UPC · Release
Billie Holiday
Last verified:
3448960222228 is the Universal Product Code (UPC barcode) for the release “The Quintessence Vol. 2: New York - Los Angeles 1934 - 1946” by Billie Holiday, released 1997-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Blues (Big City Blues) (Saddest Tale) | — | ||
| 2 | It's Like Reaching for the Moon | — | ||
| 3 | One Never Knows, Does One? | — | ||
| 4 | Carelessly | — | ||
| 5 | How Could You? | — | ||
| 6 | They Can't Take That Away From Me | — | ||
| 7 | Born to Love | — | ||
| 8 | Swing, Brother, Swing | — | ||
| 9 | Who Wants Love? | — | ||
| 10 | My Man | — | ||
| 11 | Can't Help Lovin' Dat Man | — | ||
| 12 | I Can't Get Started With You | — | ||
| 13 | You Can't Be Mine | — | ||
| 14 | Here It Is To-Morrow Again | — | ||
| 15 | More Than You Know | — | ||
| 16 | Long Gone Blues | — | ||
| 17 | Tell Me More and More (and Then Some) | — | ||
| 18 | St. Louis Blues | — | ||
| 2-1 | All of Me | — | ||
| 2-2 | Gloomy Sunday | — | ||
| 2-3 | I Cover the Waterfront | — | ||
| 2-4 | I'm Yours | — | ||
| 2-5 | Embraceable You | — | ||
| 2-6 | He's Funny That Way | — | ||
| 2-7 | Body and Soul | — | ||
| 2-8 | Strange Fruit | — | ||
| 2-9 | You Better Go Now | — | ||
| 2-10 | Good Morning Heartache | — | ||
| 2-11 | No Good Man | — | ||
| 2-12 | I'll Look Around | — | ||
| 2-13 | Fine and Mellow | — | ||
| 2-14 | The Man I Love | — | ||
| 2-15 | Gee Baby, Ain't I Good to You? | — | ||
| 2-16 | Billie's Blues | — | ||
| 2-17 | Trav'lin' Light | — | ||
| 2-18 | The Blues Are Brewin' | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
3448960222228 is a Universal Product Code (UPC) assigned to The Quintessence Vol. 2: New York - Los Angeles 1934 - 1946 by Billie Holiday. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
3448960222228 is the Universal Product Code (UPC barcode) for the release “The Quintessence Vol. 2: New York - Los Angeles 1934 - 1946” by Billie Holiday, released 1997-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Blues (Big City Blues) (Saddest Tale) | — | ||
| 2 | It's Like Reaching for the Moon | — | ||
| 3 | One Never Knows, Does One? | — | ||
| 4 | Carelessly | — | ||
| 5 | How Could You? | — | ||
| 6 | They Can't Take That Away From Me | — | ||
| 7 | Born to Love | — | ||
| 8 | Swing, Brother, Swing | — | ||
| 9 | Who Wants Love? | — | ||
| 10 | My Man | — | ||
| 11 | Can't Help Lovin' Dat Man | — | ||
| 12 | I Can't Get Started With You | — | ||
| 13 | You Can't Be Mine | — | ||
| 14 | Here It Is To-Morrow Again | — | ||
| 15 | More Than You Know | — | ||
| 16 | Long Gone Blues | — | ||
| 17 | Tell Me More and More (and Then Some) | — | ||
| 18 | St. Louis Blues | — | ||
| 2-1 | All of Me | — | ||
| 2-2 | Gloomy Sunday | — | ||
| 2-3 | I Cover the Waterfront | — | ||
| 2-4 | I'm Yours | — | ||
| 2-5 | Embraceable You | — | ||
| 2-6 | He's Funny That Way | — | ||
| 2-7 | Body and Soul | — | ||
| 2-8 | Strange Fruit | — | ||
| 2-9 | You Better Go Now | — | ||
| 2-10 | Good Morning Heartache | — | ||
| 2-11 | No Good Man | — | ||
| 2-12 | I'll Look Around | — | ||
| 2-13 | Fine and Mellow | — | ||
| 2-14 | The Man I Love | — | ||
| 2-15 | Gee Baby, Ain't I Good to You? | — | ||
| 2-16 | Billie's Blues | — | ||
| 2-17 | Trav'lin' Light | — | ||
| 2-18 | The Blues Are Brewin' | — |
