UPC · Release
Portrait d'un Artiste
Philippe Herreweghe
3149025050427
50 tracksReleased 1992-01-01Harmonia Mundi France
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3149025050427 is the Universal Product Code (UPC barcode) for the release “Portrait d'un Artiste” by Philippe Herreweghe, released 1992-01-01 on Harmonia Mundi France. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include FRZ148412040, FRZ148412050, FRZ148412060.
Format
314GS1 prefix
9025Company prefix
05042Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPortrait d'un Artiste
ISRC3 recordings
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ave María | — | ||
| 2 | Hieremiae Prophetae Lamentations (1585) | — | ||
| 3 | Missa In 'illo Tempore ' (1610) - Kyrie | — | ||
| 4 | Missa In 'illo Tempore ' (1610) - Gloria | — | ||
| 5 | Vespro Della Beata Vergini - Audi Coellum | — | ||
| 6 | Vespro Della Beata Vergini - Sonata Sopra 'Sancta Maria, ora pro nobis' | — | ||
| 7 | Vespro Della Beata Vergini - Ave Maris Stella | — | ||
| 8 | Petits Concerts Spirituels, op. 8 (1636) - 'O Lieber Herre Gott', SWV 287 | — | ||
| 9 | Musicalia Ad Chorum Sacrum, op.11 - 'Die Himmel erzählen', SWV 386 | — | ||
| 10 | Musicalia Ad Chorum Sacrum, op.11 - 'Selig sind die Toten', SWV 391 | — | ||
| 2-1 | Magnificat BWV 243 (1723) - Choeur: "Magnificat anima mea Dominum" | — | ||
| 2-2 | Magnificat BWV 243 (1723) - Aria: "Et exultavit spiritus meus" | — | ||
| 2-3 | Magnificat BWV 243 (1723) - Aria: "Quia respexit humilitatem" | — | ||
| 2-4 | Magnificat BWV 243 (1723) - Choeur: "Omnes Generationes" | — | ||
| 2-5 | Matthäus-Passion, BWV 244: Teil I: Aria a doi Cori: So ist mein Jesus nun gefangen / Chorus I & II: Sind Blitze, sind Donner in Wolken verschwunden | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-6 | Matthäus-Passion, BWV 244: Teil I: Evangelista, Jesus: Und siehe, einer aus denen | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-7 | Matthäus-Passion, BWV 244: Teil I: Choral: O Mensch, bewein dein Sünde groß | La Chapelle Royale, Philippe Herreweghe | — | |
| 2-8 | Memorare (1686) - Motet à 2 choeurs pour la chappele du Roy | — | ||
| 2-9 | Messe de Requiem (c. 1700) - Requiem aeternam - Te decet hymnus deux - Requiem aeternam | — | ||
| 2-10 | Miserere H.219 (c. 1690) - Ouverture | — | ||
| 2-11 | Miserere H.219 (c. 1690) - Miserere mei, Deus | — | ||
| 2-12 | Dies Irae S.31 (1690) - Coeurs (sopranos): "Dies rae" | — | ||
| 2-13 | Dies Irae S.31 (1690) - Choeur: "Qantus tremor" | — | ||
| 2-14 | Dies Irae S.31 (1690) - Baryton: "Tuba mirum" | — | ||
| 2-15 | Dies Irae S.31 (1690) - Chour: "Mors stupebit" | — | ||
| 2-16 | Dies Irae S.31 (1690) - Haute-contre: "Liber scriptus" | — | ||
| 2-17 | Dies Irae S.31 (1690) - Trios & Choeur: "Recordare Jesu pie" | — | ||
| 2-18 | Grand motet "In convertendo" (1751) - Récit (haute-contre): "in convertendo" | — | ||
| 2-19 | Grand motet "In convertendo" (1751) - Choeur: "Tunc repletum" | — | ||
| 2-20 | Grand motet "In convertendo" (1751) - Duo (soprano et basse): "Magnificat Dominus" | — | ||
| 2-21 | Requiem (c. 1700) - Graduel | — | ||
| 2-22 | Requiem (c. 1700) - Offertoire | — | ||
| 3-1 | Psaume 42, op.42 (1837) - Choeur "Wie de Hirsch schreit" | — | ||
| 3-2 | Psaume 42, op.42 (1837) - Quintette: "Der Herr hat des Tages verheissen" | — | ||
| 3-3 | Psaume 42, op.42 (1837) - Choeur final: "Was betruebst du dich" | — | ||
| 3-4 | Hymne (1840) - "Hör mein Bitten, Herr" | — | ||
| 3-5 | Trois Motets op.110 (1890) - "Ich aber bin elend" | — | ||
| 3-6 | Trois Motets op.110 (1890) - "Ach, arme Welt" | — | ||
| 3-7 | Trois Motets op.110 (1890) - "Wenn wir in höchsten Nöten sein" | — | ||
| 3-8 | Motets - Equale n°1 pour trois trombones (1847) | — | ||
| 3-9 | Motets - Ave Maria (1861) | — | ||
| 3-10 | Motets - Christus factus est (1884) | — | ||
| 3-11 | Motets - Equale n°2 pour trois trombones (1847) | — | ||
| 3-14 | Pierrot Lunaire op.21, II. Teil (1912) - Die Nacht | — | ||
| 3-15 | Pierrot Lunaire op.21, II. Teil (1912) - Gebet an Pierrot | — | ||
| 3-16 | Pierrot Lunaire op.21, II. Teil (1912) - Raub | — | ||
| 3-17 | Pierrot Lunaire op.21, II. Teil (1912) - Rote Messe | — | ||
| 3-18 | Pierrot Lunaire op.21, II. Teil (1912) - Galgenlied | — | ||
| 3-19 | Pierrot Lunaire op.21, II. Teil (1912) - Enthauptung | — | ||
| 3-20 | Pierrot Lunaire op.21, II. Teil (1912) - Die Kreuze | — |
Ave María
—
Hieremiae Prophetae Lamentations (1585)
—
Missa In 'illo Tempore ' (1610) - Kyrie
—
Missa In 'illo Tempore ' (1610) - Gloria
—
Vespro Della Beata Vergini - Audi Coellum
—
Vespro Della Beata Vergini - Sonata Sopra 'Sancta Maria, ora pro nobis'
—
Vespro Della Beata Vergini - Ave Maris Stella
—
Petits Concerts Spirituels, op. 8 (1636) - 'O Lieber Herre Gott', SWV 287
—
Musicalia Ad Chorum Sacrum, op.11 - 'Die Himmel erzählen', SWV 386
—
Musicalia Ad Chorum Sacrum, op.11 - 'Selig sind die Toten', SWV 391
—
Magnificat BWV 243 (1723) - Choeur: "Magnificat anima mea Dominum"
—
Magnificat BWV 243 (1723) - Aria: "Et exultavit spiritus meus"
—
Magnificat BWV 243 (1723) - Aria: "Quia respexit humilitatem"
—
Magnificat BWV 243 (1723) - Choeur: "Omnes Generationes"
—
Matthäus-Passion, BWV 244: Teil I: Aria a doi Cori: So ist mein Jesus nun gefangen / Chorus I & II: Sind Blitze, sind Donner in Wolken verschwunden
La Chapelle Royale, Philippe Herreweghe
—
Matthäus-Passion, BWV 244: Teil I: Evangelista, Jesus: Und siehe, einer aus denen
La Chapelle Royale, Philippe Herreweghe
—
Matthäus-Passion, BWV 244: Teil I: Choral: O Mensch, bewein dein Sünde groß
La Chapelle Royale, Philippe Herreweghe
—
Memorare (1686) - Motet à 2 choeurs pour la chappele du Roy
—
Messe de Requiem (c. 1700) - Requiem aeternam - Te decet hymnus deux - Requiem aeternam
—
Miserere H.219 (c. 1690) - Ouverture
—
Miserere H.219 (c. 1690) - Miserere mei, Deus
—
Dies Irae S.31 (1690) - Coeurs (sopranos): "Dies rae"
—
Dies Irae S.31 (1690) - Choeur: "Qantus tremor"
—
Dies Irae S.31 (1690) - Baryton: "Tuba mirum"
—
Dies Irae S.31 (1690) - Chour: "Mors stupebit"
—
Dies Irae S.31 (1690) - Haute-contre: "Liber scriptus"
—
Dies Irae S.31 (1690) - Trios & Choeur: "Recordare Jesu pie"
—
Grand motet "In convertendo" (1751) - Récit (haute-contre): "in convertendo"
—
Grand motet "In convertendo" (1751) - Choeur: "Tunc repletum"
—
Grand motet "In convertendo" (1751) - Duo (soprano et basse): "Magnificat Dominus"
—
Requiem (c. 1700) - Graduel
—
Requiem (c. 1700) - Offertoire
—
Psaume 42, op.42 (1837) - Choeur "Wie de Hirsch schreit"
—
Psaume 42, op.42 (1837) - Quintette: "Der Herr hat des Tages verheissen"
—
Psaume 42, op.42 (1837) - Choeur final: "Was betruebst du dich"
—
Hymne (1840) - "Hör mein Bitten, Herr"
—
Trois Motets op.110 (1890) - "Ich aber bin elend"
—
Trois Motets op.110 (1890) - "Ach, arme Welt"
—
Trois Motets op.110 (1890) - "Wenn wir in höchsten Nöten sein"
—
Motets - Equale n°1 pour trois trombones (1847)
—
Motets - Ave Maria (1861)
—
Motets - Christus factus est (1884)
—
Motets - Equale n°2 pour trois trombones (1847)
—
Pierrot Lunaire op.21, II. Teil (1912) - Die Nacht
—
Pierrot Lunaire op.21, II. Teil (1912) - Gebet an Pierrot
—
Pierrot Lunaire op.21, II. Teil (1912) - Raub
—
Pierrot Lunaire op.21, II. Teil (1912) - Rote Messe
—
Pierrot Lunaire op.21, II. Teil (1912) - Galgenlied
—
Pierrot Lunaire op.21, II. Teil (1912) - Enthauptung
—
Pierrot Lunaire op.21, II. Teil (1912) - Die Kreuze
—
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What is UPC 3149025050427?
3149025050427 is a Universal Product Code (UPC) assigned to Portrait d'un Artiste by Philippe Herreweghe. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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