UPC · Release
Various Artists
Last verified:
3561302517520 is the Universal Product Code (UPC barcode) for the release “Harlem Was the Place 1929-1952” by Various Artists, released 2007-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include USMC15252918, DEU240820377.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Over the Bars | — | ||
| 2 | Handful of Keys | — | ||
| 3 | Harlem Joys | — | ||
| 4 | Yacht Club Swing | — | ||
| 5 | The Joint Is Jumping | — | ||
| 6 | Harlem Shout | — | ||
| 7 | Apollo Jump | — | ||
| 8 | Savoy | — | ||
| 9 | Echoes of Harlem | — | ||
| 10 | Harmony in Harlem | — | ||
| 11 | Cotton Club Stomp | — | ||
| 12 | Harlem Air Shaft | — | ||
| 13 | Things Ain’t What They Used to Be | — | ||
| 14 | Midnight in Harlem | — | ||
| 15 | Harlem Congo | — | ||
| 16 | Holiday in Harlem | — | ||
| 17 | Frenzy | — | ||
| 18 | Early Session Hop | — | ||
| 19 | Warmin’ Up | — | ||
| 2-1 | Barrelhouse Boogie | — | ||
| 2-2 | Stomping at the Savoy | — | ||
| 2-3 | Good for Jumping | — | ||
| 2-4 | 24 Hours a Day | — | ||
| 2-5 | 46 West 52 | — | ||
| 2-6 | Tuxedo Junction | — | ||
| 2-7 | Jive | — | ||
| 2-8 | Takin’ My Time | — | ||
| 2-9 | Mean Old World | Little Walter | T-700.042.958-5 | |
| 2-10 | Skip a Page | — | ||
| 2-11 | Blue Room Jump | — | ||
| 2-12 | Taps Miller | — | ||
| 2-13 | Backstage at the Apollo | — | ||
| 2-14 | Victory Stride | — | ||
| 2-15 | Texas and Pacific | — | ||
| 2-16 | Blind Love | — | ||
| 2-17 | Savoy Strut | — | ||
| 2-18 | Can You Take It | — | ||
| 2-19 | What Is This Thing Called Swing? | Louis Armstrong and His Orchestra | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
3561302517520 is a Universal Product Code (UPC) assigned to Harlem Was the Place 1929-1952 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
3561302517520 is the Universal Product Code (UPC barcode) for the release “Harlem Was the Place 1929-1952” by Various Artists, released 2007-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include USMC15252918, DEU240820377.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Over the Bars | — | ||
| 2 | Handful of Keys | — | ||
| 3 | Harlem Joys | — | ||
| 4 | Yacht Club Swing | — | ||
| 5 | The Joint Is Jumping | — | ||
| 6 | Harlem Shout | — | ||
| 7 | Apollo Jump | — | ||
| 8 | Savoy | — | ||
| 9 | Echoes of Harlem | — | ||
| 10 | Harmony in Harlem | — | ||
| 11 | Cotton Club Stomp | — | ||
| 12 | Harlem Air Shaft | — | ||
| 13 | Things Ain’t What They Used to Be | — | ||
| 14 | Midnight in Harlem | — | ||
| 15 | Harlem Congo | — | ||
| 16 | Holiday in Harlem | — | ||
| 17 | Frenzy | — | ||
| 18 | Early Session Hop | — | ||
| 19 | Warmin’ Up | — | ||
| 2-1 | Barrelhouse Boogie | — | ||
| 2-2 | Stomping at the Savoy | — | ||
| 2-3 | Good for Jumping | — | ||
| 2-4 | 24 Hours a Day | — | ||
| 2-5 | 46 West 52 | — | ||
| 2-6 | Tuxedo Junction | — | ||
| 2-7 | Jive | — | ||
| 2-8 | Takin’ My Time | — | ||
| 2-9 | Mean Old World | Little Walter | T-700.042.958-5 | |
| 2-10 | Skip a Page | — | ||
| 2-11 | Blue Room Jump | — | ||
| 2-12 | Taps Miller | — | ||
| 2-13 | Backstage at the Apollo | — | ||
| 2-14 | Victory Stride | — | ||
| 2-15 | Texas and Pacific | — | ||
| 2-16 | Blind Love | — | ||
| 2-17 | Savoy Strut | — | ||
| 2-18 | Can You Take It | — | ||
| 2-19 | What Is This Thing Called Swing? | Louis Armstrong and His Orchestra | — |
