UPC · Release
Various Artists
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3561302534121 is the Universal Product Code (UPC barcode) for the release “Anthologie des musiques de danse du monde, Volume 1: Europe et Amérique du Nord: The Dance Masters Classics” by Various Artists, released 2011-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 200 tracks, each with its own ISRC. Tracks include DEU240801412, USSM10305260, GBSUW1517280.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Aint’t She Sweet | — | ||
| 2 | Charleston | — | ||
| 3 | Runnin’ Wild | — | ||
| 4 | Charleston's The Best Dance After All | Charlie Johnson and His Paradise Band | — | |
| 5 | Black Bottom | — | ||
| 6 | Come on Baby | — | ||
| 7 | Happy Rhytm | — | ||
| 8 | The Man From the South | Rube Bloom & His Bayou Boys | — | |
| 9 | Moten Swing | Bennie Moten, Bennie Moten’s Kansas City Orchestra | T-900.240.804-0 | |
| 10 | Stompy Jones | — | ||
| 11 | Begin the Beguine | — | ||
| 12 | Christopher Columbus | — | ||
| 13 | Hodge Podge | — | ||
| 14 | Let’s Dance | — | ||
| 15 | My Wild Irish Rose | — | ||
| 16 | For Dancers Only | — | ||
| 17 | The Dipsy Doodle | Chick Webb and His Orchestra | T-070.039.067-5 | |
| 18 | ’Tain’t What You Do (It’s the Way That You Do It) | Jimmie Lunceford and His Orchestra | T-070.177.786-7 | |
| 19 | In The Mood | Glenn Miller and His Orchestra | T-070.906.423-2 | |
| 20 | Sing, Sing, Sing | Benny Goodman | T-070.135.647-9 | |
| 2-1 | Well, Git It | — | ||
| 2-2 | Choo Choo Ch’boogie | Louis Jordan and His Tympany Five | T-070.024.822-1 | |
| 2-3 | Flying Home | — | ||
| 2-4 | Sentimental Journey | — | ||
| 2-5 | Jonah Whales Again | — | ||
| 2-6 | Concerto for Cozy | — | ||
| 2-7 | Minnie the Moocher | — | ||
| 2-8 | Marshall Plan | — | ||
| 2-9 | Tiny’s Boogie | — | ||
| 2-10 | Castle Rock | — | ||
| 2-11 | Flamingo | — | ||
| 2-12 | All Right Okay You Win | — | ||
| 2-13 | Martinique | — | ||
| 2-14 | Stomp, Look and Listen | — | ||
| 2-15 | Duke’s Blues | — | ||
| 2-16 | Baby, Won’t You Please Come Home | — | ||
| 2-17 | Blue Stompin’ | — | ||
| 2-18 | Tuxedo Junction | — | ||
| 2-19 | Too Close for Comfort | — | ||
| 2-20 | Drum Boogie | — | ||
| 3-1 | Tutti Frutti | — | ||
| 3-2 | (We Gonna) Rock Around the Clock | — | ||
| 3-3 | Maybellene | — | ||
| 3-4 | Jailhouse Rock | — | ||
| 3-5 | Shake Rattle and Roll | — | ||
| 3-6 | I’m Walkin’ | — | ||
| 3-7 | Lawdy Miss Clawdy (take 1, alternate) | Lloyd Price | T-070.241.591-5 | |
| 3-8 | Great Balls of Fire | — | ||
| 3-9 | Be‐Bop‐A‐Lula | — | ||
| 3-10 | Blue Suede Shoes | — | ||
| 3-11 | Peggy Sue | — | ||
| 3-12 | Bony Moronie | — | ||
| 3-13 | Summertime Blues | Eddie Cochran | T-070.244.055-8 | |
| 3-14 | Honky Tonk (1&2) | — | ||
| 3-15 | Caldonia (Moore) | — | ||
| 3-16 | Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — | |
| 3-17 | What’d Say | — | ||
| 3-18 | Yakety Yak | — | ||
| 3-19 | Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | T-070.126.305-9 | |
| 3-20 | Little Bitty Pretty One | Thurston Harris | T-904.770.662-7 | |
| 4-1 | Only You (and You Alone) | — | ||
| 4-2 | Petite Fleur | — | ||
| 4-3 | Love Me Tender | Elvis Presley | T-926.818.041-2 | |
| 4-4 | Blueberry Hill | — | ||
| 4-5 | You Are My Destiny | — | ||
| 4-6 | Chains of Love | — | ||
| 4-7 | Soul on Fire | LaVern Baker | T-915.288.662-9 | |
| 4-8 | Please, Please, Please | — | ||
| 4-9 | Looking Back | — | ||
| 4-10 | The Great Pretender | The Platters | T-010.494.482-2 | |
| 4-11 | Moonlight Serenade | — | ||
| 4-12 | Harlem Nocturne | — | ||
| 4-13 | Should I Ever Love Again | — | ||
| 4-14 | Have Faith | — | ||
| 4-15 | Cry Me a River | — | ||
| 4-16 | Since I Meet You Baby | — | ||
| 4-17 | Bad Boy | — | ||
| 4-18 | Night Time Is the Right Time | — | ||
| 4-19 | Candy | — | ||
| 4-20 | Twilight Time | — | ||
| 5-1 | Jeannette | — | ||
| 5-2 | Brise napolitaine | — | ||
| 5-3 | Grisante folie | — | ||
| 5-4 | C’est un mauvais garçon | — | ||
| 5-5 | L’oasis | — | ||
| 5-6 | Mado | — | ||
| 5-7 | Coeur sentimental | — | ||
| 5-8 | Cœur vagabond | — | ||
| 5-9 | Rien ne vaut l’accordéon | — | ||
| 5-10 | Reginella | — | ||
| 5-11 | Reproche | — | ||
| 5-12 | Pour vous inviter… Madame | — | ||
| 5-13 | C’est lui que mon cœur a choisi | — | ||
| 5-14 | Reine de musette | — | ||
| 5-15 | La plus belle | — | ||
| 5-16 | Germaine | — | ||
| 5-17 | Ça tourne | — | ||
| 5-18 | Espoirs perdus | — | ||
| 5-19 | La valse des niglots | — | ||
| 5-20 | La valse brune | — | ||
| 6-1 | Indifférence | — | ||
| 6-2 | Mon amant de Saint‐Jean | — | ||
| 6-3 | Swing Valse | — | ||
| 6-4 | Domino | — | ||
| 6-5 | Sa préférée | — | ||
| 6-6 | L’Âme des poètes | — | ||
| 6-7 | Passion | — | ||
| 6-8 | Sous le ciel de Paris | — | ||
| 6-9 | Flambée montalbanaise | — | ||
| 6-10 | Le Gamin de Paris | — | ||
| 6-11 | Délicatesse | — | ||
| 6-12 | Valse chinoise | — | ||
| 6-13 | Impasse des vertus | — | ||
| 6-14 | Mystérieuse | — | ||
| 6-15 | Coin de rue | — | ||
| 6-16 | Eh hop ! On s’en sortira | — | ||
| 6-17 | Balajo | — | ||
| 6-18 | La Petite Valse | — | ||
| 6-19 | Montagnes d’Italie | — | ||
| 6-20 | Nuit blanche | — | ||
| 7-1 | La plus belle des javas | — | ||
| 7-2 | Rue de Lappe | — | ||
| 7-3 | Joyeux Papillon | — | ||
| 7-4 | La Java du diable | — | ||
| 7-5 | Le P’tit Bal du samedi soir | — | ||
| 7-6 | La Migliavacca | — | ||
| 7-7 | Luxembourg polka | — | ||
| 7-8 | La Java bleue | — | ||
| 7-9 | Les Triolets | — | ||
| 7-10 | Mazurka des champions | — | ||
| 7-11 | La Bague à Jules | — | ||
| 7-12 | La Java 43 | — | ||
| 7-13 | Polka chinoise | — | ||
| 7-14 | Les Amoureux des bancs publics | — | ||
| 7-15 | Ça gaze | — | ||
| 7-16 | Rapsodie suédoise | — | ||
| 7-17 | Perles de cristal | — | ||
| 7-18 | La Belote | — | ||
| 7-19 | Java | — | ||
| 7-20 | Polka des as | — | ||
| 8-1 | La Seine | — | ||
| 8-2 | Valse du Carousel | — | ||
| 8-3 | Moulin Rouge | — | ||
| 8-4 | Ramona | — | ||
| 8-5 | Noces bavaroises | — | ||
| 8-6 | Kermesse au Tyrol | — | ||
| 8-7 | Oranges d’Espagne | — | ||
| 8-8 | Valse basque | — | ||
| 8-9 | Trois heures du matin | — | ||
| 8-10 | Le Vent apaisé | — | ||
| 8-11 | Fascination | — | ||
| 8-12 | Valse de minuit | — | ||
| 8-13 | Valse de Vienne | — | ||
| 8-14 | Heure exquise | — | ||
| 8-15 | Mon amour t’appartient | — | ||
| 8-16 | Petite Mouette | — | ||
| 8-17 | Valse du Tennessee | — | ||
| 8-18 | Joli Ohio | — | ||
| 8-19 | Mon trésor | — | ||
| 8-20 | Loin du bal | — | ||
| 9-1 | Sang viennois | — | ||
| 9-2 | Valse de l’empereur | — | ||
| 9-3 | Valse d’Amphitryon | — | ||
| 9-4 | Fleurs de lotus | — | ||
| 9-5 | Soirée d’été | — | ||
| 9-6 | Les patineurs | — | ||
| 9-7 | O Printemps, comme tu es beau ! | — | ||
| 9-8 | Dans le frisson de la valse | — | ||
| 9-9 | Tout nous charme | — | ||
| 9-10 | Les enfants du village | — | ||
| 9-11 | Amour méconnu | — | ||
| 9-12 | Les cloches de Vineta | — | ||
| 9-13 | Le mariage des vents | — | ||
| 9-14 | Rêve d’amour après le bal | — | ||
| 9-15 | Luna Valse | — | ||
| 9-16 | Clair de lune sur l’Aster | — | ||
| 9-17 | Joyeux Vienne | — | ||
| 9-18 | Frères joyeux | — | ||
| 9-19 | Roses du Sud | — | ||
| 9-20 | Histoires de la forêt viennoise | — | ||
| 10-1 | La Gaité parisienne | — | ||
| 10-2 | Quadrille de « La Chauve‐souris » | — | ||
| 10-3 | Sang léger (Leichtes Blut) | — | ||
| 10-4 | Quadrille « L’Invincible » | — | ||
| 10-5 | À l’envi (Um die Wette) | — | ||
| 10-6 | Petites Bavardes (Plappermaülchen) | — | ||
| 10-7 | Tic‐tac | — | ||
| 10-8 | Fougueux en amour et pour la danse | — | ||
| 10-9 | La Boutique fantasque | — | ||
| 10-10 | Quadrille des « Lanciers » | — | ||
| 10-11 | Cancans et potins | — | ||
| 10-12 | Patinage (Eislauf) | — | ||
| 10-13 | Becs de cigognes (Storchschnäbel) | — | ||
| 10-14 | Le Feu de la jeunesse (Jugendfeuer) | — | ||
| 10-15 | Quadrille de « Faust » | — | ||
| 10-16 | Par force | — | ||
| 10-17 | Vélo | — | ||
| 10-18 | Galop du « Brésilien » | — | ||
| 10-19 | Quadrille du « Baron tzigane » | — | ||
| 10-20 | Cancan de « Geneviève de Brabant » | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| You Set My Soul on Fire | LaVern Baker | T-915.288.662-9 |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Tom Dooley | The Kingston Trio | T-900.076.742-0 |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | T-900.076.742-0 |
| Zambezi | Lou Busch & His Orchestra | T-071.194.507-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
3561302534121 is a Universal Product Code (UPC) assigned to Anthologie des musiques de danse du monde, Volume 1: Europe et Amérique du Nord: The Dance Masters Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 200 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
3561302534121 is the Universal Product Code (UPC barcode) for the release “Anthologie des musiques de danse du monde, Volume 1: Europe et Amérique du Nord: The Dance Masters Classics” by Various Artists, released 2011-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 200 tracks, each with its own ISRC. Tracks include DEU240801412, USSM10305260, GBSUW1517280.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Aint’t She Sweet | — | ||
| 2 | Charleston | — | ||
| 3 | Runnin’ Wild | — | ||
| 4 | Charleston's The Best Dance After All | Charlie Johnson and His Paradise Band | — | |
| 5 | Black Bottom | — | ||
| 6 | Come on Baby | — | ||
| 7 | Happy Rhytm | — | ||
| 8 | The Man From the South | Rube Bloom & His Bayou Boys | — | |
| 9 | Moten Swing | Bennie Moten, Bennie Moten’s Kansas City Orchestra | T-900.240.804-0 | |
| 10 | Stompy Jones | — | ||
| 11 | Begin the Beguine | — | ||
| 12 | Christopher Columbus | — | ||
| 13 | Hodge Podge | — | ||
| 14 | Let’s Dance | — | ||
| 15 | My Wild Irish Rose | — | ||
| 16 | For Dancers Only | — | ||
| 17 | The Dipsy Doodle | Chick Webb and His Orchestra | T-070.039.067-5 | |
| 18 | ’Tain’t What You Do (It’s the Way That You Do It) | Jimmie Lunceford and His Orchestra | T-070.177.786-7 | |
| 19 | In The Mood | Glenn Miller and His Orchestra | T-070.906.423-2 | |
| 20 | Sing, Sing, Sing | Benny Goodman | T-070.135.647-9 | |
| 2-1 | Well, Git It | — | ||
| 2-2 | Choo Choo Ch’boogie | Louis Jordan and His Tympany Five | T-070.024.822-1 | |
| 2-3 | Flying Home | — | ||
| 2-4 | Sentimental Journey | — | ||
| 2-5 | Jonah Whales Again | — | ||
| 2-6 | Concerto for Cozy | — | ||
| 2-7 | Minnie the Moocher | — | ||
| 2-8 | Marshall Plan | — | ||
| 2-9 | Tiny’s Boogie | — | ||
| 2-10 | Castle Rock | — | ||
| 2-11 | Flamingo | — | ||
| 2-12 | All Right Okay You Win | — | ||
| 2-13 | Martinique | — | ||
| 2-14 | Stomp, Look and Listen | — | ||
| 2-15 | Duke’s Blues | — | ||
| 2-16 | Baby, Won’t You Please Come Home | — | ||
| 2-17 | Blue Stompin’ | — | ||
| 2-18 | Tuxedo Junction | — | ||
| 2-19 | Too Close for Comfort | — | ||
| 2-20 | Drum Boogie | — | ||
| 3-1 | Tutti Frutti | — | ||
| 3-2 | (We Gonna) Rock Around the Clock | — | ||
| 3-3 | Maybellene | — | ||
| 3-4 | Jailhouse Rock | — | ||
| 3-5 | Shake Rattle and Roll | — | ||
| 3-6 | I’m Walkin’ | — | ||
| 3-7 | Lawdy Miss Clawdy (take 1, alternate) | Lloyd Price | T-070.241.591-5 | |
| 3-8 | Great Balls of Fire | — | ||
| 3-9 | Be‐Bop‐A‐Lula | — | ||
| 3-10 | Blue Suede Shoes | — | ||
| 3-11 | Peggy Sue | — | ||
| 3-12 | Bony Moronie | — | ||
| 3-13 | Summertime Blues | Eddie Cochran | T-070.244.055-8 | |
| 3-14 | Honky Tonk (1&2) | — | ||
| 3-15 | Caldonia (Moore) | — | ||
| 3-16 | Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — | |
| 3-17 | What’d Say | — | ||
| 3-18 | Yakety Yak | — | ||
| 3-19 | Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | T-070.126.305-9 | |
| 3-20 | Little Bitty Pretty One | Thurston Harris | T-904.770.662-7 | |
| 4-1 | Only You (and You Alone) | — | ||
| 4-2 | Petite Fleur | — | ||
| 4-3 | Love Me Tender | Elvis Presley | T-926.818.041-2 | |
| 4-4 | Blueberry Hill | — | ||
| 4-5 | You Are My Destiny | — | ||
| 4-6 | Chains of Love | — | ||
| 4-7 | Soul on Fire | LaVern Baker | T-915.288.662-9 | |
| 4-8 | Please, Please, Please | — | ||
| 4-9 | Looking Back | — | ||
| 4-10 | The Great Pretender | The Platters | T-010.494.482-2 | |
| 4-11 | Moonlight Serenade | — | ||
| 4-12 | Harlem Nocturne | — | ||
| 4-13 | Should I Ever Love Again | — | ||
| 4-14 | Have Faith | — | ||
| 4-15 | Cry Me a River | — | ||
| 4-16 | Since I Meet You Baby | — | ||
| 4-17 | Bad Boy | — | ||
| 4-18 | Night Time Is the Right Time | — | ||
| 4-19 | Candy | — | ||
| 4-20 | Twilight Time | — | ||
| 5-1 | Jeannette | — | ||
| 5-2 | Brise napolitaine | — | ||
| 5-3 | Grisante folie | — | ||
| 5-4 | C’est un mauvais garçon | — | ||
| 5-5 | L’oasis | — | ||
| 5-6 | Mado | — | ||
| 5-7 | Coeur sentimental | — | ||
| 5-8 | Cœur vagabond | — | ||
| 5-9 | Rien ne vaut l’accordéon | — | ||
| 5-10 | Reginella | — | ||
| 5-11 | Reproche | — | ||
| 5-12 | Pour vous inviter… Madame | — | ||
| 5-13 | C’est lui que mon cœur a choisi | — | ||
| 5-14 | Reine de musette | — | ||
| 5-15 | La plus belle | — | ||
| 5-16 | Germaine | — | ||
| 5-17 | Ça tourne | — | ||
| 5-18 | Espoirs perdus | — | ||
| 5-19 | La valse des niglots | — | ||
| 5-20 | La valse brune | — | ||
| 6-1 | Indifférence | — | ||
| 6-2 | Mon amant de Saint‐Jean | — | ||
| 6-3 | Swing Valse | — | ||
| 6-4 | Domino | — | ||
| 6-5 | Sa préférée | — | ||
| 6-6 | L’Âme des poètes | — | ||
| 6-7 | Passion | — | ||
| 6-8 | Sous le ciel de Paris | — | ||
| 6-9 | Flambée montalbanaise | — | ||
| 6-10 | Le Gamin de Paris | — | ||
| 6-11 | Délicatesse | — | ||
| 6-12 | Valse chinoise | — | ||
| 6-13 | Impasse des vertus | — | ||
| 6-14 | Mystérieuse | — | ||
| 6-15 | Coin de rue | — | ||
| 6-16 | Eh hop ! On s’en sortira | — | ||
| 6-17 | Balajo | — | ||
| 6-18 | La Petite Valse | — | ||
| 6-19 | Montagnes d’Italie | — | ||
| 6-20 | Nuit blanche | — | ||
| 7-1 | La plus belle des javas | — | ||
| 7-2 | Rue de Lappe | — | ||
| 7-3 | Joyeux Papillon | — | ||
| 7-4 | La Java du diable | — | ||
| 7-5 | Le P’tit Bal du samedi soir | — | ||
| 7-6 | La Migliavacca | — | ||
| 7-7 | Luxembourg polka | — | ||
| 7-8 | La Java bleue | — | ||
| 7-9 | Les Triolets | — | ||
| 7-10 | Mazurka des champions | — | ||
| 7-11 | La Bague à Jules | — | ||
| 7-12 | La Java 43 | — | ||
| 7-13 | Polka chinoise | — | ||
| 7-14 | Les Amoureux des bancs publics | — | ||
| 7-15 | Ça gaze | — | ||
| 7-16 | Rapsodie suédoise | — | ||
| 7-17 | Perles de cristal | — | ||
| 7-18 | La Belote | — | ||
| 7-19 | Java | — | ||
| 7-20 | Polka des as | — | ||
| 8-1 | La Seine | — | ||
| 8-2 | Valse du Carousel | — | ||
| 8-3 | Moulin Rouge | — | ||
| 8-4 | Ramona | — | ||
| 8-5 | Noces bavaroises | — | ||
| 8-6 | Kermesse au Tyrol | — | ||
| 8-7 | Oranges d’Espagne | — | ||
| 8-8 | Valse basque | — | ||
| 8-9 | Trois heures du matin | — | ||
| 8-10 | Le Vent apaisé | — | ||
| 8-11 | Fascination | — | ||
| 8-12 | Valse de minuit | — | ||
| 8-13 | Valse de Vienne | — | ||
| 8-14 | Heure exquise | — | ||
| 8-15 | Mon amour t’appartient | — | ||
| 8-16 | Petite Mouette | — | ||
| 8-17 | Valse du Tennessee | — | ||
| 8-18 | Joli Ohio | — | ||
| 8-19 | Mon trésor | — | ||
| 8-20 | Loin du bal | — | ||
| 9-1 | Sang viennois | — | ||
| 9-2 | Valse de l’empereur | — | ||
| 9-3 | Valse d’Amphitryon | — | ||
| 9-4 | Fleurs de lotus | — | ||
| 9-5 | Soirée d’été | — | ||
| 9-6 | Les patineurs | — | ||
| 9-7 | O Printemps, comme tu es beau ! | — | ||
| 9-8 | Dans le frisson de la valse | — | ||
| 9-9 | Tout nous charme | — | ||
| 9-10 | Les enfants du village | — | ||
| 9-11 | Amour méconnu | — | ||
| 9-12 | Les cloches de Vineta | — | ||
| 9-13 | Le mariage des vents | — | ||
| 9-14 | Rêve d’amour après le bal | — | ||
| 9-15 | Luna Valse | — | ||
| 9-16 | Clair de lune sur l’Aster | — | ||
| 9-17 | Joyeux Vienne | — | ||
| 9-18 | Frères joyeux | — | ||
| 9-19 | Roses du Sud | — | ||
| 9-20 | Histoires de la forêt viennoise | — | ||
| 10-1 | La Gaité parisienne | — | ||
| 10-2 | Quadrille de « La Chauve‐souris » | — | ||
| 10-3 | Sang léger (Leichtes Blut) | — | ||
| 10-4 | Quadrille « L’Invincible » | — | ||
| 10-5 | À l’envi (Um die Wette) | — | ||
| 10-6 | Petites Bavardes (Plappermaülchen) | — | ||
| 10-7 | Tic‐tac | — | ||
| 10-8 | Fougueux en amour et pour la danse | — | ||
| 10-9 | La Boutique fantasque | — | ||
| 10-10 | Quadrille des « Lanciers » | — | ||
| 10-11 | Cancans et potins | — | ||
| 10-12 | Patinage (Eislauf) | — | ||
| 10-13 | Becs de cigognes (Storchschnäbel) | — | ||
| 10-14 | Le Feu de la jeunesse (Jugendfeuer) | — | ||
| 10-15 | Quadrille de « Faust » | — | ||
| 10-16 | Par force | — | ||
| 10-17 | Vélo | — | ||
| 10-18 | Galop du « Brésilien » | — | ||
| 10-19 | Quadrille du « Baron tzigane » | — | ||
| 10-20 | Cancan de « Geneviève de Brabant » | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| You Set My Soul on Fire | LaVern Baker | T-915.288.662-9 |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Tom Dooley | The Kingston Trio | T-900.076.742-0 |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | T-900.076.742-0 |
| Zambezi | Lou Busch & His Orchestra | T-071.194.507-1 |
