UPC · Album
Requiem
Wolfgang Amadeus Mozart, Pygmalion, Raphaël Pichon
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3149020950623 is the Universal Product Code (UPC barcode) for the release “Requiem” by Wolfgang Amadeus Mozart, Pygmalion, Raphaël Pichon, released 2024-01-01 on Harmonia Mundi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include FR7JM2384010, FR7JM2384020, FR7JM2384030.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (22)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Antienne, In paradisum | Chadi Lazreq | FR7JM2384010 |
| Ach, zu kurz ist unsers Lebenslauf, K. 228, K. 515b | Ying Fang, Beth Taylor, Laurence Kilsby, Alex Rosen | FR7JM2384020 |
| Miserere mei, K. 90 | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384030 |
| Requiem in D Minor, K. 626: I. Introitus | Ensemble Pygmalion, Ying Fang, Raphaël Pichon | FR7JM2384040 |
| Requiem in D Minor, K. 626: II. Kyrie | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384050 |
| Ne pulvis et cinis, K. 122 | Alex Rosen, Ensemble Pygmalion, Raphaël Pichon | FR7JM2384060 |
| Requiem in D Minor, K. 626: III. Sequentia: No. 1, Dies irae | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384070 |
| Requiem in D Minor, K. 626: III. Sequentia: No. 2, Tuba mirum | Ying Fang, Laurence Kilsby, Alex Rosen, Beth Taylor, Ensemble Pygmalion, Raphaël Pichon | FR7JM2384080 |
| Requiem in D Minor, K. 626: III. Sequentia No. 3, Rex tremendae | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384090 |
| Solfeggio in F Major, K. 393/2 (Arr. by Vincent Manac'h) | Chadi Lazreq, Ensemble Pygmalion, Raphaël Pichon | FR7JM2384100 |
| Requiem in D Minor, K. 626: III. Sequentia: No. 4, Recordare | Ying Fang, Laurence Kilsby, Alex Rosen, Beth Taylor, Ensemble Pygmalion, Raphaël Pichon | FR7JM2384110 |
| Requiem in D Minor, K. 626: III. Sequentia: No. 5, Confutatis | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384120 |
| Requiem in D Minor, K. 626: III. Sequentia: No. 6, Lacrimosa - Amen, appendix | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384130 |
| Requiem in D Minor, K. 626: IV. Offertorium: No. 1, Domine Jesu Christe | Ensemble Pygmalion, Ying Fang, Laurence Kilsby, Alex Rosen, Beth Taylor, Raphaël Pichon | FR7JM2384140 |
| Quis te comprehendat, K. Anh. 110 | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384150 |
| Requiem in D Minor, K. 626: IV. Offertorium: No. 2, Hostias | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384160 |
| Requiem in D Minor, K. 626: V. Sanctus | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384170 |
| Requiem in D Minor, K. 626: VI. Benedictus | Ensemble Pygmalion, Ying Fang, Laurence Kilsby, Alex Rosen, Beth Taylor, Raphaël Pichon | FR7JM2384180 |
| 2 Kirchenlieder, K. 343: No. 1, O Gottes Lamm (Arr. by Vincent Manac'h) | Ensemble Pygmalion, Beth Taylor, Raphaël Pichon | FR7JM2384190 |
| Requiem in D Minor, K. 626: VII. Agnus Dei | Ensemble Pygmalion, Raphaël Pichon | FR7JM2384200 |
| Requiem in D Minor, K. 626: VIII. Communio | Ensemble Pygmalion, Ying Fang, Raphaël Pichon | FR7JM2384210 |
| Antienne, In paradisum II | Chadi Lazreq | FR7JM2384220 |
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What is UPC 3149020950623?
3149020950623 is a Universal Product Code (UPC) assigned to Requiem by Wolfgang Amadeus Mozart, Pygmalion, Raphaël Pichon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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