UPC · Release
Domingo, Kiri Te Kanawa, Pavarotti
Last verified:
The UPC for “The Best of Domingo, Kiri Te Kanawa & Pavarotti” by Domingo, Kiri Te Kanawa, Pavarotti is 3442339062637. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-01-01. This release contains 87 tracks, each with its own ISRC. Tracks include GBBBA9050360, GBF077200050, GBF077630605.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 2 | Your Tiny Hand Is Frozen | — | ||
| 3 | On With the Motley | — | ||
| 4 | Musetta’s Waltz Song | — | ||
| 5 | One Fine Day | — | ||
| 6 | Aida: “Se quel guerrier io fossi” | Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | T-900.065.376-9 | |
| 7 | Vissi d’arte | — | ||
| 8 | Largo from ‘Xerxes’ | — | ||
| 9 | The Stars Were Brightly Shining | — | ||
| 10 | La donna è mobile | — | ||
| 11 | The Flower Song | — | ||
| 12 | Questa o quella | — | ||
| 13 | Una furtiva lagrima | — | ||
| 14 | Ave Maria, D. 839 (orch. Gamley) | Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler | T-315.963.353-7 | |
| 15 | Auf Flügeln des Gesanges (On Wings of Song) | — | ||
| 16 | Messiah: “I know that my Redeemer liveth” | Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 17 | O Divine Redeemer | — | ||
| 18 | Panis angelicus | Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra, Kurt Herbert Adler | T-900.016.711-3 | |
| 2-1 | Hear My Prayer - O for the Wings of a Dove | — | ||
| 2-2 | Vesperae solennes de confessore in C major, K. 339: V. Laudate Dominum omnes gentes | Kiri Te Kanawa, St Paul’s Cathedral Choir, English Chamber Orchestra, Barry Rose | — | |
| 2-3 | Requiem, op. 48: Pie Jesu | Kiri Te Kanawa, Orchestre symphonique de Montréal, Charles Dutoit | T-010.065.879-4 | |
| 2-4 | Agnus Dei | Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler | T-302.516.155-7 | |
| 2-5 | Duet from ‘The Pearl Fishers’ (Au fond du temple saint) | — | ||
| 2-6 | Il mio tesoro | — | ||
| 2-7 | Ella mi fu rapita! …Parmi veder le lagrime | — | ||
| 2-8 | Ah! Fuyez, douce image | — | ||
| 2-9 | Oh, tu che in seno agli angeli | — | ||
| 2-10 | In fernem Land | — | ||
| 2-11 | Ah, sì, ben mio | — | ||
| 2-12 | Je crois entendre encore | — | ||
| 2-13 | L’Amour! L’Amour! Ah! Lève-toi, soleil | — | ||
| 2-14 | Lunge da lei…De miei bollenti spiriti | — | ||
| 2-15 | Brindisi from ‘Cavalleria rusticana’ | — | ||
| 3-1 | Love Duet from ‘Madame Butterfly’ | — | ||
| 3-2 | Rigoletto: “Bella figlia dell'amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — | |
| 3-3 | Carmen : Acte III. « Je dis que rien ne m’épouvante » | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-4 | Rachel! Quand du Seigneur | — | ||
| 3-5 | Brindisi from ‘La Traviata’ | — | ||
| 3-6 | Il Trovatore: “Miserere” | Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard Bonynge | T-904.687.505-2 | |
| 3-7 | Le Nozze di Figaro: Atto II. “Porgi amor” | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | T-306.482.540-3 | |
| 3-8 | O terra, addio (Final Duet) from 'Aïda’ | — | ||
| 3-9 | Final Scene (Death of Carmen) | — | ||
| 3-10 | Mattinata | — | ||
| 3-11 | Chanson de l’adieu | — | ||
| 3-12 | Funiculì, Funiculà | — | ||
| 4-1 | Serenata | — | ||
| 4-2 | Piscatore ’e Pusilleco | — | ||
| 4-3 | Core ’ngrato (arr. Chiaramello) | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | T-910.760.781-8 | |
| 4-4 | Torna a Surriento | — | ||
| 4-5 | Aprile | — | ||
| 4-6 | Musica proibita | — | ||
| 4-7 | La Danza | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-072.616.559-8 | |
| 4-8 | Parlami d’amore Mariù (Love’s Last Word Is Spoken) | — | ||
| 4-9 | Martha: “M’apparì tutt’amor” | Luciano Pavarotti, New Philharmonia Orchestra, Richard Bonynge | T-913.933.210-8 | |
| 4-10 | ’O sole mio | Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | T-901.926.173-5 | |
| 4-11 | Recondita armonia | — | ||
| 4-12 | Faust: « Quel trouble inconnu » … « Salut! demeure chaste et pure » | Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera | — | |
| 4-13 | Di quella pira | — | ||
| 4-14 | La bohème: Atto IV. “In un coupe?… O mimi, tu piu non torni” (Marcello, Rodolfo) | Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-15 | La Favorita: "Spirto gentil" | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-905.499.420-6 | |
| 4-16 | Ch’ella mi creda libero | — | ||
| 4-17 | O paradiso | — | ||
| 5-1 | Parigi, o cara | — | ||
| 5-2 | Non piangere, Liù! | — | ||
| 5-3 | Cielo e mar | — | ||
| 5-4 | Mamma, quel vino è generoso | — | ||
| 5-5 | Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — | |
| 5-6 | Dove sono | — | ||
| 5-7 | The Little Sandman | — | ||
| 5-8 | Baïlèro from ‘Songs of the Auvergne’ | — | ||
| 5-9 | The Dream of Doretta | — | ||
| 5-10 | È strano…Ah, fors’ è lui | — | ||
| 5-11 | Après un rêve | — | ||
| 6-1 | Aria from Bachianas Brasileiras no. 5 | — | ||
| 6-2 | Casanova: Nuns' Chorus | Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony, Julius Rudel | — | |
| 6-3 | Blue Skies | — | ||
| 6-4 | True Love | — | ||
| 6-5 | I Could Have Danced All Night | — | ||
| 6-6 | So in Love | — | ||
| 6-7 | It Might as Well Be Spring | — | ||
| 6-8 | I’m Gonna Wash That Man Right Out-a My Hair | — | ||
| 6-9 | I’m in Love With a Wonderful Guy | — | ||
| 6-10 | Yesterdays | — | ||
| 6-11 | When I Grow Too Old to Dream | — | ||
| 6-12 | O My Beloved Father | — | ||
| 6-13 | Climb Ev’ry Mountain | — | ||
| 6-14 | You’ll Never Walk Alone | Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony | T-010.519.159-0 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| Rigoletto: “Bella figlia dell’amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — |
| La Danza | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-011.774.406-5 |
| ’O sole mio | Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | T-909.738.214-4 |
| Panis angelicus | Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra, Kurt Herbert Adler | — |
| Ave Maria | Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra, Kurt Herbert Adler | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
| Vesperae solennes de confessore in C major, K. 339: V. Laudate Dominum omnes gentes | Kiri Te Kanawa, St Paul’s Cathedral Choir, English Chamber Orchestra, Barry Rose | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
3442339062637 is a Universal Product Code (UPC) assigned to The Best of Domingo, Kiri Te Kanawa & Pavarotti by Domingo, Kiri Te Kanawa, Pavarotti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 87 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Best of Domingo, Kiri Te Kanawa & Pavarotti” by Domingo, Kiri Te Kanawa, Pavarotti is 3442339062637. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-01-01. This release contains 87 tracks, each with its own ISRC. Tracks include GBBBA9050360, GBF077200050, GBF077630605.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 2 | Your Tiny Hand Is Frozen | — | ||
| 3 | On With the Motley | — | ||
| 4 | Musetta’s Waltz Song | — | ||
| 5 | One Fine Day | — | ||
| 6 | Aida: “Se quel guerrier io fossi” | Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | T-900.065.376-9 | |
| 7 | Vissi d’arte | — | ||
| 8 | Largo from ‘Xerxes’ | — | ||
| 9 | The Stars Were Brightly Shining | — | ||
| 10 | La donna è mobile | — | ||
| 11 | The Flower Song | — | ||
| 12 | Questa o quella | — | ||
| 13 | Una furtiva lagrima | — | ||
| 14 | Ave Maria, D. 839 (orch. Gamley) | Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler | T-315.963.353-7 | |
| 15 | Auf Flügeln des Gesanges (On Wings of Song) | — | ||
| 16 | Messiah: “I know that my Redeemer liveth” | Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 17 | O Divine Redeemer | — | ||
| 18 | Panis angelicus | Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra, Kurt Herbert Adler | T-900.016.711-3 | |
| 2-1 | Hear My Prayer - O for the Wings of a Dove | — | ||
| 2-2 | Vesperae solennes de confessore in C major, K. 339: V. Laudate Dominum omnes gentes | Kiri Te Kanawa, St Paul’s Cathedral Choir, English Chamber Orchestra, Barry Rose | — | |
| 2-3 | Requiem, op. 48: Pie Jesu | Kiri Te Kanawa, Orchestre symphonique de Montréal, Charles Dutoit | T-010.065.879-4 | |
| 2-4 | Agnus Dei | Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler | T-302.516.155-7 | |
| 2-5 | Duet from ‘The Pearl Fishers’ (Au fond du temple saint) | — | ||
| 2-6 | Il mio tesoro | — | ||
| 2-7 | Ella mi fu rapita! …Parmi veder le lagrime | — | ||
| 2-8 | Ah! Fuyez, douce image | — | ||
| 2-9 | Oh, tu che in seno agli angeli | — | ||
| 2-10 | In fernem Land | — | ||
| 2-11 | Ah, sì, ben mio | — | ||
| 2-12 | Je crois entendre encore | — | ||
| 2-13 | L’Amour! L’Amour! Ah! Lève-toi, soleil | — | ||
| 2-14 | Lunge da lei…De miei bollenti spiriti | — | ||
| 2-15 | Brindisi from ‘Cavalleria rusticana’ | — | ||
| 3-1 | Love Duet from ‘Madame Butterfly’ | — | ||
| 3-2 | Rigoletto: “Bella figlia dell'amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — | |
| 3-3 | Carmen : Acte III. « Je dis que rien ne m’épouvante » | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-4 | Rachel! Quand du Seigneur | — | ||
| 3-5 | Brindisi from ‘La Traviata’ | — | ||
| 3-6 | Il Trovatore: “Miserere” | Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, London Opera Chorus, Richard Bonynge | T-904.687.505-2 | |
| 3-7 | Le Nozze di Figaro: Atto II. “Porgi amor” | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | T-306.482.540-3 | |
| 3-8 | O terra, addio (Final Duet) from 'Aïda’ | — | ||
| 3-9 | Final Scene (Death of Carmen) | — | ||
| 3-10 | Mattinata | — | ||
| 3-11 | Chanson de l’adieu | — | ||
| 3-12 | Funiculì, Funiculà | — | ||
| 4-1 | Serenata | — | ||
| 4-2 | Piscatore ’e Pusilleco | — | ||
| 4-3 | Core ’ngrato (arr. Chiaramello) | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | T-910.760.781-8 | |
| 4-4 | Torna a Surriento | — | ||
| 4-5 | Aprile | — | ||
| 4-6 | Musica proibita | — | ||
| 4-7 | La Danza | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-072.616.559-8 | |
| 4-8 | Parlami d’amore Mariù (Love’s Last Word Is Spoken) | — | ||
| 4-9 | Martha: “M’apparì tutt’amor” | Luciano Pavarotti, New Philharmonia Orchestra, Richard Bonynge | T-913.933.210-8 | |
| 4-10 | ’O sole mio | Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | T-901.926.173-5 | |
| 4-11 | Recondita armonia | — | ||
| 4-12 | Faust: « Quel trouble inconnu » … « Salut! demeure chaste et pure » | Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera | — | |
| 4-13 | Di quella pira | — | ||
| 4-14 | La bohème: Atto IV. “In un coupe?… O mimi, tu piu non torni” (Marcello, Rodolfo) | Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-15 | La Favorita: "Spirto gentil" | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-905.499.420-6 | |
| 4-16 | Ch’ella mi creda libero | — | ||
| 4-17 | O paradiso | — | ||
| 5-1 | Parigi, o cara | — | ||
| 5-2 | Non piangere, Liù! | — | ||
| 5-3 | Cielo e mar | — | ||
| 5-4 | Mamma, quel vino è generoso | — | ||
| 5-5 | Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — | |
| 5-6 | Dove sono | — | ||
| 5-7 | The Little Sandman | — | ||
| 5-8 | Baïlèro from ‘Songs of the Auvergne’ | — | ||
| 5-9 | The Dream of Doretta | — | ||
| 5-10 | È strano…Ah, fors’ è lui | — | ||
| 5-11 | Après un rêve | — | ||
| 6-1 | Aria from Bachianas Brasileiras no. 5 | — | ||
| 6-2 | Casanova: Nuns' Chorus | Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony, Julius Rudel | — | |
| 6-3 | Blue Skies | — | ||
| 6-4 | True Love | — | ||
| 6-5 | I Could Have Danced All Night | — | ||
| 6-6 | So in Love | — | ||
| 6-7 | It Might as Well Be Spring | — | ||
| 6-8 | I’m Gonna Wash That Man Right Out-a My Hair | — | ||
| 6-9 | I’m in Love With a Wonderful Guy | — | ||
| 6-10 | Yesterdays | — | ||
| 6-11 | When I Grow Too Old to Dream | — | ||
| 6-12 | O My Beloved Father | — | ||
| 6-13 | Climb Ev’ry Mountain | — | ||
| 6-14 | You’ll Never Walk Alone | Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony | T-010.519.159-0 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| Rigoletto: “Bella figlia dell’amore” | Sherrill Milnes, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, London Symphony Orchestra, Richard Bonynge | — |
| La Danza | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-011.774.406-5 |
| ’O sole mio | Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | T-909.738.214-4 |
| Panis angelicus | Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra, Kurt Herbert Adler | — |
| Ave Maria | Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra, Kurt Herbert Adler | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
| Vesperae solennes de confessore in C major, K. 339: V. Laudate Dominum omnes gentes | Kiri Te Kanawa, St Paul’s Cathedral Choir, English Chamber Orchestra, Barry Rose | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
