UPC · Release
Generation Harmonia Mundi: 1958 | 1988 - The Age of Revolutions
Various Artists
3149020934272
284 tracksReleased 2018-01-01
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3149020934272 is the Universal Product Code (UPC barcode) for the release “Generation Harmonia Mundi: 1958 | 1988 - The Age of Revolutions” by Various Artists, released 2018-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 284 tracks, each with its own ISRC.
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93427Product
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UPCGeneration Harmonia Mundi: 1958 | 1988 - The Age of Revolutions
ISWC3 works
IPI11 songwriters
Track List (284)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Te matrem Dei laudamus | — | ||
| 2 | Tiento | — | ||
| 3 | Fabordón Ilano y fabordón glosado | — | ||
| 4 | Tiento | — | ||
| 5 | Kyrie | — | ||
| 6 | Tres, pièces à 3 parties | — | ||
| 7 | Villancico "Jesucristo hombre y dios" | — | ||
| 8 | Himno "Sacris Solemnis" | — | ||
| 9 | Canción "Je vous..." | — | ||
| 10 | Canción "Pour ung plaisir" | — | ||
| 11 | Canción "Réveillez-vous coeurs endormis" | — | ||
| 12 | Tiento de medio registro de tiple de 4° tono | — | ||
| 13 | Tiento de medio registro de baxon de 6° tono | — | ||
| 14 | O lux beata trinitas | — | ||
| 15 | Tiento du premier ton | — | ||
| 16 | Magnificat du premier ton (sept versets) | — | ||
| 17 | Tiento du deuxième ton | — | ||
| 18 | Quatre versets d premier ton sur "Saeculorum amen" | — | ||
| 19 | Die nobis Maria | — | ||
| 20 | Tres diferencias sobre "Ave Maris stella" | — | ||
| 21 | Tiento "Malheur me bat" | — | ||
| 22 | Tiento du premier ton | — | ||
| 23 | Dulce memoriae | — | ||
| 24 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.10 in D major | — | ||
| 25 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.2 in G minor | — | ||
| 26 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.9 in E minor | — | ||
| 27 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.3 in A minor | — | ||
| 28 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.5 in C major | — | ||
| 29 | Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.1 in D minor | — | ||
| 2-1 | Canzoni alla francese: No. 5 "La Bellerofonte" | — | ||
| 2-2 | Canzoni alla francese: No. 6 "La Pesenti" | — | ||
| 2-3 | Canzoni alla francese: No. 7 "Tarditi" | — | ||
| 2-4 | Canzoni alla francese: No. 9 "La Querina" | — | ||
| 2-5 | Ricercare Decimo | — | ||
| 2-6 | Canzone Prima | — | ||
| 2-7 | Ricercare con obligo del basso | — | ||
| 2-8 | Toccata per l'Elevazione | — | ||
| 2-9 | Canzone Prima "La Rovetta" | — | ||
| 2-10 | Bergamasca | — | ||
| 2-11 | Toccata in C major | — | ||
| 2-12 | Ciacona in F minor | — | ||
| 2-13 | Partita "Werde munter, mein Gemüte" | — | ||
| 2-14 | Ricercar in C minor | — | ||
| 2-15 | Partita "Was Gott tut, das ist wohlgetan" | — | ||
| 2-16 | Fantasia in G minor | — | ||
| 3-1 | Anakrousis. Orestes Stasimo | — | ||
| 3-2 | Fragments instrumentaux de Contrapollinopolis | — | ||
| 3-3 | 1er Hymne Delphique à Apollon | — | ||
| 3-4 | Plainte de Tecmessa | — | ||
| 3-5 | Papyrus Wien 29825 - G 13763/1494 | — | ||
| 3-6 | Hymne au Soleil | — | ||
| 3-7 | Hymne à la Muse | — | ||
| 3-8 | Hymne à Némésis | — | ||
| 3-9 | Papyrus Michigan | — | ||
| 3-10 | Aenaoi Nefelai | — | ||
| 3-11 | Alleluia Non Vos Relinquam | — | ||
| 3-12 | Alleluia Sancte Michael | — | ||
| 3-13 | Alleluia Oculis | — | ||
| 3-14 | L'entrée du Christ à Jérusalem: Gloria laus | — | ||
| 3-15 | L'entrée du Christ à Jérusalem: Cum audisset | — | ||
| 3-16 | L'entrée du Christ à Jérusalem: Collegerunt pontifices | — | ||
| 3-17 | L'entrée du Christ à Jérusalem: Popule meus | — | ||
| 3-18 | Alleluia. Verset: O Pimenon ton Israhil | — | ||
| 3-19 | Introït: Resurrexi | — | ||
| 3-20 | Alleluia. Verset: Epi si Kyrie | — | ||
| 4-1 | Madrigaux à 5 Voix (Settimo Libro, 1595): Cruda Amarilli / Prima parte: Cruda amarilli | — | ||
| 4-2 | Madrigaux à 5 Voix (Settimo Libro, 1595): Cruda Amarilli / Seconda parte: Ma grideran per me le piagge e i monti | — | ||
| 4-3 | Madrigaux à 5 Voix (Settimo Libro, 1595): Care mie delve / Prima parte: Care mie selve | — | ||
| 4-4 | Madrigaux à 5 Voix (Settimo Libro, 1595): Care mie selve / Seconda parte: Cosi (chi'l crediria?) | — | ||
| 4-5 | Madrigaux à 5 Voix (Settimo Libro, 1595): Questi vaghi concenti / Prima parte: Questi vaghi concenti | — | ||
| 4-6 | Madrigaux à 5 Voix (Settimo Libro, 1595): Questi vaghi concenti / Seconda parte: Deh! se potessi anch'io | — | ||
| 4-7 | Madrigaux à 6 voix: Come Inanti de L'alba (Primo libro, 1581) | — | ||
| 4-8 | Madrigaux à 6 voix: Del cibo onde il signor (Secondo libro, 1584) | — | ||
| 4-9 | Amarilli, Mia Bella | — | ||
| 4-10 | Mi Parto | — | ||
| 4-11 | Adagiati, Poppea | — | ||
| 4-12 | Eri già tutta mia | — | ||
| 4-13 | Madrigaux à 5 voix: Terzo libro / III. Ahi, disperata vita | — | ||
| 4-14 | Madrigaux à 5 voix: Terzo libro / VIII. Sospirava il mio core (prima parte) | — | ||
| 4-15 | Madrigaux à 5 voix: Terzo libro / IX. O malnati messaggi (seconda parte) | — | ||
| 4-16 | Madrigaux à 5 voix: Terzo libro / XI. Non t'amo, o voce ingrata | — | ||
| 4-17 | Madrigaux à 5 voix: Quarto libro / I. Luci serene e chiare | — | ||
| 4-18 | Madrigaux à 5 voix: Quarto libro / Xi. Sparge lamorte al mio Signor | — | ||
| 4-19 | Madrigaux à 5 voix: Quarto libro / Xviii. Arde il mio cor | — | ||
| 4-20 | Madrigaux à 5 voix: Il combattimento di Tancredi E Clorinda (Ottavo libro, Canti guerrieri) | — | ||
| 5-1 | Come again, sweet love | — | ||
| 5-2 | I saw my ladie weep | — | ||
| 5-3 | Orlando sleepeth | — | ||
| 5-4 | Shall I sue? | — | ||
| 5-5 | In darkness let me dwell | — | ||
| 5-6 | Come, heavy Sleep | — | ||
| 5-7 | King Arthur: Overture, Air, Overture | — | ||
| 5-8 | King Arthur: Act I, Scene II. "Woden first to thee", "Brave Souls", "I call ye all" | — | ||
| 5-9 | King Arthur: Act I, Scene II. "Come if you dare" | — | ||
| 5-10 | King Arthur: Act II. "Hither this way bend" / "Let not a Moon-born Elf" / "Hither this way" / "Come follow me" | — | ||
| 5-11 | King Arthur: Act II. "How blest are Shepherds" / "Shepherd, leave Decoying" | — | ||
| 5-12 | King Arthur: Act III, Scene II. Prelude "What ho" | — | ||
| 5-13 | King Arthur: Act III, Scene II. "What Power art thou" / "Thou Doting Fool forbear" / "See, see" | — | ||
| 5-14 | King Arthur: Act III, Scene II. "Tis I, that have warm'd ye" / "Sound a Parley" / "Air" | — | ||
| 6-1 | King Arthur: Act IV, Scene II. "Two Daughters" | — | ||
| 6-2 | King Arthur: Act IV, Scene II. "How happy the Lover" / Fourth Act Tune | — | ||
| 6-3 | King Arthur: Act V, Scene II. Trompet Tune / "Ye Blust'ring Brethren" | — | ||
| 6-4 | King Arthur: Act V, Scene II. Symphony / Song Tune "Round thy Coasts" / "For Folded Flocks" | — | ||
| 6-5 | King Arthur: Act V, Scene II. Song Tune "Your Hay" | — | ||
| 6-6 | King Arthur: Act V, Scene II. "Fairest Isle" | — | ||
| 6-7 | King Arthur: Act V, Scene II. "You say" / "This not my passion" / "But one soft moment" | — | ||
| 6-8 | King Arthur: Act V, Scene II. Trumpet Tune / Honour "St. George" | — | ||
| 6-9 | King Arthur: Act V, Scene II. Chaconne | — | ||
| 6-10 | Retired from any mortal's sight | — | ||
| 6-11 | Music for a while | — | ||
| 6-12 | Since from my dear astrea's sight | — | ||
| 6-13 | O solitude | — | ||
| 7-1 | Habe deine Lust an dem Herren, SWV 311 | — | ||
| 7-2 | O Jesu nomen dulce, SWV 308 | — | ||
| 7-3 | Wohl dem, der micht wandelt, SWV 290 | — | ||
| 7-4 | Eile, mich Gott, zu erretten SWV 282 | — | ||
| 7-5 | Was betrübst du dich, meine Seele SWV 353 | — | ||
| 7-6 | Herr unser Herrscher SWV 343 | — | ||
| 7-7 | Wie ein Rubin SWV 357 | — | ||
| 7-8 | O süsser, o freundlicher SWV 285 | — | ||
| 7-9 | Was hast du verwirket SWV 307 | — | ||
| 7-10 | Bone Jesu SWV 313 | — | ||
| 7-11 | Bringt her dem Herrn SWV 283 | — | ||
| 7-12 | Ihr Heiligen lobsinget SWV 288 | — | ||
| 7-13 | Herzlich lieb hab ich dich o Herr SWV 348 | — | ||
| 7-14 | Also hat Gott die Welt geliebt, SWV 380 (Motet) | — | ||
| 7-15 | Selig sind die Toten, SWV 391 (Motet) | — | ||
| 7-16 | So fahr ich hin zu Jesu Christ, SWV 379 (Motet) | — | ||
| 7-17 | Ich bin die Auferstehung, SWV 324 (Petits concerts spirituels II) | — | ||
| 7-18 | O lieber Herre Gott, SWV 287 (Petits concerts spirituels I) | — | ||
| 7-19 | Die Himmel erzählen, SWV 386 (Motet) | — | ||
| 8-1 | Magnificat, BWV 243: Chorus "Magnificat anima mea Dominum" | — | ||
| 8-2 | Magnificat, BWV 243: Aria "Et exsultavit spiritus meus" | — | ||
| 8-3 | Magnificat, BWV 243: Aria "Quia respexit humilitatem" | — | ||
| 8-4 | Magnificat, BWV 243: Chorus "Omnes generationes" | — | ||
| 8-5 | Magnificat, BWV 243: Aria "Quia fecit mihi magna" | — | ||
| 8-6 | Magnificat, BWV 243: Dua "Et misericordia eius" | — | ||
| 8-7 | Magnificat, BWV 243: Chorus "Fecit potentia" | — | ||
| 8-8 | Magnificat, BWV 243: Aria "Deposuit potentes" | — | ||
| 8-9 | Magnificat, BWV 243: Aria "Esurientes" | — | ||
| 8-10 | Magnificat, BWV 243: Trio "Suscepit Israel" | — | ||
| 8-11 | Magnificat, BWV 243: Chorus "Sicut locutus est" | — | ||
| 8-12 | Magnificat, BWV 243: Chorus "Gloria" | — | ||
| 8-13 | Matthäuspassion, BWV 244: Aria "Erbarme dich" | — | ||
| 8-14 | Stabat Mater: Duo "Stabat Mater Dolorosa" | — | ||
| 8-15 | Stabat Mater: Aria "Cuius animam gementem" | — | ||
| 8-16 | Stabat Mater: Duo "O quam tristis ef afflicta" | — | ||
| 8-17 | Stabat Mater: Aria "Quae morebat et dolebat" | — | ||
| 8-18 | Stabat Mater: Duo "Quis est homo, qui non fleret" | — | ||
| 8-19 | Stabat Mater: Aria "Vidit suum dulcem natum" | — | ||
| 8-20 | Stabat Mater: Aria "Eja, Mater, fons amoris" | — | ||
| 8-21 | Stabat Mater: Duo "Fac, ut ardeat cor meum" | — | ||
| 8-22 | Stabat Mater: Duo "Sancta Mater, istud agas" | — | ||
| 8-23 | Stabat Mater: Aria "Fac, ut portem Christi mortem" | — | ||
| 8-24 | Stabat Mater: Duo "Inflammatus et accensus" | — | ||
| 8-25 | Stabat Mater: Duo "Quando corpus morietur" - "Amen" | — | ||
| 9-1 | Orontea: Sinfonia Avanti Il Prologo | — | ||
| 9-2 | Orontea: Prologo - Filosofia: Sciolta Il Crin | Amore: D'esser Pazzo | Amore: Udir Vuoi Forse | — | ||
| 9-3 | Orontea: Acte I, Sc. 1 - Orontea: Superbo Amore | Sc. 2 - Orontea: I nodi di Imeneo | — | ||
| 9-4 | Orontea: Acte I, Sc. 5 - Orontea: Ardo, Lassa, O Non Ardo? | — | ||
| 9-5 | Orontea: Acte I, Sc. 8 - Silandra: Come Dolce M'invaghi | Corindo: Spuntò I Ciel | — | ||
| 9-6 | Orontea: Acte I, Sc. 10 - Alidoro: Vieni, Resta | — | ||
| 9-7 | Orontea: Act II, Sc. 1 - Orontea: S'io Non Vedo Alidoro - Adorisi Sempre | — | ||
| 9-8 | Orontea: Act II, Sc. 6 - Aristea: S'amor Insolente | — | ||
| 9-9 | Orontea: Act II, Sc. 8 - Silandra: Adio Corindo | Sc. 9 - Corindo: Vengo, Cor Mio | — | ||
| 9-10 | Orontea: Act II, Sc. 13 - Orontea: E Che Vorresti? | — | ||
| 9-11 | Orontea: Act II, Sc. 17 - Orontea: Intorno All' Idol Mio | — | ||
| 9-12 | Orontea: Act III, Sc. 3 - Tibrino: Amor, Attendi A Te | — | ||
| 9-13 | Orontea: Act III, Sc. 6 - Alidoro: Il Mondo Così Va | — | ||
| 9-14 | Orontea: Act III, Sc. 20 - Orontea: Innocente Mio Tesoro | Coro Finale: Castissimi Amori | — | ||
| 10-1 | Atys (extraits): Ouverture | — | ||
| 10-2 | Atys (extraits): Acte I, Sc. 1 - Atys : Allons, Allons, Accourez Tous | — | ||
| 10-3 | Atys (extraits): Acte I, Sc. 2 - Idas : Atys, Ne Feignez Plus | — | ||
| 10-4 | Atys (extraits): Acte I, Sc. 3 - Sangaride, Doris : Allons, Allons, Accourez Tous, Cybèle Va Descendre | — | ||
| 10-5 | Atys (extraits): Acte I, Sc. 4 - Sangaride : Atys Est Trop Heureux | — | ||
| 10-6 | Atys (extraits): Acte II, Sc. 2 - Cybèle : Je Veux Joindre En Ces Lieux la Gloire Et L'abondance | — | ||
| 10-7 | Atys (extraits): Acte II, Sc. 3 - Cybèle : Tu T'étonnes, Mélisse | — | ||
| 10-8 | Atys (extraits): Acte II, Sc. 4 - Chœur Des Peuples Et Des Zéphyrs : Célébrons la Gloire Immortelle | — | ||
| 10-9 | Atys (extraits): Acte III, Sc. 4 - Prélude | Dormons, Dormons Tous | Air Des Songes Agréables | — | ||
| 10-10 | Atys (extraits): Acte IV, Sc. 2 & 3 - Célénus : Belle Nymphe, L'Hymen Va Suivre Mon Envie | — | ||
| 10-11 | Atys (extraits): Acte IV, Sc. 5 - Sangaride : O vous qui prenez part au bien de ma famille | — | ||
| 10-12 | Atys (extraits): Acte IV, Sc. 5 - Chœur Des Dieux de Fleuves, de Ruisseaux Et de Divinités de Fontaines : La Beauté | — | ||
| 10-13 | Atys (extraits): Acte IV, Sc. 6 - Chœur Des Dieux de Fleuves Et Des Fontaines: Venez Former Nœuds Charmants | — | ||
| 10-14 | Atys (extraits): Acte V, Sc. Dernière - Cybèle : Venez, Furieux Corybantes | — | ||
| 10-15 | Atys (extraits): Acte V, Sc. Dernière - Entrée Des Nymphes | Première Entrée Des Corybante | Seconde Entrée Des Corybante | — | ||
| 10-16 | Atys (extraits): Acte V, Sc. Dernière - Cybèle, Chœur Des Divinités Des Bois Et Des Eaux : Que Le Malheur D'Atys | — | ||
| 10-17 | Le Bourgeois Gentilhomme: Ouverture | — | ||
| 10-18 | Le Bourgeois Gentilhomme: Première Interlude | — | ||
| 10-19 | Le Bourgeois Gentilhomme: Bourée | Gaillarde | — | ||
| 10-20 | Le Bourgeois Gentilhomme: Canarie | — | ||
| 10-21 | Le Bourgeois Gentilhomme: Cinquième Entrée | Menuet | — | ||
| 10-22 | Le Bourgeois Gentilhomme: Marche Pour la Cérémonie Des Turcs | — | ||
| 10-23 | Le Bourgeois Gentilhomme: Air | — | ||
| 10-24 | Le Bourgeois Gentilhomme: L'entrée Des Scaramouches, Trivelins Et Arlequins | — | ||
| 10-25 | Le Bourgeois Gentilhomme: Chaconne des Scaramouches, Trivelins et Arlequins | — | ||
| 11-1 | Marche de Timbales | — | ||
| 11-2 | Te Deum H. 146: Prélude | — | ||
| 11-3 | Te Deum H. 146: Te Deum laudaumus | — | ||
| 11-4 | Te Deum H. 146: Te aeternum Patrem | — | ||
| 11-5 | Te Deum H. 146: Per te orbem terrarum | — | ||
| 11-6 | Te Deum H. 146: Tu devicto mortis aculeo | — | ||
| 11-7 | Te Deum H. 146: Te ergo quaesumus | — | ||
| 11-8 | Te Deum H. 146: Aeterna fac cum sanctis tuis | — | ||
| 11-9 | Te Deum H. 146: Dignare Domine | — | ||
| 11-10 | Te Deum H. 146: Fiat misericordia tua Domine | — | ||
| 11-11 | Te Deum H. 146: In te Domine speravi | — | ||
| 11-12 | Symphonies pour les Soupers du Roy: Gracieusement - Ré | — | ||
| 11-13 | Symphonies pour les Soupers du Roy: Deuxième Air mineur | — | ||
| 11-14 | Symphonies pour les Soupers du Roy: Air vif. Presto | — | ||
| 11-15 | Symphonies pour les Soupers du Roy: Gigue. Gracieusement | — | ||
| 11-16 | Symphonies pour les Soupers du Roy: Quatuor . Doucement | — | ||
| 11-17 | Les Indes galantes: Ouverture | — | ||
| 11-18 | Les Indes galantes: Musette et Rondeau | — | ||
| 11-19 | Les Indes galantes: Air Polonais | — | ||
| 11-20 | Les Indes galantes: Air gratieux pour les Amours | — | ||
| 11-21 | Les Indes galantes: Menuets I & II | — | ||
| 11-22 | Les Indes galantes: Airs pours les Bostangis | — | ||
| 11-23 | Les Indes galantes: Gavotte | — | ||
| 11-24 | Les Indes galantes: Air des Fleurs - Air tendre pour la Rose | — | ||
| 11-25 | Les Indes galantes: Gavotte pour les fleurs | — | ||
| 11-26 | Les Indes galantes: Air pour Borée et la Rose | — | ||
| 11-27 | Les Indes galantes: Air vif pour Zéphire et la Rose (pièce croisée) | — | ||
| 11-28 | Les Indes galantes: Air grave pour les Incas du Pérou | — | ||
| 11-29 | Les Indes galantes: Gavotte I - Gavotte II et Rondeau | — | ||
| 11-30 | Les Indes galantes: Air pour les Esclaves affricains | — | ||
| 11-31 | Les Indes galantes: Les Sauvages ou Danse du Grand Calumet de la Paix | — | ||
| 11-32 | Les Indes galantes: Tambourins I & II | — | ||
| 12-1 | Sonata for two violins, organ, cello & bass, K 212 B flat major | — | ||
| 12-2 | Sonata for two violins, organ, cello & bass, K 67 E flat major | — | ||
| 12-3 | Sonata for two violins, organ, cello & bass, K 68 B flat major | — | ||
| 12-4 | Sonata for two violins, organ, cello & bass, K 145 F major | — | ||
| 12-5 | Sonata for two violins, organ, cello & bass, K 224 F major | — | ||
| 12-6 | Sonata for two violins, organ, cello & bass, K 244 F major | — | ||
| 12-7 | Sonata for two violins, organ, cello & bass, K 336 C major | — | ||
| 12-8 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Allegro con brio | — | ||
| 12-9 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Marcia funebre. Adagio assai | — | ||
| 12-10 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Scherzo. Allegro vivace - Trio | — | ||
| 12-11 | Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Finale. Allegro molto. Poco andante. Presto | — | ||
| 13-1 | Quartet Op. 7 no. 2 in F minor: Andante | — | ||
| 13-2 | Quartet Op. 7 no. 2 in F minor: Menuetto | — | ||
| 13-3 | Quartet Op. 7 no. 2 in F minor: Allegro | — | ||
| 13-4 | Concert op. 27 for violin, piano and string quartet: Décidé | — | ||
| 13-5 | Concert op. 27 for violin, piano and string quartet: Sicilienne | — | ||
| 13-6 | Concert op. 27 for violin, piano and string quartet: Grave | — | ||
| 13-7 | Concert op. 27 for violin, piano and string quartet: Finale | — | ||
| 13-8 | Mélodies sur des poèmes de Victor Hugo: Sérénade | — | ||
| 13-9 | Mélodies sur des poèmes de Victor Hugo: Guitare | — | ||
| 13-10 | Mélodies sur des poèmes de Victor Hugo: Églogue | — | ||
| 13-11 | Mélodies sur des poèmes de Victor Hugo: S'il est un charmant garcon | — | ||
| 13-12 | Mélodies sur des poèmes de Victor Hugo: La Papillon et la Fleur | — | ||
| 14-1 | Requiem, op 48: I. Introitus | — | ||
| 14-2 | Requiem, op 48: II. Offertoire | — | ||
| 14-3 | Requiem, op 48: III. Sanctus | — | ||
| 14-4 | Requiem, op 48: IV. Pie Jesus | — | ||
| 14-5 | Requiem, op 48: V. Agnus Dei | — | ||
| 14-6 | Requiem, op 48: VI. Libera me | — | ||
| 14-7 | Requiem, op 48: VII. In Paradisum | — | ||
| 14-8 | Zwei Motetten , op. 29: Es ist das Heil uns kommen her | — | ||
| 14-9 | Zwei Motetten , op. 29: Schaffe in mir, Gott, ein reines Herz | — | ||
| 14-10 | Zwei Motetten , op. 74: Warum ist das Licht gegeben dem Mühseligen | — | ||
| 14-11 | Zwei Motetten , op. 74: O Heiland, reiß die Himmel auf | — | ||
| 15-1 | Five Piano Pieces op. 23 | — | ||
| 15-2 | Suite for Piano op. 25 | — | ||
| 15-3 | Three Piano Pieces op. 11 | — | ||
| 15-4 | Six Pieces for Piano op. 19 | — | ||
| 15-5 | Laborintus 2: First Part | — | ||
| 15-6 | Laborintus 2: Second Part | — | ||
| 16-1 | Improvisation à 6 temps | — | ||
| 16-2 | M'saddar - Sana'a | — | ||
| 16-3 | M'shalya - Touchia - Sana'a | — | ||
| 16-4 | Chant de Communion de la Liturgie de Jeudi Saint: Iqbalni-l-yawm | — | ||
| 16-5 | L'Apostikhon de l'Office de Mercredi Saint: Ya rabbi | — | ||
| 16-6 | 14e Antienne de l'Office de Vendredi Saint: Alyawma - Ulliga | — | ||
| 16-7 | U primu fiore | — | ||
| 16-8 | Lettera a Mamma | — | ||
| 16-9 | Ponto novu | — | ||
| 16-10 | Nana Analuza | — | ||
| 16-11 | Antidotum Tarentulae | — | ||
| 16-12 | Chorea | — | ||
| 16-13 | Tarantella Neapoli Tonum Phrygium | — | ||
| 16-14 | Fons vitae - Dementia praecox angelorum - Supra solfamirent | — | ||
| 16-15 | Extravagans - Laurea minima - In vitro | — | ||
| 16-16 | Vulgaris - Sine Populi notione - Vagula et blandula | — | ||
| 16-17 | De tolerantia aeterea - Fuga ficta et carrus triumphalis | — |
Te matrem Dei laudamus
—
Tiento
—
Fabordón Ilano y fabordón glosado
—
Tiento
—
Kyrie
—
Tres, pièces à 3 parties
—
Villancico "Jesucristo hombre y dios"
—
Himno "Sacris Solemnis"
—
Canción "Je vous..."
—
Canción "Pour ung plaisir"
—
Canción "Réveillez-vous coeurs endormis"
—
Tiento de medio registro de tiple de 4° tono
—
Tiento de medio registro de baxon de 6° tono
—
O lux beata trinitas
—
Tiento du premier ton
—
Magnificat du premier ton (sept versets)
—
Tiento du deuxième ton
—
Quatre versets d premier ton sur "Saeculorum amen"
—
Die nobis Maria
—
Tres diferencias sobre "Ave Maris stella"
—
Tiento "Malheur me bat"
—
Tiento du premier ton
—
Dulce memoriae
—
Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.10 in D major
—
Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.2 in G minor
—
Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.9 in E minor
—
Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.3 in A minor
—
Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.5 in C major
—
Apparatus Musico-Organisticus, 12 organ toccatas: Toccato no.1 in D minor
—
Canzoni alla francese: No. 5 "La Bellerofonte"
—
Canzoni alla francese: No. 6 "La Pesenti"
—
Canzoni alla francese: No. 7 "Tarditi"
—
Canzoni alla francese: No. 9 "La Querina"
—
Ricercare Decimo
—
Canzone Prima
—
Ricercare con obligo del basso
—
Toccata per l'Elevazione
—
Canzone Prima "La Rovetta"
—
Bergamasca
—
Toccata in C major
—
Ciacona in F minor
—
Partita "Werde munter, mein Gemüte"
—
Ricercar in C minor
—
Partita "Was Gott tut, das ist wohlgetan"
—
Fantasia in G minor
—
Anakrousis. Orestes Stasimo
—
Fragments instrumentaux de Contrapollinopolis
—
1er Hymne Delphique à Apollon
—
Plainte de Tecmessa
—
Papyrus Wien 29825 - G 13763/1494
—
Hymne au Soleil
—
Hymne à la Muse
—
Hymne à Némésis
—
Papyrus Michigan
—
Aenaoi Nefelai
—
Alleluia Non Vos Relinquam
—
Alleluia Sancte Michael
—
Alleluia Oculis
—
L'entrée du Christ à Jérusalem: Gloria laus
—
L'entrée du Christ à Jérusalem: Cum audisset
—
L'entrée du Christ à Jérusalem: Collegerunt pontifices
—
L'entrée du Christ à Jérusalem: Popule meus
—
Alleluia. Verset: O Pimenon ton Israhil
—
Introït: Resurrexi
—
Alleluia. Verset: Epi si Kyrie
—
Madrigaux à 5 Voix (Settimo Libro, 1595): Cruda Amarilli / Prima parte: Cruda amarilli
—
Madrigaux à 5 Voix (Settimo Libro, 1595): Cruda Amarilli / Seconda parte: Ma grideran per me le piagge e i monti
—
Madrigaux à 5 Voix (Settimo Libro, 1595): Care mie delve / Prima parte: Care mie selve
—
Madrigaux à 5 Voix (Settimo Libro, 1595): Care mie selve / Seconda parte: Cosi (chi'l crediria?)
—
Madrigaux à 5 Voix (Settimo Libro, 1595): Questi vaghi concenti / Prima parte: Questi vaghi concenti
—
Madrigaux à 5 Voix (Settimo Libro, 1595): Questi vaghi concenti / Seconda parte: Deh! se potessi anch'io
—
Madrigaux à 6 voix: Come Inanti de L'alba (Primo libro, 1581)
—
Madrigaux à 6 voix: Del cibo onde il signor (Secondo libro, 1584)
—
Amarilli, Mia Bella
—
Mi Parto
—
Adagiati, Poppea
—
Eri già tutta mia
—
Madrigaux à 5 voix: Terzo libro / III. Ahi, disperata vita
—
Madrigaux à 5 voix: Terzo libro / VIII. Sospirava il mio core (prima parte)
—
Madrigaux à 5 voix: Terzo libro / IX. O malnati messaggi (seconda parte)
—
Madrigaux à 5 voix: Terzo libro / XI. Non t'amo, o voce ingrata
—
Madrigaux à 5 voix: Quarto libro / I. Luci serene e chiare
—
Madrigaux à 5 voix: Quarto libro / Xi. Sparge lamorte al mio Signor
—
Madrigaux à 5 voix: Quarto libro / Xviii. Arde il mio cor
—
Madrigaux à 5 voix: Il combattimento di Tancredi E Clorinda (Ottavo libro, Canti guerrieri)
—
Come again, sweet love
—
I saw my ladie weep
—
Orlando sleepeth
—
Shall I sue?
—
In darkness let me dwell
—
Come, heavy Sleep
—
King Arthur: Overture, Air, Overture
—
King Arthur: Act I, Scene II. "Woden first to thee", "Brave Souls", "I call ye all"
—
King Arthur: Act I, Scene II. "Come if you dare"
—
King Arthur: Act II. "Hither this way bend" / "Let not a Moon-born Elf" / "Hither this way" / "Come follow me"
—
King Arthur: Act II. "How blest are Shepherds" / "Shepherd, leave Decoying"
—
King Arthur: Act III, Scene II. Prelude "What ho"
—
King Arthur: Act III, Scene II. "What Power art thou" / "Thou Doting Fool forbear" / "See, see"
—
King Arthur: Act III, Scene II. "Tis I, that have warm'd ye" / "Sound a Parley" / "Air"
—
King Arthur: Act IV, Scene II. "Two Daughters"
—
King Arthur: Act IV, Scene II. "How happy the Lover" / Fourth Act Tune
—
King Arthur: Act V, Scene II. Trompet Tune / "Ye Blust'ring Brethren"
—
King Arthur: Act V, Scene II. Symphony / Song Tune "Round thy Coasts" / "For Folded Flocks"
—
King Arthur: Act V, Scene II. Song Tune "Your Hay"
—
King Arthur: Act V, Scene II. "Fairest Isle"
—
King Arthur: Act V, Scene II. "You say" / "This not my passion" / "But one soft moment"
—
King Arthur: Act V, Scene II. Trumpet Tune / Honour "St. George"
—
King Arthur: Act V, Scene II. Chaconne
—
Retired from any mortal's sight
—
Music for a while
—
Since from my dear astrea's sight
—
O solitude
—
Habe deine Lust an dem Herren, SWV 311
—
O Jesu nomen dulce, SWV 308
—
Wohl dem, der micht wandelt, SWV 290
—
Eile, mich Gott, zu erretten SWV 282
—
Was betrübst du dich, meine Seele SWV 353
—
Herr unser Herrscher SWV 343
—
Wie ein Rubin SWV 357
—
O süsser, o freundlicher SWV 285
—
Was hast du verwirket SWV 307
—
Bone Jesu SWV 313
—
Bringt her dem Herrn SWV 283
—
Ihr Heiligen lobsinget SWV 288
—
Herzlich lieb hab ich dich o Herr SWV 348
—
Also hat Gott die Welt geliebt, SWV 380 (Motet)
—
Selig sind die Toten, SWV 391 (Motet)
—
So fahr ich hin zu Jesu Christ, SWV 379 (Motet)
—
Ich bin die Auferstehung, SWV 324 (Petits concerts spirituels II)
—
O lieber Herre Gott, SWV 287 (Petits concerts spirituels I)
—
Die Himmel erzählen, SWV 386 (Motet)
—
Magnificat, BWV 243: Chorus "Magnificat anima mea Dominum"
—
Magnificat, BWV 243: Aria "Et exsultavit spiritus meus"
—
Magnificat, BWV 243: Aria "Quia respexit humilitatem"
—
Magnificat, BWV 243: Chorus "Omnes generationes"
—
Magnificat, BWV 243: Aria "Quia fecit mihi magna"
—
Magnificat, BWV 243: Dua "Et misericordia eius"
—
Magnificat, BWV 243: Chorus "Fecit potentia"
—
Magnificat, BWV 243: Aria "Deposuit potentes"
—
Magnificat, BWV 243: Aria "Esurientes"
—
Magnificat, BWV 243: Trio "Suscepit Israel"
—
Magnificat, BWV 243: Chorus "Sicut locutus est"
—
Magnificat, BWV 243: Chorus "Gloria"
—
Matthäuspassion, BWV 244: Aria "Erbarme dich"
—
Stabat Mater: Duo "Stabat Mater Dolorosa"
—
Stabat Mater: Aria "Cuius animam gementem"
—
Stabat Mater: Duo "O quam tristis ef afflicta"
—
Stabat Mater: Aria "Quae morebat et dolebat"
—
Stabat Mater: Duo "Quis est homo, qui non fleret"
—
Stabat Mater: Aria "Vidit suum dulcem natum"
—
Stabat Mater: Aria "Eja, Mater, fons amoris"
—
Stabat Mater: Duo "Fac, ut ardeat cor meum"
—
Stabat Mater: Duo "Sancta Mater, istud agas"
—
Stabat Mater: Aria "Fac, ut portem Christi mortem"
—
Stabat Mater: Duo "Inflammatus et accensus"
—
Stabat Mater: Duo "Quando corpus morietur" - "Amen"
—
Orontea: Sinfonia Avanti Il Prologo
—
Orontea: Prologo - Filosofia: Sciolta Il Crin | Amore: D'esser Pazzo | Amore: Udir Vuoi Forse
—
Orontea: Acte I, Sc. 1 - Orontea: Superbo Amore | Sc. 2 - Orontea: I nodi di Imeneo
—
Orontea: Acte I, Sc. 5 - Orontea: Ardo, Lassa, O Non Ardo?
—
Orontea: Acte I, Sc. 8 - Silandra: Come Dolce M'invaghi | Corindo: Spuntò I Ciel
—
Orontea: Acte I, Sc. 10 - Alidoro: Vieni, Resta
—
Orontea: Act II, Sc. 1 - Orontea: S'io Non Vedo Alidoro - Adorisi Sempre
—
Orontea: Act II, Sc. 6 - Aristea: S'amor Insolente
—
Orontea: Act II, Sc. 8 - Silandra: Adio Corindo | Sc. 9 - Corindo: Vengo, Cor Mio
—
Orontea: Act II, Sc. 13 - Orontea: E Che Vorresti?
—
Orontea: Act II, Sc. 17 - Orontea: Intorno All' Idol Mio
—
Orontea: Act III, Sc. 3 - Tibrino: Amor, Attendi A Te
—
Orontea: Act III, Sc. 6 - Alidoro: Il Mondo Così Va
—
Orontea: Act III, Sc. 20 - Orontea: Innocente Mio Tesoro | Coro Finale: Castissimi Amori
—
Atys (extraits): Ouverture
—
Atys (extraits): Acte I, Sc. 1 - Atys : Allons, Allons, Accourez Tous
—
Atys (extraits): Acte I, Sc. 2 - Idas : Atys, Ne Feignez Plus
—
Atys (extraits): Acte I, Sc. 3 - Sangaride, Doris : Allons, Allons, Accourez Tous, Cybèle Va Descendre
—
Atys (extraits): Acte I, Sc. 4 - Sangaride : Atys Est Trop Heureux
—
Atys (extraits): Acte II, Sc. 2 - Cybèle : Je Veux Joindre En Ces Lieux la Gloire Et L'abondance
—
Atys (extraits): Acte II, Sc. 3 - Cybèle : Tu T'étonnes, Mélisse
—
Atys (extraits): Acte II, Sc. 4 - Chœur Des Peuples Et Des Zéphyrs : Célébrons la Gloire Immortelle
—
Atys (extraits): Acte III, Sc. 4 - Prélude | Dormons, Dormons Tous | Air Des Songes Agréables
—
Atys (extraits): Acte IV, Sc. 2 & 3 - Célénus : Belle Nymphe, L'Hymen Va Suivre Mon Envie
—
Atys (extraits): Acte IV, Sc. 5 - Sangaride : O vous qui prenez part au bien de ma famille
—
Atys (extraits): Acte IV, Sc. 5 - Chœur Des Dieux de Fleuves, de Ruisseaux Et de Divinités de Fontaines : La Beauté
—
Atys (extraits): Acte IV, Sc. 6 - Chœur Des Dieux de Fleuves Et Des Fontaines: Venez Former Nœuds Charmants
—
Atys (extraits): Acte V, Sc. Dernière - Cybèle : Venez, Furieux Corybantes
—
Atys (extraits): Acte V, Sc. Dernière - Entrée Des Nymphes | Première Entrée Des Corybante | Seconde Entrée Des Corybante
—
Atys (extraits): Acte V, Sc. Dernière - Cybèle, Chœur Des Divinités Des Bois Et Des Eaux : Que Le Malheur D'Atys
—
Le Bourgeois Gentilhomme: Ouverture
—
Le Bourgeois Gentilhomme: Première Interlude
—
Le Bourgeois Gentilhomme: Bourée | Gaillarde
—
Le Bourgeois Gentilhomme: Canarie
—
Le Bourgeois Gentilhomme: Cinquième Entrée | Menuet
—
Le Bourgeois Gentilhomme: Marche Pour la Cérémonie Des Turcs
—
Le Bourgeois Gentilhomme: Air
—
Le Bourgeois Gentilhomme: L'entrée Des Scaramouches, Trivelins Et Arlequins
—
Le Bourgeois Gentilhomme: Chaconne des Scaramouches, Trivelins et Arlequins
—
Marche de Timbales
—
Te Deum H. 146: Prélude
—
Te Deum H. 146: Te Deum laudaumus
—
Te Deum H. 146: Te aeternum Patrem
—
Te Deum H. 146: Per te orbem terrarum
—
Te Deum H. 146: Tu devicto mortis aculeo
—
Te Deum H. 146: Te ergo quaesumus
—
Te Deum H. 146: Aeterna fac cum sanctis tuis
—
Te Deum H. 146: Dignare Domine
—
Te Deum H. 146: Fiat misericordia tua Domine
—
Te Deum H. 146: In te Domine speravi
—
Symphonies pour les Soupers du Roy: Gracieusement - Ré
—
Symphonies pour les Soupers du Roy: Deuxième Air mineur
—
Symphonies pour les Soupers du Roy: Air vif. Presto
—
Symphonies pour les Soupers du Roy: Gigue. Gracieusement
—
Symphonies pour les Soupers du Roy: Quatuor . Doucement
—
Les Indes galantes: Ouverture
—
Les Indes galantes: Musette et Rondeau
—
Les Indes galantes: Air Polonais
—
Les Indes galantes: Air gratieux pour les Amours
—
Les Indes galantes: Menuets I & II
—
Les Indes galantes: Airs pours les Bostangis
—
Les Indes galantes: Gavotte
—
Les Indes galantes: Air des Fleurs - Air tendre pour la Rose
—
Les Indes galantes: Gavotte pour les fleurs
—
Les Indes galantes: Air pour Borée et la Rose
—
Les Indes galantes: Air vif pour Zéphire et la Rose (pièce croisée)
—
Les Indes galantes: Air grave pour les Incas du Pérou
—
Les Indes galantes: Gavotte I - Gavotte II et Rondeau
—
Les Indes galantes: Air pour les Esclaves affricains
—
Les Indes galantes: Les Sauvages ou Danse du Grand Calumet de la Paix
—
Les Indes galantes: Tambourins I & II
—
Sonata for two violins, organ, cello & bass, K 212 B flat major
—
Sonata for two violins, organ, cello & bass, K 67 E flat major
—
Sonata for two violins, organ, cello & bass, K 68 B flat major
—
Sonata for two violins, organ, cello & bass, K 145 F major
—
Sonata for two violins, organ, cello & bass, K 224 F major
—
Sonata for two violins, organ, cello & bass, K 244 F major
—
Sonata for two violins, organ, cello & bass, K 336 C major
—
Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Allegro con brio
—
Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Marcia funebre. Adagio assai
—
Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Scherzo. Allegro vivace - Trio
—
Symphony No.3, Op. 55 in E flat major transcribed by Franz Liszt: Finale. Allegro molto. Poco andante. Presto
—
Quartet Op. 7 no. 2 in F minor: Andante
—
Quartet Op. 7 no. 2 in F minor: Menuetto
—
Quartet Op. 7 no. 2 in F minor: Allegro
—
Concert op. 27 for violin, piano and string quartet: Décidé
—
Concert op. 27 for violin, piano and string quartet: Sicilienne
—
Concert op. 27 for violin, piano and string quartet: Grave
—
Concert op. 27 for violin, piano and string quartet: Finale
—
Mélodies sur des poèmes de Victor Hugo: Sérénade
—
Mélodies sur des poèmes de Victor Hugo: Guitare
—
Mélodies sur des poèmes de Victor Hugo: Églogue
—
Mélodies sur des poèmes de Victor Hugo: S'il est un charmant garcon
—
Mélodies sur des poèmes de Victor Hugo: La Papillon et la Fleur
—
Requiem, op 48: I. Introitus
—
Requiem, op 48: II. Offertoire
—
Requiem, op 48: III. Sanctus
—
Requiem, op 48: IV. Pie Jesus
—
Requiem, op 48: V. Agnus Dei
—
Requiem, op 48: VI. Libera me
—
Requiem, op 48: VII. In Paradisum
—
Zwei Motetten , op. 29: Es ist das Heil uns kommen her
—
Zwei Motetten , op. 29: Schaffe in mir, Gott, ein reines Herz
—
Zwei Motetten , op. 74: Warum ist das Licht gegeben dem Mühseligen
—
Zwei Motetten , op. 74: O Heiland, reiß die Himmel auf
—
Five Piano Pieces op. 23
—
Suite for Piano op. 25
—
Three Piano Pieces op. 11
—
Six Pieces for Piano op. 19
—
Laborintus 2: First Part
—
Laborintus 2: Second Part
—
Improvisation à 6 temps
—
M'saddar - Sana'a
—
M'shalya - Touchia - Sana'a
—
Chant de Communion de la Liturgie de Jeudi Saint: Iqbalni-l-yawm
—
L'Apostikhon de l'Office de Mercredi Saint: Ya rabbi
—
14e Antienne de l'Office de Vendredi Saint: Alyawma - Ulliga
—
U primu fiore
—
Lettera a Mamma
—
Ponto novu
—
Nana Analuza
—
Antidotum Tarentulae
—
Chorea
—
Tarantella Neapoli Tonum Phrygium
—
Fons vitae - Dementia praecox angelorum - Supra solfamirent
—
Extravagans - Laurea minima - In vitro
—
Vulgaris - Sine Populi notione - Vagula et blandula
—
De tolerantia aeterea - Fuga ficta et carrus triumphalis
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055143528000000005515114900000000551691460000000063039034000000007360672500000000768914370000000078344349000000007839758X00000000807696020000000081360868
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000000008169724100000001086344440000000108716781000000010887038300000001089644270000000109078208000000010943529500000001094425160000000109624141000000011025909X0000000114373746000000011438844600000001144356950000000114766865000000011479251000000001148038300000000116489531000000011678295700000001177364850000000118857377000000011942786200000001195872920000000120859320000000012090163X00000001209919970000000121188274000000012137526400000001215182610000000122073508000000012276415700000001227841230000000122785978000000012279183300000001228061500000000122822783000000012282689900000001228414230000000122930450000000012353867X0000000123593257
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3149020934272 is a Universal Product Code (UPC) assigned to Generation Harmonia Mundi: 1958 | 1988 - The Age of Revolutions by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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