UPC · Release
Sāmī al-Shawwā: Prince of the Violin
Sāmī al‐Shawwā
3521383431726
67 tracksReleased 2015-01-01Amar (3)
Last verified:
3521383431726 is the Universal Product Code (UPC barcode) for the release “Sāmī al-Shawwā: Prince of the Violin” by Sāmī al‐Shawwā, released 2015-01-01 on Amar (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC.
Format
352GS1 prefix
1383Company prefix
43172Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (67)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | bashraf nahāwand, ‘Uthmān Bēh | — | ||
| 2 | taqsīm bayyātī sādah | — | ||
| 3 | raqṣ al-hawānim | — | ||
| 4 | taḥmilat ṣabā | — | ||
| 5 | taqsīm rāst ‘āda - ‘ūd | — | ||
| 6 | bashraf qarahbaṭāq sīkāh | — | ||
| 7 | march, Shākir Bāshā | — | ||
| 8 | ṣawt al-hawā’ w-al-adhān | — | ||
| 9 | taqsīm al-fatlatayn | — | ||
| 10 | bashraf ḥijāz humāyōn, ‘Uthmān Bēh | — | ||
| 11 | isḥāqī al-bayyātī (bashārif Sāmī Afandī al-Shawwā al-kamānjātī) | — | ||
| 12 | bashraf ‘ushshāq, ‘Uthmān Bēh (bashārif Sāmī Afandī al-Shawwā al-kamānjātī) | — | ||
| 13 | raqṣ al-farfūra | — | ||
| 14 | raqṣ al-ghandūra | — | ||
| 15 | shanbar ḥijāz | — | ||
| 16 | dārij ḥijāz | — | ||
| 2-1 | al-‘aṣāfīr | — | ||
| 2-2 | bashraf ṣabā, ‘Uthmān Bēh | — | ||
| 2-3 | raqṣ Shiftishī, taḥmilat bayyātī | — | ||
| 2-4 | bashraf alsabār | — | ||
| 2-5 | taqsīm samā‘ī muḥayyar (taqsīm muḥayyar aqṣāq) | — | ||
| 2-6 | taqsīm ḥijāzkār kurd | — | ||
| 2-7 | bashraf aqṣāq samā‘ī (kamanja), samā‘ī bayyātī | — | ||
| 2-8 | taḥmīlat raṣd (taḥmilat rāst nawrūz) | — | ||
| 2-9 | bashraf ‘ushrhāq ṭāṭyūs | — | ||
| 2-10 | taqsīm rāst | — | ||
| 2-11 | bashraf al-kuzum | — | ||
| 2-12 | bashraf nawā athar [Yūsuf Bāshā] | — | ||
| 2-13 | faraḥfazā, samā‘ī faraḥfazā, Jamīl Bēh al-Tanbūrī | — | ||
| 2-14 | taqsīm faraḥfazā, kamān | — | ||
| 3-1 | bashraf kārjahār | — | ||
| 3-2 | bashraf rāst, ‘Āṣim Bēh | — | ||
| 3-3 | bashraf murabba‘ al-bayyātī | — | ||
| 3-4 | raqṣ al-zaybaq | — | ||
| 3-5 | march, Al-Jazāyirlī | — | ||
| 3-6 | taqsīm ṣaba | — | ||
| 3-7 | bashraf rāst ṭāṭyūs | — | ||
| 3-8 | raqṣ al-hawānim (bashārif Sāmī Afandī al-Shawwā al-kamānjātī) | — | ||
| 3-9 | taqsīm ḥijāzkār | — | ||
| 3-10 | taqsīm ḥijāz | — | ||
| 3-11 | taqsīm bayyātī | — | ||
| 3-12 | taqsīm ‘ajam | — | ||
| 3-13 | taqsīm, Anīn al-‘Arab | — | ||
| 3-14 | al-samā‘ī al-maṣrī al-bayyātī (samā‘ī thaqīl bayyātī) | — | ||
| 3-15 | al-samā‘ī al-maṣrī al-bayyātī (dārij bayyātī) | — | ||
| 3-16 | taqsīm nahāwand ‘ala al-waḥda (bashārif Sāmī Afandī al-Shawwā al-kamānjātī) | — | ||
| 3-17 | Yā ṣaḥi al-ṣabr, Shakk al-almās, al-Ghadhāwiyya | — | ||
| 3-18 | raqṣat bint fur‘awn (bashārif Sāmī Afandī al-Shawwā al-kamānjātī) | — | ||
| 3-19 | taqsīm nakrīz | — | ||
| 4-1 | taqsīm sīkāh | — | ||
| 4-2 | taqsīm rāst yakāh | — | ||
| 4-3 | taqsīm basandīdah ‘ala al-waḥda (bashārif Sāmī Afandī al-Shawwā al-kamānjātī, taqsīm basandīdah) | — | ||
| 4-4 | taqsīm Bayyātī ‘ala al-waḥda (bashārif Sāmī Afandī al-Shawwā al-kamānjātī, taqsīm bayyātī ‘ala al-waḥda) | — | ||
| 4-5 | taḥmilat rāst | — | ||
| 4-6 | Khadnī el-hawa (Kādnī el-hawa) | — | ||
| 4-7 | al-raqṣa al-fur‘awniyya | — | ||
| 4-8 | raqṣ ‘arabī | — | ||
| 4-9 | taḥmilat ḥijāz | — | ||
| 4-10 | tajawwulāt mūsīqa | — | ||
| 4-11 | ‘Itāb al-ḥabībayn | — | ||
| 4-12 | raqṣat al-badawiyya | — | ||
| 4-13 | bashraf rāst, Sāmī al-Shawwā | — | ||
| 4-14 | aqsāq rāst, variation of muwashshaḥ “ṣāḥi khabbir”, taqsīm rāst | — | ||
| 4-15 | al-Raqṣa al-Fur‘awniyya, muwashshaḥ “ṣāḥi khabbir”, taqsīm aqṣāq rāst, taqsīm rāst, ‘āda, private jalsa | — | ||
| 4-16 | taqsīm ḥijāz mujannas, the Aḍwā‘ al-Madīna concert 1959 | — | ||
| 4-17 | taqsīm sikāh mursal, then performed as a taqsīm in a variation of the melody “Yilba‘lik shakk el-almās” | — | ||
| 4-18 | samā‘ī bayyātī, Sāmī al-Shawwā (first khāna and a lāzima), taqsīm bayyātī | — |
bashraf nahāwand, ‘Uthmān Bēh
—
taqsīm bayyātī sādah
—
raqṣ al-hawānim
—
taḥmilat ṣabā
—
taqsīm rāst ‘āda - ‘ūd
—
bashraf qarahbaṭāq sīkāh
—
march, Shākir Bāshā
—
ṣawt al-hawā’ w-al-adhān
—
taqsīm al-fatlatayn
—
bashraf ḥijāz humāyōn, ‘Uthmān Bēh
—
isḥāqī al-bayyātī (bashārif Sāmī Afandī al-Shawwā al-kamānjātī)
—
bashraf ‘ushshāq, ‘Uthmān Bēh (bashārif Sāmī Afandī al-Shawwā al-kamānjātī)
—
raqṣ al-farfūra
—
raqṣ al-ghandūra
—
shanbar ḥijāz
—
dārij ḥijāz
—
al-‘aṣāfīr
—
bashraf ṣabā, ‘Uthmān Bēh
—
raqṣ Shiftishī, taḥmilat bayyātī
—
bashraf alsabār
—
taqsīm samā‘ī muḥayyar (taqsīm muḥayyar aqṣāq)
—
taqsīm ḥijāzkār kurd
—
bashraf aqṣāq samā‘ī (kamanja), samā‘ī bayyātī
—
taḥmīlat raṣd (taḥmilat rāst nawrūz)
—
bashraf ‘ushrhāq ṭāṭyūs
—
taqsīm rāst
—
bashraf al-kuzum
—
bashraf nawā athar [Yūsuf Bāshā]
—
faraḥfazā, samā‘ī faraḥfazā, Jamīl Bēh al-Tanbūrī
—
taqsīm faraḥfazā, kamān
—
bashraf kārjahār
—
bashraf rāst, ‘Āṣim Bēh
—
bashraf murabba‘ al-bayyātī
—
raqṣ al-zaybaq
—
march, Al-Jazāyirlī
—
taqsīm ṣaba
—
bashraf rāst ṭāṭyūs
—
raqṣ al-hawānim (bashārif Sāmī Afandī al-Shawwā al-kamānjātī)
—
taqsīm ḥijāzkār
—
taqsīm ḥijāz
—
taqsīm bayyātī
—
taqsīm ‘ajam
—
taqsīm, Anīn al-‘Arab
—
al-samā‘ī al-maṣrī al-bayyātī (samā‘ī thaqīl bayyātī)
—
al-samā‘ī al-maṣrī al-bayyātī (dārij bayyātī)
—
taqsīm nahāwand ‘ala al-waḥda (bashārif Sāmī Afandī al-Shawwā al-kamānjātī)
—
Yā ṣaḥi al-ṣabr, Shakk al-almās, al-Ghadhāwiyya
—
raqṣat bint fur‘awn (bashārif Sāmī Afandī al-Shawwā al-kamānjātī)
—
taqsīm nakrīz
—
taqsīm sīkāh
—
taqsīm rāst yakāh
—
taqsīm basandīdah ‘ala al-waḥda (bashārif Sāmī Afandī al-Shawwā al-kamānjātī, taqsīm basandīdah)
—
taqsīm Bayyātī ‘ala al-waḥda (bashārif Sāmī Afandī al-Shawwā al-kamānjātī, taqsīm bayyātī ‘ala al-waḥda)
—
taḥmilat rāst
—
Khadnī el-hawa (Kādnī el-hawa)
—
al-raqṣa al-fur‘awniyya
—
raqṣ ‘arabī
—
taḥmilat ḥijāz
—
tajawwulāt mūsīqa
—
‘Itāb al-ḥabībayn
—
raqṣat al-badawiyya
—
bashraf rāst, Sāmī al-Shawwā
—
aqsāq rāst, variation of muwashshaḥ “ṣāḥi khabbir”, taqsīm rāst
—
al-Raqṣa al-Fur‘awniyya, muwashshaḥ “ṣāḥi khabbir”, taqsīm aqṣāq rāst, taqsīm rāst, ‘āda, private jalsa
—
taqsīm ḥijāz mujannas, the Aḍwā‘ al-Madīna concert 1959
—
taqsīm sikāh mursal, then performed as a taqsīm in a variation of the melody “Yilba‘lik shakk el-almās”
—
samā‘ī bayyātī, Sāmī al-Shawwā (first khāna and a lāzima), taqsīm bayyātī
—
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What is UPC 3521383431726?
3521383431726 is a Universal Product Code (UPC) assigned to Sāmī al-Shawwā: Prince of the Violin by Sāmī al‐Shawwā. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm