UPC · Release
The Quintessence Vol. 1: New York - Los Angeles 1935 - 1944
Billie Holiday
Last verified:
3448960220927 is the Universal Product Code (UPC barcode) for the release “The Quintessence Vol. 1: New York - Los Angeles 1935 - 1944” by Billie Holiday, released 1995-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include DEU240551705, USSM13500035, USSM10104012.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Wished on the Moon | Billie Holiday, Teddy Wilson & His Orchestra | T-071.597.228-3 | |
| 2 | What a Little Moonlight Can Do | Billie Holiday, Teddy Wilson and His Orchestra | T-070.198.339-2 | |
| 3 | Miss Brown to You | — | ||
| 4 | These Foolish Things | — | ||
| 5 | I Cried for You (take 2) | Billie Holiday, Teddy Wilson and His Orchestra | T-070.902.589-7 | |
| 6 | Did I Remember? (take 1) | Billie Holiday & Her Orchestra | T-070.038.956-5 | |
| 7 | No Regrets | — | ||
| 8 | Summertime | — | ||
| 9 | Billie's Blues | — | ||
| 10 | A Fine Romance (take 1) | Billie Holiday & Her Orchestra | T-070.054.583-0 | |
| 11 | I've Got My Love to Keep Me Warm | — | ||
| 12 | The Mood That I'm In | Billie Holiday | T-070.109.888-5 | |
| 13 | Moanin' Low | Billie Holiday | T-070.109.682-3 | |
| 14 | I’ll Get By (as Long as I Have You) (take 2) | Billie Holiday, Teddy Wilson & His Orchestra | T-070.905.537-7 | |
| 15 | Nice Work If You Can Get It | Billie Holiday, Teddy Wilson & His Orchestra | T-010.433.838-6 | |
| 16 | You Go to My Head (take 1) | Billie Holiday and Her Orchestra | T-070.210.576-7 | |
| 17 | I Wish I Had You (take 2) | Billie Holiday and Her Orchestra | — | |
| 18 | Strange Fruit | — | ||
| 2-1 | Fine and Mellow | Billie Holiday & Her Orchestra | T-070.234.030-4 | |
| 2-2 | I Gotta Right to Sing the Blues | Billie Holiday and Her Orchestra | T-070.902.982-2 | |
| 2-3 | Some Other Spring | Billie Holiday | — | |
| 2-4 | Them There Eyes | — | ||
| 2-5 | The Man I Love | Billie Holiday | T-011.191.232-3 | |
| 2-6 | Body and Soul | Billie Holiday | T-070.012.014-4 | |
| 2-7 | I’m in a Low Down Groove | Billie Holiday & Her Orchestra | — | |
| 2-8 | God Bless the Child | — | ||
| 2-9 | Solitude | — | ||
| 2-10 | Trav’lin’ Light | Billie Holiday, Paul Whiteman & His Orchestra | T-070.181.140-6 | |
| 2-11 | My Old Flame | — | ||
| 2-12 | I'll Be Seeing You | — | ||
| 2-13 | Lover Come Back to Me | — | ||
| 2-14 | On the Sunny Side of the Street | — | ||
| 2-15 | Lover Man (Oh, Where Can You Be?) | — | ||
| 2-16 | No More | — | ||
| 2-17 | That Ole Devil Called Love | — | ||
| 2-18 | Don't Explain | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Some Other Spring | Billie Holiday & Her Orchestra | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 3448960220927?
3448960220927 is a Universal Product Code (UPC) assigned to The Quintessence Vol. 1: New York - Los Angeles 1935 - 1944 by Billie Holiday. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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