UPC · Release
Various Artists
Last verified:
The UPC for “Slavery in America: Redemption Songs 1914–1972” by Various Artists is 3561302546728. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. This release contains 72 tracks, each with its own ISRC. Tracks include QZANV2102016, USEEC0612501, USRO29771309.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kabondo musambo wa changachanga | — | ||
| 2 | Chant d’invitation à la danse | — | ||
| 3 | Bid ’em In | — | ||
| 4 | Driva’ Man | — | ||
| 5 | How Come Me Here? | — | ||
| 6 | The Slave | — | ||
| 7 | Before the Sun Goes Down | — | ||
| 8 | Early in the Morning | "Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown) | — | |
| 9 | Song of the Cotton Field | — | ||
| 10 | Old Alabama | B.B., six others | — | |
| 11 | Carrie Belle | John Davis, group | — | |
| 12 | Working Man | — | ||
| 13 | M’pas bwè m’pas mangé | — | ||
| 14 | The Buzzard Lope | — | ||
| 15 | Hard Times in Ol' Virginia | John Davis, group | — | |
| 16 | Say Boss Man | — | ||
| 17 | Bagai sala que pochery moin | — | ||
| 18 | Don’t Break It I Say | — | ||
| 19 | L’Été | — | ||
| 20 | John Canoe Music | — | ||
| 21 | To‐wa‐bac‐a‐way, the Indian Race | — | ||
| 22 | Bamboula ‐ Danse des nègres, op. 2 | — | ||
| 2-1 | Macumba de Oxóssi | — | ||
| 2-2 | La famille li fait ca | — | ||
| 2-3 | Voodoo Blues | — | ||
| 2-4 | Coté yo, coté yo | — | ||
| 2-5 | Tele Mina for Chango | — | ||
| 2-6 | If Death Has Power | — | ||
| 2-7 | Zombie Jamboree | — | ||
| 2-8 | This Little Light of Mine | — | ||
| 2-9 | Moses | — | ||
| 2-10 | Better Day A‐coming | — | ||
| 2-11 | Turkle Dove | Bessie Jones, Georgia Sea Island Singers | — | |
| 2-12 | Live Humble | John Davis, group | — | |
| 2-13 | Summertime / Sometimes I Feel Like a Motherless Child | — | ||
| 2-14 | Massa’s in the Cold Cold Ground | — | ||
| 2-15 | Shadrack | — | ||
| 2-16 | March On | — | ||
| 2-17 | See Aunt Dinah | Bessie Jones, group | — | |
| 2-18 | Link O’Day | — | ||
| 2-19 | The Underground Railroad | — | ||
| 2-20 | Abolitionist Hymn | — | ||
| 2-21 | Marching Song (of the First Arkansas Negro Regiment) | — | ||
| 2-22 | Lincoln and Liberty | — | ||
| 2-23 | Babylon Gone | — | ||
| 2-24 | Freedom | — | ||
| 2-25 | Freedom Day | — | ||
| 2-26 | Free | — | ||
| 3-1 | The Great Grandfather | Bo Diddley | — | |
| 3-2 | Chain Gang | — | ||
| 3-3 | The Prettiest Train I Ever Saw | “22”, 20 others | — | |
| 3-4 | Work Song | — | ||
| 3-5 | Jim Crow | — | ||
| 3-6 | Ol’ Man River | — | ||
| 3-7 | Mardi Gras in New Orleans | — | ||
| 3-8 | Another Man Done Gone | — | ||
| 3-9 | Levee Camp Blues | — | ||
| 3-10 | How Long Must I Be Your Slave | — | ||
| 3-11 | Dry Bones in the Valley | — | ||
| 3-12 | Babylon Did It | — | ||
| 3-13 | Swing Low Sweet Chariot | — | ||
| 3-14 | Go Down Moses | — | ||
| 3-15 | Two Wings | — | ||
| 3-16 | We Believe in the God of Ethiopia | — | ||
| 3-17 | Going Home to Zion Land | — | ||
| 3-18 | Don’t Rock the Boat | — | ||
| 3-19 | Marching Up to Zion | — | ||
| 3-20 | I’m Going Back to Africa | — | ||
| 3-21 | Liberia | John Coltrane | T-071.000.726-3 | |
| 3-22 | We’ll Anchor Bye and Bye | — | ||
| 3-23 | You Got to Move | — | ||
| 3-24 | Don’t Turn Me From Your Door | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
3561302546728 is a Universal Product Code (UPC) assigned to Slavery in America: Redemption Songs 1914–1972 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 72 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Prettiest Train I Ever Saw | “22”, 20 others | — |
| Early in the Morning | "Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown) | T-700.011.530-2 |
| Live Humble | John Davis, group | — |
| See Aunt Dinah | Bessie Jones, group | — |
| Turkle Dove | Bessie Jones, Georgia Sea Island Singers | — |
The UPC for “Slavery in America: Redemption Songs 1914–1972” by Various Artists is 3561302546728. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. This release contains 72 tracks, each with its own ISRC. Tracks include QZANV2102016, USEEC0612501, USRO29771309.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kabondo musambo wa changachanga | — | ||
| 2 | Chant d’invitation à la danse | — | ||
| 3 | Bid ’em In | — | ||
| 4 | Driva’ Man | — | ||
| 5 | How Come Me Here? | — | ||
| 6 | The Slave | — | ||
| 7 | Before the Sun Goes Down | — | ||
| 8 | Early in the Morning | "Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown) | — | |
| 9 | Song of the Cotton Field | — | ||
| 10 | Old Alabama | B.B., six others | — | |
| 11 | Carrie Belle | John Davis, group | — | |
| 12 | Working Man | — | ||
| 13 | M’pas bwè m’pas mangé | — | ||
| 14 | The Buzzard Lope | — | ||
| 15 | Hard Times in Ol' Virginia | John Davis, group | — | |
| 16 | Say Boss Man | — | ||
| 17 | Bagai sala que pochery moin | — | ||
| 18 | Don’t Break It I Say | — | ||
| 19 | L’Été | — | ||
| 20 | John Canoe Music | — | ||
| 21 | To‐wa‐bac‐a‐way, the Indian Race | — | ||
| 22 | Bamboula ‐ Danse des nègres, op. 2 | — | ||
| 2-1 | Macumba de Oxóssi | — | ||
| 2-2 | La famille li fait ca | — | ||
| 2-3 | Voodoo Blues | — | ||
| 2-4 | Coté yo, coté yo | — | ||
| 2-5 | Tele Mina for Chango | — | ||
| 2-6 | If Death Has Power | — | ||
| 2-7 | Zombie Jamboree | — | ||
| 2-8 | This Little Light of Mine | — | ||
| 2-9 | Moses | — | ||
| 2-10 | Better Day A‐coming | — | ||
| 2-11 | Turkle Dove | Bessie Jones, Georgia Sea Island Singers | — | |
| 2-12 | Live Humble | John Davis, group | — | |
| 2-13 | Summertime / Sometimes I Feel Like a Motherless Child | — | ||
| 2-14 | Massa’s in the Cold Cold Ground | — | ||
| 2-15 | Shadrack | — | ||
| 2-16 | March On | — | ||
| 2-17 | See Aunt Dinah | Bessie Jones, group | — | |
| 2-18 | Link O’Day | — | ||
| 2-19 | The Underground Railroad | — | ||
| 2-20 | Abolitionist Hymn | — | ||
| 2-21 | Marching Song (of the First Arkansas Negro Regiment) | — | ||
| 2-22 | Lincoln and Liberty | — | ||
| 2-23 | Babylon Gone | — | ||
| 2-24 | Freedom | — | ||
| 2-25 | Freedom Day | — | ||
| 2-26 | Free | — | ||
| 3-1 | The Great Grandfather | Bo Diddley | — | |
| 3-2 | Chain Gang | — | ||
| 3-3 | The Prettiest Train I Ever Saw | “22”, 20 others | — | |
| 3-4 | Work Song | — | ||
| 3-5 | Jim Crow | — | ||
| 3-6 | Ol’ Man River | — | ||
| 3-7 | Mardi Gras in New Orleans | — | ||
| 3-8 | Another Man Done Gone | — | ||
| 3-9 | Levee Camp Blues | — | ||
| 3-10 | How Long Must I Be Your Slave | — | ||
| 3-11 | Dry Bones in the Valley | — | ||
| 3-12 | Babylon Did It | — | ||
| 3-13 | Swing Low Sweet Chariot | — | ||
| 3-14 | Go Down Moses | — | ||
| 3-15 | Two Wings | — | ||
| 3-16 | We Believe in the God of Ethiopia | — | ||
| 3-17 | Going Home to Zion Land | — | ||
| 3-18 | Don’t Rock the Boat | — | ||
| 3-19 | Marching Up to Zion | — | ||
| 3-20 | I’m Going Back to Africa | — | ||
| 3-21 | Liberia | John Coltrane | T-071.000.726-3 | |
| 3-22 | We’ll Anchor Bye and Bye | — | ||
| 3-23 | You Got to Move | — | ||
| 3-24 | Don’t Turn Me From Your Door | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Prettiest Train I Ever Saw | “22”, 20 others | — |
| Early in the Morning | "Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown) | T-700.011.530-2 |
| Live Humble | John Davis, group | — |
| See Aunt Dinah | Bessie Jones, group | — |
| Turkle Dove | Bessie Jones, Georgia Sea Island Singers | — |
