UPC · Release
Mega Gold - Le meilleur des années 50' 60' 70' 80'
Various Artists
Last verified:
3383001260329 is the Universal Product Code (UPC barcode) for the release “Mega Gold - Le meilleur des années 50' 60' 70' 80'” by Various Artists, released 1997-01-01 on Arcade. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAWA0665298, FRX281906397, DEF067400970.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lucille | — | ||
| 2 | Blue Suede Shoes | Carl Perkins | T-900.301.723-0 | |
| 3 | Johnny B. Goode | Chuck Berry | T-070.939.624-6 | |
| 4 | Rock Around the Clock | Bill Haley & His Comets | — | |
| 5 | That’s Alright Mama | — | ||
| 6 | Ooby Dooby | — | ||
| 7 | Blueberry Hill (live) | — | ||
| 8 | Great Balls of Fire | — | ||
| 9 | Be‐Bop‐A‐Lula | Gene Vincent & His Blue Caps | T-070.880.754-8 | |
| 10 | Whole Lotta Shakin’ Goin’ On | Jerry Lee Lewis | T-070.199.897-1 | |
| 11 | Flying Saucers Rock ’n’ Roll | Billy Riley, His Little Green Men | T-902.308.493-7 | |
| 12 | Maybeline (live) | — | ||
| 13 | Matchbox | Carl Perkins | T-901.131.136-7 | |
| 14 | Red River Rock | Johnny and the Hurricanes | T-070.243.121-7 | |
| 15 | Domino | — | ||
| 16 | Let's Twist Again | Chubby Checker | T-070.095.613-3 | |
| 17 | Wake Up Little Susie (live) | — | ||
| 18 | Lonely Weekends | — | ||
| 19 | Only You | The Platters | T-070.159.445-7 | |
| 20 | Twist and Shout | The Isley Brothers | T-071.214.645-6 | |
| 21 | Jambalaya (On the Bayou) | Fats Domino | T-070.241.327-1 | |
| 22 | Da Doo Ron Ron | The Crystals | T-042.623.921-5 | |
| 23 | Let’s Have a Party | — | ||
| 24 | My Girl (live) | — | ||
| 25 | Rock & Roll Music (live) | — | ||
| 2-1 | La bamba | Ritchie Valens | T-071.000.650-0 | |
| 2-2 | Everybody Loves to Cha‐Cha‐Cha | — | ||
| 2-3 | I’ve Got to Do a Little Bit Better | — | ||
| 2-4 | This Is My Country | — | ||
| 2-5 | Louie Louie | The Kingsmen | T-010.768.444-5 | |
| 2-6 | Brown Eyed Girl | Van Morrison | T-011.353.528-6 | |
| 2-7 | No Milk Today (live) | — | ||
| 2-8 | Shape of Things | — | ||
| 2-9 | Man of the World | Fleetwood Mac | T-010.163.028-7 | |
| 2-10 | Choker | — | ||
| 2-11 | All or Nothing | — | ||
| 2-12 | Pretty Belinda | — | ||
| 2-13 | Long Live Love | Sandie Shaw | — | |
| 2-14 | Surfin’ Safari | — | ||
| 2-15 | In Between | — | ||
| 2-16 | When a Man Loves a Woman | Percy Sledge | T-011.238.602-3 | |
| 2-17 | He’s So Fine | The Chiffons | T-070.240.216-1 | |
| 2-18 | Little Miss Understood | — | ||
| 2-19 | Pictures of Matchstick Men | — | ||
| 2-20 | Happy Together | The Turtles | T-070.234.423-7 | |
| 2-21 | The Letter | The Box Tops | T-071.000.720-7 | |
| 2-22 | Wild Thing | The Troggs | T-070.248.029-2 | |
| 2-23 | Tell It Like It Is | — | ||
| 2-24 | Stand by Me | Ben E. King | T-011.233.891-6 | |
| 2-25 | Many Rivers to Cross | — | ||
| 3-1 | So Fine | — | ||
| 3-2 | I’m Not in Love (live) | — | ||
| 3-3 | What’s Going On (live) | — | ||
| 3-4 | Sex Machine (live) | — | ||
| 3-5 | Smoke on the Water (live) | — | ||
| 3-6 | Spicks & Specks | — | ||
| 3-7 | American pie (live) | — | ||
| 3-8 | Sunshine Superman | — | ||
| 3-9 | Superfly | — | ||
| 3-10 | Knee Deep | — | ||
| 3-11 | Roaring of the Lamb | — | ||
| 3-12 | Long Live Love | Sandie Shaw | — | |
| 3-13 | Natural Born Bugie | — | ||
| 3-14 | I’m Going Home (live) | — | ||
| 3-15 | Children of the Revolution | — | ||
| 3-16 | Brand New Cadillac ’73 | — | ||
| 3-17 | The Passengers (live) | — | ||
| 3-18 | Sugar Baby Love | — | ||
| 3-19 | Sister Jane 93 | — | ||
| 3-20 | Lucky Man | — | ||
| 3-21 | Lively Up Yourself | The Wailers | T-070.099.883-9 | |
| 3-22 | Oh La La La Let’s Go Dancing (live) | — | ||
| 3-23 | You’re the One I Need | — | ||
| 3-24 | Love Is All | — | ||
| 3-25 | Mrs Robinson (live) | — | ||
| 4-1 | Eye in the Sky (live) | — | ||
| 4-2 | Heartache Avenue | — | ||
| 4-3 | Nightshift | — | ||
| 4-4 | Let’s Groove (live) | — | ||
| 4-5 | Everyday I Write the Book | — | ||
| 4-6 | Runaway Boy (live) | — | ||
| 4-7 | City Lights | — | ||
| 4-8 | Pop Musik | — | ||
| 4-9 | Ma Keen Dawn | — | ||
| 4-10 | Everybody’s Got to Learn Sometimes | — | ||
| 4-11 | Waiting for a Train | — | ||
| 4-12 | Clouds Across the Moon | — | ||
| 4-13 | Sweet Was My Rose | — | ||
| 4-14 | Wot | — | ||
| 4-15 | Bird of Paradise | — | ||
| 4-16 | On My Way in L.A. | — | ||
| 4-17 | Jeopardy | — | ||
| 4-18 | Hey Little Girl | — | ||
| 4-19 | Love Is in the Air | — | ||
| 4-20 | Bad News | — | ||
| 4-21 | Hey Joe | — | ||
| 4-22 | Body Talk (live) | — | ||
| 4-23 | Concrete & Clay | — | ||
| 4-24 | Precious Thing | — | ||
| 4-25 | Say It Ain’t So | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rock Around the Clock | Bill Haley and His Comets | T-070.922.116-8 |
| Only You (re‐recorded) | The Platters | T-070.159.445-7 |
| WHOLE LOTTA SHAKIN’ GOING ON | JERRY LEE LEWIS | T-070.199.897-1 |
| Life Goes On | Johnny Cash | T-071.171.496-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+20 more
Identifier Graph
People also ask
Verified on
What is UPC 3383001260329?
3383001260329 is a Universal Product Code (UPC) assigned to Mega Gold - Le meilleur des années 50' 60' 70' 80' by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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