UPC · Release
Great Black Music: Roots 1927–1962
Various Artists
3561302545622
69 tracksReleased 2014-01-01Frémeaux & Associés
Last verified:
3561302545622 is the Universal Product Code (UPC barcode) for the release “Great Black Music: Roots 1927–1962” by Various Artists, released 2014-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC. Tracks include USSM10203502, GBEEJ0700242, GBAJD0921072.
Format
356GS1 prefix
1302Company prefix
54562Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCGreat Black Music: Roots 1927–1962
ISRC14 recordings
ISWC53 works
IPI50 songwriters
Track List (69)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Seaboard Stomp | — | ||
| 2 | God Moves on the Water | Blind Willie Johnson | — | |
| 3 | Tiger Rag | — | ||
| 4 | I’ve Found a New Baby | — | ||
| 5 | Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | — | |
| 6 | Why Do I Lie to Myself About You? | — | ||
| 7 | This Year’s Kisses | — | ||
| 8 | Caravan | — | ||
| 9 | Winin’ Boy Blues | — | ||
| 10 | Mbube | — | ||
| 11 | Jive at Five | — | ||
| 12 | Parchman Farm Blues | Bukka White | T-070.242.836-1 | |
| 13 | Blitzkrieg Baby (You Can’t Bomb Me) | — | ||
| 14 | Swing to Bop | — | ||
| 15 | Baby, Please Don’t Go | Big Joe Williams | T-070.278.618-2 | |
| 16 | Choo Choo Ch’boogie | Louis Jordan and His Tympany Five | T-070.024.822-1 | |
| 17 | Dream a Little Dream of Me | The Nat King Cole Trio | T-070.040.124-6 | |
| 18 | Mambo n.5 | — | ||
| 19 | No Ceará não tem disso não | — | ||
| 20 | Bloomdido | — | ||
| 21 | I Hadn’t Anyone Till You | — | ||
| 22 | It Ain’t the Meat | — | ||
| 23 | Aged and Mellow | — | ||
| 24 | J.P. Morgan | — | ||
| 2-1 | Feel Like I Wanna Cry | — | ||
| 2-2 | Little Rootie Tootie | — | ||
| 2-3 | Hound Dog | Willie Mae “Big Mama” Thornton, Kansas City Bill & Orchestra | T-011.364.221-9 | |
| 2-4 | Smokey Joe’s Cafe | — | ||
| 2-5 | El bombón de Elena | — | ||
| 2-6 | I Just Want to Make Love to You | — | ||
| 2-7 | Sinner’s Prayer | — | ||
| 2-8 | This May Be the Last Time | — | ||
| 2-9 | Bo Diddley | — | ||
| 2-10 | Louie Louie | — | ||
| 2-11 | Mack the Knife | — | ||
| 2-12 | Oye Mama | — | ||
| 2-13 | Day‐O | — | ||
| 2-14 | God Is So Good (to Me) | — | ||
| 2-15 | Please Please Please | — | ||
| 2-16 | Roll Over Beethoven | — | ||
| 2-17 | I Put a Spell on You | Screamin’ Jay Hawkins | T-010.751.678-8 | |
| 2-18 | All for You | — | ||
| 2-19 | India | — | ||
| 2-20 | Cinemascope | — | ||
| 2-21 | Miwela Miwela | — | ||
| 2-22 | Ran Kan Kan | — | ||
| 2-23 | Milestones | Miles Davis | T-070.242.198-4 | |
| 3-1 | El Congo | — | ||
| 3-2 | Good Golly, Miss Molly | — | ||
| 3-3 | Boogie Chillen | — | ||
| 3-4 | Maybe I’m a Fool | Aretha Franklin, The Ray Bryant Combo | T-070.108.702-6 | |
| 3-5 | Village Blues | John Coltrane | T-700.076.426-3 | |
| 3-6 | Moses | — | ||
| 3-7 | Samson & Delilah | — | ||
| 3-8 | Spoonful | — | ||
| 3-9 | My Own Fault | — | ||
| 3-10 | Alazi mwasi baponela ngai | — | ||
| 3-11 | Miss Ann | Eric Dolphy, Booker Little | T-010.444.853-4 | |
| 3-12 | Umqokozo | — | ||
| 3-13 | Tele Mina for Chango | — | ||
| 3-14 | Igwala | — | ||
| 3-15 | Catfish Blues | — | ||
| 3-16 | Contre‐Danse #8 | — | ||
| 3-17 | K. J. | — | ||
| 3-18 | Trumpet Highlife | — | ||
| 3-19 | Soul Bossa Nova | — | ||
| 3-20 | La cumbia te está llamando | — | ||
| 3-21 | Home in Your Heart | Solomon Burke | T-700.022.659-7 | |
| 3-22 | Judge Not | Robert Marley | — |
Seaboard Stomp
—
God Moves on the Water
Blind Willie Johnson
—
Tiger Rag
—
I’ve Found a New Baby
—
Preachin’ Blues (Up Jumped the Devil)
Robert Johnson
—
Why Do I Lie to Myself About You?
—
This Year’s Kisses
—
Caravan
—
Winin’ Boy Blues
—
Mbube
—
Jive at Five
—
Blitzkrieg Baby (You Can’t Bomb Me)
—
Swing to Bop
—
Mambo n.5
—
No Ceará não tem disso não
—
Bloomdido
—
I Hadn’t Anyone Till You
—
It Ain’t the Meat
—
Aged and Mellow
—
J.P. Morgan
—
Feel Like I Wanna Cry
—
Little Rootie Tootie
—
Smokey Joe’s Cafe
—
El bombón de Elena
—
I Just Want to Make Love to You
—
Sinner’s Prayer
—
This May Be the Last Time
—
Bo Diddley
—
Louie Louie
—
Mack the Knife
—
Oye Mama
—
Day‐O
—
God Is So Good (to Me)
—
Please Please Please
—
Roll Over Beethoven
—
All for You
—
India
—
Cinemascope
—
Miwela Miwela
—
Ran Kan Kan
—
El Congo
—
Good Golly, Miss Molly
—
Boogie Chillen
—
Moses
—
Samson & Delilah
—
Spoonful
—
My Own Fault
—
Alazi mwasi baponela ngai
—
Umqokozo
—
Tele Mina for Chango
—
Igwala
—
Catfish Blues
—
Contre‐Danse #8
—
K. J.
—
Trumpet Highlife
—
Soul Bossa Nova
—
La cumbia te está llamando
—
Judge Not
Robert Marley
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Judge Not | Robert Marley | T-070.090.957-4 |
| Maybe I’m a Fool (2002 mix) | Aretha Franklin | T-070.108.702-6 |
| Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | T-305.765.254-3 |
| Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | T-305.765.254-3 |
| Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | T-305.765.254-3 |
| Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | T-305.765.254-3 |
Robert Marley
Aretha Franklin
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.444.853-4T-010.751.678-8T-010.444.853-4T-010.751.678-8T-011.364.221-9T-011.364.221-9T-060.570.117-4T-070.024.822-1T-070.040.124-6T-070.108.702-6
+43 more
T-070.242.198-4T-070.242.836-1T-070.278.618-2T-070.024.822-1T-070.040.124-6T-070.108.702-6T-070.127.607-4T-070.179.869-7T-070.231.099-3T-070.233.076-4T-070.241.429-6T-070.242.198-4T-070.242.836-1T-070.242.947-7T-070.243.878-5T-070.243.890-1T-070.278.618-2T-070.881.882-9T-070.940.070-3T-071.017.298-7T-071.314.125-3T-071.402.746-9T-072.208.071-8T-072.607.137-9T-307.747.183-7T-700.022.659-7T-700.076.426-3T-700.022.659-7T-700.038.157-9T-700.044.191-0T-700.052.473-4T-700.076.426-3T-801.271.775-9T-801.407.501-6T-802.192.136-9T-802.203.417-0T-802.337.911-6T-900.307.058-4T-902.217.357-5T-905.246.869-6T-906.252.887-4T-070.090.957-4T-305.765.254-3
Songwriters/Publishers (IPI)
00000896007000013345460000253912300002948399000029484970000295102100004345815000046095100000462471300005225920
+40 more
00005905501000065722020000760978900007619785000083990760000921181400010718423000107647090001361680800014142631000142818090001436560400014379395000154267040001624022800018624391000196754600002122653500021507427000215857960002170622400023505323000238508940002483887200024839673000250274200002628648400026338199000300940320003009452200032538794000325392000003475528300039221498000399344500004069488000040726600000432818950005211581400060773970
Creative Contributors (ISNI)
000000003133119600000000548954450000000055129670000000005518715X000000005865952X00000000630200770000000063093495000000007357082200000000735765540000000073657506
+41 more
0000000079753064000000007986654400000000810380270000000081322749000000008146531X0000000081490726000000008189756900000000818975770000000083988253000000008898207X0000000090209174000000010675915500000001072315120000000107781602000000010790733200000001080389680000000108146598000000010822974800000001082344400000000108559130000000010888654500000001088920130000000108993834000000010911081000000001092238660000000110198071000000011021559900000001143188190000000114383258000000011439178400000001144145010000000114476112000000011467653600000001150707200000000115112900000000011559278000000001157367720000000118100067000000011954481500000001198480180000000120249127
Identifier Graph
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What is UPC 3561302545622?
3561302545622 is a Universal Product Code (UPC) assigned to Great Black Music: Roots 1927–1962 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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