UPC · Release
Various Artists
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The UPC for “The Art of Ornamentation and Embellishment in the Renaissance and Baroque” by Various Artists is 3351472036729. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Vanguard Classics. This release contains 51 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Pellegrina: Intermezzo "Dalle pìu alte sfere" (instrumental) | — | ||
| 2 | La Pellegrina: Intermezzo "Dalle pìu alte sfere" (vocal) | — | ||
| 3 | Ancor che col partire (Renaissance style) | — | ||
| 4 | Ancor che col partire (Baroque style) | — | ||
| 5 | La zambeccara: Canzona (instrumental consort) | — | ||
| 6 | La zambeccara: Canzona (keyboard version) | — | ||
| 7 | Ay me sospiri: Frottola (original) | — | ||
| 8 | Ay me sospiri (Renaissance ornamentation) | — | ||
| 9 | Four-part Madrigal: "Lasciar il velo" (as written) | — | ||
| 10 | Four-part Madrigal: "Lasciar il velo" (vocal ornamentation) | — | ||
| 11 | Nach willen dein | — | ||
| 12 | Nach willen dein (organ version) | — | ||
| 13 | Douce mémoire | — | ||
| 14 | Douce mémoire (ornamentation instrumental) | — | ||
| 15 | Pandolpho (voice) | — | ||
| 16 | Pandolpho (voice with lute) | — | ||
| 17 | Il combattimento di Tancredi e Clorinda: two verse excerpt (plain version) | — | ||
| 18 | Il combattimento di Tancredi e Clorinda: two verse excerpt (editorial ornamentation version) | — | ||
| 19 | Four-part French air de cour: "N'esperez plus, mes yeux" | — | ||
| 20 | Four-part French air de cour: "N'esperez plus, mes yeux" (with ornamentation vocal line) | — | ||
| 21 | "O That Mine Eyes" | — | ||
| 22 | "O That Mine Eyes" (ornamentation) | — | ||
| 23 | Sonata in C Major, Op. 3, No. 3: Adagio (violon solo) | — | ||
| 24 | Sonata in C Major, Op. 3, No. 3: Adagio (ornamentation) | — | ||
| 2-1 | Menuet (harpsichord) | — | ||
| 2-2 | Menuet (harpsichord with ornamentation double) | — | ||
| 2-3 | Oboe Concerto in C minor: Adagio (concerto movement) | — | ||
| 2-4 | Oboe Concerto in C minor: Adagio (ornamentation keyboard transcription) | — | ||
| 2-5 | Violin Concerto in D Major, Op. 3, No. 9, RV 230: Finale (concerto movement) | — | ||
| 2-6 | Violin Concerto in D Major, Op. 3, No. 9, RV 230: Finale (ornamentation keyboard transcription by J.S. Bach) | — | ||
| 2-7 | Violin Concerto in C Major for two trumpets, strings and continuo, RV 537: Largo (as in score) | — | ||
| 2-8 | Violin Concerto in C Major for two trumpets, strings and continuo, RV 537: Largo (modern realization and embellishment of bass following Baroque practice) | — | ||
| 2-9 | Rinaldo: Lascia ch'io pianga (as written) | — | ||
| 2-10 | Rinaldo: Lascia ch'io pianga (embellishment repeat, da capo) | — | ||
| 2-11 | Suite in D minor: Air (as written) | — | ||
| 2-12 | Suite in D minor: Air (composer's own ornamentation) | — | ||
| 2-13 | Sonata in F Major for violin and harpsichord: Adagio (violon solo as written) | — | ||
| 2-14 | Sonata in F Major for violin and harpsichord: Adagio (composer's own ornamentation) | — | ||
| 2-15 | Concerto for flute, oboe and violin: Andante (plain version) | — | ||
| 2-16 | Concerto for flute, oboe and violin: Andante (with three ornamentation instrumental parts) | — | ||
| 2-17 | Adagio for flute and harpsichord (plain version) | — | ||
| 2-18 | Adagio for flute and harpsichord (ornamentation version in composer's own treatise) | — | ||
| 2-19 | Castor et Pollux: Tristes apprêts | — | ||
| 2-20 | Castor et Pollux: Tristes apprêts (embellishment of repeat (da capo) as done by a singer of the period) | — | ||
| 2-21 | Sonata in F Major: Allegretto | — | ||
| 2-22 | Sonata in F Major: Allegretto (keyboard sonata with ornamentation reprise) | — | ||
| 2-23 | Trio Sonata in G Major for flute, violin, and harpsichord: Grave | — | ||
| 2-24 | Trio Sonata in G Major for flute, violin, and harpsichord: Grave (instructional work in which the composer follows each plain section with ornamentation of two instrumental lines) | — | ||
| 2-25 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | — | ||
| 2-26 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | — | ||
| 2-27 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | — |
Songwriters/Publishers (IPI)
Credits Graph
3351472036729 is a Universal Product Code (UPC) assigned to The Art of Ornamentation and Embellishment in the Renaissance and Baroque by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 51 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Art of Ornamentation and Embellishment in the Renaissance and Baroque” by Various Artists is 3351472036729. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Vanguard Classics. This release contains 51 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Pellegrina: Intermezzo "Dalle pìu alte sfere" (instrumental) | — | ||
| 2 | La Pellegrina: Intermezzo "Dalle pìu alte sfere" (vocal) | — | ||
| 3 | Ancor che col partire (Renaissance style) | — | ||
| 4 | Ancor che col partire (Baroque style) | — | ||
| 5 | La zambeccara: Canzona (instrumental consort) | — | ||
| 6 | La zambeccara: Canzona (keyboard version) | — | ||
| 7 | Ay me sospiri: Frottola (original) | — | ||
| 8 | Ay me sospiri (Renaissance ornamentation) | — | ||
| 9 | Four-part Madrigal: "Lasciar il velo" (as written) | — | ||
| 10 | Four-part Madrigal: "Lasciar il velo" (vocal ornamentation) | — | ||
| 11 | Nach willen dein | — | ||
| 12 | Nach willen dein (organ version) | — | ||
| 13 | Douce mémoire | — | ||
| 14 | Douce mémoire (ornamentation instrumental) | — | ||
| 15 | Pandolpho (voice) | — | ||
| 16 | Pandolpho (voice with lute) | — | ||
| 17 | Il combattimento di Tancredi e Clorinda: two verse excerpt (plain version) | — | ||
| 18 | Il combattimento di Tancredi e Clorinda: two verse excerpt (editorial ornamentation version) | — | ||
| 19 | Four-part French air de cour: "N'esperez plus, mes yeux" | — | ||
| 20 | Four-part French air de cour: "N'esperez plus, mes yeux" (with ornamentation vocal line) | — | ||
| 21 | "O That Mine Eyes" | — | ||
| 22 | "O That Mine Eyes" (ornamentation) | — | ||
| 23 | Sonata in C Major, Op. 3, No. 3: Adagio (violon solo) | — | ||
| 24 | Sonata in C Major, Op. 3, No. 3: Adagio (ornamentation) | — | ||
| 2-1 | Menuet (harpsichord) | — | ||
| 2-2 | Menuet (harpsichord with ornamentation double) | — | ||
| 2-3 | Oboe Concerto in C minor: Adagio (concerto movement) | — | ||
| 2-4 | Oboe Concerto in C minor: Adagio (ornamentation keyboard transcription) | — | ||
| 2-5 | Violin Concerto in D Major, Op. 3, No. 9, RV 230: Finale (concerto movement) | — | ||
| 2-6 | Violin Concerto in D Major, Op. 3, No. 9, RV 230: Finale (ornamentation keyboard transcription by J.S. Bach) | — | ||
| 2-7 | Violin Concerto in C Major for two trumpets, strings and continuo, RV 537: Largo (as in score) | — | ||
| 2-8 | Violin Concerto in C Major for two trumpets, strings and continuo, RV 537: Largo (modern realization and embellishment of bass following Baroque practice) | — | ||
| 2-9 | Rinaldo: Lascia ch'io pianga (as written) | — | ||
| 2-10 | Rinaldo: Lascia ch'io pianga (embellishment repeat, da capo) | — | ||
| 2-11 | Suite in D minor: Air (as written) | — | ||
| 2-12 | Suite in D minor: Air (composer's own ornamentation) | — | ||
| 2-13 | Sonata in F Major for violin and harpsichord: Adagio (violon solo as written) | — | ||
| 2-14 | Sonata in F Major for violin and harpsichord: Adagio (composer's own ornamentation) | — | ||
| 2-15 | Concerto for flute, oboe and violin: Andante (plain version) | — | ||
| 2-16 | Concerto for flute, oboe and violin: Andante (with three ornamentation instrumental parts) | — | ||
| 2-17 | Adagio for flute and harpsichord (plain version) | — | ||
| 2-18 | Adagio for flute and harpsichord (ornamentation version in composer's own treatise) | — | ||
| 2-19 | Castor et Pollux: Tristes apprêts | — | ||
| 2-20 | Castor et Pollux: Tristes apprêts (embellishment of repeat (da capo) as done by a singer of the period) | — | ||
| 2-21 | Sonata in F Major: Allegretto | — | ||
| 2-22 | Sonata in F Major: Allegretto (keyboard sonata with ornamentation reprise) | — | ||
| 2-23 | Trio Sonata in G Major for flute, violin, and harpsichord: Grave | — | ||
| 2-24 | Trio Sonata in G Major for flute, violin, and harpsichord: Grave (instructional work in which the composer follows each plain section with ornamentation of two instrumental lines) | — | ||
| 2-25 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | — | ||
| 2-26 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | — | ||
| 2-27 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | — |
