UPC · Release
Best of Live
Satan Jokers
Last verified:
3426300081469 is the Universal Product Code (UPC barcode) for the release “Best of Live” by Satan Jokers, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prélude | — | ||
| 2 | En partance pour l'Enfer | — | ||
| 3 | La Marche hérétique | — | ||
| 4 | (Bienvenue au) Sabbat | — | ||
| 5 | Âge de confusion | — | ||
| 6 | Le Fouet | — | ||
| 7 | Justice | — | ||
| 8 | Pas de solution | — | ||
| 9 | Les Forces maléfiques | — | ||
| 10 | Solo guitare | — | ||
| 11 | Wounded-Knee 73 | — | ||
| 12 | Solo batterie | — | ||
| 13 | Business | — | ||
| 14 | Derrière les portes closes | — | ||
| 15 | Sorcier | — | ||
| 16 | Get It On | — | ||
| 17 | Solo basse & batterie | — | ||
| 18 | Les Fils du Métal | — | ||
| 19 | Quand les héros se meurent | — | ||
| 20 | Commando suicide | — | ||
| 21 | Child in Time (studio version) | — |
Credits Graph
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What is UPC 3426300081469?
3426300081469 is a Universal Product Code (UPC) assigned to Best of Live by Satan Jokers. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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