UPC · Release
The Complete Works for Keyboard 5: Weimar 1708–1717, Toccatas & Fugues
Johann Sebastian Bach, Benjamin Alard
3149020942451
27 tracksReleased 2021-11-12
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3149020942451 is the Universal Product Code (UPC barcode) for the release “The Complete Works for Keyboard 5: Weimar 1708–1717, Toccatas & Fugues” by Johann Sebastian Bach, Benjamin Alard, released 2021-11-12. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include FR7JM1977010, FR7JM1977020, FR7JM1977030.
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314GS1 prefix
9020Company prefix
94245Product
1Check digit
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Credit Chain
UPCThe Complete Works for Keyboard 5: Weimar 1708–1717, Toccatas & Fugues
ISRC27 recordings
ISWC3 works
Track List (27)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Toccata in G major, BWV 916 | Benjamin Alard | — | |
| 3-2 | Concerto in G minor, BWV 985: I. Allegro | Benjamin Alard | — | |
| 3-3 | Concerto in G minor, BWV 985: II. Adagio | Benjamin Alard | T9177558666 | |
| 3-4 | Concerto in G minor, BWV 985: III. Allegro | Benjamin Alard | — | |
| 3-5 | Nun komm, der Heiden Heiland, BWV 699 (Fughetta) | Benjamin Alard | — | |
| 3-6 | Vom Himmel hoch, da komm ich her, BWV 701 (Fughetta) | Benjamin Alard | — | |
| 3-7 | Gelobet seist du, Jesu Christ, BWV 697 (Fughetta) | Benjamin Alard | — | |
| 3-8 | Das Jesulein soll doch mein Trost, BWV 702 (Fughetta) | Benjamin Alard | — | |
| 3-9 | Gottes Sohn ist kommen, BWV 703 (Fughetta) | Benjamin Alard | — | |
| 3-10 | Lob sei dem allmächtigen Gott, BWV 704 (Fughetta) | Benjamin Alard | — | |
| 3-11 | Christum wir sollen loben schon, BWV 696 (Fughetta) | Benjamin Alard | — | |
| 3-12 | Herr Christ, der einig Gottes Sohn, BWV 698 (Fughetta) | Benjamin Alard | — | |
| 3-13 | Concerto in B-flat major, BWV 982: I. Allegro | Benjamin Alard | — | |
| 3-14 | Concerto in B-flat major, BWV 982: II. Adagio – Allegro | Benjamin Alard | — | |
| 3-15 | Concerto in B-flat major, BWV 982: III. Allegro | Benjamin Alard | — | |
| 3-16 | Concerto in D minor, BWV 987: I. Adagio – Presto – Adagio – Presto – Grave | Benjamin Alard | — | |
| 3-17 | Concerto in D minor, BWV 987: II. Un poco allegro | Benjamin Alard | — | |
| 3-18 | Concerto in D minor, BWV 987: III. Adagio | Benjamin Alard | — | |
| 3-19 | Concerto in D minor, BWV 987: IV. Vivace | Benjamin Alard | — | |
| 3-20 | Gelobet seist du, Jesu Christ, BWV 722 (Passaggio Chorale) | Benjamin Alard | — | |
| 3-21 | Lobt Gott, ihr Christen, allzugleich, BWV 732 (Passaggio Chorale) | Benjamin Alard | T9163271316 | |
| 3-22 | In dulci jubilo, BWV 729 (Passaggio Chorale) | Benjamin Alard | — | |
| 3-24 | Prelude and Fugue in A minor, BWV 895 | Benjamin Alard | — | |
| 3-25 | Concerto in C minor, BWV 981: I. Adagio | Benjamin Alard | — | |
| 3-26 | Concerto in C minor, BWV 981: II. Vivace | Benjamin Alard | — | |
| 3-27 | Concerto in C minor, BWV 981: III. Adagio | Benjamin Alard | — | |
| 3-28 | Concerto in C minor, BWV 981: IV. Prestissimo | Benjamin Alard | — |
Toccata in G major, BWV 916
Benjamin Alard
—
Concerto in G minor, BWV 985: I. Allegro
Benjamin Alard
—
Concerto in G minor, BWV 985: III. Allegro
Benjamin Alard
—
Nun komm, der Heiden Heiland, BWV 699 (Fughetta)
Benjamin Alard
—
Vom Himmel hoch, da komm ich her, BWV 701 (Fughetta)
Benjamin Alard
—
Gelobet seist du, Jesu Christ, BWV 697 (Fughetta)
Benjamin Alard
—
Das Jesulein soll doch mein Trost, BWV 702 (Fughetta)
Benjamin Alard
—
Gottes Sohn ist kommen, BWV 703 (Fughetta)
Benjamin Alard
—
Lob sei dem allmächtigen Gott, BWV 704 (Fughetta)
Benjamin Alard
—
Christum wir sollen loben schon, BWV 696 (Fughetta)
Benjamin Alard
—
Herr Christ, der einig Gottes Sohn, BWV 698 (Fughetta)
Benjamin Alard
—
Concerto in B-flat major, BWV 982: I. Allegro
Benjamin Alard
—
Concerto in B-flat major, BWV 982: II. Adagio – Allegro
Benjamin Alard
—
Concerto in B-flat major, BWV 982: III. Allegro
Benjamin Alard
—
Concerto in D minor, BWV 987: I. Adagio – Presto – Adagio – Presto – Grave
Benjamin Alard
—
Concerto in D minor, BWV 987: II. Un poco allegro
Benjamin Alard
—
Concerto in D minor, BWV 987: III. Adagio
Benjamin Alard
—
Concerto in D minor, BWV 987: IV. Vivace
Benjamin Alard
—
Gelobet seist du, Jesu Christ, BWV 722 (Passaggio Chorale)
Benjamin Alard
—
In dulci jubilo, BWV 729 (Passaggio Chorale)
Benjamin Alard
—
Prelude and Fugue in A minor, BWV 895
Benjamin Alard
—
Concerto in C minor, BWV 981: I. Adagio
Benjamin Alard
—
Concerto in C minor, BWV 981: II. Vivace
Benjamin Alard
—
Concerto in C minor, BWV 981: III. Adagio
Benjamin Alard
—
Concerto in C minor, BWV 981: IV. Prestissimo
Benjamin Alard
—
Additional database matches (20)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata in D minor, BWV 565 | Benjamin Alard | T9223319264 |
| “Wo Gott der Herr nicht bei uns hält”, BWV 1128 (Chorale Prelude) | Benjamin Alard | — |
| “Liebster Jesu, wird sind hier”, BWV 731 (Chorale Prelude) | Benjamin Alard | — |
| “Liebster Jesu, wird sind hier”, BWV 730 (Chorale Prelude) | Benjamin Alard | — |
| Prelude and Fugue in C major, BWV 545a (early version) | Benjamin Alard | — |
| “Jesu, meine Freude”, BWV 713 (Chorale Prelude) | Benjamin Alard | — |
| “Christus, der uns selig macht”, BWV 747 (Chorale Prelude) | Benjamin Alard | — |
| “Herzlich tut mich verlangen”, BWV 727 (Chorale Prelude) | Benjamin Alard | — |
| “Liebster Jesu, wird sind hier”, BWV 706 (Chorale Prelude) | Benjamin Alard | — |
| Prelude and Fugue in A minor, BWV 543 (early version BWV 543/1a for the Prelude) | Benjamin Alard | — |
| Fantasia super “Christ lag in Todesbanden”, BWV 695 | Benjamin Alard | — |
| Trio in D minor, BWV 528/2a (early version) | Benjamin Alard | — |
| Toccata and Fugue in F major, BWV 540 | Benjamin Alard | — |
| Toccata in C minor, BWV 911 | Benjamin Alard | — |
| Prelude and Fugue in A major, BWV 536a | Benjamin Alard | — |
| Fantasia and Fugue in A minor, BWV 904 | Benjamin Alard | — |
| Toccata in F-sharp minor, BWV 910 | Benjamin Alard | — |
| “Sei gegrüsset, Jesu gütig”, BWV 768 (Chorale Partita) | Benjamin Alard | — |
| Toccata and Fugue in D minor, BWV 538 | Benjamin Alard | — |
| Vom Himmel hoch, da komm ich her, BWV 738a (early version) (Passaggio Chorale) | Benjamin Alard | — |
Benjamin Alard
“Wo Gott der Herr nicht bei uns hält”, BWV 1128 (Chorale Prelude)
Benjamin Alard
—
“Liebster Jesu, wird sind hier”, BWV 731 (Chorale Prelude)
Benjamin Alard
—
“Liebster Jesu, wird sind hier”, BWV 730 (Chorale Prelude)
Benjamin Alard
—
Prelude and Fugue in C major, BWV 545a (early version)
Benjamin Alard
—
“Jesu, meine Freude”, BWV 713 (Chorale Prelude)
Benjamin Alard
—
“Christus, der uns selig macht”, BWV 747 (Chorale Prelude)
Benjamin Alard
—
“Herzlich tut mich verlangen”, BWV 727 (Chorale Prelude)
Benjamin Alard
—
“Liebster Jesu, wird sind hier”, BWV 706 (Chorale Prelude)
Benjamin Alard
—
Prelude and Fugue in A minor, BWV 543 (early version BWV 543/1a for the Prelude)
Benjamin Alard
—
Fantasia super “Christ lag in Todesbanden”, BWV 695
Benjamin Alard
—
Trio in D minor, BWV 528/2a (early version)
Benjamin Alard
—
Toccata and Fugue in F major, BWV 540
Benjamin Alard
—
Toccata in C minor, BWV 911
Benjamin Alard
—
Prelude and Fugue in A major, BWV 536a
Benjamin Alard
—
Fantasia and Fugue in A minor, BWV 904
Benjamin Alard
—
Toccata in F-sharp minor, BWV 910
Benjamin Alard
—
“Sei gegrüsset, Jesu gütig”, BWV 768 (Chorale Partita)
Benjamin Alard
—
Toccata and Fugue in D minor, BWV 538
Benjamin Alard
—
Vom Himmel hoch, da komm ich her, BWV 738a (early version) (Passaggio Chorale)
Benjamin Alard
—
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What is UPC 3149020942451?
3149020942451 is a Universal Product Code (UPC) assigned to The Complete Works for Keyboard 5: Weimar 1708–1717, Toccatas & Fugues by Johann Sebastian Bach, Benjamin Alard. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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