UPC · Release
Ravel, François-Xavier Poizat
Last verified:
The UPC for “The Complete Works with Piano” by Ravel, François-Xavier Poizat is 3149028151404. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-10-25. This release contains 99 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto for the Left‐Hand in D Major, M. 82: Lento – Allegro | — | ||
| 2 | La Valse, M. 72 | — | ||
| 3 | Piano Concerto in G Major, M. 83: I. Allegramente | — | ||
| 4 | Piano Concerto in G Major, M. 83: II. Adagio assai | — | ||
| 5 | Piano Concerto in G Major, M. 83: III. Presto | — | ||
| 6 | Improvisation on “The Lamp is Low” (After Ravel’s Pavane pour une infante défunte, M. 19) | — | ||
| 2-1 | Frontispice, M. 70 | — | ||
| 2-2 | Sérénade Grotesque, M. 5 | — | ||
| 2-3 | Menuet antique, M. 7 | — | ||
| 2-4 | Pavane pour une infante défunte, M. 19 | — | ||
| 2-5 | Jeux d’eau, M. 30 | — | ||
| 2-6 | Sonatine, M. 40: I. Modéré | — | ||
| 2-7 | Sonatine, M. 40: II. Mouvement de Menuet | — | ||
| 2-8 | Sonatine, M. 40: III. Animé | — | ||
| 2-9 | Menuet sur le nom de Haydn, M. 58 | — | ||
| 2-10 | Miroirs, M. 43: I. Noctuelles | — | ||
| 2-11 | Miroirs, M. 43: II. Oiseaux tristes | — | ||
| 2-12 | Miroirs, M. 43: III. Une barque sur l’océan | — | ||
| 2-13 | Miroirs, M. 43: IV. Alborada del gracioso | — | ||
| 2-14 | Miroirs, M. 43: V. La vallée des cloches | — | ||
| 2-15 | Sites auriculaires, M. 13: I. Habanera | — | ||
| 2-16 | Sites auriculaires, M. 13: II. Entre cloches | — | ||
| 2-17 | Menuet in C‐Sharp Minor, M. 42 | — | ||
| 2-18 | Prélude in A Minor, M. 65 | — | ||
| 3-1 | Le Tombeau de Couperin, M. 68: I. Prélude | — | ||
| 3-2 | Le Tombeau de Couperin, M. 68: II. Fugue | — | ||
| 3-3 | Le Tombeau de Couperin, M. 68: III. Forlane | — | ||
| 3-4 | Le Tombeau de Couperin, M. 68: IV. Rigaudon | — | ||
| 3-5 | Le Tombeau de Couperin, M. 68: V. Menuet | — | ||
| 3-6 | Le Tombeau de Couperin, M. 68: VI. Toccata | — | ||
| 3-7 | Gaspard de la nuit, M. 55: I. Ondine | — | ||
| 3-8 | Gaspard de la nuit, M. 55: II. Le Gibet | — | ||
| 3-9 | Gaspard de la nuit, M. 55: III. Scarbo | — | ||
| 3-10 | À la manière de Borodine, M. 63/1 | — | ||
| 3-11 | À la manière de Chabrier, M. 63/2 | — | ||
| 3-12 | Ma mère l’Oye, M. 60: I. Pavane de la Belle au bois dormant | — | ||
| 3-13 | Ma mère l’Oye, M. 60: II. Petit Poucet | — | ||
| 3-14 | Ma mère l’Oye, M. 60: III. Laideronnette, Impératrice des Pagodes | — | ||
| 3-15 | Ma mère l’Oye, M. 60: IV. Les Entretiens de la Belle et la Bête | — | ||
| 3-16 | Ma mère l’Oye, M. 60: V. Le Jardin Féérique | — | ||
| 3-17 | Valses nobles et sentimentales, M. 61: I. Modéré – tres franc | — | ||
| 3-18 | Valses nobles et sentimentales, M. 61: II. Assez lent – avec une expression intense | — | ||
| 3-19 | Valses nobles et sentimentales, M. 61: III. Modéré | — | ||
| 3-20 | Valses nobles et sentimentales, M. 61: IV. Assez animé | — | ||
| 3-21 | Valses nobles et sentimentales, M. 61: V. Presque lent – dans un sentiment intime | — | ||
| 3-22 | Valses nobles et sentimentales, M. 61: VI. Vif | — | ||
| 3-23 | Valses nobles et sentimentales, M. 61: VII. Moins vif | — | ||
| 3-24 | Valses nobles et sentimentales, M. 61: VIII. Épilogue – Lent | — | ||
| 4-1 | Violin Sonata no. 1, M. 12 | — | ||
| 4-2 | Violin Sonata no. 2 in G Major, M. 77: I. Allegretto | — | ||
| 4-3 | Violin Sonata no. 2 in G Major, M. 77: II. Blues | — | ||
| 4-4 | Violin Sonata no. 2 in G Major, M. 77: III. Perpetuum mobile | — | ||
| 4-5 | Berceuse sur le nom de Gabriel Fauré, M. 74 | — | ||
| 4-6 | Tzigane, M. 76 | — | ||
| 4-7 | Piano Trio, M. 67: I. Modéré | — | ||
| 4-8 | Piano Trio, M. 67: II. Pantoum – Assez vif | — | ||
| 4-9 | Piano Trio, M. 67: III. Passacaille – Très large | — | ||
| 4-10 | Piano Trio, M. 67: IV. Final – Animé | — | ||
| 5-1 | Histoires Naturelles, M. 50: I. Le Paon | — | ||
| 5-2 | Histoires Naturelles, M. 50: II. Le Grillon | — | ||
| 5-3 | Histoires Naturelles, M. 50: III. Le cygne | — | ||
| 5-4 | Histoires Naturelles, M. 50: IV. Le Martin‐pêcheur | — | ||
| 5-5 | Histoires Naturelles, M. 50: V. La Pintade | — | ||
| 5-6 | Manteau de fleurs, M. 39 | — | ||
| 5-7 | Les grands vents venus d’outre‐mer, M. 48 | — | ||
| 5-8 | Sur l’herbe, M. 53 | — | ||
| 5-9 | Chanson du rouet, M. 15 | — | ||
| 5-10 | Five Greek Songs: I. Chanson de la mariée, M. A9 | — | ||
| 5-11 | Five Greek Songs: II. Là-bas, vers l’église, M. A10 | — | ||
| 5-12 | Five Greek Songs: III. Quel galant m’est comparable, M. A4 | — | ||
| 5-13 | Five Greek Songs: IV. Chanson des cueilleuses de lentisques, M. A5 | — | ||
| 5-14 | Five Greek Songs: V. Tout gai !, M. A11 | — | ||
| 5-15 | Tripatos, M. A13 | — | ||
| 5-16 | Chants populaires, M. A17: no. 2, Chanson française | — | ||
| 5-17 | Chanson écossaise, M. A12 | — | ||
| 5-18 | Chants populaires, M. A17: no. 1, Chanson espagnole | — | ||
| 5-19 | Don Quichotte à Dulcinée, M. 84: I. Chanson romanesque | — | ||
| 5-20 | Don Quichotte à Dulcinée, M. 84: II. Chanson épique | — | ||
| 5-21 | Don Quichotte à Dulcinée, M. 84: III. Chanson à boire | — | ||
| 5-22 | Chansons Madécasses, M. 78: I. Nahandove | — | ||
| 5-23 | Chansons Madécasses, M. 78: II. Aoua | — | ||
| 5-24 | Chansons Madécasses, M. 78: III. Il est doux | — | ||
| 6-1 | Chants populaires, M. A17: no. 3, Chanson italienne | — | ||
| 6-2 | Noël des jouets, M. 47 | — | ||
| 6-3 | Chants populaires, M. A17: no. 4, Chanson hébraïque | — | ||
| 6-4 | Deux Mélodies hébraïques, M. A22: I. Kaddisch | — | ||
| 6-5 | Deux Mélodies hébraïques, M. A22: II. L’Énigme éternelle | — | ||
| 6-6 | Vocalise-étude en forme de Habanera, M. 51 | — | ||
| 6-7 | Ballade de la reine morte d’aimer, M. 4 | — | ||
| 6-8 | Sainte, M. 9 | — | ||
| 6-9 | Un grand sommeil noir, M. 6 | — | ||
| 6-10 | Si morne !, M. 16 | — | ||
| 6-11 | Deux épigrammes de Clément Marot: no. 1, D’Anne qui me jecta de la neige, M. 21 | — | ||
| 6-12 | Deux épigrammes de Clément Marot: no. 2, D’Anne jouant de l’épinette, M. 10 | — | ||
| 6-13 | Ronsard à son âme, M. 75 | — | ||
| 6-14 | Rêves, M. 79 | — | ||
| 6-15 | Trois poèmes de Stéphane Mallarmé, M. 64: I. Soupir | — | ||
| 6-16 | Trois poèmes de Stéphane Mallarmé, M. 64: II. Placet futile | — | ||
| 6-17 | Trois poèmes de Stéphane Mallarmé, M. 64: III. Surgi de la croupe et du bond | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
3149028151404 is a Universal Product Code (UPC) assigned to The Complete Works with Piano by Ravel, François-Xavier Poizat. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete Works with Piano” by Ravel, François-Xavier Poizat is 3149028151404. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-10-25. This release contains 99 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto for the Left‐Hand in D Major, M. 82: Lento – Allegro | — | ||
| 2 | La Valse, M. 72 | — | ||
| 3 | Piano Concerto in G Major, M. 83: I. Allegramente | — | ||
| 4 | Piano Concerto in G Major, M. 83: II. Adagio assai | — | ||
| 5 | Piano Concerto in G Major, M. 83: III. Presto | — | ||
| 6 | Improvisation on “The Lamp is Low” (After Ravel’s Pavane pour une infante défunte, M. 19) | — | ||
| 2-1 | Frontispice, M. 70 | — | ||
| 2-2 | Sérénade Grotesque, M. 5 | — | ||
| 2-3 | Menuet antique, M. 7 | — | ||
| 2-4 | Pavane pour une infante défunte, M. 19 | — | ||
| 2-5 | Jeux d’eau, M. 30 | — | ||
| 2-6 | Sonatine, M. 40: I. Modéré | — | ||
| 2-7 | Sonatine, M. 40: II. Mouvement de Menuet | — | ||
| 2-8 | Sonatine, M. 40: III. Animé | — | ||
| 2-9 | Menuet sur le nom de Haydn, M. 58 | — | ||
| 2-10 | Miroirs, M. 43: I. Noctuelles | — | ||
| 2-11 | Miroirs, M. 43: II. Oiseaux tristes | — | ||
| 2-12 | Miroirs, M. 43: III. Une barque sur l’océan | — | ||
| 2-13 | Miroirs, M. 43: IV. Alborada del gracioso | — | ||
| 2-14 | Miroirs, M. 43: V. La vallée des cloches | — | ||
| 2-15 | Sites auriculaires, M. 13: I. Habanera | — | ||
| 2-16 | Sites auriculaires, M. 13: II. Entre cloches | — | ||
| 2-17 | Menuet in C‐Sharp Minor, M. 42 | — | ||
| 2-18 | Prélude in A Minor, M. 65 | — | ||
| 3-1 | Le Tombeau de Couperin, M. 68: I. Prélude | — | ||
| 3-2 | Le Tombeau de Couperin, M. 68: II. Fugue | — | ||
| 3-3 | Le Tombeau de Couperin, M. 68: III. Forlane | — | ||
| 3-4 | Le Tombeau de Couperin, M. 68: IV. Rigaudon | — | ||
| 3-5 | Le Tombeau de Couperin, M. 68: V. Menuet | — | ||
| 3-6 | Le Tombeau de Couperin, M. 68: VI. Toccata | — | ||
| 3-7 | Gaspard de la nuit, M. 55: I. Ondine | — | ||
| 3-8 | Gaspard de la nuit, M. 55: II. Le Gibet | — | ||
| 3-9 | Gaspard de la nuit, M. 55: III. Scarbo | — | ||
| 3-10 | À la manière de Borodine, M. 63/1 | — | ||
| 3-11 | À la manière de Chabrier, M. 63/2 | — | ||
| 3-12 | Ma mère l’Oye, M. 60: I. Pavane de la Belle au bois dormant | — | ||
| 3-13 | Ma mère l’Oye, M. 60: II. Petit Poucet | — | ||
| 3-14 | Ma mère l’Oye, M. 60: III. Laideronnette, Impératrice des Pagodes | — | ||
| 3-15 | Ma mère l’Oye, M. 60: IV. Les Entretiens de la Belle et la Bête | — | ||
| 3-16 | Ma mère l’Oye, M. 60: V. Le Jardin Féérique | — | ||
| 3-17 | Valses nobles et sentimentales, M. 61: I. Modéré – tres franc | — | ||
| 3-18 | Valses nobles et sentimentales, M. 61: II. Assez lent – avec une expression intense | — | ||
| 3-19 | Valses nobles et sentimentales, M. 61: III. Modéré | — | ||
| 3-20 | Valses nobles et sentimentales, M. 61: IV. Assez animé | — | ||
| 3-21 | Valses nobles et sentimentales, M. 61: V. Presque lent – dans un sentiment intime | — | ||
| 3-22 | Valses nobles et sentimentales, M. 61: VI. Vif | — | ||
| 3-23 | Valses nobles et sentimentales, M. 61: VII. Moins vif | — | ||
| 3-24 | Valses nobles et sentimentales, M. 61: VIII. Épilogue – Lent | — | ||
| 4-1 | Violin Sonata no. 1, M. 12 | — | ||
| 4-2 | Violin Sonata no. 2 in G Major, M. 77: I. Allegretto | — | ||
| 4-3 | Violin Sonata no. 2 in G Major, M. 77: II. Blues | — | ||
| 4-4 | Violin Sonata no. 2 in G Major, M. 77: III. Perpetuum mobile | — | ||
| 4-5 | Berceuse sur le nom de Gabriel Fauré, M. 74 | — | ||
| 4-6 | Tzigane, M. 76 | — | ||
| 4-7 | Piano Trio, M. 67: I. Modéré | — | ||
| 4-8 | Piano Trio, M. 67: II. Pantoum – Assez vif | — | ||
| 4-9 | Piano Trio, M. 67: III. Passacaille – Très large | — | ||
| 4-10 | Piano Trio, M. 67: IV. Final – Animé | — | ||
| 5-1 | Histoires Naturelles, M. 50: I. Le Paon | — | ||
| 5-2 | Histoires Naturelles, M. 50: II. Le Grillon | — | ||
| 5-3 | Histoires Naturelles, M. 50: III. Le cygne | — | ||
| 5-4 | Histoires Naturelles, M. 50: IV. Le Martin‐pêcheur | — | ||
| 5-5 | Histoires Naturelles, M. 50: V. La Pintade | — | ||
| 5-6 | Manteau de fleurs, M. 39 | — | ||
| 5-7 | Les grands vents venus d’outre‐mer, M. 48 | — | ||
| 5-8 | Sur l’herbe, M. 53 | — | ||
| 5-9 | Chanson du rouet, M. 15 | — | ||
| 5-10 | Five Greek Songs: I. Chanson de la mariée, M. A9 | — | ||
| 5-11 | Five Greek Songs: II. Là-bas, vers l’église, M. A10 | — | ||
| 5-12 | Five Greek Songs: III. Quel galant m’est comparable, M. A4 | — | ||
| 5-13 | Five Greek Songs: IV. Chanson des cueilleuses de lentisques, M. A5 | — | ||
| 5-14 | Five Greek Songs: V. Tout gai !, M. A11 | — | ||
| 5-15 | Tripatos, M. A13 | — | ||
| 5-16 | Chants populaires, M. A17: no. 2, Chanson française | — | ||
| 5-17 | Chanson écossaise, M. A12 | — | ||
| 5-18 | Chants populaires, M. A17: no. 1, Chanson espagnole | — | ||
| 5-19 | Don Quichotte à Dulcinée, M. 84: I. Chanson romanesque | — | ||
| 5-20 | Don Quichotte à Dulcinée, M. 84: II. Chanson épique | — | ||
| 5-21 | Don Quichotte à Dulcinée, M. 84: III. Chanson à boire | — | ||
| 5-22 | Chansons Madécasses, M. 78: I. Nahandove | — | ||
| 5-23 | Chansons Madécasses, M. 78: II. Aoua | — | ||
| 5-24 | Chansons Madécasses, M. 78: III. Il est doux | — | ||
| 6-1 | Chants populaires, M. A17: no. 3, Chanson italienne | — | ||
| 6-2 | Noël des jouets, M. 47 | — | ||
| 6-3 | Chants populaires, M. A17: no. 4, Chanson hébraïque | — | ||
| 6-4 | Deux Mélodies hébraïques, M. A22: I. Kaddisch | — | ||
| 6-5 | Deux Mélodies hébraïques, M. A22: II. L’Énigme éternelle | — | ||
| 6-6 | Vocalise-étude en forme de Habanera, M. 51 | — | ||
| 6-7 | Ballade de la reine morte d’aimer, M. 4 | — | ||
| 6-8 | Sainte, M. 9 | — | ||
| 6-9 | Un grand sommeil noir, M. 6 | — | ||
| 6-10 | Si morne !, M. 16 | — | ||
| 6-11 | Deux épigrammes de Clément Marot: no. 1, D’Anne qui me jecta de la neige, M. 21 | — | ||
| 6-12 | Deux épigrammes de Clément Marot: no. 2, D’Anne jouant de l’épinette, M. 10 | — | ||
| 6-13 | Ronsard à son âme, M. 75 | — | ||
| 6-14 | Rêves, M. 79 | — | ||
| 6-15 | Trois poèmes de Stéphane Mallarmé, M. 64: I. Soupir | — | ||
| 6-16 | Trois poèmes de Stéphane Mallarmé, M. 64: II. Placet futile | — | ||
| 6-17 | Trois poèmes de Stéphane Mallarmé, M. 64: III. Surgi de la croupe et du bond | — |
