | — | ||
| 26-6 | Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": II. Adagio | Paul Lewis | T-802.445.410-3 | |
| 26-7 | Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Paul Lewis | T-801.397.798-6 | |
| 26-8 | Sonata in E flat major No. 21 'Waldstein', Op. 53: I. Allegro con brio | — | ||
| 26-9 | Sonata in E flat major No. 21 'Waldstein', Op. 53: II. Introduzione. Adagio molto | — | ||
| 26-10 | Sonata in E flat major No. 21 'Waldstein', Op. 53: III. Rondo. Allegretto moderato | — | ||
| 27-1 | Sonata prima in A major: I. Soave | — | ||
| 27-2 | Sonata prima in A major: II. Allegro | — | ||
| 27-3 | Sonata prima in A major: III. Andante | — | ||
| 27-4 | Sonata prima in A major: IV. Vivace | — | ||
| 27-5 | String Quartet in C major No. 4, K. 157: I. Allegro | — | ||
| 27-6 | String Quartet in C major No. 4, K. 157: II. Andante | — | ||
| 27-7 | String Quartet in C major No. 4, K. 157: III. Presto | — | ||
| 27-8 | String Quartet in C major, Op. 33/3 Hob. III:39: I. Allegro moderato | — | ||
| 27-9 | String Quartet in C major, Op. 33/3 Hob. III:39: II. Allegretto | — | ||
| 27-10 | String Quartet in C major, Op. 33/3 Hob. III:39: III. Adagio | — | ||
| 27-11 | String Quartet in C major, Op. 33/3 Hob. III:39: IV. Rondo. Presto | — | ||
| 27-12 | Oboe Quartet in D major, Op. 8: I. Allegro | — | ||
| 27-13 | Oboe Quartet in D major, Op. 8: II. Andante amoroso | — | ||
| 27-14 | Oboe Quartet in D major, Op. 8: III. Poco presto | — | ||
| 28-1 | String Quartet in B flat major No. 17, K. 458: I. Allegro vivace assai | — | ||
| 28-2 | String Quartet in B flat major No. 17, K. 458: II. Menuetto. Moderato | — | ||
| 28-3 | String Quartet in B flat major No. 17, K. 458: III. Adagio | — | ||
| 28-4 | String Quartet in B flat major No. 17, K. 458: IV. Allegro assai | — | ||
| 28-5 | String Quartet in D minor, Op. 76 No. 2 Hob. III:76: I. Allegro | — | ||
| 28-6 | String Quartet in D minor, Op. 76 No. 2 Hob. III:76: II. Andante e più tosto allegretto | — | ||
| 28-7 | String Quartet in D minor, Op. 76 No. 2 Hob. III:76: III. Menuetto. Allegro ma non troppo | — | ||
| 28-8 | String Quartet in D minor, Op. 76 No. 2 Hob. III:76: IV. Vivace assai | — | ||
| 28-9 | String Quartet in B flat major, Op. 18 No. 6: I. Allegro con brio | — | ||
| 28-10 | String Quartet in B flat major, Op. 18 No. 6: II. Adagio ma non troppo | — | ||
| 28-11 | String Quartet in B flat major, Op. 18 No. 6: III. Scherzo. Allegro - trio | — | ||
| 28-12 | String Quartet in B flat major, Op. 18 No. 6: IV. La Malinconia. Adagio - Allegretto quasi Allegro | — | ||
| 29-1 | String Quartet in B flat major No. 13, Op. 130: I. Adagio ma non troppo - Allegro | — | ||
| 29-2 | String Quartet in B flat major No. 13, Op. 130: II. Presto | — | ||
| 29-3 | String Quartet in B flat major No. 13, Op. 130: III. Andante con moto ma non troppo | — | ||
| 29-4 | String Quartet in B flat major No. 13, Op. 130: IV. Alla danza tedesca. Allegro assai | — | ||
| 29-5 | String Quartet in B flat major No. 13, Op. 130: V. Cavatina. Adagio molto espressivo | — | ||
| 29-6 | Grosse Fuge, Op. 133 | — | ||
| 29-7 | String Quartet in F major No. 16, Op. 135: I. Allegretto | — | ||
| 29-8 | String Quartet in F major No. 16, Op. 135: II. Vivace | — | ||
| 29-9 | String Quartet in F major No. 16, Op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 29-10 | String Quartet in F major No. 16, Op. 135: IV. Grave ma non troppo tratto - Allegro | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
3149020860144 is a Universal Product Code (UPC) assigned to La musique des Lumières by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 453 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Paul Lewis | — |
The UPC for “La musique des Lumières” by Various Artists is 3149020860144. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Harmonia Mundi. This release contains 453 tracks, each with its own ISRC. Tracks include FRZ149317070, FRZ149317080, FRZ149317090.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vingt-cinquième ordre: I. La Visionnaire. Gravement et marqué | Christophe Rousset | — | |
| 2 | Vingt-cinquième ordre: II. La Mistérieuse. Modérément | Christophe Rousset | — | |
| 3 | Vingt-cinquième ordre: III. La Montflambert. Tendrement, sans lenteur | Christophe Rousset | — | |
| 4 | Vingt-cinquième ordre: IV. La Muse victorieuse. Audacieusement | Christophe Rousset | — | |
| 5 | Vingt-cinquième ordre: V. Les Ombres errantes. Languissamment | Christophe Rousset | — | |
| 6 | Vingt-sixième ordre: I. La Convalescente | Christophe Rousset | — | |
| 7 | Vingt-sixième ordre: II. Gavotte | Christophe Rousset | — | |
| 8 | Vingt-sixième ordre: III. La Sophie | Christophe Rousset | — | |
| 9 | Vingt-sixième ordre: IV. L'Epineuse | Christophe Rousset | — | |
| 10 | Vingt-sixième ordre: V. La Pantomime. Gayement et marqué, et d'une grande précision | Christophe Rousset | — | |
| 11 | Sixième ordre: I. Les Moissonneurs. Gayement | Christophe Rousset | — | |
| 12 | Sixième ordre: II. Les Langueurs tendres. Tendres | Christophe Rousset | — | |
| 13 | Sixième ordre: III. Le Gazouillement, Rondeau. Gracieusement et coule | Christophe Rousset | — | |
| 14 | Sixième ordre: IV. La Bersan. Légèrement | Christophe Rousset | — | |
| 15 | Sixième ordre: V. Les Baricades Mistérieuses, Rondeau. Vivement | Christophe Rousset | — | |
| 16 | Sixième ordre: VI. Les Bergeries, Rondeau. Naïvement | Christophe Rousset | — | |
| 17 | Sixième ordre: VII. La Commère. Vivement | Christophe Rousset | — | |
| 18 | Sixième ordre: VIII. Le Moucheron. Légèrement | Christophe Rousset | — | |
| 19 | Pièces de clavecin en concerts. Premier concert: I. La Coulicam | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 20 | Pièces de clavecin en concerts. Premier concert: II. La Livri | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 21 | Pièces de clavecin en concerts. Premier concert: III. Le Vézinet | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 22 | Pièces de clavecin en concerts. Cinquième concert: I. La Forqueray | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 23 | Pièces de clavecin en concerts. Cinquième concert: II. La Cupis | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 24 | Pièces de clavecin en concerts. Cinquième concert: III. La Marais | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 25 | Pièces de clavecin en concerts. Cinquième concert: IV. L'indiscrete pour clavecin seul | Christophe Rousset, Ryo Terakado, Kaori Uemura | — | |
| 2-1 | Messe de Requiem: I. Requiem | — | ||
| 2-2 | Messe de Requiem: II. Kyrie | — | ||
| 2-3 | Messe de Requiem: III. Graduel | — | ||
| 2-4 | Messe de Requiem: IV. Offertoire | — | ||
| 2-5 | Messe de Requiem: V. Sanctus | — | ||
| 2-6 | Messe de Requiem: VI. Agnus Dei | — | ||
| 2-7 | Messe de Requiem: VII. Post-Communion | — | ||
| 2-8 | Stabat mater: I. Duo: Stabat mater dolorosa | — | ||
| 2-9 | Stabat mater: II. Aria (soprano): Cujus animam gementem | — | ||
| 2-10 | Stabat mater: III. Duo: O quam tristis et afflicta | — | ||
| 2-11 | Stabat mater: IV. Aria (alto): Quae moerebat et dolebat | — | ||
| 2-12 | Stabat mater: V. Duo: Quis est homo, qui non fleret | — | ||
| 2-13 | Stabat mater: VI. Aria: Vidit suum dulcem natum | — | ||
| 2-14 | Stabat mater: VII. Aria (alto): Eja, mater, fons amoris | — | ||
| 2-15 | Stabat mater: VIII. Duo: Fac, ut ardeat cor meum | — | ||
| 2-16 | Stabat mater: IX. Duo: Sancta mater, istud agas | — | ||
| 2-17 | Stabat mater: X. Aria (alto): Fac, ut portem Christi mortem | — | ||
| 2-18 | Stabat mater: XI. Duo: Inflammatus et accensus | — | ||
| 2-19 | Stabat mater: XII. Duo: Quando corpus morietur - Amen | — | ||
| 3-1 | Solomon, HWV 67: Act I, No. 1 Overture | — | ||
| 3-2 | Solomon, HWV 67: Act I, Scene I. No. 2 Chorus "Your harps and cymbals sound" (Priests) | — | ||
| 3-3 | Solomon, HWV 67: Act I, Scene I. No. 3 Air "Praise ye the Lord for all his mercies past" (Levite) | — | ||
| 3-4 | Solomon, HWV 67: Act I, Scene I. No. 4 Chorus "With pious heart, and holy tongue" (Priests) | — | ||
| 3-5 | Solomon, HWV 67: Act I, Scene I. No. 5 Accompagnato "Almighty pow'r" (Solomon) | — | ||
| 3-6 | Solomon, HWV 67: Act I, Scene I. No. 6 Recitative "Imperial Solomon" (Zadok) | — | ||
| 3-7 | Solomon, HWV 67: Act I, Scene I. No. 7 Air "Sacred raptures cheer my breast" (Zadok) | — | ||
| 3-8 | Solomon, HWV 67: Act I, Scene I. No. 8 Chorus "Throughout the land Jehovah's praise record" (Israelites) | — | ||
| 3-9 | Solomon, HWV 67: Act I, Scene I. No. 9 Recitative "Bless'd be the Lord" (Solomon) | — | ||
| 3-10 | Solomon, HWV 67: Act I, Scene I. No. 10 Air "What though I trace each herb and flow'r" (Solomon) | — | ||
| 3-11 | Solomon, HWV 67: Act I, Scene II. No. 11 Recitative "And see my queen, my wedded love" (Solomon) | — | ||
| 3-12 | Solomon, HWV 67: Act I, Scene II. No. 12 Air "Bless'd the day when first my eyes" (Queen) | — | ||
| 3-13 | Solomon, HWV 67: Act I, Scene II. No. 13 Recitative "Thou fair inhabitant of Nile" (Solomon, Queen) | — | ||
| 3-14 | Solomon, HWV 67: Act I, Scene II. No. 14 Duet "Welcome as the dawn of day" (Queen, Solomon) | — | ||
| 3-15 | Solomon, HWV 67: Act I, Scene II. No. 17 Recitative "My blooming fair" (Solomon) | — | ||
| 3-16 | Solomon, HWV 67: Act I, Scene II. No. 18 Air "Haste, haste to the cedar grove" (Solomon) | — | ||
| 3-17 | Solomon, HWV 67: Act I, Scene II. No. 19 Recitative "When thou art absent from my sight" (Queen) | — | ||
| 3-18 | Solomon, HWV 67: Act I, Scene II. No. 20 Air "With thee th'unshelter'd moor I'd tread" (Queen) | — | ||
| 3-19 | Solomon, HWV 67: Act I, Scene II. No. 21 Recitative "Search round the world" (Zadok) | — | ||
| 3-20 | Solomon, HWV 67: Act I, Scene II. No. 22 Chorus "May no rash intruder disturb their soft hours" | — | ||
| 3-21 | Solomon, HWV 67: Act II, Scene I. No. 23 Chorus "From the censer curling rise" (Israelites) | — | ||
| 3-22 | Solomon, HWV 67: Act II, Scene I. No. 24 Recitative "Prais'd be the Lord" (Solomon) | — | ||
| 3-23 | Solomon, HWV 67: Act II, Scene I. No. 25 Air "When the sun o'er yonder hills" (Solomon) | — | ||
| 3-24 | Solomon, HWV 67: Act II, Scene I. No. 26 Recitative "Great Prince, thy resolution's just" (Levite) | — | ||
| 3-25 | Solomon, HWV 67: Act II, Scene I. No. 27 Air "Thrice bless'd that wise discerning king" (Levite) | — | ||
| 3-26 | Solomon, HWV 67: Act II, Scene II. No. 28 Recitative "My sovereign leige / Thou son of David, hear a mother's grief" (Solomon) | — | ||
| 3-27 | Solomon, HWV 67: Act II, Scene III. No. 29 Trio "Words are weak to paint my fears" (Solomon, Two Harlots) | — | ||
| 4-1 | Solomon, HWV 67: Act II, Scene III. No. 30 Recitative "What says the other to th'imputed charge?" (Solomon, Second Harlot) | — | ||
| 4-2 | Solomon, HWV 67: Act II, Scene III. No. 31 Air "Thy sentence, great king" (Second Harlot) | — | ||
| 4-3 | Solomon, HWV 67: Act II, Scene III. No. 32 Recitative "Withhold, withhold the executing hand" (First Harlot) | — | ||
| 4-4 | Solomon, HWV 67: Act II, Scene III. No. 33 Air "Can I see my enfant gor'd" (First Harlot) | — | ||
| 4-5 | Solomon, HWV 67: Act II, Scene III. No. 34 Accompagnato "Israel, attend to what your king shall say" (Solomon) | — | ||
| 4-6 | Solomon, HWV 67: Act II, Scene III. No. 35 Duet "Thrice bless'd the king" (First Harlot, Solomon) | — | ||
| 4-7 | Solomon, HWV 67: Act II, Scene III. No. 36 Chorus "From the east unto the west" (Israelites) | — | ||
| 4-8 | Solomon, HWV 67: Act II, Scene III. No. 37 Recitative "From morn to eve I could enraptur'd sing" (Zadok) | — | ||
| 4-9 | Solomon, HWV 67: Act II, Scene III. No. 38 Air "See the tall palm that lifts the head" (Zadok) | — | ||
| 4-10 | Solomon, HWV 67: Act II, Scene III. No. 39 Recitative "No more shall armed bands our hopes destroy" (First Harlot) | — | ||
| 4-11 | Solomon, HWV 67: Act II, Scene III. No. 40 Air "Beneath the vine, or fig-tree's shade" (First Harlot) | — | ||
| 4-12 | Solomon, HWV 67: Act II, Scene III. No. 41 Chorus "Swell, swell the full chorus to Solomon's praise" (Priests) | — | ||
| 4-13 | Solomon, HWV 67: Act III, No. 42 Symphony "Arrival of the Queen of Sheba" | — | ||
| 4-14 | Solomon, HWV 67: Act III, No. 43 Recitative "From Arabia's spicy shores" (Queen of Sheba, Solomon) | — | ||
| 4-15 | Solomon, HWV 67: Act III, No. 44 Air "Ev'ry sight these eyes behold" (Queen of Sheba) | — | ||
| 4-16 | Solomon, HWV 67: Act III, No. 45 Recitative "Sweep, sweep the string" (Solomon) | — | ||
| 4-17 | Solomon, HWV 67: Act III, No. 46 Solo "Music, spread thy voice around" (Solomon, Israelites) | — | ||
| 4-18 | Solomon, HWV 67: Act III, No. 47 Solo "Now a diff'rent measure try" (Solomon, Israelites) | — | ||
| 4-19 | Solomon, HWV 67: Act III, No. 48 Recitative "Then at once from rage remove" (Solomon) | — | ||
| 4-20 | Solomon, HWV 67: Act III, No. 49 Chorus "Draw the tear from hopeless love" (Israelites) | — | ||
| 4-21 | Solomon, HWV 67: Act III, No. 50 Recitative "Next the tortur'd soul release" (Solomon) | — | ||
| 4-22 | Solomon, HWV 67: Act III, No. 51 Solo "Thus rolling surges rise" (Solomon, Israelites) | — | ||
| 4-23 | Solomon, HWV 67: Act III, No. 52 Recitative "Thy harmony's divine, great king" (Queen of Sheba) | — | ||
| 4-24 | Solomon, HWV 67: Act III, No. 53 Recitative "Thrice happy king, to have achiev'd" (Zadok) | — | ||
| 4-25 | Solomon, HWV 67: Act III, No. 54 Air "Golden columns, fair and bright" (Zadok) | — | ||
| 4-26 | Solomon, HWV 67: Act III, No. 55 Recitative "Gold now is common on our happy shore" (Solomon) | — | ||
| 4-27 | Solomon, HWV 67: Act III, No. 56 Air "How green our fertile pastures look" (Solomon) | — | ||
| 4-28 | Solomon, HWV 67: Act III, No. 57 Recitative "May peace in Salem ever dwell" (Queen of Sheba) | — | ||
| 4-29 | Solomon, HWV 67: Act III, No. 58 Air "Will the sun forget to streak" (Queen of Sheba) | — | ||
| 4-30 | Solomon, HWV 67: Act III, No. 59 Recitative "Adieu, fair queen, and in thy breast" (Solomon) | — | ||
| 4-31 | Solomon, HWV 67: Act III, No. 60 Duet "Ev'ry joy that wisdom knows" (Queen of Sheba, Solomon) | — | ||
| 4-32 | Solomon, HWV 67: Act III, No. 61 Double Chorus "Praise the Lord with harp and tongue!" | — | ||
| 5-1 | Le Quattro Stagioni, "La primavera": I. Allegro | — | ||
| 5-2 | Le Quattro Stagioni, "La primavera": II. Largo | — | ||
| 5-3 | Le Quattro Stagioni, "La primavera": III. Allegro | — | ||
| 5-4 | Le Quattro Stagioni, "L'estate": I. Allegro non molto - Allegro | — | ||
| 5-5 | Le Quattro Stagioni, "L'estate": II. Adagio - Presto - Adagio | — | ||
| 5-6 | Le Quattro Stagioni, "L'estate": III. Presto | — | ||
| 5-7 | Le Quattro Stagioni, "L'autunno": I. Allegro | — | ||
| 5-8 | Le Quattro Stagioni, "L'autunno": II. Adagio molto | — | ||
| 5-9 | Le Quattro Stagioni, "L'autunno": III. Allegro | — | ||
| 5-10 | Le Quattro Stagioni, "L'inverno": I. Allegro non molto | — | ||
| 5-11 | Le Quattro Stagioni, "L'inverno": II. Largo | — | ||
| 5-12 | Le Quattro Stagioni, "L'inverno": III. Allegro | — | ||
| 5-13 | Violin Concerto "The Frogs": I. Ohne Satzbezeichnung | — | ||
| 5-14 | Violin Concerto "The Frogs": II. Adagio | — | ||
| 5-15 | Violin Concerto "The Frogs": III. Menuet alternativement | — | ||
| 5-16 | Brandenburg Concerto No. 6, BWV 1051: I. [Allegro] | — | ||
| 5-17 | Brandenburg Concerto No. 6, BWV 1051: II. Adagio ma non tanto | — | ||
| 5-18 | Brandenburg Concerto No. 6, BWV 1051: III. Allegro | — | ||
| 5-19 | Concerto pour orgue, Op. 4 No. 3: I. Adagio | — | ||
| 5-20 | Concerto pour orgue, Op. 4 No. 3: II. Allegro | — | ||
| 5-21 | Concerto pour orgue, Op. 4 No. 3: III. Adagio | — | ||
| 5-22 | Concerto pour orgue, Op. 4 No. 3: IV. Allegro | — | ||
| 6-1 | Concerto grosso No. 5: I. Allegro | — | ||
| 6-2 | Concerto grosso No. 5: II. Allegro - Adagio | — | ||
| 6-3 | Concerto grosso No. 5: III. Allegro | — | ||
| 6-4 | Concerto for violon and orchestra "à Lunardo Venier": I. Andante cantabile - Allegro assai | — | ||
| 6-5 | Concerto for violon and orchestra "à Lunardo Venier": II. Andante cantabile | — | ||
| 6-6 | Concerto for violon and orchestra "à Lunardo Venier": III. Presto | — | ||
| 6-7 | Concerto for violoncello harpsichord and string orchestra: I. Allegro | Jean-Guihen Queyras, Freiburger Barockorchester, Petra Müllejans | — | |
| 6-8 | Concerto for violoncello harpsichord and string orchestra: II. Adagio | Jean-Guihen Queyras, Freiburger Barockorchester, Petra Müllejans | — | |
| 6-9 | Concerto for violoncello harpsichord and string orchestra: III. Allegro non tanto | Jean-Guihen Queyras, Freiburger Barockorchester, Petra Müllejans | — | |
| 6-10 | Harpsichord Concerto No. 5, Wq. 43: I. Ohne satzbezeichnung | — | ||
| 6-11 | Harpsichord Concerto No. 5, Wq. 43: II. Adagio | — | ||
| 6-12 | Harpsichord Concerto No. 5, Wq. 43: III. Menuet alternativement | — | ||
| 6-13 | Concerto for harpsichord, two violons & violoncello, Op. 7 No. 5: I. Allegro di molto | — | ||
| 6-14 | Concerto for harpsichord, two violons & violoncello, Op. 7 No. 5: II. Andante | — | ||
| 6-15 | Concerto for harpsichord, two violons & violoncello, Op. 7 No. 5: III. Allegro | — | ||
| 7-1 | Violin Concerto No. 1, Hob. VIIa:1 : I. Allegro moderato | — | ||
| 7-2 | Violin Concerto No. 1, Hob. VIIa:1 : II. Adagio | — | ||
| 7-3 | Violin Concerto No. 1, Hob. VIIa:1 : III. Finale. Presto | — | ||
| 7-4 | Concerto, K. 107 No. 2: I. Allegro | — | ||
| 7-5 | Concerto, K. 107 No. 2: II. Allegretto (variations) | — | ||
| 7-6 | Symphonie concertante, K. 297b: I. Allegro | — | ||
| 7-7 | Symphonie concertante, K. 297b: II. Adagio | — | ||
| 7-8 | Symphonie concertante, K. 297b: III. Andantino con variazioni | — | ||
| 7-9 | Violoncello Concerto, Ben. 106: I. Allegro | — | ||
| 7-10 | Violoncello Concerto, Ben. 106: II. Adagio | — | ||
| 7-11 | Violoncello Concerto, Ben. 106: III. Rondo. Allegro molto | — | ||
| 8-1 | Piano Concerto No. 21, K. 467: I. Allegro maestoso | — | ||
| 8-2 | Piano Concerto No. 21, K. 467: II. Andante | — | ||
| 8-3 | Piano Concerto No. 21, K. 467: III. Allegro vivace assai | — | ||
| 8-4 | Piano Concerto No. 2, Op. 19: I. Allegro con brio | — | ||
| 8-5 | Piano Concerto No. 2, Op. 19: II. Adagio | — | ||
| 8-6 | Piano Concerto No. 2, Op. 19: III. Rondo. Molto allegro | — | ||
| 9-1 | Sinfonia in D major, JC 14: I. Allegro - Largo - Presto | — | ||
| 9-2 | Sinfonia in G major, JC 39: I. Allegro ma non tanto - Grave - Allegro assai - Minuetto | — | ||
| 9-3 | Sinfonie in F major, Falck 67: I. Vivace | — | ||
| 9-4 | Sinfonie in F major, Falck 67: II. Andante | — | ||
| 9-5 | Sinfonie in F major, Falck 67: III. Allegro | — | ||
| 9-6 | Sinfonie in F major, Falck 67: IV. Menuetto l & ll | — | ||
| 9-7 | Orchester-Sinfonie No. 1, Wq. 183/1: I. Allegro di molto | — | ||
| 9-8 | Orchester-Sinfonie No. 1, Wq. 183/1: II. Largo | — | ||
| 9-9 | Orchester-Sinfonie No. 1, Wq. 183/1: III. Presto | — | ||
| 9-10 | Symphony in G minor Op. 6 No. 6: I. Allegro | — | ||
| 9-11 | Symphony in G minor Op. 6 No. 6: II. Andante più tosto adagio | — | ||
| 9-12 | Symphony in G minor Op. 6 No. 6: III. Allegro molto | — | ||
| 9-13 | Symphony 'La casa del Diavolo' Op.12 No.4, G. 506: I. Andante sostenuto - Allegro assai | — | ||
| 9-14 | Symphony 'La casa del Diavolo' Op.12 No.4, G. 506: II. Andantino con moto | — | ||
| 9-15 | Symphony 'La casa del Diavolo' Op.12 No.4, G. 506: III. Andante sostenuto - Allegro assai con moto | — | ||
| 10-1 | Symphony No. 6 'Le matin', Hob. I:6: I. Adagio - Allegro | — | ||
| 10-2 | Symphony No. 6 'Le matin', Hob. I:6: II. Adagio - Andante - Adagio | — | ||
| 10-3 | Symphony No. 6 'Le matin', Hob. I:6: III. Menuetto avec Trio | — | ||
| 10-4 | Symphony No. 6 'Le matin', Hob. I:6: IV. Finale: Allegro | — | ||
| 10-5 | Symphony No. 7 'Le midi', Hob. I:7: I. Allegro - Largo - Presto | — | ||
| 10-6 | Symphony No. 7 'Le midi', Hob. I:7: II. Allegro ma non tanto - Grave - Allegro assai - Minuetto | — | ||
| 10-7 | Symphony No. 7 'Le midi', Hob. I:7: III. Vivace | — | ||
| 10-8 | Symphony No. 7 'Le midi', Hob. I:7: IV. Andante | — | ||
| 10-9 | Symphony No. 31 'Paris', K. 297: I. Allegro assai | — | ||
| 10-10 | Symphony No. 31 'Paris', K. 297: II/1. Andante | — | ||
| 10-11 | Symphony No. 31 'Paris', K. 297: III. Allegro | — | ||
| 11-1 | Symphony No. 92 'Oxford': I. Adagio - Allegro spiritoso | — | ||
| 11-2 | Symphony No. 92 'Oxford': II. Adagio | — | ||
| 11-3 | Symphony No. 92 'Oxford': III. Menuet. Allegretto | — | ||
| 11-4 | Symphony No. 92 'Oxford': IV. Finale. Presto | — | ||
| 11-5 | Symphony No. 41 'Jupiter' K. 551: I. Allegro vivace | — | ||
| 11-6 | Symphony No. 41 'Jupiter' K. 551: II. Andante cantabile | — | ||
| 11-7 | Symphony No. 41 'Jupiter' K. 551: III. Menuetto - Allegretto - Trio | — | ||
| 11-8 | Symphony No. 41 'Jupiter' K. 551: IV. Molto allegro | — | ||
| 12-1 | Symphonie no. 9 en ré mineur, op. 125 : I. Allegro ma non troppo, un poco maestoso | Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 12-2 | Symphonie no. 9 en ré mineur, op. 125 : II. Molto vivace | Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 12-3 | Symphonie no. 9 en ré mineur, op. 125 : III. Adagio molto e cantabile | Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 12-4 | Symphonie no. 9 en ré mineur, op. 125 : IV. Finale. Presto | La Chapelle Royale, Collegium Vocale Gent, Melanie Diener, Dietrich Henschel, Petra Lang, Endrik Wottrich, Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 13-1 | Castor & Pollux: Prologue: Ouverture | — | ||
| 13-2 | Castor & Pollux: Prologue, Scène I. "Vénus, ô Vénus" (Chœur des Arts et des Plaisirs) | — | ||
| 13-3 | Castor & Pollux: Prologue, Scène I. Symphonie | — | ||
| 13-4 | Castor & Pollux: Prologue, Scène II. "Je vous revois, belle Déesse" (Mars) | — | ||
| 13-5 | Castor & Pollux: Prologue, Scène II. Gavottes. "Renais, plus brillante" (L'Amour) | — | ||
| 13-6 | Castor & Pollux: Prologue, Scène II. Premier Menuet. Tambourin. "Naisez, dous de Flore" (L'Amours, chœur) | — | ||
| 13-7 | Castor & Pollux: Prologue, Scène II. Deuxième Menuet. Tambourin. "D'un spectacle nouveau" (Minerve) / Ouverture (reprise) | — | ||
| 13-8 | Castor & Pollux: Act Premier, Scène I. "Que tout gémisse" (Troupe de Spartiates) | — | ||
| 13-9 | Castor & Pollux: Act Premier, Scène II. "Où courez-vous?" (Télaïre, Phébé) | — | ||
| 13-10 | Castor & Pollux : Acte premier, Scène 3. "Tristes apprêts, pâles flambeaux" | Agnès Mellon, Les Arts Florissants, William Christie | — | |
| 13-11 | Castor & Pollux: Act Premier, Scène IV. Symphonie guerrière. "D'où partent ces cris nouveaux?" (Télaïre) / Premier Air pour les Athlètes "Eclatez, fières trompettes" | — | ||
| 13-12 | Castor & Pollux: Act Premier, Scène IV. Deuxième et troisième Airs des Athlètes | — | ||
| 13-13 | Castor & Pollux: Act Premier, Scène V. "Je remets à vos pieds ces dépouilles sanglantes" (Télaïre, Pollux) | — | ||
| 13-14 | Castor & Pollux: Act Premier, Scène V. Premier Air pour les Athlètes (reprise) | — | ||
| 14-1 | Castor & Pollux: Act deuxième, Scène I. "Nature, Amour, qui partagez mon cœur" (Pollux) / Scène II | — | ||
| 14-2 | Castor & Pollux: Act deuxième, Scène III. "Le souverain des Dieux" (Le Grand-Prêtre) | — | ||
| 14-3 | Castor & Pollux: Act deuxième, Scène IV. "Ma voix, puissant maître du monde" (Jupiter, Pollux) | — | ||
| 14-4 | Castor & Pollux: Act deuxième, Scène V. Entrée d'Hébé et de sa suite. "Connaissez notre puissance" | — | ||
| 14-5 | Castor & Pollux: Act deuxième, Scène V. Air gracieux pour Hébé et ses suivantes. "Qu'Hébé de fleurs" | — | ||
| 14-6 | Castor & Pollux: Act deuxième, Scène V. Deuxième Air pour Hébé et ses suivantes / "Voici des Dieux" (Un Plaisir) / Entrée d'Hébé (reprise) | — | ||
| 14-7 | Castor & Pollux: Act troisième, Scène I. "Rassemblez-vous, peuples" (Phébé) / Scène II | — | ||
| 14-8 | Castor & Pollux: Act troisième, Scène III. "Son char a reculé tout à coup à mes yeux" (Télaïre) | — | ||
| 14-9 | Castor & Pollux: Act troisième, Scène IV. "Sortez d'esclavage" (Phébé) / Premier Air des Démons | — | ||
| 14-10 | Castor & Pollux: Act troisième, Scène IV. "Brisons tous nos fers" (Chœur des Démons) / Deuxième Air des Démons | — | ||
| 14-11 | Castor & Pollux: Act troisième, Scène V. "Tout cède à ce héros vainqueur" (Phébé) / Premier Air des Démons (reprise) | — | ||
| 15-1 | Castor & Pollux: Act quatrième, Scène I. "Séjour de l'éternelle paix" (Castor) | — | ||
| 15-2 | Castor & Pollux: Act quatrième, Scène II. "Qu'il soit heureux comme nous" (Chœur des Ombres heureuses) | — | ||
| 15-3 | Castor & Pollux: Act quatrième, Scène II. Loure. "Ici se lève l'aurore" (Une Ombre) | — | ||
| 15-4 | Castor & Pollux: Act quatrième, Scène II. Gavotte. "Sur les Ombres fugitives" (Une Ombre) | — | ||
| 15-5 | Castor & Pollux: Act quatrième, Scène II. Passepieds. "Autant d'amours que de fleurs" (Une autre Ombre) | — | ||
| 15-6 | Castor & Pollux: Act quatrième, Scène II. Chœur. "Fuyez, fuyez, Ombres légères "/ Scène III. "Rassurez-vous, habitants fortunés" (Pollux) | — | ||
| 15-7 | Castor & Pollux: Act quatrième, Scène IV. "Mais, qui s'offre à mes yeux" (Pollux) / "Revenez, revenez sur les rivages sombres" (Chœur des Ombres) / Gavotte (reprise) | — | ||
| 15-8 | Castor & Pollux: Act cinquième, Scène I. "Castor revoit le jour" (Phébé) | — | ||
| 15-9 | Castor & Pollux: Act cinquième, Scène II. "Le Ciel est donc touché" (Castor, Télaïre) / Scène III. "Vivez, heureux époux" (Castor, Télaïre, Troupe des Spartiates) | — | ||
| 15-10 | Castor & Pollux: Act cinquième, Scène III. "Peuples, éloignez-vous" (Castor) / Scène IV. "Eh quoi ! tous ces objets ne peuvent t'attendrir ?" (Castor, Télaïre) | — | ||
| 15-11 | Castor & Pollux: Act cinquième, Scène IV. "Qu'ai-je entendu ! Quel bruit !" (Télaïre) | — | ||
| 15-12 | Castor & Pollux: Act cinquième, Scène V. "Les Destins sont contents" (Jupiter) / Scène VI. "Mon frère... ô Ciel !" (Castor) | — | ||
| 15-13 | Castor & Pollux: Act cinquième, Scène VI. "Palais de ma grandeur où je dicte mes lois" (Jupiter) / Scène VII. "Tant de vertus doivent préten" (Jupiter) | — | ||
| 15-14 | Castor & Pollux: Act cinquième, Scène VII. Entrée des Astres. Gigue | — | ||
| 15-15 | Castor & Pollux: Act cinquième, Scène VII. Ariette. "Brillez, brillez, Astres nouveaux" (Une planète) | — | ||
| 15-16 | Castor & Pollux: Act cinquième, Scène VII. Chaconne. "Que les Cieux, que la Terre et l'Onde" (Chœurs) | — | ||
| 16-1 | Orfeo & Euridice: Overtura | — | ||
| 16-2 | Orfeo & Euridice: Atto I, Scena I. "Ah! Se intorno a quest'urna funesta" (Coro, Orfeo) | — | ||
| 16-3 | Orfeo & Euridice: Atto I, Scena I. "Basta, basta, o compagni!" (Orfeo) | — | ||
| 16-4 | Orfeo & Euridice: Atto I, Scena I. Ballo | — | ||
| 16-5 | Orfeo & Euridice: Atto I, Scena I. "Ah, se intorno a quest'urna funesta" (Coro, Orfeo) | — | ||
| 16-6 | Orfeo & Euridice: Atto I, Scena I. "Chiamo il mio ben così" (Orfeo) | — | ||
| 16-7 | Orfeo & Euridice: Atto I, Scena I. "O Numi! Barbari numi" (Orfeo, Amore) | — | ||
| 16-8 | Orfeo & Euridice: Atto I, Scena II. "Gli sguardi trattieni" (Amore) | — | ||
| 16-9 | Orfeo & Euridice: Atto I, Scena II. "Che disse! Che ascoltai!" (Orfeo) | — | ||
| 16-10 | Orfeo & Euridice: Atto II, Scena I. "Chi mai dell'Erebo" (Coro) | — | ||
| 16-11 | Orfeo & Euridice: Atto II, Scena I. "Chi mai dell'Erebo" (Coro) | — | ||
| 16-12 | Orfeo & Euridice: Atto II, Scena I. "Deh! Placatevi con me" (Orfeo, Coro) | — | ||
| 16-13 | Orfeo & Euridice: Atto II, Scena I. "Misero giovane" (Coro) | — | ||
| 16-14 | Orfeo & Euridice: Atto II, Scena I. "Mille pene, ombre moleste" (Orfeo) | — | ||
| 16-15 | Orfeo & Euridice: Atto II, Scena I. "Ah! Quale incognito" (Coro) / "Men tiranne ah, voi sareste" (Orfeo) / "Ah! Quale incognito" (Coro) | — | ||
| 17-1 | Orfeo & Euridice: Atto II, Scena II. Ballo | — | ||
| 17-2 | Orfeo & Euridice: Atto II, Scena II. "Che puro ciel!" (Orfeo) | — | ||
| 17-3 | Orfeo & Euridice: Atto II, Scena II. "Vieni ai regni del riposo" (Coro) | — | ||
| 17-4 | Orfeo & Euridice: Atto II, Scena II. Ballo [II] | — | ||
| 17-5 | Orfeo & Euridice: Atto II, Scena II. "Anime avventurose" (Orfeo) | — | ||
| 17-6 | Orfeo & Euridice: Atto II, Scena II. "Torna, o bella, al tuo consorte" (Coro) | — | ||
| 17-7 | Orfeo & Euridice: Atto III, Scena I. "Vieni! Segui i miei passi" (Orfeo, Euridice) | — | ||
| 17-8 | Orfeo & Euridice: Atto III, Scena I. "Vieni, appaga il tuo consorte!" (Orfeo, Euridice) | — | ||
| 17-9 | Orfeo & Euridice: Atto III, Scena I. "Qual' vita è questa mai" (Orfeo) | — | ||
| 17-10 | Orfeo & Euridice: Atto III, Scena I. "Ecco un nuovo tormento!" (Orfeo, Euridice) | — | ||
| 17-11 | Orfeo & Euridice: Atto III, Scena I. "Che farò senza Euridice?" (Orfeo) | — | ||
| 17-12 | Orfeo & Euridice: Atto III, Scena I-II. "Ah! finisca e per sempre" (Orfeo, Amore, Euridice) | — | ||
| 17-13 | Orfeo & Euridice: Atto III, Scena III. Ballo ultimo. Maestoso | — | ||
| 17-14 | Orfeo & Euridice: Atto III, Scena III. Ballo. Grazioso | — | ||
| 17-15 | Orfeo & Euridice: Atto III, Scena III. Ballo. Allegro | — | ||
| 17-16 | Orfeo & Euridice: Atto III, Scena III. Ballo. Andante | — | ||
| 17-17 | Orfeo & Euridice: Atto III, Scena III. Ballo. Allegro [II] | — | ||
| 17-18 | Orfeo & Euridice: Atto III, Scena III. "Trionfi Amore, e il mondo intiero" (Coro, Orfeo, Amore, Euridice) | — | ||
| 18-1 | Le nozze di Figaro, K. 492: Sinfonia | Concerto Köln, René Jacobs | T-900.795.649-2 | |
| 18-2 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duettino “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) | Concerto Köln, René Jacobs | — | |
| 18-3 | Le nozze di Figaro, K. 492: Atto I, Scena I. Recitativo “Cosa stai misurando” (Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 18-4 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) | Concerto Köln, René Jacobs | — | |
| 18-5 | Le nozze di Figaro, K. 492: Atto I, Scene I-II. Recitativo “Or bene ascolta, e taci” (Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 18-6 | Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina “Se vuol ballare, signor Contino” (Figaro) | Concerto Köln, René Jacobs | — | |
| 18-7 | Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettate il giorno” (Bartolo, Marcellina) | Concerto Köln, René Jacobs | — | |
| 18-8 | Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria “La vendetta, oh, la vendetta” (Bartolo) | Concerto Köln, René Jacobs | — | |
| 18-9 | Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna) | Concerto Köln, René Jacobs | — | |
| 18-10 | Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) | Concerto Köln, René Jacobs | — | |
| 18-11 | Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Susanna, Cherubino) | Concerto Köln, René Jacobs | — | |
| 18-12 | Le nozze di Figaro, K. 492: Atto I, Scena V. No. 6 Aria “Non so più cosa son, cosa faccio” (Cherubino) | Concerto Köln, René Jacobs | — | |
| 18-13 | Le nozze di Figaro, K. 492: Atto I, Scene VI-VII. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio) | Concerto Köln, René Jacobs | — | |
| 18-14 | Le nozze di Figaro, K. 492: Atto I, Scena VII No. 7 Terzetto “Cosa sento! tosto andate” (Il Conte, Basilio, Suzana) | Concerto Köln, René Jacobs | — | |
| 18-15 | Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto” (Il Conte, Suzanna, Cherubino, Basilio) | Concerto Köln, René Jacobs | — | |
| 18-16 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. No. 8 Coro “Giovani liete, fiori spargete” (Coro) | Concerto Köln, René Jacobs | — | |
| 18-17 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos'è questa commedia?” (Il Conte, Suzanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 18-18 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. No. 9 Coro “Giovani liete, fiori spargete” (Coro) | Concerto Köln, René Jacobs | — | |
| 18-19 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Susanna, Il Conte, Basilio, Figaro, Cherubino) | Concerto Köln, René Jacobs | — | |
| 18-20 | Le nozze di Figaro, K. 492: Atto I, Scena VIII. No. 10 Aria “Non più andrai, farfallone amoroso” (Figaro) | Lorenzo Regazzo, Concerto Köln, René Jacobs | — | |
| 19-1 | Le nozze di Figaro, K. 492: Atto II, Scena I. No. 11 Cavatina “Porgi, amor qualche ristoro” (La Contessa) | Concerto Köln, René Jacobs | — | |
| 19-2 | Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 19-3 | Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duomi, Susanna” (La Contessa, Cherubino, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-4 | Le nozze di Figaro, K. 492: Atto II, Scena II. No. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino) | Angelika Kirchschlager, Concerto Köln, René Jacobs | — | |
| 19-5 | Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Bravo! che bella voce” (La Contessa, Cherubino, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-6 | Le nozze di Figaro, K. 492: Atto II, Scena II. No. 13 Aria “Venite… inginocchiatevi…” (Susanna) | Concerto Köln, René Jacobs | — | |
| 19-7 | Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie!” (La Contessa, Cherubino, Susanna, Il Conte) | Concerto Köln, René Jacobs | — | |
| 19-8 | Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa) | Concerto Köln, René Jacobs | — | |
| 19-9 | Le nozze di Figaro, K. 492: Atto II, Scena III. No. 14 Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-10 | Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, la Contessa) | Concerto Köln, René Jacobs | — | |
| 19-11 | Le nozze di Figaro, K. 492: Atto II, Scena IV. No. 15 Duettino “Aprite, presto, aprite” (Susanna, Cherubino) | Concerto Köln, René Jacobs | — | |
| 19-12 | Le nozze di Figaro, K. 492: Atto II, Scena IV. Recitativo “Or guarda il demonietto!” (Susanna) | Concerto Köln, René Jacobs | — | |
| 19-13 | Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, la Contessa) | Concerto Köln, René Jacobs | — | |
| 19-14 | Le nozze di Figaro, K. 492: Atto II, Scena VII. No. 16 Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-15 | Le nozze di Figaro, K. 492: Atto II, Scena IX. “Signori, di fuori” (Figaro, Il Conte, Susanna, la Contessa) | Concerto Köln, René Jacobs | — | |
| 19-16 | Le nozze di Figaro, K. 492: Atto II, Scena X. No. 16 Finale “Ah signor… signor” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-17 | Le nozze di Figaro, K. 492: Atto II, Scena XI. No. 16 Finale “Voi signor che giusto siete” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-18 | Le nozze di Figaro, K. 492: Atto III, Scene I-II. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-19 | Le nozze di Figaro, K. 492: Atto III, Scena II. No. 17 Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) | Concerto Köln, René Jacobs | — | |
| 19-20 | Le nozze di Figaro, K. 492: Atto III, Scene II-III. Recitativo “E perche fosti meco” (Il Conte, Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 19-21 | Le nozze di Figaro, K. 492: Atto III, Scena IV. No. 18 Recitativo “Hai già vinta la causa” (Il Conte) / No. 18 Aria “Vedrò, mentre io sospiro” (Il Conte) | Concerto Köln, René Jacobs | — | |
| 20-1 | Le nozze di Figaro, K. 492: Atto III, Scena V. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, il Conte, Bartolo) | Concerto Köln, René Jacobs | — | |
| 20-2 | Le nozze di Figaro, K. 492: Atto III, Scene V. No. 19 Sestetto “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, il Conte, Susanna) | Concerto Köln, René Jacobs | — | |
| 20-3 | Le nozze di Figaro, K. 492: Atto III, Scene VI-VII. Recitativo “Eccovi, o caro amico” (Marcellina, Bartolo, Figaro, Susanna) | Concerto Köln, René Jacobs | — | |
| 20-4 | Le nozze di Figaro, K. 492: Atto III, Scene VIII. No. 20 Recitativo e Aria “E Susanna non vien!” (La Contessa) | Concerto Köln, René Jacobs | — | |
| 20-5 | Le nozze di Figaro, K. 492: Atto III, Scena IX. Recitativo “Io vi dico, signor, che Cherubino” (Antonio, il Conte) | Concerto Köln, René Jacobs | — | |
| 20-6 | Le nozze di Figaro, K. 492: Act III, Scena X, No. 21 “Su l’aria…” (Susanna, la Contessa) | Concerto Köln, René Jacobs | — | |
| 20-7 | Le nozze di Figaro, K. 492: Atto III, Scena XI. No. 22 Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) | Concerto Köln, René Jacobs | — | |
| 20-8 | Le nozze di Figaro, K. 492: Atto III, Scene XI-XIII. Recitativo “Questo sono, Madama” (Barbarina, la Contessa, Susanna, Antonio, il Conte, Cherubino) | Concerto Köln, René Jacobs | — | |
| 20-9 | Le nozze di Figaro, K. 492: Atto IV, Scene XII-XIV. No. 23 Finale “Ecco la marcia, Andiamo” (Figaro, Susanna, il Conte, la Contessa, Due Ragazze, Coro) | Concerto Köln, René Jacobs | — | |
| 20-10 | Le nozze di Figaro, K. 492: Atto IV, Scena I. No. 24 Cavatina “L’ho perduta… me meschina” (Barbarina) | Concerto Köln, René Jacobs | — | |
| 20-11 | Le nozze di Figaro, K. 492: Atto IV, Scene II-IV. Recitativo “Barbarina, cos’ hai” (Figaro, Barbarina, Marcellina) | Concerto Köln, René Jacobs | — | |
| 20-12 | Le nozze di Figaro, K. 492: Atto IV, Scena VI. No. 25 Aria “Il capro e la capretta” (Marcellina) | Concerto Köln, René Jacobs | — | |
| 20-13 | Le nozze di Figaro, K. 492: Atto IV, Scene V-VII. Recitativo “Nel padiglione a manca” (Barbarina, Figaro, Bartolo, Basilio) | Concerto Köln, René Jacobs | — | |
| 20-14 | Le nozze di Figaro, K. 492: Atto IV, Scena VII. No. 26 Aria “In quegl’anni in cui val poco” (Basilio) | Concerto Köln, René Jacobs | — | |
| 20-15 | Le nozze di Figaro, K. 492: Atto IV, Scena VIII. No. 27 Recitativo “Tutto è disposto” (Figaro) | Concerto Köln, René Jacobs | — | |
| 20-16 | Le nozze di Figaro, K. 492: Atto IV, Scena IX. Recitativo “Signora, ella mi disse” (Susanna, la Contessa, Marcellina) | Concerto Köln, René Jacobs | — | |
| 20-17 | Le nozze di Figaro, K. 492: Atto IV, Scena X. No. 28 Recitativo e Aria “Giunse alfin il momento” (Susanna) | Concerto Köln, René Jacobs | — | |
| 20-18 | Le nozze di Figaro, K. 492: Atto IV, Scena XI. Recitativo “Perfida! E in quella forma” (Figaro, Cherubino, la Contessa) | Concerto Köln, René Jacobs | — | |
| 20-19 | Le nozze di Figaro, K. 492: Atto IV, Scene XI-XIII. No. 29 Finale “Pian pianin le andrò più presso” (Cherubino, la Contessa, il Conte, Susanna, Figaro) | Concerto Köln, René Jacobs | — | |
| 20-20 | Le nozze di Figaro, K. 492: Atto IV, Scena XIV. “Non la trovo” (Il Conte) | Concerto Köln, René Jacobs | — | |
| 20-21 | Le nozze di Figaro, K. 492: Atto IV, Scena ultima. “Gente, gente” (Il Conte, Figaro, Basilio, Antonio, La Contessa, Susanna, Barbarina, Cherubino) | Concerto Köln, René Jacobs | — | |
| 21-1 | Sonata in C minor, RV 53: I. Adagio | — | ||
| 21-2 | Sonata in C minor, RV 53: II. Allegro | — | ||
| 21-3 | Sonata in C minor, RV 53: III. Andante | — | ||
| 21-4 | Sonata in C minor, RV 53: IV. Allegro | — | ||
| 21-5 | Sonata in A minor, TWV 41:a3: I. Siciliana | — | ||
| 21-6 | Sonata in A minor, TWV 41:a3: II. Sppirituoso | — | ||
| 21-7 | Sonata in A minor, TWV 41:a3: III. Andante | — | ||
| 21-8 | Sonata in A minor, TWV 41:a3: IV. Vivace | — | ||
| 21-9 | Sonata Sopr'il Soggetto Reale: I. Largo | — | ||
| 21-10 | Sonata Sopr'il Soggetto Reale: II. Allegro | — | ||
| 21-11 | Sonata Sopr'il Soggetto Reale: III. Andante | — | ||
| 21-12 | Sonata Sopr'il Soggetto Reale: IV. Allegro | — | ||
| 21-13 | Sonata in F major, Wq. 154: I. Allegretto | — | ||
| 21-14 | Sonata in F major, Wq. 154: II. Andante | — | ||
| 21-15 | Sonata in F major, Wq. 154: III. Allegro | — | ||
| 21-16 | Sonata in A major, F. VII/2: I. Allegro | — | ||
| 21-17 | Sonata in A major, F. VII/2: II. Andante | — | ||
| 21-18 | Sonata in A major, F. VII/2: III. Tempo di minuetto | — | ||
| 21-19 | Sonata in F major, Op. XVI No. 4: I. Andante | — | ||
| 21-20 | Sonata in F major, Op. XVI No. 4: II. Polonaise andante | — | ||
| 21-21 | Sonata in F major, Op. XVI No. 4: III. Manuetto | — | ||
| 21-22 | Sonata in F major, Op. XVI No. 4: IV. Presto | — | ||
| 22-1 | Frische Clavier Früchte, Suonata Terza: I. | — | ||
| 22-2 | Frische Clavier Früchte, Suonata Terza: II. Aria | — | ||
| 22-3 | Frische Clavier Früchte, Suonata Terza: III. | — | ||
| 22-4 | Frische Clavier Früchte, Suonata Terza: IV. Aria | — | ||
| 22-5 | Frische Clavier Früchte, Suonata Terza: V. | — | ||
| 22-6 | Frische Clavier Früchte, Suonata Quinta: I. | — | ||
| 22-7 | Frische Clavier Früchte, Suonata Quinta: II. | — | ||
| 22-8 | Frische Clavier Früchte, Suonata Quinta: III. | — | ||
| 22-9 | Frische Clavier Früchte, Suonata Quinta: IV. | — | ||
| 22-10 | Frische Clavier Früchte, Suonata Settima: I. | — | ||
| 22-11 | Frische Clavier Früchte, Suonata Settima: II. Adagio | — | ||
| 22-12 | Frische Clavier Früchte, Suonata Settima: III. | — | ||
| 22-13 | Frische Clavier Früchte, Suonata Settima: IV. | — | ||
| 22-14 | Pièces de clavecin avec voix et violon, Op. 5: I. Paratum cor meum (Ps. 56, 10) | — | ||
| 22-15 | Pièces de clavecin avec voix et violon, Op. 5: II. In Domino Laudabitur (Ps. 33, 2) | — | ||
| 22-16 | Sonata in F major, K. 376: I. Allegro | — | ||
| 22-17 | Sonata in F major, K. 376: II. Andante | — | ||
| 22-18 | Sonata in F major, K. 376: III. Rondeau. Allegretto grazioso | — | ||
| 22-19 | Sonata in G major, K. 379: I. Adagio - Allegro | — | ||
| 22-20 | Sonata in G major, K. 379: II. Thema con variazioni. Andantino cantabile | — | ||
| 23-1 | Trio in C major No. 43, Hob. XV:27: I. Allegro | — | ||
| 23-2 | Trio in C major No. 43, Hob. XV:27: II. Andante | — | ||
| 23-3 | Trio in C major No. 43, Hob. XV:27: III. Finale. Presto | — | ||
| 23-4 | Trio in G major, K. 496: I. Allegro | — | ||
| 23-5 | Trio in G major, K. 496: II. Andante | — | ||
| 23-6 | Trio in G major, K. 496: III. Allegretto | — | ||
| 23-7 | Trio in C minor, Op. 1 No. 3: I. Allegro con brio | — | ||
| 23-8 | Trio in C minor, Op. 1 No. 3: II. Andante cantabile con variazioni | — | ||
| 23-9 | Trio in C minor, Op. 1 No. 3: III. Menuetto quasi allegro | — | ||
| 23-10 | Trio in C minor, Op. 1 No. 3: IV. Prestissimo | — | ||
| 24-1 | Sonata in C minor No. 33, Hob. XVI:20: I. Moderato | — | ||
| 24-2 | Sonata in C minor No. 33, Hob. XVI:20: II. Andante con moto | — | ||
| 24-3 | Sonata in C minor No. 33, Hob. XVI:20: III. Finale. Allegro | — | ||
| 24-4 | Sonata in D major No. 39, Hob. XVI:24: I. Allegro | — | ||
| 24-5 | Sonata in D major No. 39, Hob. XVI:24: II. Adagio molto | — | ||
| 24-6 | Sonata in D major No. 39, Hob. XVI:24: III. Allegro | — | ||
| 24-7 | Sonata in C major No. 60, Hob. XVI:50: I. Allegro | — | ||
| 24-8 | Sonata in C major No. 60, Hob. XVI:50: II. Adagio | — | ||
| 24-9 | Sonata in C major No. 60, Hob. XVI:50: III. Allegro molto | — | ||
| 24-10 | Sonata in E flat major No. 62 Hob. XVI:52: I. Allegro | — | ||
| 24-11 | Sonata in E flat major No. 62 Hob. XVI:52: II. Adagio | — | ||
| 24-12 | Sonata in E flat major No. 62 Hob. XVI:52: III. Presto | — | ||
| 25-1 | Sonate en Mi bémol majeur / E flat major / Es-dur KV 282 (189 g): Adagio | Andreas Staier | — | |
| 25-2 | Sonate en Mi bémol majeur / E flat major / Es-dur KV 282 (189 g): Menuetto I & II | Andreas Staier | — | |
| 25-3 | Sonate en Mi bémol majeur / E flat major / Es-dur KV 282 (189 g): Allegro | Andreas Staier | — | |
| 25-4 | Piano Sonata no. 10 in C major, K. 300h/330: I. Allegro moderato | Andreas Staier | — | |
| 25-5 | Piano Sonata no. 10 in C major, K. 300h/330: II. Andante cantabile | Andreas Staier | — | |
| 25-6 | Piano Sonata no. 10 in C major, K. 300h/330: III. Allegretto | Andreas Staier | — | |
| 25-7 | Piano Sonata no. 12 in F major, K. 300k/332: I. Allegro | Andreas Staier | — | |
| 25-8 | Piano Sonata no. 12 in F major, K. 300k/332: II. Adagio | Andreas Staier | — | |
| 25-9 | Piano Sonata no. 12 in F major, K. 300k/332: III. Allegro assai | Andreas Staier | T-313.706.321-5 | |
| 25-10 | Sonate en do mineur / C minor / c-moll KV 457: Molto allegro | Andreas Staier | — | |
| 25-11 | Sonate en do mineur / C minor / c-moll KV 457: Adagio | Andreas Staier | — | |
| 25-12 | Sonate en do mineur / C minor / c-moll KV 457: Allegro assai | Andreas Staier | — | |
| 26-1 | Sonata in F minor No. 1, Op. 2 No.1: I. Allegro | — | ||
| 26-2 | Sonata in F minor No. 1, Op. 2 No.1: II. Adagio | — | ||
| 26-3 | Sonata in F minor No. 1, Op. 2 No.1: III. Menuetto. Allegretto | — | ||
| 26-4 | Sonata in F minor No. 1, Op. 2 No.1: IV. Prestissimo | — | ||
| 26-5 | Sonata in D minor No. 17 'The Tempest', Op. 31 No.2: I. Largo - Allegro | — | ||
| 26-6 | Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": II. Adagio | Paul Lewis | T-802.445.410-3 | |
| 26-7 | Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Paul Lewis | T-801.397.798-6 | |
| 26-8 | Sonata in E flat major No. 21 'Waldstein', Op. 53: I. Allegro con brio | — | ||
| 26-9 | Sonata in E flat major No. 21 'Waldstein', Op. 53: II. Introduzione. Adagio molto | — | ||
| 26-10 | Sonata in E flat major No. 21 'Waldstein', Op. 53: III. Rondo. Allegretto moderato | — | ||
| 27-1 | Sonata prima in A major: I. Soave | — | ||
| 27-2 | Sonata prima in A major: II. Allegro | — | ||
| 27-3 | Sonata prima in A major: III. Andante | — | ||
| 27-4 | Sonata prima in A major: IV. Vivace | — | ||
| 27-5 | String Quartet in C major No. 4, K. 157: I. Allegro | — | ||
| 27-6 | String Quartet in C major No. 4, K. 157: II. Andante | — | ||
| 27-7 | String Quartet in C major No. 4, K. 157: III. Presto | — | ||
| 27-8 | String Quartet in C major, Op. 33/3 Hob. III:39: I. Allegro moderato | — | ||
| 27-9 | String Quartet in C major, Op. 33/3 Hob. III:39: II. Allegretto | — | ||
| 27-10 | String Quartet in C major, Op. 33/3 Hob. III:39: III. Adagio | — | ||
| 27-11 | String Quartet in C major, Op. 33/3 Hob. III:39: IV. Rondo. Presto | — | ||
| 27-12 | Oboe Quartet in D major, Op. 8: I. Allegro | — | ||
| 27-13 | Oboe Quartet in D major, Op. 8: II. Andante amoroso | — | ||
| 27-14 | Oboe Quartet in D major, Op. 8: III. Poco presto | — | ||
| 28-1 | String Quartet in B flat major No. 17, K. 458: I. Allegro vivace assai | — | ||
| 28-2 | String Quartet in B flat major No. 17, K. 458: II. Menuetto. Moderato | — | ||
| 28-3 | String Quartet in B flat major No. 17, K. 458: III. Adagio | — | ||
| 28-4 | String Quartet in B flat major No. 17, K. 458: IV. Allegro assai | — | ||
| 28-5 | String Quartet in D minor, Op. 76 No. 2 Hob. III:76: I. Allegro | — | ||
| 28-6 | String Quartet in D minor, Op. 76 No. 2 Hob. III:76: II. Andante e più tosto allegretto | — | ||
| 28-7 | String Quartet in D minor, Op. 76 No. 2 Hob. III:76: III. Menuetto. Allegro ma non troppo | — | ||
| 28-8 | String Quartet in D minor, Op. 76 No. 2 Hob. III:76: IV. Vivace assai | — | ||
| 28-9 | String Quartet in B flat major, Op. 18 No. 6: I. Allegro con brio | — | ||
| 28-10 | String Quartet in B flat major, Op. 18 No. 6: II. Adagio ma non troppo | — | ||
| 28-11 | String Quartet in B flat major, Op. 18 No. 6: III. Scherzo. Allegro - trio | — | ||
| 28-12 | String Quartet in B flat major, Op. 18 No. 6: IV. La Malinconia. Adagio - Allegretto quasi Allegro | — | ||
| 29-1 | String Quartet in B flat major No. 13, Op. 130: I. Adagio ma non troppo - Allegro | — | ||
| 29-2 | String Quartet in B flat major No. 13, Op. 130: II. Presto | — | ||
| 29-3 | String Quartet in B flat major No. 13, Op. 130: III. Andante con moto ma non troppo | — | ||
| 29-4 | String Quartet in B flat major No. 13, Op. 130: IV. Alla danza tedesca. Allegro assai | — | ||
| 29-5 | String Quartet in B flat major No. 13, Op. 130: V. Cavatina. Adagio molto espressivo | — | ||
| 29-6 | Grosse Fuge, Op. 133 | — | ||
| 29-7 | String Quartet in F major No. 16, Op. 135: I. Allegretto | — | ||
| 29-8 | String Quartet in F major No. 16, Op. 135: II. Vivace | — | ||
| 29-9 | String Quartet in F major No. 16, Op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 29-10 | String Quartet in F major No. 16, Op. 135: IV. Grave ma non troppo tratto - Allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Paul Lewis | — |
