UPC · Release
metaENDS
Ingler
Last verified:
3481574041274 is the Universal Product Code (UPC barcode) for the release “metaENDS” by Ingler, released 2001-01-01 on Epiteth Rec.. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 98 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (98)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro [19-07-96] 157 | — | ||
| 2 | Binaire [15-11-95] 190 (1) | — | ||
| 3 | Binaire [15-11-95] 190 (2) | — | ||
| 4 | Binaire [15-11-95] 190 (3) | — | ||
| 5 | FX [11-12-95] 204 (1) | — | ||
| 6 | FX [11-12-95] 204 (2) | — | ||
| 7 | Clock CTL [17-02-95] 185 (1) | — | ||
| 8 | Clock CTL [17-02-95] 185 (2) | — | ||
| 9 | Trekk [05-10-94] 190 (1) | — | ||
| 10 | Trekk [05-10-94] 190 (2) | — | ||
| 11 | DR&TR [22-05-96] 201 (1) | — | ||
| 12 | DR&TR [22-05-96] 201 (2) | — | ||
| 13 | DR&TR [22-05-96] 201 (3) | — | ||
| 14 | 2111 [14-12-96] 217 (1) | — | ||
| 15 | 2111 [14-12-96] 217 (2) | — | ||
| 16 | Uttrash [08-04-96] 201 (1) | — | ||
| 17 | Uttrash [08-04-96] 201 (2) | — | ||
| 18 | Future is dead [15-01-97] 219 (1) | — | ||
| 19 | Future is dead [15-01-97] 219 (2) | — | ||
| 20 | Future is dead [15-01-97] 219 (3) | — | ||
| 21 | Low stacks [07-01-97] 211 (1) | — | ||
| 22 | Low stacks [07-01-97] 211 (2) | — | ||
| 23 | Low stacks [07-01-97] 211 (3) | — | ||
| 24 | In 7 tro [22-12-96] 195 (1) | — | ||
| 25 | In 7 tro [22-12-96] 195 (2) | — | ||
| 26 | Xnnamed [02-08-95] 158 (1) | — | ||
| 27 | Xnnamed [02-08-95] 158 (2) | — | ||
| 28 | Ctrl 3 [11-10-95] 196 (1) | — | ||
| 29 | Ctrl 3 [11-10-95] 196 (2) | — | ||
| 30 | Otto tropp [14-07-95] 189 (1) | — | ||
| 31 | Otto tropp [14-07-95] 189 (2) | — | ||
| 32 | Otto tropp [14-07-95] 189 (3) | — | ||
| 33 | Magma [01-08-95] 203 (1) | — | ||
| 34 | Magma [01-08-95] 203 (2) | — | ||
| 35 | Magma [01-08-95] 203 (3) | — | ||
| 36 | Surrender [18-08-96] 191 (1) | — | ||
| 37 | Surrender [18-08-96] 191 (2) | — | ||
| 38 | Surrender [18-08-96] 191 (3) | — | ||
| 39 | Erratum [01-10-94] 200 (1) | — | ||
| 40 | Erratum [01-10-94] 200 (2) | — | ||
| 2-1 | Call scream [09-02-99] 178.5 (1) | — | ||
| 2-2 | Call scream [09-02-99] 178.5 (2) | — | ||
| 2-3 | Call scream [09-02-99] 178.5 (3) | — | ||
| 2-4 | Call scream [09-02-99] 178.5 (4) | — | ||
| 2-5 | Call scream [09-02-99] 178.5 (5) | — | ||
| 2-6 | Link [A-B] [17-01-96] 186 (1) | — | ||
| 2-7 | Link [A-B] [17-01-96] 186 (2) | — | ||
| 2-8 | Link [A-B] [17-01-96] 186 (3) | — | ||
| 2-9 | Link [A-B] [17-01-96] 186 (4) | — | ||
| 2-10 | Riot [21-11-96] 200 (1) | — | ||
| 2-11 | Riot [21-11-96] 200 (2) | — | ||
| 2-12 | Riot [21-11-96] 200 (3) | — | ||
| 2-13 | Interlude #1 [09-01-01] 205 (1) | — | ||
| 2-14 | Interlude #1 [09-01-01] 205 (2) | — | ||
| 2-15 | Interlude #1 [09-01-01] 205 (3) | — | ||
| 2-16 | Devia [22-11-98] 210 (1) | — | ||
| 2-17 | Devia [22-11-98] 210 (2) | — | ||
| 2-18 | Xatix [05-08-97] 210 (1) | — | ||
| 2-19 | Xatix [05-08-97] 210 (2) | — | ||
| 2-20 | Xatix [05-08-97] 210 (3) | — | ||
| 2-21 | Play w tel [21-02-96] 210 (1) | — | ||
| 2-22 | Play w tel [21-02-96] 210 (2) | — | ||
| 2-23 | Play w tel [21-02-96] 210 (3) | — | ||
| 2-24 | Atlantic [21-11-98] 210 (1) | — | ||
| 2-25 | Atlantic [21-11-98] 210 (2) | — | ||
| 2-26 | Atlantic [21-11-98] 210 (3) | — | ||
| 2-27 | Uretan [15-12-96] 212 (1) | — | ||
| 2-28 | Uretan [15-12-96] 212 (2) | — | ||
| 2-29 | Atax s Appax [21-11-98] 210 (1) | — | ||
| 2-30 | Atax s Appax [21-11-98] 210 (2) | — | ||
| 2-31 | Atax s Appax [21-11-98] 210 (3) | — | ||
| 2-32 | Atax s Appax [21-11-98] 210 (4) | — | ||
| 2-33 | Lyn [09-05-97] 167 | — | ||
| 2-34 | Hard sound 1 | — | ||
| 2-35 | Hard sound 2 | — | ||
| 2-36 | Hard sound 3 | — | ||
| 2-37 | Hard sound 4 | — | ||
| 2-38 | Hard sound 5 | — | ||
| 2-39 | Hard sound 6 | — | ||
| 2-40 | Hard sound 7 | — | ||
| 2-41 | Hard sound 8 | — | ||
| 2-42 | Hard sound 9 | — | ||
| 2-43 | Hard sound 10 | — | ||
| 2-44 | Hard sound 11 | — | ||
| 2-45 | Hard sound 12 | — | ||
| 2-46 | Hard sound 13 | — | ||
| 2-47 | Hard sound 14 | — | ||
| 2-48 | Hard sound 15 | — | ||
| 2-49 | Hard sound 16 | — | ||
| 2-50 | Hard sound 17 | — | ||
| 2-51 | Hard sound 18 | — | ||
| 2-52 | Hard sound 19 | — | ||
| 2-53 | Hard sound 20 | — | ||
| 2-54 | Hard sound 21 | — | ||
| 2-55 | Hard sound 22 | — | ||
| 2-56 | Hard sound 23 | — | ||
| 2-57 | Hard sound 24 | — | ||
| 2-58 | Hard sound 25 | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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People also ask
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What is UPC 3481574041274?
3481574041274 is a Universal Product Code (UPC) assigned to metaENDS by Ingler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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