UPC · Album
The Chronological Classics: Louis Armstrong and His Orchestra 1936-1937
Louis Armstrong and His Orchestra
Last verified:
3307517051226 is the Universal Product Code (UPC barcode) for the release “The Chronological Classics: Louis Armstrong and His Orchestra 1936-1937” by Louis Armstrong and His Orchestra, released 1990-01-01 on Classics (11). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include DEU240820341, DEU240820342, DEU240820343.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (30)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| I Come From a Musical Family | Louis Armstrong & His Orchestra | DEU240820341 |
| Somebody Stole My Break | Louis Armstrong & His Orchestra | DEU240820342 |
| If We Never Meet Again | Louis Armstrong & His Orchestra | DEU240820343 |
| Lyin’ to Myself | Louis Armstrong & His Orchestra | DEU240820344 |
| Ev’ntide | Louis Armstrong & His Orchestra | DEU240820345 |
| Swing That Music | Louis Armstrong & His Orchestra | DEU240820346 |
| Thankful | Louis Armstrong and His Orchestra | DEU240820347 |
| Red Nose | Louis Armstrong and His Orchestra | DEU240820348 |
| Mahogany Hall Stomp | Louis Armstrong and His Orchestra | DEU240820349 |
| On a Cocoanut Island | Louis Armstrong, The Polynesians | FR8V60700030 |
| Carry Me Back to Old Virginny | Louis Armstrong, The Mills Brothers | FRZ023770080 |
| Yes‐Yes! My‐My! (She’s Mine) | Louis Armstrong & His Orchestra | USA560850006 |
| Somebody Stole My Break | Louis Armstrong & His Orchestra | USA560850007 |
| I Come From a Musical Family | Louis Armstrong & His Orchestra | USA560850008 |
| If We Never Meet Again | Louis Armstrong & His Orchestra | USA560850009 |
| Lyin’ to Myself | Louis Armstrong & His Orchestra | USA560850010 |
| Ev’ntide | Louis Armstrong & His Orchestra | USA560850011 |
| Thankful | Louis Armstrong and His Orchestra | USA560850013 |
| Red Nose | Louis Armstrong and His Orchestra | USA560850014 |
| Mahogany Hall Stomp | Louis Armstrong and His Orchestra | USA560850015 |
| The Skeleton in the Closet | Louis Armstrong, Jimmy Dorsey and His Orchestra | USA560850016 |
| Dipper Mouth Blues | Louis Armstrong, Jimmy Dorsey and His Orchestra | USA560850019 |
| Swing That Music | Louis Armstrong, Jimmy Dorsey and His Orchestra | USA560850020 |
| To You, Sweetheart, Aloha | Louis Armstrong, The Polynesians | USA560850023 |
| On a Cocoanut Island | Louis Armstrong, The Polynesians | USA560850024 |
| On a Little Bamboo Bridge | Louis Armstrong, Andy Iona and His Islanders | USA560850025 |
| Hawaiian Hospitality | Louis Armstrong, Andy Iona and His Islanders | USA560850026 |
| Carry Me Back to Old Virginny | Louis Armstrong, The Mills Brothers | USA560850027 |
| Darling Nellie Gray | Louis Armstrong, The Mills Brothers | USA560850028 |
| Mahogany Hall Stomp | Louis Armstrong and His Orchestra | USMC13661111 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 3307517051226?
3307517051226 is a Universal Product Code (UPC) assigned to The Chronological Classics: Louis Armstrong and His Orchestra 1936-1937 by Louis Armstrong and His Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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