UPC · Release
Charpentier: Histoires sacrées
Ensemble correspondances, Sébastien Daucé
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3149020937068 is the Universal Product Code (UPC barcode) for the release “Charpentier: Histoires sacrées” by Ensemble correspondances, Sébastien Daucé, released 2019-01-01 on Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (65)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | — | ||
| 2 | Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Nullus audit, nullus videt (Valerianus, Cæcilia) - Et aquis lustratibus (Chorus fidelium) | — | ||
| 3 | Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Acceptis autem ab Angelo flosculis (Historicus, Cæcilia, Valerianus, Tiburtius) | — | ||
| 4 | Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: O Christi fidem profitentium (Tutti) | — | ||
| 5 | Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Præludium | — | ||
| 6 | Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Cum autem Valeriani et Tiburtii (Historicus, Almachius, Cæcilia) | — | ||
| 7 | Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Ecce, ecce mihi Jesu (Cæcilia) | — | ||
| 8 | Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Heu, heu, nos dolentes (Chorus fidelium, Angeli) | — | ||
| 9 | Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Cur ploratis fideles (Angeli, Chorus fidelium) | — | ||
| 10 | Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Guay - Nolite flere fideles (Angeli, Chorus fidelium, tutti) | — | ||
| 11 | Motet pour les trépassés à 8, H. 311: Prélude - Miseremini mei | — | ||
| 12 | Motet pour les trépassés à 8, H. 311: Heu, mihi Domine | — | ||
| 13 | Motet pour les trépassés à 8, H. 311: Ritournelle - Ah, ah pœnis crucior | — | ||
| 14 | Dialogus inter Magdalenam et Jesum, H. 423: Hei, hei mihi infelix Magdalena | — | ||
| 15 | Judith, sive Bethulia liberata, H. 391, Première partie: Stabat Holofernes super montes (Chorus Assyriorum) | — | ||
| 16 | Judith, sive Bethulia liberata, H. 391, Première partie: Filii Israel (Tres duces Assyrii) | — | ||
| 17 | Judith, sive Bethulia liberata, H. 391, Première partie: Et placuerunt (Historicus ex Assyriis, Historicus ex filiis Israel, Tres viri Israelitæ, Historicus ex Israel) | — | ||
| 18 | Judith, sive Bethulia liberata, H. 391, Première partie: Peccavimus, Domine (Filii Israel) | — | ||
| 19 | Judith, sive Bethulia liberata, H. 391, Première partie: Et, cum his clamoribus (Historicus ex filiis Israel, Ozias) | — | ||
| 20 | Judith, sive Bethulia liberata, H. 391, Première partie: Quod cum audisset (Historici ex filiis Israel) | — | ||
| 21 | Judith, sive Bethulia liberata, H. 391, Première partie: Quod est hoc verbum (Judith) | — | ||
| 22 | Judith, sive Bethulia liberata, H. 391, Première partie: Vera sunt omnia (Ozias, Judith, Chorus ex Israel, trois voix seules) | — | ||
| 23 | Judith, sive Bethulia liberata, H. 391, Première partie: Nocte autem sequetem (Historicus ex Israel, Judith) | — | ||
| 24 | Judith, sive Bethulia liberata, H. 391, Première partie: Post hæc Judith deposuit (Historicus ex Israel) | — | ||
| 25 | Judith, sive Bethulia liberata, H. 391, Première partie: La nuict | — | ||
| 26 | Judith, sive Bethulia liberata, H. 391, Seconde partie: Cum autem Judith descenderat montem (Ancilla, Duo exploratores ex Assyriis, Judith, Chorus Assyriorum) | — | ||
| 27 | Judith, sive Bethulia liberata, H. 391, Seconde partie: Æquo animo esto (Holofernes, Judith) | — | ||
| 28 | Judith, sive Bethulia liberata, H. 391, Seconde partie: Et ingressa Judith (Historici ex Assyriis) | — | ||
| 29 | Judith, sive Bethulia liberata, H. 391, Seconde partie: Ut autem sero factum est (Ancilla) | — | ||
| 30 | Judith, sive Bethulia liberata, H. 391, Seconde partie: Aperite portas, custodes fideles (Judith) | — | ||
| 31 | Judith, sive Bethulia liberata, H. 391, Seconde partie: Et cum audissent filii Israel (Chorus filiorum Israel) | — | ||
| 32 | Judith, sive Bethulia liberata, H. 391, Seconde partie: Laudate Dominum Deum nostrum (Judith, Chœur) | — | ||
| 2-1 | Mors Saülis et Jonathæ, H. 403: Rumor bellicus | — | ||
| 2-2 | Mors Saülis et Jonathæ, H. 403, Première partie: Cum essent congregata (Chorus) | — | ||
| 2-3 | Mors Saülis et Jonathæ, H. 403, Première partie: O mulier, suscita mihi (Saül, Maga) | — | ||
| 2-4 | Mors Saülis et Jonathæ, H. 403, Première partie: Première symphonie [de l'enchantement] - Æther umbrosus nigro velamine (Maga) Per hanc virgam in terram trahentem (Maga) - [Seconde] symphonie de l'enchantement - Ecquid ad surdos (Maga) | — | ||
| 2-5 | Mors Saülis et Jonathæ, H. 403, Première partie: Cumque Samuel volente Deo (Duo ex choro) | — | ||
| 2-6 | Mors Saülis et Jonathæ, H. 403, Première partie: Surge Saül et responde mihi ! (Samuel, Saül) | — | ||
| 2-7 | Mors Saülis et Jonathæ, H. 403, Seconde partie: Cecidit repente Saül (Chorus) | — | ||
| 2-8 | Mors Saülis et Jonathæ, H. 403, Seconde partie: Tolle, quæso, tolle (Saül, Miles) | — | ||
| 2-9 | Mors Saülis et Jonathæ, H. 403, Seconde partie: Age cito (Saül, chorus) | — | ||
| 2-10 | Mors Saülis et Jonathæ, H. 403, Seconde partie: Cumque miles invitus (Tres ex choro) | — | ||
| 2-11 | Mors Saülis et Jonathæ, H. 403, Seconde partie: Quisnam es tu ? (David, Miles) | — | ||
| 2-12 | Mors Saülis et Jonathæ, H. 403, Seconde partie: O sors ! (Chorus sans violons) | — | ||
| 2-13 | Mors Saülis et Jonathæ, H. 403, Seconde partie: Sed tu, unde scis quod Saül (David, Miles) | — | ||
| 2-14 | Mors Saülis et Jonathæ, H. 403, Seconde partie: Doleo super te (David) | — | ||
| 2-15 | Mors Saülis et Jonathæ, H. 403, Seconde partie: David autem conversus (Duo ex choro, David) | — | ||
| 2-16 | Mors Saülis et Jonathæ, H. 403, Seconde partie: Montes Gelboe (Chorus ultimus) | — | ||
| 2-17 | Prelude pour Mementote peccatores, H. 425a | — | ||
| 2-18 | Dialogus inter Christum et peccatores, H. 425: Mementote peccatores (Christus) | — | ||
| 2-19 | Dialogus inter Christum et peccatores, H. 425: Vos autem (Christus, à 3) | — | ||
| 2-20 | Dialogus inter Christum et peccatores, H. 425: Quis capiti meo dabit aquam (Premier dessus) | — | ||
| 2-21 | Dialogus inter Christum et peccatores, H. 425: Heu, stupiditas cordis mei (Deuxième dessus) | — | ||
| 2-22 | Dialogus inter Christum et peccatores, H. 425: Ah, cor durum, ah cor ingratum (à 3) | — | ||
| 2-23 | Dialogus inter Christum et homines H. 417: Prélude - Homo Deus fecit cœnam magnam | — | ||
| 2-24 | Dialogus inter Christum et homines H. 417: O panis Deus | — | ||
| 2-25 | Élévation, H. 408: [Symphonie] | — | ||
| 2-26 | Élévation, H. 408: Famem meam quis replebit (Esuriens, Christus, Sitiens) | — | ||
| 2-27 | Élévation, H. 408: Panem cœlestem habeo (Christus) | — | ||
| 2-28 | Élévation, H. 408: Esurio, sitio (Esuriens, Sitiens, Christus) | — | ||
| 2-29 | Élévation, H. 408: O panis angelorum (Esuriens, Sitiens, Christus) | — | ||
| 2-30 | Pestis mediolanensis, H. 398: Prélude pour Horrenda pestis - Horrenda pestis Mediolanum vastabit | — | ||
| 2-31 | Pestis mediolanensis, H. 398: Afflictionem miseri populi ut audivit (grand chœur) | — | ||
| 2-32 | Pestis mediolanensis, H. 398: Cantilena. Infirmos languentes solatur | — | ||
| 2-33 | Pestis mediolanensis, H. 398: Hymnum ergo cantemus (grand chœur) | — |
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What is UPC 3149020937068?
3149020937068 is a Universal Product Code (UPC) assigned to Charpentier: Histoires sacrées by Ensemble correspondances, Sébastien Daucé. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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