UPC · Album

Gospel, Vol. 3: Guitar Evangelists & Bluesmen 1927–1944

Various Artists

3448960204422

36 tracksReleased 1995-01-01Frémeaux & Associés

Last verified: March 26, 2026

3448960204422 is the Universal Product Code (UPC barcode) for the release “Gospel, Vol. 3: Guitar Evangelists & Bluesmen 1927–1944” by Various Artists, released 1995-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include GBHVK1100111, QZ7VU1700030, USSM10028549.

Format

344GS1 prefix

8960Company prefix

20442Product

2Check digit

GS1 prefix:: Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:: Label/distributor identifier assigned by the local GS1 office.
Product:: Unique product number assigned by the company.
Check digit:: Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCGospel, Vol. 3: Guitar Evangelists & Bluesmen 1927–1944

ISRC8 recordings

ISWC4 works

IPI9 songwriters

Track List (8)

Track Title	Artist(s)	ISRC
Dark Was the Night, Cold Was the Ground	Blind Willie Johnson	GBHVK1100111
Dark Was the Night, Cold Was the Ground	Blind Willie Johnson	QZ7VU1700030
Dark Was the Night, Cold Was the Ground	Blind Willie Johnson	USSM10028549
Praise God I’m Satisfied	Blind Willie Johnson	USSM10203501
Dark Was the Night, Cold Was the Ground	Blind Willie Johnson	USSM11505851
Denomination Blues, Parts 1 & 2	Washington Phillips	USSM11505859
Dark Was the Night, Cold Was the Ground	Blind Willie Johnson	USSM12700035
Dark Was the Night, Cold Was the Ground	Blind Willie Johnson	USUG10901254

Dark Was the Night, Cold Was the Ground

Blind Willie Johnson

Dark Was the Night, Cold Was the Ground

Blind Willie Johnson

Dark Was the Night, Cold Was the Ground

Blind Willie Johnson

Praise God I’m Satisfied

Blind Willie Johnson

Dark Was the Night, Cold Was the Ground

Blind Willie Johnson

Denomination Blues, Parts 1 & 2

Washington Phillips

Dark Was the Night, Cold Was the Ground

Blind Willie Johnson

Dark Was the Night, Cold Was the Ground

Blind Willie Johnson

What other identifiers does this connect to?

Musical Works (ISWC)

T-901.801.911-9 T-901.801.929-9 T-901801911-9 T-901801929-9

Songwriters/Publishers (IPI)

00007609789 00018912582 00065234194 00421881663 00440855655 00440855753 00440855851 00567908894 00633211196

Creative Contributors (ISNI)

People also ask

What is UPC 3448960204422?

UPC 3448960204422 is the Universal Product Code (barcode) for "Gospel, Vol. 3: Guitar Evangelists & Bluesmen 1927–1944" by Various Artists, released on Frémeaux & Associés.

What is a UPC code in music?

A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.

How is a UPC different from an ISRC?

A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.

How many tracks are on UPC 3448960204422?

UPC 3448960204422 contains 36 tracks, each with its own ISRC.

SourcesMusicBrainzDiscogs2 sources

Verified on

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What is UPC 3448960204422?

3448960204422 is a Universal Product Code (UPC) assigned to Gospel, Vol. 3: Guitar Evangelists & Bluesmen 1927–1944 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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