UPC · Release
Digital Test
Various Artists
3297167880317
104 tracksReleased 1988-01-01Disques Pierre Verany
Last verified:
3297167880317 is the Universal Product Code (UPC barcode) for the release “Digital Test” by Various Artists, released 1988-01-01 on Disques Pierre Verany. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC.
Format
329GS1 prefix
7167Company prefix
88031Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDigital Test
IPI8 songwriters
Track List (104)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fireworks | — | ||
| 2 | Hora de la Granicesti | — | ||
| 3 | Dear Old Dixie | — | ||
| 4 | Jeux Interdits | — | ||
| 5 | 2nd Trumpet Concerto: 3rd Movement, Giocoso | — | ||
| 6 | O Dulcis Amor | — | ||
| 7 | Ballet des Coqs | — | ||
| 8 | Bransie Doubble | — | ||
| 9 | Concerto "La Notte" in G minor, op. X, no. 2 (excerpts): Presto fantasmi, Largo, Presto | — | ||
| 10 | Scheherazade, 4th movement (excerpts) | — | ||
| 11 | Almande | — | ||
| 12 | 1st Organ Symphony (excerpts): Andante (end) followed by Final | — | ||
| 13 | Maximum Cutting Level 1 KHZ 0db/Emphasis Off L+R | — | ||
| 14 | Left/Right ID and Channel Separation-1 Khz 0db/Emphasis Off Left | — | ||
| 15 | Left/Right ID and Channel Separation-1 Khz 0db/Emphasis Off Right | — | ||
| 16 | Frequency Response 20hz-20khz, 0db Emphasis Off L+R | — | ||
| 17 | Frequency Response 20hz-20khz,-20db Emphasis Off L+R | — | ||
| 18 | Harmonic Distortion Tracks With Emphasis Off L+R --1KHZ, 0DB | — | ||
| 19 | Harmonic Distortion Tracks With Emphasis Off L+R --29HZ, 0DB | — | ||
| 20 | Harmonic Distortion Tracks With Emphasis Off L+R --50HZ, 0DB | — | ||
| 21 | Harmonic Distortion Tracks With Emphasis Off L+R --100HZ, 0DB | — | ||
| 22 | Harmonic Distortion Tracks With Emphasis Off L+R --200HZ, 0DB | — | ||
| 23 | Harmonic Distortion Tracks With Emphasis Off L+R --500HZ, 0DB | — | ||
| 25 | Harmonic Distortion Tracks With Emphasis Off L+R --2KHZ, 0DB | — | ||
| 26 | Harmonic Distortion Tracks With Emphasis Off L+R --5KHZ, 0DB | — | ||
| 27 | Harmonic Distortion Tracks With Emphasis Off L+R --10KHZ, 0DB | — | ||
| 28 | Harmonic Distortion Tracks With Emphasis Off L+R --12KHZ, 0DB | — | ||
| 29 | Harmonic Distortion Tracks With Emphasis Off L+R --15KHZ, 0DB | — | ||
| 30 | Harmonic Distortion Tracks With Emphasis Off L+R --18KHZ, 0DB | — | ||
| 31 | Harmonic Distortion Tracks With Emphasis Off L+R --20KHZ, 0DB | — | ||
| 33 | Signal to Noise Ratio: Zero Digital Level, Emphasis Off | — | ||
| 34 | Signal to Noise Ratio: Zero Digital Level, Emphasis On | — | ||
| 35 | Analogue Desemphasis Circuit Control /Calibration Reference Tone 1KHZ 0db/Emphasis Off | — | ||
| 36 | Analogue Desemphasis Circuit Control /Calibration Reference Tone 15+50 Us 20/20000 HZ 0db/Emphasis On | — | ||
| 37 | Analogue Desemphasis Circuit Audible Incidence /Music Recorded With Pre-Emphasis On | — | ||
| 38 | Analogue Desemphasis Circuit Audible Incidence /Music Recorded With Pre-Emphasis Off | — | ||
| 39 | Transient Response on Square Wave -6db, 400hz Emphasis Off | — | ||
| 40 | Transient Response on Square Wave -6db, 1000hz Emphasis Off | — | ||
| 41 | Transient Response on Tone Bursts 400HZ, -6db/Emphasis Off | — | ||
| 42 | Transient Response on Tone Bursts 4khz, -6db Emphasis Off | — | ||
| 43 | Audible Difference in Quantization 16 Bit/Emphasis Off | — | ||
| 44 | Audible Difference in Quantization 15 Bit/Emphasis Off | — | ||
| 45 | Audible Difference in Quantization 14 Bit/Emphasis Off | — | ||
| 46 | Audible Difference in Quantization 8 Bit/Emphasis Off | — | ||
| 47 | Intermodulation by Crosstalk- 1000 HZ Left, 5khz Right, 0db/Emphasis Off | — | ||
| 48 | Intermodulation by Crosstalk- 5khz Left, 1000HZ Right, 0db/Emphasis Off | — | ||
| 49 | Intermodulation Distortion Measurements: 50hz + 7 Khz/L+R/Emphasis Off | — | ||
| 50 | Intermodulation Distortion Measurements: 400hz + 7 Khz/L+R/Emphasis Off | — | ||
| 51 | Intermodulation Distortion Measurements: 19khz/20khz/L+R/Emphasis Off | — | ||
| 52 | D/A Converter Overload Effect 1khz 0db/L+R/Emphasis Off | — | ||
| 53 | D/A Converter Overload Effect 1khz +3db/L+R/Emphasis Off | — | ||
| 54 | D/A Converter Overload Effect 1khz +6db/L+R/Emphasis Off | — | ||
| 55 | D/A Converter Overload Effect /Music at a Nominal Level/Emphasis Off | — | ||
| 56 | D/A Converter Overload Effect /Music With a 9db Overload/Emphasis Off | — | ||
| 2-1 | Variations of Linear Cutting Velocity of the CD, 1.4m/S | — | ||
| 2-2 | Variations of Linear Cutting Velocity of the CD, 1.20m/S | — | ||
| 2-3 | Variations of Linear Cutting Velocity of the CD, 1.25m/S | — | ||
| 2-4 | Variations of Linear Cutting Velocity of the CD, 1.30m/S | — | ||
| 2-5 | Variations of Linear Cutting Velocity of the CD, 1.35m/S | — | ||
| 2-6 | Variations of Linear Cutting Velocity of the CD, 1.40m/S | — | ||
| 2-7 | Combined Tests: Variations of Track Pitch, 1.4m/S & 1.5um | — | ||
| 2-8 | Combined Tests: Variations of Track Pitch, 1.4m/S & 1.7um | — | ||
| 2-9 | Combined Tests: Of Track Pitch, Continuous Variation From 1.4m/S to 1.2m/S, Track Pitch: 1.7um | — | ||
| 2-10 | Combined Tests: Variations of Track Pitch, 1.2m/S & 1.7um | — | ||
| 2-11 | Combined Tests: Variations of Track Pitch, 1.2m/S & 1.5um | — | ||
| 2-12 | Return to Normal Parameters of This Test (CD) | — | ||
| 2-13 | Variations of Track Pitch, 1.70um | — | ||
| 2-14 | Variations of Track Pitch, 1.65um | — | ||
| 2-15 | Variations of Track Pitch, 1.60um | — | ||
| 2-16 | Variations of Track Pitch, 1.55um | — | ||
| 2-17 | Variations of Track Pitch, 1.50um | — | ||
| 2-18 | Variations of Track Pitch, Return to Normal Parameters of This Test (CD) | — | ||
| 2-19 | CD Player Ability to Detect the Digital Signal (HF Detection Level), Very Low Asymmetry | — | ||
| 2-20 | CD Player Ability to Detect the Digital Signal (HF Detection Level), Low Asymmetry | — | ||
| 2-21 | CD Player Ability to Detect the Digital Signal (HF Detection Level), Average Asymmetry | — | ||
| 2-22 | CD Player Ability to Detect the Digital Signal (HF Detection Level), High Asymmetry | — | ||
| 2-23 | CD Player Ability to Detect the Digital Signal (HF Detection Level), Very High Asymmetry | — | ||
| 2-24 | CD Player Ability to Detect the Digital Signal (HF Detection Level), Return to Normal Parameters of This Test (CD) | — | ||
| 2-25 | Drop-Out Tests: Absence of Data on the Disc: 0.05mm (0.028ms) | — | ||
| 2-26 | Drop-Out Tests: 0.10mm (0.077ms) | — | ||
| 2-27 | Drop-Out Tests: 0.20mm (0.1540ms) CD Standard Limit | — | ||
| 2-28 | Drop-Out Tests: 0.30mm (0.230ms) | — | ||
| 2-29 | Drop-Out Tests: 0.50mm (0.385ms) | — | ||
| 2-30 | Drop-Out Tests: 0.75mm (0.577ms) | — | ||
| 2-31 | Drop-Out Tests: 1.00mm (0.770ms) | — | ||
| 2-32 | Drop-Out Tests: 1.25mm (0.960ms) | — | ||
| 2-33 | Drop-Out Tests: 1.50mm (1.150ms) | — | ||
| 2-34 | Drop-Out Tests: 2.00mm (1.540ms) | — | ||
| 2-35 | Drop-Out Tests: 2.40mm (1.850ms) | — | ||
| 2-36 | Drop-Out Tests: 2.50mm (2.080ms) | — | ||
| 2-37 | Drop-Out Tests: 3.00mm (2.500ms) | — | ||
| 2-38 | Drop-Out Tests: 4.00mm (3.080ms) | — | ||
| 2-39 | Drop-Out Tests: Return to Normal Parameters of This Test (CD) | — | ||
| 2-40 | Combined Tests: Drop-Out Size Variations and Minimum Track Pitch, Drop-Out: 1mm | — | ||
| 2-41 | Combined Tests, Drop-Out: 1.5mm | — | ||
| 2-42 | Combined Tests, Drop-Out: 2mm | — | ||
| 2-43 | Combined Tests, Drop-Out: 2.4mm | — | ||
| 2-44 | Ability to Correct Successive Drop-Outs, Drop-Out: 2x0.1mm | — | ||
| 2-45 | Ability to Correct Successive Drop-Outs, Drop-Out: 2x0.2mm | — | ||
| 2-46 | Ability to Correct Successive Drop-Outs, Drop-Out: 2x0.5mm | — | ||
| 2-47 | Ability to Correct Successive Drop-Outs, Drop-Out: 2x1mm | — | ||
| 2-48 | Ability to Correct Successive Drop-Outs, Drop-Out: 2x1.5mm | — | ||
| 2-49 | Ability to Correct Successive Drop-Outs, Drop-Out: 2x2.4mm | — | ||
| 2-50 | Ability to Correct Successive Drop-Outs, Drop-Out: 2x3mm | — |
Fireworks
—
Hora de la Granicesti
—
Dear Old Dixie
—
Jeux Interdits
—
2nd Trumpet Concerto: 3rd Movement, Giocoso
—
O Dulcis Amor
—
Ballet des Coqs
—
Bransie Doubble
—
Concerto "La Notte" in G minor, op. X, no. 2 (excerpts): Presto fantasmi, Largo, Presto
—
Scheherazade, 4th movement (excerpts)
—
Almande
—
1st Organ Symphony (excerpts): Andante (end) followed by Final
—
Maximum Cutting Level 1 KHZ 0db/Emphasis Off L+R
—
Left/Right ID and Channel Separation-1 Khz 0db/Emphasis Off Left
—
Left/Right ID and Channel Separation-1 Khz 0db/Emphasis Off Right
—
Frequency Response 20hz-20khz, 0db Emphasis Off L+R
—
Frequency Response 20hz-20khz,-20db Emphasis Off L+R
—
Harmonic Distortion Tracks With Emphasis Off L+R --1KHZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --29HZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --50HZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --100HZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --200HZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --500HZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --2KHZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --5KHZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --10KHZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --12KHZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --15KHZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --18KHZ, 0DB
—
Harmonic Distortion Tracks With Emphasis Off L+R --20KHZ, 0DB
—
Signal to Noise Ratio: Zero Digital Level, Emphasis Off
—
Signal to Noise Ratio: Zero Digital Level, Emphasis On
—
Analogue Desemphasis Circuit Control /Calibration Reference Tone 1KHZ 0db/Emphasis Off
—
Analogue Desemphasis Circuit Control /Calibration Reference Tone 15+50 Us 20/20000 HZ 0db/Emphasis On
—
Analogue Desemphasis Circuit Audible Incidence /Music Recorded With Pre-Emphasis On
—
Analogue Desemphasis Circuit Audible Incidence /Music Recorded With Pre-Emphasis Off
—
Transient Response on Square Wave -6db, 400hz Emphasis Off
—
Transient Response on Square Wave -6db, 1000hz Emphasis Off
—
Transient Response on Tone Bursts 400HZ, -6db/Emphasis Off
—
Transient Response on Tone Bursts 4khz, -6db Emphasis Off
—
Audible Difference in Quantization 16 Bit/Emphasis Off
—
Audible Difference in Quantization 15 Bit/Emphasis Off
—
Audible Difference in Quantization 14 Bit/Emphasis Off
—
Audible Difference in Quantization 8 Bit/Emphasis Off
—
Intermodulation by Crosstalk- 1000 HZ Left, 5khz Right, 0db/Emphasis Off
—
Intermodulation by Crosstalk- 5khz Left, 1000HZ Right, 0db/Emphasis Off
—
Intermodulation Distortion Measurements: 50hz + 7 Khz/L+R/Emphasis Off
—
Intermodulation Distortion Measurements: 400hz + 7 Khz/L+R/Emphasis Off
—
Intermodulation Distortion Measurements: 19khz/20khz/L+R/Emphasis Off
—
D/A Converter Overload Effect 1khz 0db/L+R/Emphasis Off
—
D/A Converter Overload Effect 1khz +3db/L+R/Emphasis Off
—
D/A Converter Overload Effect 1khz +6db/L+R/Emphasis Off
—
D/A Converter Overload Effect /Music at a Nominal Level/Emphasis Off
—
D/A Converter Overload Effect /Music With a 9db Overload/Emphasis Off
—
Variations of Linear Cutting Velocity of the CD, 1.4m/S
—
Variations of Linear Cutting Velocity of the CD, 1.20m/S
—
Variations of Linear Cutting Velocity of the CD, 1.25m/S
—
Variations of Linear Cutting Velocity of the CD, 1.30m/S
—
Variations of Linear Cutting Velocity of the CD, 1.35m/S
—
Variations of Linear Cutting Velocity of the CD, 1.40m/S
—
Combined Tests: Variations of Track Pitch, 1.4m/S & 1.5um
—
Combined Tests: Variations of Track Pitch, 1.4m/S & 1.7um
—
Combined Tests: Of Track Pitch, Continuous Variation From 1.4m/S to 1.2m/S, Track Pitch: 1.7um
—
Combined Tests: Variations of Track Pitch, 1.2m/S & 1.7um
—
Combined Tests: Variations of Track Pitch, 1.2m/S & 1.5um
—
Return to Normal Parameters of This Test (CD)
—
Variations of Track Pitch, 1.70um
—
Variations of Track Pitch, 1.65um
—
Variations of Track Pitch, 1.60um
—
Variations of Track Pitch, 1.55um
—
Variations of Track Pitch, 1.50um
—
Variations of Track Pitch, Return to Normal Parameters of This Test (CD)
—
CD Player Ability to Detect the Digital Signal (HF Detection Level), Very Low Asymmetry
—
CD Player Ability to Detect the Digital Signal (HF Detection Level), Low Asymmetry
—
CD Player Ability to Detect the Digital Signal (HF Detection Level), Average Asymmetry
—
CD Player Ability to Detect the Digital Signal (HF Detection Level), High Asymmetry
—
CD Player Ability to Detect the Digital Signal (HF Detection Level), Very High Asymmetry
—
CD Player Ability to Detect the Digital Signal (HF Detection Level), Return to Normal Parameters of This Test (CD)
—
Drop-Out Tests: Absence of Data on the Disc: 0.05mm (0.028ms)
—
Drop-Out Tests: 0.10mm (0.077ms)
—
Drop-Out Tests: 0.20mm (0.1540ms) CD Standard Limit
—
Drop-Out Tests: 0.30mm (0.230ms)
—
Drop-Out Tests: 0.50mm (0.385ms)
—
Drop-Out Tests: 0.75mm (0.577ms)
—
Drop-Out Tests: 1.00mm (0.770ms)
—
Drop-Out Tests: 1.25mm (0.960ms)
—
Drop-Out Tests: 1.50mm (1.150ms)
—
Drop-Out Tests: 2.00mm (1.540ms)
—
Drop-Out Tests: 2.40mm (1.850ms)
—
Drop-Out Tests: 2.50mm (2.080ms)
—
Drop-Out Tests: 3.00mm (2.500ms)
—
Drop-Out Tests: 4.00mm (3.080ms)
—
Drop-Out Tests: Return to Normal Parameters of This Test (CD)
—
Combined Tests: Drop-Out Size Variations and Minimum Track Pitch, Drop-Out: 1mm
—
Combined Tests, Drop-Out: 1.5mm
—
Combined Tests, Drop-Out: 2mm
—
Combined Tests, Drop-Out: 2.4mm
—
Ability to Correct Successive Drop-Outs, Drop-Out: 2x0.1mm
—
Ability to Correct Successive Drop-Outs, Drop-Out: 2x0.2mm
—
Ability to Correct Successive Drop-Outs, Drop-Out: 2x0.5mm
—
Ability to Correct Successive Drop-Outs, Drop-Out: 2x1mm
—
Ability to Correct Successive Drop-Outs, Drop-Out: 2x1.5mm
—
Ability to Correct Successive Drop-Outs, Drop-Out: 2x2.4mm
—
Ability to Correct Successive Drop-Outs, Drop-Out: 2x3mm
—
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 3297167880317?
3297167880317 is a Universal Product Code (UPC) assigned to Digital Test by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 104 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm