UPC · Release
Various Artists
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3149020934272 is the Universal Product Code (UPC barcode) for the release “Generation Harmonia Mundi: 1958 | 1988 - The Age of Revolutions” by Various Artists, released 2018-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 284 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Te matrem Dei laudamus | — | ||
| 2 | Tiento | — | ||
| 3 | Fabordón Ilano y fabordón glosado | — | ||
| 4 | Tiento | — | ||
| 5 | Kyrie | — | ||
| 6 | Tres, pièces à 3 parties | — | ||
| 7 | Villancico "Jesucristo hombre y dios" | — | ||
| 8 | Himno "Sacris Solemnis" | — | ||
| 9 | Canción "Je vous..." | — | ||
| 10 | Canción "Pour ung plaisir" | — | ||
| 11 | Canción "Réveillez-vous coeurs endormis" | — | ||
| 12 | Tiento de medio registro de tiple de 4° tono | — | ||
| 13 | Tiento de medio registro de baxon de 6° tono | — | ||
| 14 | O lux beata trinitas | — | ||
| 15 | Tiento du premier ton | — | ||
| 16 | Magnificat du premier ton (sept versets) | — | ||
| 17 | Tiento du deuxième ton | — | ||
| 18 | Quatre versets d premier ton sur "Saeculorum amen" | — | ||
| 19 | Die nobis Maria | — | ||
| 20 | Tres diferencias sobre "Ave Maris stella" | — | ||
| 21 | Tiento "Malheur me bat" | — | ||
| 22 | Tiento du premier ton | — | ||
| 23 | Dulce memoriae | — | ||
| 24 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.10 in D major | — | ||
| 25 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.2 in G minor | — | ||
| 26 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.9 in E minor | — | ||
| 27 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.3 in A minor | — | ||
| 28 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.5 in C major | — | ||
| 29 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.1 in D minor | — | ||
| 2-1 | Canzoni alla francese: No. 5 "La Bellerofonte" | — | ||
| 2-2 | Canzoni alla francese: No. 6 "La Pesenti" | — | ||
| 2-3 | Canzoni alla francese: No. 7 "Tarditi" | — | ||
| 2-4 | Canzoni alla francese: No. 9 "La Querina" | — | ||
| 2-5 | Ricercare Decimo | — | ||
| 2-6 | Canzone Prima | — | ||
| 2-7 | Ricercare con obligo del basso | — | ||
| 2-8 | Toccata per l'Elevazione | — | ||
| 2-9 | Canzone Prima "La Rovetta" | — | ||
| 2-10 | Bergamasca | — | ||
| 2-11 | Toccata in C major | — | ||
| 2-12 | Ciacona in F minor | — | ||
| 2-13 | Partita "Werde munter, mein Gemüte" | — | ||
| 2-14 | Ricercar in C minor | — | ||
| 2-15 | Partita "Was Gott tut, das ist wohlgetan" | — | ||
| 2-16 | Fantasia in G minor | — | ||
| 3-1 | Anakrousis. Orestes Stasimo | — | ||
| 3-2 | Fragments instrumentaux de Contrapollinopolis | — | ||
| 3-3 | 1er Hymne Delphique à Apollon | — | ||
| 3-4 | Plainte de Tecmessa | — | ||
| 3-5 | Papyrus Wien 29825 - G 13763/1494 | — | ||
| 3-6 | Hymne au Soleil | — | ||
| 3-7 | Hymne à la Muse | — | ||
| 3-8 | Hymne à Némésis | — | ||
| 3-9 | Papyrus Michigan | — | ||
| 3-10 | Aenaoi Nefelai | — | ||
| 3-11 | Alleluia Non Vos Relinquam | — | ||
| 3-12 | Alleluia Sancte Michael | — | ||
| 3-13 | Alleluia Oculis | — | ||
| 3-14 | L'entrée du Christ à Jérusalem: Gloria laus | — | ||
| 3-15 | L'entrée du Christ à Jérusalem: Cum audisset | — | ||
| 3-16 | L'entrée du Christ à Jérusalem: Collegerunt pontifices | — | ||
| 3-17 | L'entrée du Christ à Jérusalem: Popule meus | — | ||
| 3-18 | Alleluia. Verset: O Pimenon ton Israhil | — | ||
| 3-19 | Introït: Resurrexi | — | ||
| 3-20 | Alleluia. Verset: Epi si Kyrie | — | ||
| 4-1 | Madrigaux à 5 Voix (Settimo Libro, 1595): Cruda Amarilli / Prima parte: Cruda amarilli | — | ||
| 4-2 | Madrigaux à 5 Voix (Settimo Libro, 1595): Cruda Amarilli / Seconda parte: Ma grideran per me le piagge e i monti | — | ||
| 4-3 | Madrigaux à 5 Voix (Settimo Libro, 1595): Care mie delve / Prima parte: Care mie selve | — | ||
| 4-4 | Madrigaux à 5 Voix (Settimo Libro, 1595): Care mie selve / Seconda parte: Cosi (chi'l crediria?) | — | ||
| 4-5 | Madrigaux à 5 Voix (Settimo Libro, 1595): Questi vaghi concenti / Prima parte: Questi vaghi concenti | — | ||
| 4-6 | Madrigaux à 5 Voix (Settimo Libro, 1595): Questi vaghi concenti / Seconda parte: Deh! se potessi anch'io | — | ||
| 4-7 | Madrigaux à 6 voix: Come Inanti de L'alba (Primo libro, 1581) | — | ||
| 4-8 | Madrigaux à 6 voix: Del cibo onde il signor (Secondo libro, 1584) | — | ||
| 4-9 | Amarilli, Mia Bella | — | ||
| 4-10 | Mi Parto | — | ||
| 4-11 | Adagiati, Poppea | — | ||
| 4-12 | Eri già tutta mia | — | ||
| 4-13 | Madrigaux à 5 voix: Terzo libro / III. Ahi, disperata vita | — | ||
| 4-14 | Madrigaux à 5 voix: Terzo libro / VIII. Sospirava il mio core (prima parte) | — | ||
| 4-15 | Madrigaux à 5 voix: Terzo libro / IX. O malnati messaggi (seconda parte) | — | ||
| 4-16 | Madrigaux à 5 voix: Terzo libro / XI. Non t'amo, o voce ingrata | — | ||
| 4-17 | Madrigaux à 5 voix: Quarto libro / I. Luci serene e chiare | — | ||
| 4-18 | Madrigaux à 5 voix: Quarto libro / Xi. Sparge lamorte al mio Signor | — | ||
| 4-19 | Madrigaux à 5 voix: Quarto libro / Xviii. Arde il mio cor | — | ||
| 4-20 | Madrigaux à 5 voix: Il combattimento di Tancredi E Clorinda (Ottavo libro, Canti guerrieri) | — | ||
| 5-1 | Come again, sweet love | — | ||
| 5-2 | I saw my ladie weep | — | ||
| 5-3 | Orlando sleepeth | — | ||
| 5-4 | Shall I sue? | — | ||
| 5-5 | In darkness let me dwell | — | ||
| 5-6 | Come, heavy Sleep | — | ||
| 5-7 | King Arthur: Overture, Air, Overture | — | ||
| 5-8 | King Arthur: Act I, Scene II. "Woden first to thee", "Brave Souls", "I call ye all" | — | ||
| 5-9 | King Arthur: Act I, Scene II. "Come if you dare" | — | ||
| 5-10 | King Arthur: Act II. "Hither this way bend" / "Let not a Moon-born Elf" / "Hither this way" / "Come follow me" | — | ||
| 5-11 | King Arthur: Act II. "How blest are Shepherds" / "Shepherd, leave Decoying" | — | ||
| 5-12 | King Arthur: Act III, Scene II. Prelude "What ho" | — | ||
| 5-13 | King Arthur: Act III, Scene II. "What Power art thou" / "Thou Doting Fool forbear" / "See, see" | — | ||
| 5-14 | King Arthur: Act III, Scene II. "Tis I, that have warm'd ye" / "Sound a Parley" / "Air" | — | ||
| 6-1 | King Arthur: Act IV, Scene II. "Two Daughters" | — | ||
| 6-2 | King Arthur: Act IV, Scene II. "How happy the Lover" / Fourth Act Tune | — | ||
| 6-3 | King Arthur: Act V, Scene II. Trompet Tune / "Ye Blust'ring Brethren" | — | ||
| 6-4 | King Arthur: Act V, Scene II. Symphony / Song Tune "Round thy Coasts" / "For Folded Flocks" | — | ||
| 6-5 | King Arthur: Act V, Scene II. Song Tune "Your Hay" | — | ||
| 6-6 | King Arthur: Act V, Scene II. "Fairest Isle" | — | ||
| 6-7 | King Arthur: Act V, Scene II. "You say" / "This not my passion" / "But one soft moment" | — | ||
| 6-8 | King Arthur: Act V, Scene II. Trumpet Tune / Honour "St. George" | — | ||
| 6-9 | King Arthur: Act V, Scene II. Chaconne | — | ||
| 6-10 | Retired from any mortal's sight | — | ||
| 6-11 | Music for a while | — | ||
| 6-12 | Since from my dear astrea's sight | — | ||
| 6-13 | O solitude | — | ||
| 7-1 | Habe deine Lust an dem Herren, SWV 311 | — | ||
| 7-2 | O Jesu nomen dulce, SWV 308 | — | ||
| 7-3 | Wohl dem, der micht wandelt, SWV 290 | — | ||
| 7-4 | Eile, mich Gott, zu erretten SWV 282 | — | ||
| 7-5 | Was betrübst du dich, meine Seele SWV 353 | — | ||
| 7-6 | Herr unser Herrscher SWV 343 | — | ||
| 7-7 | Wie ein Rubin SWV 357 | — | ||
| 7-8 | O süsser, o freundlicher SWV 285 | — | ||
| 7-9 | Was hast du verwirket SWV 307 | — | ||
| 7-10 | Bone Jesu SWV 313 | — | ||
| 7-11 | Bringt her dem Herrn SWV 283 | — | ||
| 7-12 | Ihr Heiligen lobsinget SWV 288 | — | ||
| 7-13 | Herzlich lieb hab ich dich o Herr SWV 348 | — | ||
| 7-14 | Also hat Gott die Welt geliebt, SWV 380 (Motet) | — | ||
| 7-15 | Selig sind die Toten, SWV 391 (Motet) | — | ||
| 7-16 | So fahr ich hin zu Jesu Christ, SWV 379 (Motet) | — | ||
| 7-17 | Ich bin die Auferstehung, SWV 324 (Petits concerts spirituels II) | — | ||
| 7-18 | O lieber Herre Gott, SWV 287 (Petits concerts spirituels I) | — | ||
| 7-19 | Die Himmel erzählen, SWV 386 (Motet) | — | ||
| 8-1 | Magnificat, BWV 243: Chorus "Magnificat anima mea Dominum" | — | ||
| 8-2 | Magnificat, BWV 243: Aria "Et exsultavit spiritus meus" | — | ||
| 8-3 | Magnificat, BWV 243: Aria "Quia respexit humilitatem" | — | ||
| 8-4 | Magnificat, BWV 243: Chorus "Omnes generationes" | — | ||
| 8-5 | Magnificat, BWV 243: Aria "Quia fecit mihi magna" | — | ||
| 8-6 | Magnificat, BWV 243: Dua "Et misericordia eius" | — | ||
| 8-7 | Magnificat, BWV 243: Chorus "Fecit potentia" | — | ||
| 8-8 | Magnificat, BWV 243: Aria "Deposuit potentes" | — | ||
| 8-9 | Magnificat, BWV 243: Aria "Esurientes" | — | ||
| 8-10 | Magnificat, BWV 243: Trio "Suscepit Israel" | — | ||
| 8-11 | Magnificat, BWV 243: Chorus "Sicut locutus est" | — | ||
| 8-12 | Magnificat, BWV 243: Chorus "Gloria" | — | ||
| 8-13 | Matthäuspassion, BWV 244: Aria "Erbarme dich" | — | ||
| 8-14 | Stabat Mater: Duo "Stabat Mater Dolorosa" | — | ||
| 8-15 | Stabat Mater: Aria "Cuius animam gementem" | — | ||
| 8-16 | Stabat Mater: Duo "O quam tristis ef afflicta" | — | ||
| 8-17 | Stabat Mater: Aria "Quae morebat et dolebat" | — | ||
| 8-18 | Stabat Mater: Duo "Quis est homo, qui non fleret" | — | ||
| 8-19 | Stabat Mater: Aria "Vidit suum dulcem natum" | — | ||
| 8-20 | Stabat Mater: Aria "Eja, Mater, fons amoris" | — | ||
| 8-21 | Stabat Mater: Duo "Fac, ut ardeat cor meum" | — | ||
| 8-22 | Stabat Mater: Duo "Sancta Mater, istud agas" | — | ||
| 8-23 | Stabat Mater: Aria "Fac, ut portem Christi mortem" | — | ||
| 8-24 | Stabat Mater: Duo "Inflammatus et accensus" | — | ||
| 8-25 | Stabat Mater: Duo "Quando corpus morietur" - "Amen" | — | ||
| 9-1 | Orontea: Sinfonia Avanti Il Prologo | — | ||
| 9-2 | Orontea: Prologo - Filosofia: Sciolta Il Crin | Amore: D'esser Pazzo | Amore: Udir Vuoi Forse | — | ||
| 9-3 | Orontea: Acte I, Sc. 1 - Orontea: Superbo Amore | Sc. 2 - Orontea: I nodi di Imeneo | — | ||
| 9-4 | Orontea: Acte I, Sc. 5 - Orontea: Ardo, Lassa, O Non Ardo? | — | ||
| 9-5 | Orontea: Acte I, Sc. 8 - Silandra: Come Dolce M'invaghi | Corindo: Spuntò I Ciel | — | ||
| 9-6 | Orontea: Acte I, Sc. 10 - Alidoro: Vieni, Resta | — | ||
| 9-7 | Orontea: Act II, Sc. 1 - Orontea: S'io Non Vedo Alidoro - Adorisi Sempre | — | ||
| 9-8 | Orontea: Act II, Sc. 6 - Aristea: S'amor Insolente | — | ||
| 9-9 | Orontea: Act II, Sc. 8 - Silandra: Adio Corindo | Sc. 9 - Corindo: Vengo, Cor Mio | — | ||
| 9-10 | Orontea: Act II, Sc. 13 - Orontea: E Che Vorresti? | — | ||
| 9-11 | Orontea: Act II, Sc. 17 - Orontea: Intorno All' Idol Mio | — | ||
| 9-12 | Orontea: Act III, Sc. 3 - Tibrino: Amor, Attendi A Te | — | ||
| 9-13 | Orontea: Act III, Sc. 6 - Alidoro: Il Mondo Così Va | — | ||
| 9-14 | Orontea: Act III, Sc. 20 - Orontea: Innocente Mio Tesoro | Coro Finale: Castissimi Amori | — | ||
| 10-1 | Atys (extraits): Ouverture | — | ||
| 10-2 | Atys (extraits): Acte I, Sc. 1 - Atys : Allons, Allons, Accourez Tous | — | ||
| 10-3 | Atys (extraits): Acte I, Sc. 2 - Idas : Atys, Ne Feignez Plus | — | ||
| 10-4 | Atys (extraits): Acte I, Sc. 3 - Sangaride, Doris : Allons, Allons, Accourez Tous, Cybèle Va Descendre | — | ||
| 10-5 | Atys (extraits): Acte I, Sc. 4 - Sangaride : Atys Est Trop Heureux | — | ||
| 10-6 | Atys (extraits): Acte II, Sc. 2 - Cybèle : Je Veux Joindre En Ces Lieux la Gloire Et L'abondance | — | ||
| 10-7 | Atys (extraits): Acte II, Sc. 3 - Cybèle : Tu T'étonnes, Mélisse | — | ||
| 10-8 | Atys (extraits): Acte II, Sc. 4 - Chœur Des Peuples Et Des Zéphyrs : Célébrons la Gloire Immortelle | — | ||
| 10-9 | Atys (extraits): Acte III, Sc. 4 - Prélude | Dormons, Dormons Tous | Air Des Songes Agréables | — | ||
| 10-10 | Atys (extraits): Acte IV, Sc. 2 & 3 - Célénus : Belle Nymphe, L'Hymen Va Suivre Mon Envie | — | ||
| 10-11 | Atys (extraits): Acte IV, Sc. 5 - Sangaride : O vous qui prenez part au bien de ma famille | — | ||
| 10-12 | Atys (extraits): Acte IV, Sc. 5 - Chœur Des Dieux de Fleuves, de Ruisseaux Et de Divinités de Fontaines : La Beauté | — | ||
| 10-13 | Atys (extraits): Acte IV, Sc. 6 - Chœur Des Dieux de Fleuves Et Des Fontaines: Venez Former Nœuds Charmants | — | ||
| 10-14 | Atys (extraits): Acte V, Sc. Dernière - Cybèle : Venez, Furieux Corybantes | — | ||
| 10-15 | Atys (extraits): Acte V, Sc. Dernière - Entrée Des Nymphes | Première Entrée Des Corybante | Seconde Entrée Des Corybante | — | ||
| 10-16 | Atys (extraits): Acte V, Sc. Dernière - Cybèle, Chœur Des Divinités Des Bois Et Des Eaux : Que Le Malheur D'Atys | — | ||
| 10-17 | Le Bourgeois Gentilhomme: Ouverture | — | ||
| 10-18 | Le Bourgeois Gentilhomme: Première Interlude | — | ||
| 10-19 | Le Bourgeois Gentilhomme: Bourée | Gaillarde | — | ||
| 10-20 | Le Bourgeois Gentilhomme: Canarie | — | ||
| 10-21 | Le Bourgeois Gentilhomme: Cinquième Entrée | Menuet | — | ||
| 10-22 | Le Bourgeois Gentilhomme: Marche Pour la Cérémonie Des Turcs | — | ||
| 10-23 | Le Bourgeois Gentilhomme: Air | — | ||
| 10-24 | Le Bourgeois Gentilhomme: L'entrée Des Scaramouches, Trivelins Et Arlequins | — | ||
| 10-25 | Le Bourgeois Gentilhomme: Chaconne des Scaramouches, Trivelins et Arlequins | — | ||
| 11-1 | Marche de Timbales | — | ||
| 11-2 | Te Deum H. 146: Prélude | — | ||
| 11-3 | Te Deum H. 146: Te Deum laudaumus | — | ||
| 11-4 | Te Deum H. 146: Te aeternum Patrem | — | ||
| 11-5 | Te Deum H. 146: Per te orbem terrarum | — | ||
| 11-6 | Te Deum H. 146: Tu devicto mortis aculeo | — | ||
| 11-7 | Te Deum H. 146: Te ergo quaesumus | — | ||
| 11-8 | Te Deum H. 146: Aeterna fac cum sanctis tuis | — | ||
| 11-9 | Te Deum H. 146: Dignare Domine | — | ||
| 11-10 | Te Deum H. 146: Fiat misericordia tua Domine | — | ||
| 11-11 | Te Deum H. 146: In te Domine speravi | — | ||
| 11-12 | Symphonies pour les Soupers du Roy: Gracieusement - Ré | — | ||
| 11-13 | Symphonies pour les Soupers du Roy: Deuxième Air mineur | — | ||
| 11-14 | Symphonies pour les Soupers du Roy: Air vif. Presto | — | ||
| 11-15 | Symphonies pour les Soupers du Roy: Gigue. Gracieusement | — | ||
| 11-16 | Symphonies pour les Soupers du Roy: Quatuor . Doucement | — | ||
| 11-17 | Les Indes galantes: Ouverture | — | ||
| 11-18 | Les Indes galantes: Musette et Rondeau | — | ||
| 11-19 | Les Indes galantes: Air Polonais | — | ||
| 11-20 | Les Indes galantes: Air gratieux pour les Amours | — | ||
| 11-21 | Les Indes galantes: Menuets I & II | — | ||
| 11-22 | Les Indes galantes: Airs pours les Bostangis | — | ||
| 11-23 | Les Indes galantes: Gavotte | — | ||
| 11-24 | Les Indes galantes: Air des Fleurs - Air tendre pour la Rose | — | ||
| 11-25 | Les Indes galantes: Gavotte pour les fleurs | — | ||
| 11-26 | Les Indes galantes: Air pour Borée et la Rose | — | ||
| 11-27 | Les Indes galantes: Air vif pour Zéphire et la Rose (pièce croisée) | — | ||
| 11-28 | Les Indes galantes: Air grave pour les Incas du Pérou | — | ||
| 11-29 | Les Indes galantes: Gavotte I - Gavotte II et Rondeau | — | ||
| 11-30 | Les Indes galantes: Air pour les Esclaves affricains | — | ||
| 11-31 | Les Indes galantes: Les Sauvages ou Danse du Grand Calumet de la Paix | — | ||
| 11-32 | Les Indes galantes: Tambourins I & II | — | ||
| 12-1 | Sonata for two violins, organ, cello & bass, K 212 B flat major | — | ||
| 12-2 | Sonata for two violins, organ, cello & bass, K 67 E flat major | — | ||
| 12-3 | Sonata for two violins, organ, cello & bass, K 68 B flat major | — | ||
| 12-4 | Sonata for two violins, organ, cello & bass, K 145 F major | — | ||
| 12-5 | Sonata for two violins, organ, cello & bass, K 224 F major | — | ||
| 12-6 | Sonata for two violins, organ, cello & bass, K 244 F major | — | ||
| 12-7 | Sonata for two violins, organ, cello & bass, K 336 C major | — | ||
| 12-8 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Allegro con brio | — | ||
| 12-9 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Marcia funebre. Adagio assai | — | ||
| 12-10 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Scherzo. Allegro vivace - Trio | — | ||
| 12-11 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Finale. Allegro molto. Poco andante. Presto | — | ||
| 13-1 | Quartet Op. 7 no. 2 in F minor: Andante | — | ||
| 13-2 | Quartet Op. 7 no. 2 in F minor: Menuetto | — | ||
| 13-3 | Quartet Op. 7 no. 2 in F minor: Allegro | — | ||
| 13-4 | Concert op. 27 for violin, piano and string quartet: Décidé | — | ||
| 13-5 | Concert op. 27 for violin, piano and string quartet: Sicilienne | — | ||
| 13-6 | Concert op. 27 for violin, piano and string quartet: Grave | — | ||
| 13-7 | Concert op. 27 for violin, piano and string quartet: Finale | — | ||
| 13-8 | Mélodies sur des poèmes de Victor Hugo: Sérénade | — | ||
| 13-9 | Mélodies sur des poèmes de Victor Hugo: Guitare | — | ||
| 13-10 | Mélodies sur des poèmes de Victor Hugo: Églogue | — | ||
| 13-11 | Mélodies sur des poèmes de Victor Hugo: S'il est un charmant garcon | — | ||
| 13-12 | Mélodies sur des poèmes de Victor Hugo: La Papillon et la Fleur | — | ||
| 14-1 | Requiem, op 48: I. Introitus | — | ||
| 14-2 | Requiem, op 48: II. Offertoire | — | ||
| 14-3 | Requiem, op 48: III. Sanctus | — | ||
| 14-4 | Requiem, op 48: IV. Pie Jesus | — | ||
| 14-5 | Requiem, op 48: V. Agnus Dei | — | ||
| 14-6 | Requiem, op 48: VI. Libera me | — | ||
| 14-7 | Requiem, op 48: VII. In Paradisum | — | ||
| 14-8 | Zwei Motetten , op. 29: Es ist das Heil uns kommen her | — | ||
| 14-9 | Zwei Motetten , op. 29: Schaffe in mir, Gott, ein reines Herz | — | ||
| 14-10 | Zwei Motetten , op. 74: Warum ist das Licht gegeben dem Mühseligen | — | ||
| 14-11 | Zwei Motetten , op. 74: O Heiland, reiß die Himmel auf | — | ||
| 15-1 | Five Piano Pieces op. 23 | — | ||
| 15-2 | Suite for Piano op. 25 | — | ||
| 15-3 | Three Piano Pieces op. 11 | — | ||
| 15-4 | Six Pieces for Piano op. 19 | — | ||
| 15-5 | Laborintus 2: First Part | — | ||
| 15-6 | Laborintus 2: Second Part | — | ||
| 16-1 | Improvisation à 6 temps | — | ||
| 16-2 | M'saddar - Sana'a | — | ||
| 16-3 | M'shalya - Touchia - Sana'a | — | ||
| 16-4 | Chant de Communion de la Liturgie de Jeudi Saint: Iqbalni-l-yawm | — | ||
| 16-5 | L'Apostikhon de l'Office de Mercredi Saint: Ya rabbi | — | ||
| 16-6 | 14e Antienne de l'Office de Vendredi Saint: Alyawma - Ulliga | — | ||
| 16-7 | U primu fiore | — | ||
| 16-8 | Lettera a Mamma | — | ||
| 16-9 | Ponto novu | — | ||
| 16-10 | Nana Analuza | — | ||
| 16-11 | Antidotum Tarentulae | — | ||
| 16-12 | Chorea | — | ||
| 16-13 | Tarantella Neapoli Tonum Phrygium | — | ||
| 16-14 | Fons vitae - Dementia praecox angelorum - Supra solfamirent | — | ||
| 16-15 | Extravagans - Laurea minima - In vitro | — | ||
| 16-16 | Vulgaris - Sine Populi notione - Vagula et blandula | — | ||
| 16-17 | De tolerantia aeterea - Fuga ficta et carrus triumphalis | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
3149020934272 is a Universal Product Code (UPC) assigned to Generation Harmonia Mundi: 1958 | 1988 - The Age of Revolutions by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 284 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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3149020934272 is the Universal Product Code (UPC barcode) for the release “Generation Harmonia Mundi: 1958 | 1988 - The Age of Revolutions” by Various Artists, released 2018-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 284 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Te matrem Dei laudamus | — | ||
| 2 | Tiento | — | ||
| 3 | Fabordón Ilano y fabordón glosado | — | ||
| 4 | Tiento | — | ||
| 5 | Kyrie | — | ||
| 6 | Tres, pièces à 3 parties | — | ||
| 7 | Villancico "Jesucristo hombre y dios" | — | ||
| 8 | Himno "Sacris Solemnis" | — | ||
| 9 | Canción "Je vous..." | — | ||
| 10 | Canción "Pour ung plaisir" | — | ||
| 11 | Canción "Réveillez-vous coeurs endormis" | — | ||
| 12 | Tiento de medio registro de tiple de 4° tono | — | ||
| 13 | Tiento de medio registro de baxon de 6° tono | — | ||
| 14 | O lux beata trinitas | — | ||
| 15 | Tiento du premier ton | — | ||
| 16 | Magnificat du premier ton (sept versets) | — | ||
| 17 | Tiento du deuxième ton | — | ||
| 18 | Quatre versets d premier ton sur "Saeculorum amen" | — | ||
| 19 | Die nobis Maria | — | ||
| 20 | Tres diferencias sobre "Ave Maris stella" | — | ||
| 21 | Tiento "Malheur me bat" | — | ||
| 22 | Tiento du premier ton | — | ||
| 23 | Dulce memoriae | — | ||
| 24 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.10 in D major | — | ||
| 25 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.2 in G minor | — | ||
| 26 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.9 in E minor | — | ||
| 27 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.3 in A minor | — | ||
| 28 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.5 in C major | — | ||
| 29 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.1 in D minor | — | ||
| 2-1 | Canzoni alla francese: No. 5 "La Bellerofonte" | — | ||
| 2-2 | Canzoni alla francese: No. 6 "La Pesenti" | — | ||
| 2-3 | Canzoni alla francese: No. 7 "Tarditi" | — | ||
| 2-4 | Canzoni alla francese: No. 9 "La Querina" | — | ||
| 2-5 | Ricercare Decimo | — | ||
| 2-6 | Canzone Prima | — | ||
| 2-7 | Ricercare con obligo del basso | — | ||
| 2-8 | Toccata per l'Elevazione | — | ||
| 2-9 | Canzone Prima "La Rovetta" | — | ||
| 2-10 | Bergamasca | — | ||
| 2-11 | Toccata in C major | — | ||
| 2-12 | Ciacona in F minor | — | ||
| 2-13 | Partita "Werde munter, mein Gemüte" | — | ||
| 2-14 | Ricercar in C minor | — | ||
| 2-15 | Partita "Was Gott tut, das ist wohlgetan" | — | ||
| 2-16 | Fantasia in G minor | — | ||
| 3-1 | Anakrousis. Orestes Stasimo | — | ||
| 3-2 | Fragments instrumentaux de Contrapollinopolis | — | ||
| 3-3 | 1er Hymne Delphique à Apollon | — | ||
| 3-4 | Plainte de Tecmessa | — | ||
| 3-5 | Papyrus Wien 29825 - G 13763/1494 | — | ||
| 3-6 | Hymne au Soleil | — | ||
| 3-7 | Hymne à la Muse | — | ||
| 3-8 | Hymne à Némésis | — | ||
| 3-9 | Papyrus Michigan | — | ||
| 3-10 | Aenaoi Nefelai | — | ||
| 3-11 | Alleluia Non Vos Relinquam | — | ||
| 3-12 | Alleluia Sancte Michael | — | ||
| 3-13 | Alleluia Oculis | — | ||
| 3-14 | L'entrée du Christ à Jérusalem: Gloria laus | — | ||
| 3-15 | L'entrée du Christ à Jérusalem: Cum audisset | — | ||
| 3-16 | L'entrée du Christ à Jérusalem: Collegerunt pontifices | — | ||
| 3-17 | L'entrée du Christ à Jérusalem: Popule meus | — | ||
| 3-18 | Alleluia. Verset: O Pimenon ton Israhil | — | ||
| 3-19 | Introït: Resurrexi | — | ||
| 3-20 | Alleluia. Verset: Epi si Kyrie | — | ||
| 4-1 | Madrigaux à 5 Voix (Settimo Libro, 1595): Cruda Amarilli / Prima parte: Cruda amarilli | — | ||
| 4-2 | Madrigaux à 5 Voix (Settimo Libro, 1595): Cruda Amarilli / Seconda parte: Ma grideran per me le piagge e i monti | — | ||
| 4-3 | Madrigaux à 5 Voix (Settimo Libro, 1595): Care mie delve / Prima parte: Care mie selve | — | ||
| 4-4 | Madrigaux à 5 Voix (Settimo Libro, 1595): Care mie selve / Seconda parte: Cosi (chi'l crediria?) | — | ||
| 4-5 | Madrigaux à 5 Voix (Settimo Libro, 1595): Questi vaghi concenti / Prima parte: Questi vaghi concenti | — | ||
| 4-6 | Madrigaux à 5 Voix (Settimo Libro, 1595): Questi vaghi concenti / Seconda parte: Deh! se potessi anch'io | — | ||
| 4-7 | Madrigaux à 6 voix: Come Inanti de L'alba (Primo libro, 1581) | — | ||
| 4-8 | Madrigaux à 6 voix: Del cibo onde il signor (Secondo libro, 1584) | — | ||
| 4-9 | Amarilli, Mia Bella | — | ||
| 4-10 | Mi Parto | — | ||
| 4-11 | Adagiati, Poppea | — | ||
| 4-12 | Eri già tutta mia | — | ||
| 4-13 | Madrigaux à 5 voix: Terzo libro / III. Ahi, disperata vita | — | ||
| 4-14 | Madrigaux à 5 voix: Terzo libro / VIII. Sospirava il mio core (prima parte) | — | ||
| 4-15 | Madrigaux à 5 voix: Terzo libro / IX. O malnati messaggi (seconda parte) | — | ||
| 4-16 | Madrigaux à 5 voix: Terzo libro / XI. Non t'amo, o voce ingrata | — | ||
| 4-17 | Madrigaux à 5 voix: Quarto libro / I. Luci serene e chiare | — | ||
| 4-18 | Madrigaux à 5 voix: Quarto libro / Xi. Sparge lamorte al mio Signor | — | ||
| 4-19 | Madrigaux à 5 voix: Quarto libro / Xviii. Arde il mio cor | — | ||
| 4-20 | Madrigaux à 5 voix: Il combattimento di Tancredi E Clorinda (Ottavo libro, Canti guerrieri) | — | ||
| 5-1 | Come again, sweet love | — | ||
| 5-2 | I saw my ladie weep | — | ||
| 5-3 | Orlando sleepeth | — | ||
| 5-4 | Shall I sue? | — | ||
| 5-5 | In darkness let me dwell | — | ||
| 5-6 | Come, heavy Sleep | — | ||
| 5-7 | King Arthur: Overture, Air, Overture | — | ||
| 5-8 | King Arthur: Act I, Scene II. "Woden first to thee", "Brave Souls", "I call ye all" | — | ||
| 5-9 | King Arthur: Act I, Scene II. "Come if you dare" | — | ||
| 5-10 | King Arthur: Act II. "Hither this way bend" / "Let not a Moon-born Elf" / "Hither this way" / "Come follow me" | — | ||
| 5-11 | King Arthur: Act II. "How blest are Shepherds" / "Shepherd, leave Decoying" | — | ||
| 5-12 | King Arthur: Act III, Scene II. Prelude "What ho" | — | ||
| 5-13 | King Arthur: Act III, Scene II. "What Power art thou" / "Thou Doting Fool forbear" / "See, see" | — | ||
| 5-14 | King Arthur: Act III, Scene II. "Tis I, that have warm'd ye" / "Sound a Parley" / "Air" | — | ||
| 6-1 | King Arthur: Act IV, Scene II. "Two Daughters" | — | ||
| 6-2 | King Arthur: Act IV, Scene II. "How happy the Lover" / Fourth Act Tune | — | ||
| 6-3 | King Arthur: Act V, Scene II. Trompet Tune / "Ye Blust'ring Brethren" | — | ||
| 6-4 | King Arthur: Act V, Scene II. Symphony / Song Tune "Round thy Coasts" / "For Folded Flocks" | — | ||
| 6-5 | King Arthur: Act V, Scene II. Song Tune "Your Hay" | — | ||
| 6-6 | King Arthur: Act V, Scene II. "Fairest Isle" | — | ||
| 6-7 | King Arthur: Act V, Scene II. "You say" / "This not my passion" / "But one soft moment" | — | ||
| 6-8 | King Arthur: Act V, Scene II. Trumpet Tune / Honour "St. George" | — | ||
| 6-9 | King Arthur: Act V, Scene II. Chaconne | — | ||
| 6-10 | Retired from any mortal's sight | — | ||
| 6-11 | Music for a while | — | ||
| 6-12 | Since from my dear astrea's sight | — | ||
| 6-13 | O solitude | — | ||
| 7-1 | Habe deine Lust an dem Herren, SWV 311 | — | ||
| 7-2 | O Jesu nomen dulce, SWV 308 | — | ||
| 7-3 | Wohl dem, der micht wandelt, SWV 290 | — | ||
| 7-4 | Eile, mich Gott, zu erretten SWV 282 | — | ||
| 7-5 | Was betrübst du dich, meine Seele SWV 353 | — | ||
| 7-6 | Herr unser Herrscher SWV 343 | — | ||
| 7-7 | Wie ein Rubin SWV 357 | — | ||
| 7-8 | O süsser, o freundlicher SWV 285 | — | ||
| 7-9 | Was hast du verwirket SWV 307 | — | ||
| 7-10 | Bone Jesu SWV 313 | — | ||
| 7-11 | Bringt her dem Herrn SWV 283 | — | ||
| 7-12 | Ihr Heiligen lobsinget SWV 288 | — | ||
| 7-13 | Herzlich lieb hab ich dich o Herr SWV 348 | — | ||
| 7-14 | Also hat Gott die Welt geliebt, SWV 380 (Motet) | — | ||
| 7-15 | Selig sind die Toten, SWV 391 (Motet) | — | ||
| 7-16 | So fahr ich hin zu Jesu Christ, SWV 379 (Motet) | — | ||
| 7-17 | Ich bin die Auferstehung, SWV 324 (Petits concerts spirituels II) | — | ||
| 7-18 | O lieber Herre Gott, SWV 287 (Petits concerts spirituels I) | — | ||
| 7-19 | Die Himmel erzählen, SWV 386 (Motet) | — | ||
| 8-1 | Magnificat, BWV 243: Chorus "Magnificat anima mea Dominum" | — | ||
| 8-2 | Magnificat, BWV 243: Aria "Et exsultavit spiritus meus" | — | ||
| 8-3 | Magnificat, BWV 243: Aria "Quia respexit humilitatem" | — | ||
| 8-4 | Magnificat, BWV 243: Chorus "Omnes generationes" | — | ||
| 8-5 | Magnificat, BWV 243: Aria "Quia fecit mihi magna" | — | ||
| 8-6 | Magnificat, BWV 243: Dua "Et misericordia eius" | — | ||
| 8-7 | Magnificat, BWV 243: Chorus "Fecit potentia" | — | ||
| 8-8 | Magnificat, BWV 243: Aria "Deposuit potentes" | — | ||
| 8-9 | Magnificat, BWV 243: Aria "Esurientes" | — | ||
| 8-10 | Magnificat, BWV 243: Trio "Suscepit Israel" | — | ||
| 8-11 | Magnificat, BWV 243: Chorus "Sicut locutus est" | — | ||
| 8-12 | Magnificat, BWV 243: Chorus "Gloria" | — | ||
| 8-13 | Matthäuspassion, BWV 244: Aria "Erbarme dich" | — | ||
| 8-14 | Stabat Mater: Duo "Stabat Mater Dolorosa" | — | ||
| 8-15 | Stabat Mater: Aria "Cuius animam gementem" | — | ||
| 8-16 | Stabat Mater: Duo "O quam tristis ef afflicta" | — | ||
| 8-17 | Stabat Mater: Aria "Quae morebat et dolebat" | — | ||
| 8-18 | Stabat Mater: Duo "Quis est homo, qui non fleret" | — | ||
| 8-19 | Stabat Mater: Aria "Vidit suum dulcem natum" | — | ||
| 8-20 | Stabat Mater: Aria "Eja, Mater, fons amoris" | — | ||
| 8-21 | Stabat Mater: Duo "Fac, ut ardeat cor meum" | — | ||
| 8-22 | Stabat Mater: Duo "Sancta Mater, istud agas" | — | ||
| 8-23 | Stabat Mater: Aria "Fac, ut portem Christi mortem" | — | ||
| 8-24 | Stabat Mater: Duo "Inflammatus et accensus" | — | ||
| 8-25 | Stabat Mater: Duo "Quando corpus morietur" - "Amen" | — | ||
| 9-1 | Orontea: Sinfonia Avanti Il Prologo | — | ||
| 9-2 | Orontea: Prologo - Filosofia: Sciolta Il Crin | Amore: D'esser Pazzo | Amore: Udir Vuoi Forse | — | ||
| 9-3 | Orontea: Acte I, Sc. 1 - Orontea: Superbo Amore | Sc. 2 - Orontea: I nodi di Imeneo | — | ||
| 9-4 | Orontea: Acte I, Sc. 5 - Orontea: Ardo, Lassa, O Non Ardo? | — | ||
| 9-5 | Orontea: Acte I, Sc. 8 - Silandra: Come Dolce M'invaghi | Corindo: Spuntò I Ciel | — | ||
| 9-6 | Orontea: Acte I, Sc. 10 - Alidoro: Vieni, Resta | — | ||
| 9-7 | Orontea: Act II, Sc. 1 - Orontea: S'io Non Vedo Alidoro - Adorisi Sempre | — | ||
| 9-8 | Orontea: Act II, Sc. 6 - Aristea: S'amor Insolente | — | ||
| 9-9 | Orontea: Act II, Sc. 8 - Silandra: Adio Corindo | Sc. 9 - Corindo: Vengo, Cor Mio | — | ||
| 9-10 | Orontea: Act II, Sc. 13 - Orontea: E Che Vorresti? | — | ||
| 9-11 | Orontea: Act II, Sc. 17 - Orontea: Intorno All' Idol Mio | — | ||
| 9-12 | Orontea: Act III, Sc. 3 - Tibrino: Amor, Attendi A Te | — | ||
| 9-13 | Orontea: Act III, Sc. 6 - Alidoro: Il Mondo Così Va | — | ||
| 9-14 | Orontea: Act III, Sc. 20 - Orontea: Innocente Mio Tesoro | Coro Finale: Castissimi Amori | — | ||
| 10-1 | Atys (extraits): Ouverture | — | ||
| 10-2 | Atys (extraits): Acte I, Sc. 1 - Atys : Allons, Allons, Accourez Tous | — | ||
| 10-3 | Atys (extraits): Acte I, Sc. 2 - Idas : Atys, Ne Feignez Plus | — | ||
| 10-4 | Atys (extraits): Acte I, Sc. 3 - Sangaride, Doris : Allons, Allons, Accourez Tous, Cybèle Va Descendre | — | ||
| 10-5 | Atys (extraits): Acte I, Sc. 4 - Sangaride : Atys Est Trop Heureux | — | ||
| 10-6 | Atys (extraits): Acte II, Sc. 2 - Cybèle : Je Veux Joindre En Ces Lieux la Gloire Et L'abondance | — | ||
| 10-7 | Atys (extraits): Acte II, Sc. 3 - Cybèle : Tu T'étonnes, Mélisse | — | ||
| 10-8 | Atys (extraits): Acte II, Sc. 4 - Chœur Des Peuples Et Des Zéphyrs : Célébrons la Gloire Immortelle | — | ||
| 10-9 | Atys (extraits): Acte III, Sc. 4 - Prélude | Dormons, Dormons Tous | Air Des Songes Agréables | — | ||
| 10-10 | Atys (extraits): Acte IV, Sc. 2 & 3 - Célénus : Belle Nymphe, L'Hymen Va Suivre Mon Envie | — | ||
| 10-11 | Atys (extraits): Acte IV, Sc. 5 - Sangaride : O vous qui prenez part au bien de ma famille | — | ||
| 10-12 | Atys (extraits): Acte IV, Sc. 5 - Chœur Des Dieux de Fleuves, de Ruisseaux Et de Divinités de Fontaines : La Beauté | — | ||
| 10-13 | Atys (extraits): Acte IV, Sc. 6 - Chœur Des Dieux de Fleuves Et Des Fontaines: Venez Former Nœuds Charmants | — | ||
| 10-14 | Atys (extraits): Acte V, Sc. Dernière - Cybèle : Venez, Furieux Corybantes | — | ||
| 10-15 | Atys (extraits): Acte V, Sc. Dernière - Entrée Des Nymphes | Première Entrée Des Corybante | Seconde Entrée Des Corybante | — | ||
| 10-16 | Atys (extraits): Acte V, Sc. Dernière - Cybèle, Chœur Des Divinités Des Bois Et Des Eaux : Que Le Malheur D'Atys | — | ||
| 10-17 | Le Bourgeois Gentilhomme: Ouverture | — | ||
| 10-18 | Le Bourgeois Gentilhomme: Première Interlude | — | ||
| 10-19 | Le Bourgeois Gentilhomme: Bourée | Gaillarde | — | ||
| 10-20 | Le Bourgeois Gentilhomme: Canarie | — | ||
| 10-21 | Le Bourgeois Gentilhomme: Cinquième Entrée | Menuet | — | ||
| 10-22 | Le Bourgeois Gentilhomme: Marche Pour la Cérémonie Des Turcs | — | ||
| 10-23 | Le Bourgeois Gentilhomme: Air | — | ||
| 10-24 | Le Bourgeois Gentilhomme: L'entrée Des Scaramouches, Trivelins Et Arlequins | — | ||
| 10-25 | Le Bourgeois Gentilhomme: Chaconne des Scaramouches, Trivelins et Arlequins | — | ||
| 11-1 | Marche de Timbales | — | ||
| 11-2 | Te Deum H. 146: Prélude | — | ||
| 11-3 | Te Deum H. 146: Te Deum laudaumus | — | ||
| 11-4 | Te Deum H. 146: Te aeternum Patrem | — | ||
| 11-5 | Te Deum H. 146: Per te orbem terrarum | — | ||
| 11-6 | Te Deum H. 146: Tu devicto mortis aculeo | — | ||
| 11-7 | Te Deum H. 146: Te ergo quaesumus | — | ||
| 11-8 | Te Deum H. 146: Aeterna fac cum sanctis tuis | — | ||
| 11-9 | Te Deum H. 146: Dignare Domine | — | ||
| 11-10 | Te Deum H. 146: Fiat misericordia tua Domine | — | ||
| 11-11 | Te Deum H. 146: In te Domine speravi | — | ||
| 11-12 | Symphonies pour les Soupers du Roy: Gracieusement - Ré | — | ||
| 11-13 | Symphonies pour les Soupers du Roy: Deuxième Air mineur | — | ||
| 11-14 | Symphonies pour les Soupers du Roy: Air vif. Presto | — | ||
| 11-15 | Symphonies pour les Soupers du Roy: Gigue. Gracieusement | — | ||
| 11-16 | Symphonies pour les Soupers du Roy: Quatuor . Doucement | — | ||
| 11-17 | Les Indes galantes: Ouverture | — | ||
| 11-18 | Les Indes galantes: Musette et Rondeau | — | ||
| 11-19 | Les Indes galantes: Air Polonais | — | ||
| 11-20 | Les Indes galantes: Air gratieux pour les Amours | — | ||
| 11-21 | Les Indes galantes: Menuets I & II | — | ||
| 11-22 | Les Indes galantes: Airs pours les Bostangis | — | ||
| 11-23 | Les Indes galantes: Gavotte | — | ||
| 11-24 | Les Indes galantes: Air des Fleurs - Air tendre pour la Rose | — | ||
| 11-25 | Les Indes galantes: Gavotte pour les fleurs | — | ||
| 11-26 | Les Indes galantes: Air pour Borée et la Rose | — | ||
| 11-27 | Les Indes galantes: Air vif pour Zéphire et la Rose (pièce croisée) | — | ||
| 11-28 | Les Indes galantes: Air grave pour les Incas du Pérou | — | ||
| 11-29 | Les Indes galantes: Gavotte I - Gavotte II et Rondeau | — | ||
| 11-30 | Les Indes galantes: Air pour les Esclaves affricains | — | ||
| 11-31 | Les Indes galantes: Les Sauvages ou Danse du Grand Calumet de la Paix | — | ||
| 11-32 | Les Indes galantes: Tambourins I & II | — | ||
| 12-1 | Sonata for two violins, organ, cello & bass, K 212 B flat major | — | ||
| 12-2 | Sonata for two violins, organ, cello & bass, K 67 E flat major | — | ||
| 12-3 | Sonata for two violins, organ, cello & bass, K 68 B flat major | — | ||
| 12-4 | Sonata for two violins, organ, cello & bass, K 145 F major | — | ||
| 12-5 | Sonata for two violins, organ, cello & bass, K 224 F major | — | ||
| 12-6 | Sonata for two violins, organ, cello & bass, K 244 F major | — | ||
| 12-7 | Sonata for two violins, organ, cello & bass, K 336 C major | — | ||
| 12-8 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Allegro con brio | — | ||
| 12-9 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Marcia funebre. Adagio assai | — | ||
| 12-10 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Scherzo. Allegro vivace - Trio | — | ||
| 12-11 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Finale. Allegro molto. Poco andante. Presto | — | ||
| 13-1 | Quartet Op. 7 no. 2 in F minor: Andante | — | ||
| 13-2 | Quartet Op. 7 no. 2 in F minor: Menuetto | — | ||
| 13-3 | Quartet Op. 7 no. 2 in F minor: Allegro | — | ||
| 13-4 | Concert op. 27 for violin, piano and string quartet: Décidé | — | ||
| 13-5 | Concert op. 27 for violin, piano and string quartet: Sicilienne | — | ||
| 13-6 | Concert op. 27 for violin, piano and string quartet: Grave | — | ||
| 13-7 | Concert op. 27 for violin, piano and string quartet: Finale | — | ||
| 13-8 | Mélodies sur des poèmes de Victor Hugo: Sérénade | — | ||
| 13-9 | Mélodies sur des poèmes de Victor Hugo: Guitare | — | ||
| 13-10 | Mélodies sur des poèmes de Victor Hugo: Églogue | — | ||
| 13-11 | Mélodies sur des poèmes de Victor Hugo: S'il est un charmant garcon | — | ||
| 13-12 | Mélodies sur des poèmes de Victor Hugo: La Papillon et la Fleur | — | ||
| 14-1 | Requiem, op 48: I. Introitus | — | ||
| 14-2 | Requiem, op 48: II. Offertoire | — | ||
| 14-3 | Requiem, op 48: III. Sanctus | — | ||
| 14-4 | Requiem, op 48: IV. Pie Jesus | — | ||
| 14-5 | Requiem, op 48: V. Agnus Dei | — | ||
| 14-6 | Requiem, op 48: VI. Libera me | — | ||
| 14-7 | Requiem, op 48: VII. In Paradisum | — | ||
| 14-8 | Zwei Motetten , op. 29: Es ist das Heil uns kommen her | — | ||
| 14-9 | Zwei Motetten , op. 29: Schaffe in mir, Gott, ein reines Herz | — | ||
| 14-10 | Zwei Motetten , op. 74: Warum ist das Licht gegeben dem Mühseligen | — | ||
| 14-11 | Zwei Motetten , op. 74: O Heiland, reiß die Himmel auf | — | ||
| 15-1 | Five Piano Pieces op. 23 | — | ||
| 15-2 | Suite for Piano op. 25 | — | ||
| 15-3 | Three Piano Pieces op. 11 | — | ||
| 15-4 | Six Pieces for Piano op. 19 | — | ||
| 15-5 | Laborintus 2: First Part | — | ||
| 15-6 | Laborintus 2: Second Part | — | ||
| 16-1 | Improvisation à 6 temps | — | ||
| 16-2 | M'saddar - Sana'a | — | ||
| 16-3 | M'shalya - Touchia - Sana'a | — | ||
| 16-4 | Chant de Communion de la Liturgie de Jeudi Saint: Iqbalni-l-yawm | — | ||
| 16-5 | L'Apostikhon de l'Office de Mercredi Saint: Ya rabbi | — | ||
| 16-6 | 14e Antienne de l'Office de Vendredi Saint: Alyawma - Ulliga | — | ||
| 16-7 | U primu fiore | — | ||
| 16-8 | Lettera a Mamma | — | ||
| 16-9 | Ponto novu | — | ||
| 16-10 | Nana Analuza | — | ||
| 16-11 | Antidotum Tarentulae | — | ||
| 16-12 | Chorea | — | ||
| 16-13 | Tarantella Neapoli Tonum Phrygium | — | ||
| 16-14 | Fons vitae - Dementia praecox angelorum - Supra solfamirent | — | ||
| 16-15 | Extravagans - Laurea minima - In vitro | — | ||
| 16-16 | Vulgaris - Sine Populi notione - Vagula et blandula | — | ||
| 16-17 | De tolerantia aeterea - Fuga ficta et carrus triumphalis | — |
