UPC · Release
Catherine Lara
Last verified:
3296637104076 is the Universal Product Code (UPC barcode) for the release “Sand et les Romantiques : Un musical rock symphonique” by Catherine Lara, released 1992-01-01 on Trema. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prélude / Appelez-moi George | — | ||
| 2 | Les romantiques | — | ||
| 3 | Entre elle et moi | — | ||
| 4 | Aime-moi comme ton enfant | — | ||
| 5 | Lien : « On n'est pas tous les jours sublime » | — | ||
| 6 | Elle et lui à Venise | — | ||
| 7 | Le cœur, l'esprit, le corps | — | ||
| 8 | Nympho-man | — | ||
| 9 | Baléares | — | ||
| 10 | La langue des anges | — | ||
| 11 | Lien : « Valse en ut dièse mineur opus 64 N°2 » | — | ||
| 12 | Lien : « Nocturne pour une femme en noir » / « Les deux cèdres du Liban » | — | ||
| 13 | La femme en noir | — | ||
| 14 | Lien : « Comme une femme qui se tient debout » | — | ||
| 15 | L'histoire de ma vie | — | ||
| 16 | Toutes les femmes | — | ||
| 17 | Lien : « La liberté guidant le peuple » | — | ||
| 18 | La rumeur | — | ||
| 19 | Lien : « L'art peut-il servir à quelque cause » | — | ||
| 20 | Laissez verdure | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
3296637104076 is a Universal Product Code (UPC) assigned to Sand et les Romantiques : Un musical rock symphonique by Catherine Lara. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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