UPC · Release
Haïti Vodou : Folk Trance Possession 1937–1962
Various Artists
Last verified:
3561302562629 is the Universal Product Code (UPC barcode) for the release “Haïti Vodou : Folk Trance Possession 1937–1962” by Various Artists, released 2016-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 63 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (63)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Danbala wedo tokan koulev | — | ||
| 2 | Ayizan, belekounde | — | ||
| 3 | La famille li fai ca (ibo dance song) | — | ||
| 4 | Cote yo, cote yo (mais dance song) | — | ||
| 5 | Ogoun balindjo (invocation) | — | ||
| 6 | Ezilie wedo (invocation) | — | ||
| 7 | Spirit conversation | — | ||
| 8 | Moundongue oh ye ye ye (moundongue dance song) | — | ||
| 9 | Ou pas we’m innocent (secular song) | — | ||
| 10 | General brise (kita dance song) | — | ||
| 11 | Vodoun dance (three drums) | — | ||
| 12 | Petro dance (two drums) | — | ||
| 13 | Quitta dance (two drums) | — | ||
| 14 | Baboule dance (three drums) | — | ||
| 15 | Congo payette dance (three drums) | — | ||
| 16 | Congo larose dance (three drums) | — | ||
| 17 | Ganbos (bamboo stamping tubes ogan) | — | ||
| 18 | Vaccines (bamboo trumpets sticks) | — | ||
| 19 | Bumba dance (two drums) | — | ||
| 20 | Ibo dance (three drums ogan) | — | ||
| 21 | Ce moin ayida (zépaule dance) | — | ||
| 22 | Ayida deesse arc en ciel (mais dance) | — | ||
| 23 | Ayida pas nan betise (petro dance) | — | ||
| 24 | Mambo ayida (congo dance) | — | ||
| 25 | Legba aguator (nago dance) | — | ||
| 2-1 | Creole o voudoun (yanvalou) | — | ||
| 2-2 | Ayizan marche (zepaules) | — | ||
| 2-3 | Signaleagwe orroyo (yanvalou) | — | ||
| 2-4 | Zulie banda (banda) | — | ||
| 2-5 | Ghede nimbo (mahi) | — | ||
| 2-6 | Nogo jaco colocoto (nago crabino) | — | ||
| 2-7 | Miro miba (congo) | — | ||
| 2-8 | Po drapeaux’ (petro mazonnei) | — | ||
| 2-9 | Drums – banda rhythm | — | ||
| 2-10 | Rasbodail rhythm | — | ||
| 2-11 | Service d’ogoun | — | ||
| 2-12 | Service de papa damballah | — | ||
| 2-13 | Service de zacca | — | ||
| 2-14 | Wawalle ago | — | ||
| 2-15 | Qui tirez batiment agoue‐taroyo derape | — | ||
| 2-16 | Agoue‐taroyo a signale | — | ||
| 2-17 | Chant d’offrande de la bague | — | ||
| 2-18 | Agassou ma ode (possession chant) | — | ||
| 3-1 | Petro – quita (drum rhythm) | — | ||
| 3-2 | Sole oh (yanvalou invocation) | — | ||
| 3-3 | Shango (invocation) | — | ||
| 3-4 | Ayanman ibo | — | ||
| 3-5 | Die, die, die (invocation – zépaules) | — | ||
| 3-6 | Mascaron‐pignitte (carnival rhythm) | — | ||
| 3-7 | Negress quartier morin | — | ||
| 3-8 | I man man man | — | ||
| 3-9 | Loa azalou (Dié Dié Dié) | — | ||
| 3-10 | Mre mrele mande | — | ||
| 3-11 | Erzulie | — | ||
| 3-12 | Voodoo drums (possession) | — | ||
| 3-13 | Nibo rhythm | — | ||
| 3-14 | Petro rhythm | — | ||
| 3-15 | Nago rhythm | — | ||
| 3-16 | Papa legba invocation | — | ||
| 3-17 | Dahomey rhythm (zépaule) | — | ||
| 3-18 | Mais rhythm | — | ||
| 3-19 | Diouba rhythm (cousin Zaca) | — | ||
| 3-20 | Prayer to shango | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 3561302562629?
3561302562629 is a Universal Product Code (UPC) assigned to Haïti Vodou : Folk Trance Possession 1937–1962 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 63 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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