UPC · Album
60 Rock Shots: 1964–1967
The Kinks
Last verified:
3306649563317 is the Universal Product Code (UPC barcode) for the release “60 Rock Shots: 1964–1967” by The Kinks, released 1994-01-01 on Une Musique. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include AUV401446573, DEA610100348, DEPZ69739466.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (94)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| You Really Got Me | The Kinks | AUV401446573 |
| You Really Got Me | The Kinks | DEA610100348 |
| You Really Got Me | The Kinks | DEPZ69739466 |
| Long Tall Sally | The Kinks | GB5KW1499516 |
| You Still Want Me | The Kinks | GB5KW1499518 |
| You Do Something to Me | The Kinks | GB5KW1499519 |
| All Day and All of the Night | The Kinks | GB5KW1499526 |
| I Gotta Move | The Kinks | GB5KW1499527 |
| I Gotta Go Now | The Kinks | GB5KW1499528 |
| Look for Me Baby | The Kinks | GB5KW1499531 |
| Wonder Where My Baby Is Tonight | The Kinks | GB5KW1499533 |
| Don’t Ever Change | The Kinks | GB5KW1499534 |
| You Shouldn’t Be Sad | The Kinks | GB5KW1499535 |
| I Need You | The Kinks | GB5KW1499541 |
| Never Met a Girl Like You Before | The Kinks | GB5KW1499544 |
| Don’t You Fret | The Kinks | GB5KW1499553 |
| Where Have All the Good Times Gone? | The Kinks | GB5KW1499555 |
| Milk Cow Blues | The Kinks | GB5KW1499556 |
| I Am Free | The Kinks | GB5KW1499557 |
| The World Keeps Going Round | The Kinks | GB5KW1499558 |
| I’m on an Island | The Kinks | GB5KW1499559 |
| Sunny Afternoon | The Kinks | GB5KW1499569 |
| Dead End Street | The Kinks | GB5KW1499578 |
| Autumn Almanac | The Kinks | GB5KW1499598 |
| It’s All Right | The Kinks | GB5KW1499654 |
| You Really Got Me | The Kinks | GB5KW1499655 |
| Lola | The Kinks | GB5KW1499846 |
| So Mystifying | The Kinks | GB5KW1704251 |
| Long Tall Shorty | The Kinks | GB5KW1704253 |
| I Took My Baby Home | The Kinks | GB5KW1704254 |
| You Really Got Me | The Kinks | GB5KW1704256 |
| So Mystifying | The Kinks | GB5KW1704265 |
| You Really Got Me | The Kinks | GB5KW1704275 |
| Apeman | The Kinks | GB5KW1704301 |
| Apeman | The Kinks | GB5KW2002918 |
| Till the End of the Day | The Kinks | GBAJE0704843 |
| You Really Got Me | The Kinks | GBAJE0704850 |
| I Took My Baby Home | The Kinks | GBAJE6400001 |
| Long Tall Sally | The Kinks | GBAJE6400002 |
| You Do Something to Me | The Kinks | GBAJE6400003 |
| You Still Want Me | The Kinks | GBAJE6400004 |
| You Really Got Me | The Kinks | GBAJE6400005 |
| It’s All Right | The Kinks | GBAJE6400006 |
| All Day and All of the Night | The Kinks | GBAJE6400007 |
| I Gotta Move | The Kinks | GBAJE6400008 |
| Beautiful Delilah | The Kinks | GBAJE6400009 |
| So Mystifying | The Kinks | GBAJE6400010 |
| Long Tall Shorty | The Kinks | GBAJE6400012 |
| Got Love If You Want It | The Kinks | GBAJE6400021 |
| I Gotta Go Now | The Kinks | GBAJE6400023 |
| I’ve Got That Feeling | The Kinks | GBAJE6400024 |
| Louie Louie | The Kinks | GBAJE6400025 |
| Things Are Getting Better | The Kinks | GBAJE6400026 |
| You Really Got Me | The Kinks | GBAJE6400102 |
| Revenge | The Kinks | GBAJE6400121 |
| Ev’rybody’s Gonna Be Happy | The Kinks | GBAJE6500003 |
| I Need You | The Kinks | GBAJE6500006 |
| See My Friends | The Kinks | GBAJE6500007 |
| Where Have All the Good Times Gone? | The Kinks | GBAJE6500010 |
| Look for Me Baby | The Kinks | GBAJE6500011 |
| Naggin’ Woman | The Kinks | GBAJE6500014 |
| Dancing in the Street | The Kinks | GBAJE6500016 |
| Don’t Ever Change | The Kinks | GBAJE6500017 |
| Come On Now | The Kinks | GBAJE6500018 |
| You Shouldn’t Be Sad | The Kinks | GBAJE6500020 |
| Gotta Get the First Plane Home | The Kinks | GBAJE6500023 |
| I Am Free | The Kinks | GBAJE6500025 |
| I’m on an Island | The Kinks | GBAJE6500028 |
| It’s Too Late | The Kinks | GBAJE6500029 |
| The World Keeps Going Round | The Kinks | GBAJE6500148 |
| Milk Cow Blues | The Kinks | GBAJE6500318 |
| A Well Respected Man | The Kinks | GBAJE6600003 |
| I’m Not Like Everybody Else | The Kinks | GBAJE6600006 |
| Dead End Street | The Kinks | GBAJE6600007 |
| Waterloo Sunset | The Kinks | GBAJE6700003 |
| Autumn Almanac | The Kinks | GBAJE6700007 |
| You Really Got Me | The Kinks | GBAJE6700107 |
| Apeman | The Kinks | GBAJE7000003 |
| Lola | The Kinks | GBAJE7000009 |
| You Really Got Me (live at the Playhouse Theatre, September 1964) | The Kinks | GBUM70804345 |
| Just Can’t Go to Sleep | The Kinks | GBUM71100046 |
| You Really Got Me | The Kinks | GBUM71100072 |
| Wonder Where My Baby Is Tonight | The Kinks | GBUM71100376 |
| Dandy | The Kinks | GBUM71102759 |
| You Really Got Me | The Kinks | USLIC0601749 |
| You Really Got Me | The Kinks | USRHD0532005 |
| A Well Respected Man | The Kinks | USRHD0702704 |
| Beautiful Delilah | The Kinks | USUM70806900 |
| I’m a Lover Not a Fighter | The Kinks | USUM70806903 |
| I’ve Been Driving on Bald Mountain | The Kinks | USUM70806985 |
| Bald Headed Woman | The Kinks | USUM70807024 |
| Cadillac | The Kinks | USUM70807088 |
| Too Much Monkey Business | The Kinks | USUM70807089 |
| Till the End of the Day | The Kinks | USWB10105723 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 3306649563317?
3306649563317 is a Universal Product Code (UPC) assigned to 60 Rock Shots: 1964–1967 by The Kinks. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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