The Quintessence Vol. 2: New York - Los Angeles 1934 - 1946

UPC · Release

The Quintessence Vol. 2: New York - Los Angeles 1934 - 1946

Billie Holiday

3448960222228
36 tracksReleased 1997-01-01Frémeaux & Associés

Last verified:

3448960222228 is the Universal Product Code (UPC barcode) for the release The Quintessence Vol. 2: New York - Los Angeles 1934 - 1946 by Billie Holiday, released 1997-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC.

Format

344GS1 prefix
8960Company prefix
22222Product
8Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Quintessence Vol. 2: New York - Los Angeles 1934 - 1946
ISWC40 works
IPI5 songwriters

Track List (36)

Blues (Big City Blues) (Saddest Tale)
Blues (Big City Blues) (Saddest Tale)
It's Like Reaching for the Moon
It's Like Reaching for the Moon
One Never Knows, Does One?
One Never Knows, Does One?
Carelessly
Carelessly
How Could You?
How Could You?
They Can't Take That Away From Me
They Can't Take That Away From Me
Born to Love
Born to Love
Swing, Brother, Swing
Swing, Brother, Swing
Who Wants Love?
Who Wants Love?
My Man
My Man
Can't Help Lovin' Dat Man
Can't Help Lovin' Dat Man
I Can't Get Started With You
I Can't Get Started With You
You Can't Be Mine
You Can't Be Mine
Here It Is To-Morrow Again
Here It Is To-Morrow Again
More Than You Know
More Than You Know
Long Gone Blues
Long Gone Blues
Tell Me More and More (and Then Some)
Tell Me More and More (and Then Some)
St. Louis Blues
St. Louis Blues
All of Me
All of Me
Gloomy Sunday
Gloomy Sunday
I Cover the Waterfront
I Cover the Waterfront
I'm Yours
I'm Yours
Embraceable You
Embraceable You
He's Funny That Way
He's Funny That Way
Body and Soul
Body and Soul
Strange Fruit
Strange Fruit
You Better Go Now
You Better Go Now
Good Morning Heartache
Good Morning Heartache
No Good Man
No Good Man
I'll Look Around
I'll Look Around
Fine and Mellow
Fine and Mellow
The Man I Love
The Man I Love
Gee Baby, Ain't I Good to You?
Gee Baby, Ain't I Good to You?
Billie's Blues
Billie's Blues
Trav'lin' Light
Trav'lin' Light
The Blues Are Brewin'
The Blues Are Brewin'

Credits Graph

People also ask

What is UPC 3448960222228?
UPC 3448960222228 is the Universal Product Code (barcode) for "The Quintessence Vol. 2: New York - Los Angeles 1934 - 1946" by Billie Holiday, released on Frémeaux & Associés.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 3448960222228?
UPC 3448960222228 contains 36 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 3448960222228?

3448960222228 is a Universal Product Code (UPC) assigned to The Quintessence Vol. 2: New York - Los Angeles 1934 - 1946 by Billie Holiday. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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