UPC · Release
Stellio : Le Créateur de la biguine à Paris. Intégrale chronologique 1929–1931
Alexandre Stellio
Last verified:
3448960202329 is the Universal Product Code (UPC barcode) for the release “Stellio : Le Créateur de la biguine à Paris. Intégrale chronologique 1929–1931” by Alexandre Stellio, released 1994-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include FR6V80704861, FR6V80704862, FR6V80704863.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | En sens uniques svp | Orchestre antillais | — | |
| 2 | Ah gade chabine la | Orchestre antillais | — | |
| 3 | Mussieu Satan faché | Orchestre antillais | — | |
| 4 | Sepent maigre | Orchestre antillais | — | |
| 5 | Yaya moin ni l’agent | Orchestre antillais | — | |
| 6 | Mussieu Dollar | Orchestre antillais | — | |
| 7 | Quand même | Orchestre du Bal antillais | — | |
| 8 | Nana | Orchestre du Bal antillais | — | |
| 9 | En l’ai mone la | Orchestre du Bal antillais | — | |
| 10 | Georgi nana | Orchestre du Bal antillais | — | |
| 11 | Paris biguine | Orchestre du Bal antillais | — | |
| 12 | Mémée la créole | Orchestre du Bal antillais | — | |
| 13 | L’Échelle poule | Orchestre du Bal antillais | — | |
| 14 | Zafe co ida | Orchestre du Bal antillais | — | |
| 15 | Ninon | Orchestre du Bal antillais | — | |
| 16 | Femme qui dou | Orchestre du Bal antillais | — | |
| 17 | Agoulou | Orchestre du Bal antillais | — | |
| 18 | Bonjour loca | Orchestre du Bal antillais | — | |
| 19 | A si pare | Orchestre du Bal antillais | — | |
| 20 | Soigne i ba moin | Orchestre du Bal antillais | — | |
| 21 | Marie Clémence | Orchestre du Bal antillais | — | |
| 22 | Surrah | Orchestre du Bal antillais | — | |
| 2-1 | Vini oue couli a | Alexandre Stellio | — | |
| 2-2 | Bossu a bossu co ou | Alexandre Stellio | — | |
| 2-3 | Oue oue oue oue | Alexandre Stellio | — | |
| 2-4 | Ah gade yo che | Orchestre Stellio de l’Exposition coloniale de Paris 1931 | — | |
| 2-5 | Oh douce Martinique | Alexandre Stellio | — | |
| 2-6 | Grand Tomobile | Alexandre Stellio | — | |
| 2-7 | Ce con ca ou ye | Orchestre Stellio de l’Exposition coloniale de Paris 1931 | — | |
| 2-8 | Ah mi roro | Orchestre Stellio de l’Exposition coloniale de Paris 1931 | — | |
| 2-9 | Ti bourrique assou la l vee | Orchestre Stellio de l’Exposition coloniale de Paris 1931 | — | |
| 2-10 | Alberte et André | Orchestre Stellio de l’Exposition coloniale de Paris 1931 | — | |
| 2-11 | La Nuit | Orchestre Stellio de l’Exposition coloniale de Paris 1931 | — | |
| 2-12 | Pomme cannelle | Orchestre Stellio de l’Exposition coloniale de Paris 1931 | — | |
| 2-13 | L’Échelle poule | Orchestre Tagada | — | |
| 2-14 | Corossolle doudou | Orchestre Tagada | — | |
| 2-15 | Balcon fleuri | Orchestre du Bal antillais | — | |
| 2-16 | Femme qui dou | Orchestre du Bal antillais | — | |
| 2-17 | Paris biguine | Orchestre du Bal antillais | — | |
| 2-18 | Finotte | Orchestre Tagada | — |
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People also ask
What is UPC 3448960202329?
3448960202329 is a Universal Product Code (UPC) assigned to Stellio : Le Créateur de la biguine à Paris. Intégrale chronologique 1929–1931 by Alexandre Stellio. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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