UPC · Release
L’Ensorceleuse
Piotr Ilyitch Tchaïkovsky, Philharmonie d’état d’URSS, Samouïl Samossoud
3421710432276
44 tracksReleased 1997-01-01Lys
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3421710432276 is the Universal Product Code (UPC barcode) for the release “L’Ensorceleuse” by Piotr Ilyitch Tchaïkovsky, Philharmonie d’état d’URSS, Samouïl Samossoud, released 1997-01-01 on Lys. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC.
Format
342GS1 prefix
1710Company prefix
43227Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
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- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (44)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Sorceress: Introduction | — | ||
| 2 | The Sorceress, Act 1. no. 1. Folk Scene. We like to be together by the Oka at young Kuma’s place | — | ||
| 3 | The Sorceress, Act 1. no. 2. Folk Scene. I’ll go, I’ll go out, I’ll go out to the valley | — | ||
| 4 | The Sorceress, Act 1. no. 2. Entry of Nastassya. Where was I? In the green meadow, looking for berries | — | ||
| 5 | The Sorceress, Act 1. no. 3. Chorus of Guests and Scene. Good day, mother Kuma, delightful Kuma | — | ||
| 6 | The Sorceress, Act 1. no. 4. Scene. A song! A song! Let’s sing, but they are calling for prayer | — | ||
| 7 | The Sorceress, Act 1. no. 4. Kuma’s Arioso. Let us look down from Nizhny, from the steep mountains, onto our mother Volga | — | ||
| 8 | The Sorceress, Act 1. no. 5. People’s Chorus and Scene. Our prince has returned from hunting | — | ||
| 9 | The Sorceress, Act 1. no. 6. Scene. So here is the foul nest of disorder | — | ||
| 10 | The Sorceress, Act 1. no. 7a. Decimet (a cappella) with Chorus.He gave me this precious ring | — | ||
| 11 | The Sorceress, Act 1. no. 7b. Scene and Chorus. And do you, Mamyrov, want some wine? | — | ||
| 12 | The Sorceress, Act 1. no. 7c. Dance of the Tumblers | — | ||
| 13 | The Sorceress, Act 1. no. 7c. Scene. Deacon, dance!- Me… amuse the demon! | — | ||
| 14 | The Sorceress: First Intermission | — | ||
| 15 | The Sorceress, Act 2. no. 8. Scene. All the night troubled by anxious thoughts | — | ||
| 16 | The Sorceress, Act 2. no. 8. Princess’s Arioso. So this is what has caused my misfortune | — | ||
| 17 | The Sorceress, Act 2. no. 9. Scene. Ahh! Good day Yuri, how did you sleep? | — | ||
| 18 | The Sorceress, Act 2. no. 9. Duet. May God let us live in happiness, without grief and tears | — | ||
| 2-1 | The Sorceress, Act 2. no. 10. Scene. I was called and I came! | — | ||
| 2-2 | The Sorceress, Act 2. no. 11. Scene. Again Business! Another time, I’m busy | — | ||
| 2-3 | The Sorceress, Act 2. no. 11. Prince’s Arioso. Ah! The image of that beaufy | — | ||
| 2-4 | The Sorceress, Act 2. no. 12. Scene of the Prince with the Princess. You called me? | — | ||
| 2-5 | The Sorceress, Act 2. no. 13. Folk Scene. Stop him! Stop him! The prince’s huntsman killed our dog | — | ||
| 2-6 | The Sorceress, Act 2. no. 14. Finale. Why have you interfered in your father’s adventures, my son | — | ||
| 2-7 | The Sorceress, Act 3. no. 15. Scene and Duet. Sir, you have cast down your eyes and are silent in anger | — | ||
| 2-8 | The Sorceress, Act 3. no. 16. Scene. How did I have enough strength to endure him! He dug in | — | ||
| 2-9 | The Sorceress, Act 3. no. 17. Scene and Duet. Shine the light! Where is she? It seems she hid | — | ||
| 3-1 | The Sorceress: Second Intermission | — | ||
| 3-2 | The Sorceress, Act 4. no. 18. Scene. It seems to be a horn! A hunting horn. Who is it bringing to my cave? | — | ||
| 3-3 | The Sorceress, Act 4. no. 19. Scene. We caught a bear, Prince | — | ||
| 3-4 | The Sorceress, Act 4. no. 19. Duet. Why have you come? For a poision | — | ||
| 3-5 | The Sorceress, Act 4. no. 20. Scene. Here is where they ordered us to anchor | — | ||
| 3-6 | The Sorceress, Act 4. no. 20. Kuma’s Arioso. Where are you, my beloved? I am here | — | ||
| 3-7 | The Sorceress, Act 4. no. 21. Scene and Duet. Kuma? Is that you? Fate itself has sent her to my hands | — | ||
| 3-8 | The Sorceress, Act 4. no. 22. Scene and Quartet. Nastya! My Yuri! How I was tortured by grief | — | ||
| 3-9 | The Sorceress, Act 4. no. 23. Finale a) Death of Nastassya. Do you want to rest here? What’s wrong | — | ||
| 3-10 | The Sorceress, Act 4. no. 23. Finale b) Death of Youri.I’ve found you! So this is where you’ve been hiding | — | ||
| 3-11 | The Sorceress, Act 4. no. 23. Finale c) Final. What have I do? Oh God! Oh God! | — | ||
| 3-12 | Complements, Scene et air de L’Ensorceleuse: Act 2. Arioso of Prince Nikita | — | ||
| 3-13 | Complements, Scene et air de L’Ensorceleuse: Act 1. Airia of Nastassya | — | ||
| 3-14 | Complements, Scene et air de L’Ensorceleuse: Act 2. Recital and Arioso of Prince Nikita | — | ||
| 3-15 | Complements, Scene et air de L’Ensorceleuse: Act 4. Arioso of Nastassya | — | ||
| 3-16 | Complements, Scene et air de L’Ensorceleuse: Act 1. Airia of Nastassya | — | ||
| 3-17 | Complements, Scene et air de L’Ensorceleuse: Act 4. Airoso of Nastassya | — |
The Sorceress: Introduction
—
The Sorceress, Act 1. no. 1. Folk Scene. We like to be together by the Oka at young Kuma’s place
—
The Sorceress, Act 1. no. 2. Folk Scene. I’ll go, I’ll go out, I’ll go out to the valley
—
The Sorceress, Act 1. no. 2. Entry of Nastassya. Where was I? In the green meadow, looking for berries
—
The Sorceress, Act 1. no. 3. Chorus of Guests and Scene. Good day, mother Kuma, delightful Kuma
—
The Sorceress, Act 1. no. 4. Scene. A song! A song! Let’s sing, but they are calling for prayer
—
The Sorceress, Act 1. no. 4. Kuma’s Arioso. Let us look down from Nizhny, from the steep mountains, onto our mother Volga
—
The Sorceress, Act 1. no. 5. People’s Chorus and Scene. Our prince has returned from hunting
—
The Sorceress, Act 1. no. 6. Scene. So here is the foul nest of disorder
—
The Sorceress, Act 1. no. 7a. Decimet (a cappella) with Chorus.He gave me this precious ring
—
The Sorceress, Act 1. no. 7b. Scene and Chorus. And do you, Mamyrov, want some wine?
—
The Sorceress, Act 1. no. 7c. Dance of the Tumblers
—
The Sorceress, Act 1. no. 7c. Scene. Deacon, dance!- Me… amuse the demon!
—
The Sorceress: First Intermission
—
The Sorceress, Act 2. no. 8. Scene. All the night troubled by anxious thoughts
—
The Sorceress, Act 2. no. 8. Princess’s Arioso. So this is what has caused my misfortune
—
The Sorceress, Act 2. no. 9. Scene. Ahh! Good day Yuri, how did you sleep?
—
The Sorceress, Act 2. no. 9. Duet. May God let us live in happiness, without grief and tears
—
The Sorceress, Act 2. no. 10. Scene. I was called and I came!
—
The Sorceress, Act 2. no. 11. Scene. Again Business! Another time, I’m busy
—
The Sorceress, Act 2. no. 11. Prince’s Arioso. Ah! The image of that beaufy
—
The Sorceress, Act 2. no. 12. Scene of the Prince with the Princess. You called me?
—
The Sorceress, Act 2. no. 13. Folk Scene. Stop him! Stop him! The prince’s huntsman killed our dog
—
The Sorceress, Act 2. no. 14. Finale. Why have you interfered in your father’s adventures, my son
—
The Sorceress, Act 3. no. 15. Scene and Duet. Sir, you have cast down your eyes and are silent in anger
—
The Sorceress, Act 3. no. 16. Scene. How did I have enough strength to endure him! He dug in
—
The Sorceress, Act 3. no. 17. Scene and Duet. Shine the light! Where is she? It seems she hid
—
The Sorceress: Second Intermission
—
The Sorceress, Act 4. no. 18. Scene. It seems to be a horn! A hunting horn. Who is it bringing to my cave?
—
The Sorceress, Act 4. no. 19. Scene. We caught a bear, Prince
—
The Sorceress, Act 4. no. 19. Duet. Why have you come? For a poision
—
The Sorceress, Act 4. no. 20. Scene. Here is where they ordered us to anchor
—
The Sorceress, Act 4. no. 20. Kuma’s Arioso. Where are you, my beloved? I am here
—
The Sorceress, Act 4. no. 21. Scene and Duet. Kuma? Is that you? Fate itself has sent her to my hands
—
The Sorceress, Act 4. no. 22. Scene and Quartet. Nastya! My Yuri! How I was tortured by grief
—
The Sorceress, Act 4. no. 23. Finale a) Death of Nastassya. Do you want to rest here? What’s wrong
—
The Sorceress, Act 4. no. 23. Finale b) Death of Youri.I’ve found you! So this is where you’ve been hiding
—
The Sorceress, Act 4. no. 23. Finale c) Final. What have I do? Oh God! Oh God!
—
Complements, Scene et air de L’Ensorceleuse: Act 2. Arioso of Prince Nikita
—
Complements, Scene et air de L’Ensorceleuse: Act 1. Airia of Nastassya
—
Complements, Scene et air de L’Ensorceleuse: Act 2. Recital and Arioso of Prince Nikita
—
Complements, Scene et air de L’Ensorceleuse: Act 4. Arioso of Nastassya
—
Complements, Scene et air de L’Ensorceleuse: Act 1. Airia of Nastassya
—
Complements, Scene et air de L’Ensorceleuse: Act 4. Airoso of Nastassya
—
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What is UPC 3421710432276?
3421710432276 is a Universal Product Code (UPC) assigned to L’Ensorceleuse by Piotr Ilyitch Tchaïkovsky, Philharmonie d’état d’URSS, Samouïl Samossoud. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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