UPC · Release
Isabelle Faust Plays Bach
Johann Sebastian Bach, Isabelle Faust
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3149020945643 is the Universal Product Code (UPC barcode) for the release “Isabelle Faust Plays Bach” by Johann Sebastian Bach, Isabelle Faust, released 2022-01-01 on Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC. Tracks include FR7JM2113010, FR7JM2113020, FR7JM2113030.
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Track List (110)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in D Minor, BWV 1052R: I. Allegro | — | ||
| 2 | Violin Concerto in D Minor, BWV 1052R: II. Adagio | — | ||
| 3 | Violin Concerto in D Minor, BWV 1052R: III. Allegro | — | ||
| 4 | Ich liebe den Höchsten von ganzem Gemüte, BWV 174: I. Sinfonia | — | ||
| 5 | Concerto for Violin, Strings and Basso continuo, BWV 1042: I. Allegro | — | ||
| 6 | Concerto for Violin, Strings and Basso continuo, BWV 1042: II. Adagio | — | ||
| 7 | Concerto for Violin, Strings and Basso continuo, BWV 1042: III. Allegro assai | — | ||
| 8 | Sinfonia from the Cantata “Ich hatte viel Bekümmernis”, BWV 21 | — | ||
| 9 | Trio Sonata for 2 Violins and Basso Continuo, BWV 529: I. Allegro | — | ||
| 10 | Trio Sonata for 2 Violins and Basso Continuo, BWV 529: II. Largo | — | ||
| 11 | Trio Sonata for 2 Violins and Basso Continuo, BWV 529: II. Allegro | — | ||
| 12 | Concerto for Oboe, Violin, Strings and Basso continuo, BWV 1060R: I. Allegro | — | ||
| 13 | Concerto for Oboe, Violin, Strings and Basso continuo, BWV 1060R: II. Adagio | — | ||
| 14 | Concerto for Oboe, Violin, Strings and Basso continuo, BWV 1060R: III. Allegro | — | ||
| 2-1 | Overture for Violin and Strings, BWV 1067: I. Ouverture | — | ||
| 2-2 | Overture for Violin and Strings, BWV 1067: II. Rondeau | — | ||
| 2-3 | Overture for Violin and Strings, BWV 1067: III. Sarabande | — | ||
| 2-4 | Overture for Violin and Strings, BWV 1067: IV. Bourrées I & II | — | ||
| 2-5 | Overture for Violin and Strings, BWV 1067: V. Polonaise. Moderato e staccato. Double | — | ||
| 2-6 | Overture for Violin and Strings, BWV 1067: VI. Menuet | — | ||
| 2-7 | Overture for Violin and Strings, BWV 1067: VII. Badinerie | — | ||
| 2-8 | Trio Sonata for Oboe, Violin and Basso continuo, BWV 527: I. Andante | — | ||
| 2-9 | Trio Sonata for Oboe, Violin and Basso continuo, BWV 527: II. Adagio e dolce | — | ||
| 2-10 | Trio Sonata for Oboe, Violin and Basso continuo, BWV 527: III. Vivace | — | ||
| 2-11 | Concerto for Violin, Strings and Basso continuo, BWV 1056R: I. [no tempo marking] | — | ||
| 2-12 | Concerto for Violin, Strings and Basso continuo, BWV 1056R: II. Largo | — | ||
| 2-13 | Concerto for Violin, Strings and Basso continuo, BWV 1056R: III. Presto | — | ||
| 2-14 | Sonata from the Cantata “Himmelskönig, sei willkommen”, BWV 182 | — | ||
| 2-15 | Concerto for Violin, Strings and Basso continuo, BWV 1041: I. [no tempo marking] | — | ||
| 2-16 | Concerto for Violin, Strings and Basso continuo, BWV 1041: II. Andante | — | ||
| 2-17 | Concerto for Violin, Strings and Basso continuo, BWV 1041: III. Allegro assai | — | ||
| 2-18 | Sinfonia, BWV 1045 | — | ||
| 2-19 | Concerto for 2 Violins, Strings and Basso continuo, BWV 1043: I. Vivace | — | ||
| 2-20 | Concerto for 2 Violins, Strings and Basso continuo, BWV 1043: II. Largo ma non tanto | — | ||
| 2-21 | Concerto for 2 Violins, Strings and Basso continuo, BWV 1043: III. Allegro | — | ||
| 3-1 | Sonata No. 1 in G minor, BWV 1001: I. Adagio | — | ||
| 3-2 | Sonata No. 1 in G minor, BWV 1001: II. Fuga. Allegro | — | ||
| 3-3 | Sonata No. 1 in G minor, BWV 1001: III. Siciliana | — | ||
| 3-4 | Sonata No. 1 in G minor, BWV 1001: IV. Presto | — | ||
| 3-5 | Partita No. 1 in B minor, BWV 1002: I. Allemanda | — | ||
| 3-6 | Partita No. 1 in B minor, BWV 1002: II. Double | — | ||
| 3-7 | Partita No. 1 in B minor, BWV 1002: III. Corrente | — | ||
| 3-8 | Partita No. 1 in B minor, BWV 1002: IV. Double | — | ||
| 3-9 | Partita No. 1 in B minor, BWV 1002: V. Sarabande | — | ||
| 3-10 | Partita No. 1 in B minor, BWV 1002: VI. Double | — | ||
| 3-11 | Partita No. 1 in B minor, BWV 1002: VII. Tempo di Borea | — | ||
| 3-12 | Partita No. 1 in B minor, BWV 1002: VIII. Double | — | ||
| 3-13 | Sonata No. 2 in A minor, BWV 1003: I. Grave | — | ||
| 3-14 | Sonata No. 2 in A minor, BWV 1003: II. Fuga | — | ||
| 3-15 | Sonata No. 2 in A minor, BWV 1003: III. Andante | — | ||
| 3-16 | Sonata No. 2 in A minor, BWV 1003: IV. Allegro | — | ||
| 4-1 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | — | ||
| 4-2 | Partita no. 2 in D minor, BWV 1004: II. Corrente | — | ||
| 4-3 | Partita no. 2 in D minor, BWV 1004: III. Sarabanda | — | ||
| 4-4 | Partita no. 2 in D minor, BWV 1004: IV. Giga | — | ||
| 4-5 | Partita no. 2 in D minor, BWV 1004: V. Ciaccona | — | ||
| 4-6 | Sonata no. 3 in C major, BWV 1005: I. Adagio | — | ||
| 4-7 | Sonata no. 3 in C major, BWV 1005: II. Fuga | — | ||
| 4-8 | Sonata no. 3 in C major, BWV 1005: III. Largo | — | ||
| 4-9 | Sonata no. 3 in C major, BWV 1005: IV. Allegro assai | — | ||
| 4-10 | Partita no. 3 in E major, BWV 1006: I. Preludio | — | ||
| 4-11 | Partita no. 3 in E major, BWV 1006: II. Loure | — | ||
| 4-12 | Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeau | — | ||
| 4-13 | Partita no. 3 in E major, BWV 1006: IV. Menuet I / V. Menuet II | — | ||
| 4-14 | Partita no. 3 in E major, BWV 1006: VI. Bourée | — | ||
| 4-15 | Partita no. 3 in E major, BWV 1006: VII. Gigue | — | ||
| 5-1 | Sonata I in B minor, BWV 1014: I. Adagio | — | ||
| 5-2 | Sonata I in B minor, BWV 1014: II. Allegro | — | ||
| 5-3 | Sonata I in B minor, BWV 1014: III. Andante | — | ||
| 5-4 | Sonata I in B minor, BWV 1014: IV. Allegro | — | ||
| 5-5 | Sonata II in A major, BWV 1015: I. [Largo] | — | ||
| 5-6 | Sonata II in A major, BWV 1015: II. Allegro | — | ||
| 5-7 | Sonata II in A major, BWV 1015: III. Andante un poco | — | ||
| 5-8 | Sonata II in A major, BWV 1015: IV. Presto | — | ||
| 5-9 | Sonata III in E major, BWV 1016: I. Adagio | — | ||
| 5-10 | Sonata III in E major, BWV 1016: II. Allegro | — | ||
| 5-11 | Sonata III in E major, BWV 1016: III. Adagio ma non tanto | — | ||
| 5-12 | Sonata III in E major, BWV 1016: IV. Allegro | — | ||
| 6-1 | Sonata IV in C minor, BWV 1017: I. Largo | — | ||
| 6-2 | Sonata IV in C minor, BWV 1017: II. Allegro | — | ||
| 6-3 | Sonata IV in C minor, BWV 1017: III. Adagio | — | ||
| 6-4 | Sonata IV in C minor, BWV 1017: IV. Allegro | — | ||
| 6-5 | Sonata V in F minor, BWV 1018: I. [Largo] | — | ||
| 6-6 | Sonata V in F minor, BWV 1018: II. Allegro | — | ||
| 6-7 | Sonata V in F minor, BWV 1018: III. Adagio | — | ||
| 6-8 | Sonata V in F minor, BWV 1018: IV. Vivace | — | ||
| 6-9 | Sonata VI in G major, BWV 1019: I. Allegro | — | ||
| 6-10 | Sonata VI in G major, BWV 1019: II. Largo | — | ||
| 6-11 | Sonata VI in G major, BWV 1019: III. Allegro | — | ||
| 6-12 | Sonata VI in G major, BWV 1019: IV. Adagio | — | ||
| 6-13 | Sonata VI in G major, BWV 1019: V. Allegro | — | ||
| 7-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. [Ohne Satzbezeichnung] | Akademie für Alte Musik Berlin | T-914.323.771-2 | |
| 7-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Akademie für Alte Musik Berlin | T-917.755.866-6 | |
| 7-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Akademie für Alte Musik Berlin | — | |
| 7-4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuet - Trio I - Polonaise - Trio II | Akademie für Alte Musik Berlin | T-307.292.941-6 | |
| 7-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Ohne Satzbezeichnung] | Akademie für Alte Musik Berlin | T-914.323.771-2 | |
| 7-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Akademie für Alte Musik Berlin | — | |
| 7-7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Akademie für Alte Musik Berlin | T-306.395.786-4 | |
| 7-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Ohne Satzbezeichnung] | Isabelle Faust, Antoine Tamestit, Akademie für Alte Musik Berlin | T-914.323.771-2 | |
| 7-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | Isabelle Faust, Antoine Tamestit, Akademie für Alte Musik Berlin | T-917.755.866-6 | |
| 7-10 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | Isabelle Faust, Antoine Tamestit, Akademie für Alte Musik Berlin | — | |
| 8-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Isabelle Faust, Akademie für Alte Musik Berlin | T-914.323.771-2 | |
| 8-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Isabelle Faust, Akademie für Alte Musik Berlin | — | |
| 8-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Isabelle Faust, Akademie für Alte Musik Berlin | — | |
| 8-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | Akademie für Alte Musik Berlin | T-914.323.771-2 | |
| 8-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | Akademie für Alte Musik Berlin | T-307.292.927-8 | |
| 8-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | Akademie für Alte Musik Berlin | — | |
| 8-7 | Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: I. [Ohne Satzbezeichnung] | Antoine Tamestit, Akademie für Alte Musik Berlin | T-914.323.771-2 | |
| 8-8 | Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: II. Adagio ma non tanto | Antoine Tamestit, Akademie für Alte Musik Berlin | — | |
| 8-9 | Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: III. Allegro | Antoine Tamestit, Akademie für Alte Musik Berlin | — |
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What is UPC 3149020945643?
3149020945643 is a Universal Product Code (UPC) assigned to Isabelle Faust Plays Bach by Johann Sebastian Bach, Isabelle Faust. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 110 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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