UPC · Release
Various Artists
Last verified:
The UPC for “Accordion in Americas 1949–1962” by Various Artists is 3561302562025. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. This release contains 69 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | O apito no samba | — | ||
| 2 | Aquarela do Brasil | — | ||
| 3 | Alvorada | — | ||
| 4 | Vira e mexe | — | ||
| 5 | Carioquinha no flamengo | — | ||
| 6 | Tico Tico no fubá | — | ||
| 7 | Brasileirinho | — | ||
| 8 | Apanhei‐te cavaquinho | — | ||
| 9 | Deixa o breque pra mim | — | ||
| 10 | Delicado | — | ||
| 11 | Sempre | — | ||
| 12 | Comigo é assim | — | ||
| 13 | Na cadência do baião | — | ||
| 14 | Maringá | — | ||
| 15 | Baião caçula | — | ||
| 16 | De papo pro ar | — | ||
| 17 | Bahia (Na baixa do sapateiro) | — | ||
| 18 | Rio | — | ||
| 19 | Rio de Janeiro | — | ||
| 20 | Risque | — | ||
| 21 | Que nem jiló | — | ||
| 22 | Sanfonando | — | ||
| 23 | Seu Januário | — | ||
| 2-1 | Summertime | — | ||
| 2-2 | Autumn in Rome | — | ||
| 2-3 | Polka Dots & Moonbeans | — | ||
| 2-4 | How High the Moon | — | ||
| 2-5 | Now See How You Are | — | ||
| 2-6 | As Time Goes By | — | ||
| 2-7 | My Kinda Love | — | ||
| 2-8 | Cheek to Cheek | — | ||
| 2-9 | Streets of Dreams | — | ||
| 2-10 | S’Wonderful | — | ||
| 2-11 | Jolly Jumps In | — | ||
| 2-12 | Scrapple From Apple | — | ||
| 2-13 | Pete’s Meat | — | ||
| 2-14 | Runaway | — | ||
| 2-15 | Bye Bye Blackbird | — | ||
| 2-16 | Why Do I Love You | — | ||
| 2-17 | I Only Have Eyes for You | — | ||
| 2-18 | The Surrey With the Fringe on Top | — | ||
| 2-19 | Tickle ‐toe | — | ||
| 2-20 | If I Could Be With You | — | ||
| 2-21 | I’ll Remember April | — | ||
| 2-22 | Yesterdays | — | ||
| 2-23 | All the Things You Are | — | ||
| 3-1 | Légua tirana | — | ||
| 3-2 | Migdalia | — | ||
| 3-3 | Compadre cholo | — | ||
| 3-4 | Las altenitas | — | ||
| 3-5 | La iguera | — | ||
| 3-6 | La empaliza | — | ||
| 3-7 | Parece un clavel | — | ||
| 3-8 | Yo tengo una india | — | ||
| 3-9 | La ayantosa | — | ||
| 3-10 | El pedacito | — | ||
| 3-11 | Ti yaya toto | — | ||
| 3-12 | Una mañana de abril | — | ||
| 3-13 | Atotonilco | — | ||
| 3-14 | La jalalitos | — | ||
| 3-15 | Rufina | — | ||
| 3-16 | Tu tiene la culpa | — | ||
| 3-17 | Ramona no quiere | — | ||
| 3-18 | Zingara | — | ||
| 3-19 | Bermuda’s Still Paradise | — | ||
| 3-20 | Give an Ugly Woman Matrimony | — | ||
| 3-21 | Come Closer to Me (Acerca‐te mas) | — | ||
| 3-22 | Sweet and Gentle (Me lo dijo Adela) | — | ||
| 3-23 | Adios | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
3561302562025 is a Universal Product Code (UPC) assigned to Accordion in Americas 1949–1962 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Accordion in Americas 1949–1962” by Various Artists is 3561302562025. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. This release contains 69 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | O apito no samba | — | ||
| 2 | Aquarela do Brasil | — | ||
| 3 | Alvorada | — | ||
| 4 | Vira e mexe | — | ||
| 5 | Carioquinha no flamengo | — | ||
| 6 | Tico Tico no fubá | — | ||
| 7 | Brasileirinho | — | ||
| 8 | Apanhei‐te cavaquinho | — | ||
| 9 | Deixa o breque pra mim | — | ||
| 10 | Delicado | — | ||
| 11 | Sempre | — | ||
| 12 | Comigo é assim | — | ||
| 13 | Na cadência do baião | — | ||
| 14 | Maringá | — | ||
| 15 | Baião caçula | — | ||
| 16 | De papo pro ar | — | ||
| 17 | Bahia (Na baixa do sapateiro) | — | ||
| 18 | Rio | — | ||
| 19 | Rio de Janeiro | — | ||
| 20 | Risque | — | ||
| 21 | Que nem jiló | — | ||
| 22 | Sanfonando | — | ||
| 23 | Seu Januário | — | ||
| 2-1 | Summertime | — | ||
| 2-2 | Autumn in Rome | — | ||
| 2-3 | Polka Dots & Moonbeans | — | ||
| 2-4 | How High the Moon | — | ||
| 2-5 | Now See How You Are | — | ||
| 2-6 | As Time Goes By | — | ||
| 2-7 | My Kinda Love | — | ||
| 2-8 | Cheek to Cheek | — | ||
| 2-9 | Streets of Dreams | — | ||
| 2-10 | S’Wonderful | — | ||
| 2-11 | Jolly Jumps In | — | ||
| 2-12 | Scrapple From Apple | — | ||
| 2-13 | Pete’s Meat | — | ||
| 2-14 | Runaway | — | ||
| 2-15 | Bye Bye Blackbird | — | ||
| 2-16 | Why Do I Love You | — | ||
| 2-17 | I Only Have Eyes for You | — | ||
| 2-18 | The Surrey With the Fringe on Top | — | ||
| 2-19 | Tickle ‐toe | — | ||
| 2-20 | If I Could Be With You | — | ||
| 2-21 | I’ll Remember April | — | ||
| 2-22 | Yesterdays | — | ||
| 2-23 | All the Things You Are | — | ||
| 3-1 | Légua tirana | — | ||
| 3-2 | Migdalia | — | ||
| 3-3 | Compadre cholo | — | ||
| 3-4 | Las altenitas | — | ||
| 3-5 | La iguera | — | ||
| 3-6 | La empaliza | — | ||
| 3-7 | Parece un clavel | — | ||
| 3-8 | Yo tengo una india | — | ||
| 3-9 | La ayantosa | — | ||
| 3-10 | El pedacito | — | ||
| 3-11 | Ti yaya toto | — | ||
| 3-12 | Una mañana de abril | — | ||
| 3-13 | Atotonilco | — | ||
| 3-14 | La jalalitos | — | ||
| 3-15 | Rufina | — | ||
| 3-16 | Tu tiene la culpa | — | ||
| 3-17 | Ramona no quiere | — | ||
| 3-18 | Zingara | — | ||
| 3-19 | Bermuda’s Still Paradise | — | ||
| 3-20 | Give an Ugly Woman Matrimony | — | ||
| 3-21 | Come Closer to Me (Acerca‐te mas) | — | ||
| 3-22 | Sweet and Gentle (Me lo dijo Adela) | — | ||
| 3-23 | Adios | — |
