UPC · Release
Timon of Athens / Dioclesian
Purcell, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists
3269657547321
45 tracksReleased 1988-01-01Erato
Last verified:
3269657547321 is the Universal Product Code (UPC barcode) for the release “Timon of Athens / Dioclesian” by Purcell, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, released 1988-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 45 tracks, each with its own ISRC. Tracks include FRZ208712301, FRZ208712302, FRZ208712303.
Format
326GS1 prefix
9657Company prefix
54732Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCTimon of Athens / Dioclesian
ISRC5 recordings
IPI1 songwriter
Track List (45)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Timon of Athens, Overture | — | ||
| 2 | Timon of Athens, A symphony of Pipes imitating the chirping of Birds, Hark, how the songsters of the grove sing | — | ||
| 3 | Timon of Athens, Love in their little veins inspires their cheerful notes | — | ||
| 4 | Timon of Athens, But ah! how much are our delights more dear | — | ||
| 5 | Timon of Athens, Hence with your trifling deity! | — | ||
| 6 | Timon of Athens, Come all, come all to me, make haste | — | ||
| 7 | Timon of Athens, Who can resist such mighty charms? | — | ||
| 8 | Timon of Athens, Return, revolting rebels! Where d'ye go? | — | ||
| 9 | Timon of Athens, The cares of lovers, their alarms, their sighs, their tears | — | ||
| 10 | Timon of Athens, Love quickly is pall'd, tho' with labour, 'tis gain'd | — | ||
| 11 | Timon of Athens, Come, let us agree, there are pleasures divine | — | ||
| 12 | Timon of Athens, Curtain Tune | — | ||
| 13 | Dioclesian, First Music | English Baroque Soloists, John Eliot Gardiner | — | |
| 14 | Dioclesian, Second Music | English Baroque Soloists, John Eliot Gardiner | — | |
| 15 | Dioclesian, Overture | English Baroque Soloists, John Eliot Gardiner | — | |
| 16 | Dioclesian, Act I, First Act Tune: Hornpipe | English Baroque Soloists, John Eliot Gardiner | — | |
| 17 | Dioclesian, Act II, Great Diocles the Boar has kill'd | — | ||
| 18 | Dioclesian, Act II, Charon, the peaceful Shade invites - Symphony - Let all mankind the pleasure share | — | ||
| 19 | Dioclesian, Act II, Let the soldiers rejoice | — | ||
| 20 | Dioclesian, Act II, Ritornello - To Mars let 'em raise - Ritornello | — | ||
| 21 | Dioclesian, Act II, A Symphony of flutes in the air - Since the toils and the hazards of war ... Let the priests with processions ... All sing Diocles' glory | — | ||
| 22 | Dioclesian, Act II, Dance of Furies | English Baroque Soloists, John Eliot Gardiner | — | |
| 23 | Dioclesian, Act II, Second Act Tune | — | ||
| 24 | Dioclesian, Act III, Chaconne (Two in one upon a Ground) | — | ||
| 2-1 | Dioclesian, Act III, When I first saw the bright Aurelia's eyes | — | ||
| 2-2 | Dioclesian, Act III, The Chair Dance | — | ||
| 2-3 | Dioclesian, Act III, What shall I do to show how much I love her? | — | ||
| 2-4 | Dioclesian, Act III, Third Act Tune | — | ||
| 2-5 | Dioclesian, Act IV, Butterfly Dance | — | ||
| 2-6 | Dioclesian, Act IV, Trumpet Tune | — | ||
| 2-7 | Dioclesian, Act IV, Sound, Fame, thy brazen trumpet sound! | — | ||
| 2-8 | Dioclesian, Act IV, Fourth Act Tune | — | ||
| 2-9 | Dioclesian, Act V, Country Dance | — | ||
| 2-10 | Dioclesian, Act V, Prelude - Call the Nymphs and the Fawns from the woods | — | ||
| 2-11 | Dioclesian, Act V, Come, come away, no delay | — | ||
| 2-12 | Dioclesian, Act V, Prelude - Behold, O mightiest of Gods | — | ||
| 2-13 | Dioclesian, Act V, Ah! the sweet delights of love! | — | ||
| 2-14 | Dioclesian, Act V, Let monarchs fight for power and for fame | — | ||
| 2-15 | Dioclesian, Act V, Since from my dear Astrea's sight I was so rudely torn | — | ||
| 2-16 | Dioclesian, Act V, Make room, make room - Dance of Bachanals | — | ||
| 2-17 | Dioclesian, Act V, Still I'm wishing, still desiring | — | ||
| 2-18 | Dioclesian, Act V, Canaries - Tell me why my charming fair | — | ||
| 2-19 | Dioclesian, Act V, Dance | — | ||
| 2-20 | Dioclesian, Act V, All our days and our nights shall be spent in delights | — | ||
| 2-21 | Dioclesian, Act V, Dance - Triumph, triumph victorious Love | — |
Timon of Athens, Overture
—
Timon of Athens, A symphony of Pipes imitating the chirping of Birds, Hark, how the songsters of the grove sing
—
Timon of Athens, Love in their little veins inspires their cheerful notes
—
Timon of Athens, But ah! how much are our delights more dear
—
Timon of Athens, Hence with your trifling deity!
—
Timon of Athens, Come all, come all to me, make haste
—
Timon of Athens, Who can resist such mighty charms?
—
Timon of Athens, Return, revolting rebels! Where d'ye go?
—
Timon of Athens, The cares of lovers, their alarms, their sighs, their tears
—
Timon of Athens, Love quickly is pall'd, tho' with labour, 'tis gain'd
—
Timon of Athens, Come, let us agree, there are pleasures divine
—
Timon of Athens, Curtain Tune
—
Dioclesian, First Music
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Second Music
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Overture
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Act I, First Act Tune: Hornpipe
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Act II, Great Diocles the Boar has kill'd
—
Dioclesian, Act II, Charon, the peaceful Shade invites - Symphony - Let all mankind the pleasure share
—
Dioclesian, Act II, Let the soldiers rejoice
—
Dioclesian, Act II, Ritornello - To Mars let 'em raise - Ritornello
—
Dioclesian, Act II, A Symphony of flutes in the air - Since the toils and the hazards of war ... Let the priests with processions ... All sing Diocles' glory
—
Dioclesian, Act II, Dance of Furies
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Act II, Second Act Tune
—
Dioclesian, Act III, Chaconne (Two in one upon a Ground)
—
Dioclesian, Act III, When I first saw the bright Aurelia's eyes
—
Dioclesian, Act III, The Chair Dance
—
Dioclesian, Act III, What shall I do to show how much I love her?
—
Dioclesian, Act III, Third Act Tune
—
Dioclesian, Act IV, Butterfly Dance
—
Dioclesian, Act IV, Trumpet Tune
—
Dioclesian, Act IV, Sound, Fame, thy brazen trumpet sound!
—
Dioclesian, Act IV, Fourth Act Tune
—
Dioclesian, Act V, Country Dance
—
Dioclesian, Act V, Prelude - Call the Nymphs and the Fawns from the woods
—
Dioclesian, Act V, Come, come away, no delay
—
Dioclesian, Act V, Prelude - Behold, O mightiest of Gods
—
Dioclesian, Act V, Ah! the sweet delights of love!
—
Dioclesian, Act V, Let monarchs fight for power and for fame
—
Dioclesian, Act V, Since from my dear Astrea's sight I was so rudely torn
—
Dioclesian, Act V, Make room, make room - Dance of Bachanals
—
Dioclesian, Act V, Still I'm wishing, still desiring
—
Dioclesian, Act V, Canaries - Tell me why my charming fair
—
Dioclesian, Act V, Dance
—
Dioclesian, Act V, All our days and our nights shall be spent in delights
—
Dioclesian, Act V, Dance - Triumph, triumph victorious Love
—
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What is UPC 3269657547321?
3269657547321 is a Universal Product Code (UPC) assigned to Timon of Athens / Dioclesian by Purcell, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 45 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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