UPC · Release
Anthologie des musiques de danse du monde, Volume 2: Espagne, Caraïbe, Amérique du Sud: The Dance Masters Classics
Various Artists
Last verified:
3561302534220 is the Universal Product Code (UPC barcode) for the release “Anthologie des musiques de danse du monde, Volume 2: Espagne, Caraïbe, Amérique du Sud: The Dance Masters Classics” by Various Artists, released 2011-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 200 tracks, each with its own ISRC. Tracks include MXF010000994, GBDAG9304454, USBL10000898.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (200)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mexico | — | ||
| 2 | Ole torero | — | ||
| 3 | El gato montes | — | ||
| 4 | Las españolas | — | ||
| 5 | Espana cani | — | ||
| 6 | Suspiros de Espanha | — | ||
| 7 | La gracia de Dios | — | ||
| 8 | Campanas de la Giralda | — | ||
| 9 | La Mort de Manolete | — | ||
| 10 | El andaluz | — | ||
| 11 | Flor de Aragón | — | ||
| 12 | Sevillanas | — | ||
| 13 | Colombiana flamenca | — | ||
| 14 | Garrotin | — | ||
| 15 | Tientos | — | ||
| 16 | La santa espina | — | ||
| 17 | Per tu ploro | — | ||
| 18 | La cardina encara salta | — | ||
| 19 | Bona festa | — | ||
| 20 | El cu cut canta | — | ||
| 2-1 | Jalousie | — | ||
| 2-2 | Adiós pampa mía | — | ||
| 2-3 | Adíos muchachos | — | ||
| 2-4 | Cumparsita | — | ||
| 2-5 | Uno | — | ||
| 2-6 | Como te quiero | — | ||
| 2-7 | Bahía Blanca | — | ||
| 2-8 | Margo | — | ||
| 2-9 | La puñalada | — | ||
| 2-10 | La bordana | — | ||
| 2-11 | Plegaria | — | ||
| 2-12 | 9 de julio | — | ||
| 2-13 | Yo no sé porque te quiero | — | ||
| 2-14 | Tango de rêve | — | ||
| 2-15 | Orlando Goñi | — | ||
| 2-16 | Sobre el pucho | — | ||
| 2-17 | El monito | — | ||
| 2-18 | Mala pinta | — | ||
| 2-19 | Palais de glace | — | ||
| 2-20 | Adiós Nonino | — | ||
| 3-1 | Quizas, quizas, quizas | — | ||
| 3-2 | Dos gardenias | — | ||
| 3-3 | Sinceridad | — | ||
| 3-4 | Nostalgia | — | ||
| 3-5 | Bésame mucho | — | ||
| 3-6 | Piel canela | — | ||
| 3-7 | Historia de un amor | — | ||
| 3-8 | Aquellos ojos verdes | — | ||
| 3-9 | Señora | — | ||
| 3-10 | Regalo de Dios | — | ||
| 3-11 | La barca | — | ||
| 3-12 | Frenesi | — | ||
| 3-13 | Vereda tropical | — | ||
| 3-14 | Contigo en la distancia | — | ||
| 3-15 | Tú me acostumbraste | — | ||
| 3-16 | Si me comprendieras | — | ||
| 3-17 | Si me pudieras querer | Toña la Negra | — | |
| 3-18 | El reloj | — | ||
| 3-19 | Necessito tu amor | — | ||
| 3-20 | Amor proprio | — | ||
| 4-1 | Cubanchero | — | ||
| 4-2 | Pa-ran-pan-pan | — | ||
| 4-3 | La cucaracha | — | ||
| 4-4 | El chango de Maria | — | ||
| 4-5 | La mucura | — | ||
| 4-6 | La televisión | — | ||
| 4-7 | Todo mundo escucha | — | ||
| 4-8 | El bunelo de María | — | ||
| 4-9 | Tin tin deo | — | ||
| 4-10 | Chombo rumba | — | ||
| 4-11 | Bim bam bum | — | ||
| 4-12 | Que te coma un chivo | — | ||
| 4-13 | El ritmo de mi Cuba | — | ||
| 4-14 | El manisero | Don Azpiazú and His Havana Casino Orchestra | T-042.623.018-3 | |
| 4-15 | Yambu | — | ||
| 4-16 | El muerto se fue de rumba | — | ||
| 4-17 | Micaela | — | ||
| 4-18 | Eso no va comigo | — | ||
| 4-19 | Ataque compay | — | ||
| 4-20 | Rumba en swing | — | ||
| 5-1 | Mambo jambo | — | ||
| 5-2 | Mambo n°8 | — | ||
| 5-3 | Patricia | — | ||
| 5-4 | María-la-o | — | ||
| 5-5 | Yo quiero un mambo | — | ||
| 5-6 | Mambo n°5 | — | ||
| 5-7 | Mambo jumbo | — | ||
| 5-8 | Covarde | — | ||
| 5-9 | Dime que sí, dime que no | — | ||
| 5-10 | Indecidida | — | ||
| 5-11 | Ruby | — | ||
| 5-12 | Carmencita | — | ||
| 5-13 | El mujeriengo | — | ||
| 5-14 | Mambo moro | — | ||
| 5-15 | Norin-noron | — | ||
| 5-16 | Mambo n°7 | — | ||
| 5-17 | El jamaiquino | — | ||
| 5-18 | Abarriba cumbiaremos | — | ||
| 5-19 | Cuenta comigo | — | ||
| 5-20 | Bongo boy | — | ||
| 6-1 | Baila mi cha-cha-cha | — | ||
| 6-2 | Lindo cha-cha-cha | — | ||
| 6-3 | Cha-cha-cha N°5 | — | ||
| 6-4 | Its the bururu | — | ||
| 6-5 | Oye mamá | — | ||
| 6-6 | El bodeguero | Orquesta Aragón | — | |
| 6-7 | Señor juez | Orquesta Aragón | T-035.006.291-7 | |
| 6-8 | For me and my gal | — | ||
| 6-9 | Me lo dijo Adela | — | ||
| 6-10 | Habanero | — | ||
| 6-11 | Cha charuago | — | ||
| 6-12 | Calculadora | Orquesta Aragón | — | |
| 6-13 | El millonario | — | ||
| 6-14 | Luna de miel en Puerto Rico | — | ||
| 6-15 | Home | — | ||
| 6-16 | Lo que quiera lola | — | ||
| 6-17 | Lamento boricano | — | ||
| 6-18 | Sabrosona | Orquesta Aragón | — | |
| 6-19 | Ay José | Orquesta Aragón | — | |
| 6-20 | Tea for Two | — | ||
| 7-1 | Morena boca de ouro | — | ||
| 7-2 | Chega se saudade | — | ||
| 7-3 | Exaltacao a mangueira | — | ||
| 7-4 | Copacabana | — | ||
| 7-5 | Tico, tico, no fuba | — | ||
| 7-6 | O samba e bom assim | — | ||
| 7-7 | Folha morta | — | ||
| 7-8 | Agora e cinza | — | ||
| 7-9 | Dora | — | ||
| 7-10 | Faceira | — | ||
| 7-11 | Pois e | — | ||
| 7-12 | A voz do morro | — | ||
| 7-13 | Lamento | — | ||
| 7-14 | Fechei a porta | — | ||
| 7-15 | Pelo telefone | — | ||
| 7-16 | Maracangalha | — | ||
| 7-17 | Morena boca de ouro | — | ||
| 7-18 | Arranca a mascara | — | ||
| 7-19 | Ela disse-me assim | — | ||
| 7-20 | Aquarela do Brasil | — | ||
| 8-1 | Relembrando o norte | — | ||
| 8-2 | Baiao | — | ||
| 8-3 | Maxixando | — | ||
| 8-4 | Para quedista | — | ||
| 8-5 | Espinha de bacalhau | — | ||
| 8-6 | Delicado | — | ||
| 8-7 | Migalhas de amor | — | ||
| 8-8 | Ameno reseda | — | ||
| 8-9 | Flor de yumuri | — | ||
| 8-10 | Despertar da montanha | — | ||
| 8-11 | Pastorinhas | — | ||
| 8-12 | Maringa | — | ||
| 8-13 | Baiao cacula | — | ||
| 8-14 | Pe de manaca | — | ||
| 8-15 | Foro de gala | — | ||
| 8-16 | Imperial | — | ||
| 8-17 | Lidia | — | ||
| 8-18 | Confidencias | — | ||
| 8-19 | Judith | — | ||
| 8-20 | La paloma | — | ||
| 9-1 | Day-O | — | ||
| 9-2 | Man Smart | — | ||
| 9-3 | Rum And Coca Cola | — | ||
| 9-4 | Marjorie’s Flirtation | Lord Kitchener | — | |
| 9-5 | Jean And Dinah | — | ||
| 9-6 | Pretty Boy | — | ||
| 9-7 | Sweetie Joe | — | ||
| 9-8 | Talking Parrot | — | ||
| 9-9 | Limbo | — | ||
| 9-10 | A Conch Aint Got No Bones | — | ||
| 9-11 | Naughty Little Flea | — | ||
| 9-12 | Mama Look A Boo Boo | — | ||
| 9-13 | Chiken Gumbo | — | ||
| 9-14 | Shake Shake Senora | — | ||
| 9-15 | My Pigeon Gone Wild | — | ||
| 9-16 | Calypso Be Bop | — | ||
| 9-17 | Big Bamboo | — | ||
| 9-18 | Je peux pas travailler | Henri Salvador | T-003.011.027-0 | |
| 9-19 | Love Love Alone | — | ||
| 9-20 | Calypso Rock 'n' Roll | — | ||
| 10-1 | Serpent maigre | — | ||
| 10-2 | La Guadeloupéenne | — | ||
| 10-3 | Pas reproche moin | — | ||
| 10-4 | Petite Fleur fanée | — | ||
| 10-5 | Ninon | — | ||
| 10-6 | Nana | — | ||
| 10-7 | Padon bondieu | — | ||
| 10-8 | C'est frozen | — | ||
| 10-9 | Touloulou | — | ||
| 10-10 | Carmen | — | ||
| 10-11 | Les deux rivales | — | ||
| 10-12 | Doudou pas pleurer | — | ||
| 10-13 | Parfum des îles | — | ||
| 10-14 | Lamoula créole | — | ||
| 10-15 | Tes yeux | — | ||
| 10-16 | Mon rêve | — | ||
| 10-17 | Brise des brises | — | ||
| 10-18 | Mazurka des titanes | — | ||
| 10-19 | Ballade au Vauclin | — | ||
| 10-20 | La rue Zabyme | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 3561302534220?
3561302534220 is a Universal Product Code (UPC) assigned to Anthologie des musiques de danse du monde, Volume 2: Espagne, Caraïbe, Amérique du Sud: The Dance Masters Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 200 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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