UPC · Release
The Color Line : Les artistes africains‐américains et la ségrégation 1916–1962
Various Artists
3561302565422
59 tracksReleased 2016-01-01Frémeaux & Associés
Last verified:
3561302565422 is the Universal Product Code (UPC barcode) for the release “The Color Line : Les artistes africains‐américains et la ségrégation 1916–1962” by Various Artists, released 2016-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include NLA410810840, USSM10007189, USSF10500015.
Format
356GS1 prefix
1302Company prefix
56542Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Color Line : Les artistes africains‐américains et la ségrégation 1916–1962
ISRC20 recordings
ISWC30 works
IPI35 songwriters
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Roll On, Heave That Cotton | — | ||
| 2 | Oh! Susanna | — | ||
| 3 | Ethiopia Shall Stretch Forth Her Hands Onto God | — | ||
| 4 | We Love Humanity | — | ||
| 5 | Black and Tan Fantasy | — | ||
| 6 | Dry Bone Shuffle | — | ||
| 7 | The American Woman and the West Indian Man, Pt. 1 | — | ||
| 8 | The American Woman and the West Indian Man, Pt. 2 | — | ||
| 9 | High Society | Monk Hazel and His Bienville Roof Orchestra | T-902.185.245-9 | |
| 10 | Chicago High Life | — | ||
| 11 | My Mammy | — | ||
| 12 | W. P. A. Blues | Casey Bill Weldon | — | |
| 13 | The Bourgeois Blues | Lead Belly | T-070.234.865-9 | |
| 14 | Tarzan of Harlem | — | ||
| 15 | Strange Fruit | — | ||
| 16 | Parchman Farm Blues | Bukka White | T-070.242.836-1 | |
| 17 | Trouble | — | ||
| 18 | Uncle Sam Says | — | ||
| 19 | Old Alabama | B.B., six others | — | |
| 20 | Early in the Morning | "Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown) | — | |
| 2-1 | Jim Crow | — | ||
| 2-2 | Jim Crow Blues | — | ||
| 2-3 | Black, Brown and Beige: Work Song | — | ||
| 2-4 | Black, Brown and Beige: Come Sunday | — | ||
| 2-5 | Black, Brown and Beige: The Blues | — | ||
| 2-6 | Black, Brown and Beige: Three Dances | — | ||
| 2-7 | Water Boy | — | ||
| 2-8 | Prison Blues | Clarence Alexander | — | |
| 2-9 | Hard Road Blues | — | ||
| 2-10 | Black, Brown and White | — | ||
| 2-11 | Brown Skin Women | — | ||
| 2-12 | Low Society | Ray Charles | — | |
| 2-13 | I’ve Been Born Again | — | ||
| 2-14 | Black and Tan Fantasy | Thelonious Monk | — | |
| 2-15 | No Room at the Inn | — | ||
| 2-16 | The Alabama Bus – Parts 1 & 2 | — | ||
| 2-17 | Jim Crow Train | — | ||
| 2-18 | Star‐O | Harry Belafonte | — | |
| 2-19 | Brown Skin Girl | — | ||
| 2-20 | Gold Coast | — | ||
| 3-1 | Brown Eyed Handsome Man | Chuck Berry | T-070.233.167-6 | |
| 3-2 | Say Boss Man | Bo Diddley | — | |
| 3-3 | Nobody Knows the Trouble I’ve Seen | Louis Armstrong & His All-Stars, The Sy Oliver Choir | T-700.048.818-8 | |
| 3-4 | The Great Grandfather | Bo Diddley | — | |
| 3-5 | Better Git It in Your Soul | Charles Mingus | T-700.002.156-9 | |
| 3-6 | Kiyakiya (Why Do You Run Away?) | Babatunde Olatunji | — | |
| 3-7 | Carrie Belle | John Davis, group | — | |
| 3-8 | Working Man | — | ||
| 3-9 | Ancient Aiethopia | — | ||
| 3-10 | Georgia on My Mind | Ray Charles | T-072.412.184-9 | |
| 3-11 | Death Don’t Have No Mercy | — | ||
| 3-12 | Chain Gang | Sam Cooke | T-070.233.291-9 | |
| 3-13 | Work Song | — | ||
| 3-15 | Are You Sure | — | ||
| 3-16 | Exodus | — | ||
| 3-17 | Minstrel and Queen | The Impressions | T-700.044.076-8 | |
| 3-18 | You Can’t Judge a Book (By Looking at the Cover) | — | ||
| 3-19 | Judge Harsh Blues | — | ||
| 3-20 | We Shall Overcome | — |
Roll On, Heave That Cotton
—
Oh! Susanna
—
Ethiopia Shall Stretch Forth Her Hands Onto God
—
We Love Humanity
—
Black and Tan Fantasy
—
Dry Bone Shuffle
—
The American Woman and the West Indian Man, Pt. 1
—
The American Woman and the West Indian Man, Pt. 2
—
Chicago High Life
—
My Mammy
—
W. P. A. Blues
Casey Bill Weldon
—
Tarzan of Harlem
—
Strange Fruit
—
Trouble
—
Uncle Sam Says
—
Old Alabama
B.B., six others
—
Early in the Morning
"Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown)
—
Jim Crow
—
Jim Crow Blues
—
Black, Brown and Beige: Work Song
—
Black, Brown and Beige: Come Sunday
—
Black, Brown and Beige: The Blues
—
Black, Brown and Beige: Three Dances
—
Water Boy
—
Prison Blues
Clarence Alexander
—
Hard Road Blues
—
Black, Brown and White
—
Brown Skin Women
—
Low Society
Ray Charles
—
I’ve Been Born Again
—
Black and Tan Fantasy
Thelonious Monk
—
No Room at the Inn
—
The Alabama Bus – Parts 1 & 2
—
Jim Crow Train
—
Star‐O
Harry Belafonte
—
Brown Skin Girl
—
Gold Coast
—
Say Boss Man
Bo Diddley
—
Louis Armstrong & His All-Stars, The Sy Oliver Choir
The Great Grandfather
Bo Diddley
—
Kiyakiya (Why Do You Run Away?)
Babatunde Olatunji
—
Carrie Belle
John Davis, group
—
Working Man
—
Ancient Aiethopia
—
Death Don’t Have No Mercy
—
Work Song
—
Are You Sure
—
Exodus
—
You Can’t Judge a Book (By Looking at the Cover)
—
Judge Harsh Blues
—
We Shall Overcome
—
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Nobody Knows the Trouble I’ve Seen | Louis Armstrong & His All-Stars, The Sy Oliver Choir | T-700.048.818-8 |
| Early in the Morning | "Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown) | T-700.011.530-2 |
| Bourgeois Blues | Lead Belly | T-070.234.865-9 |
| Better Git in Your Soul | Charles Mingus | T-700.002.156-9 |
Louis Armstrong & His All-Stars, The Sy Oliver Choir
"Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown)
Lead Belly
Charles Mingus
What other identifiers does this connect to?
Musical Works (ISWC)
T-060.570.127-6T-070.233.167-6T-070.233.291-9T-070.234.865-9T-070.242.836-1T-070.001.757-7T-070.041.252-7T-070.197.654-6T-070.233.167-6T-070.233.291-9
+20 more
T-070.234.865-9T-070.242.836-1T-070.248.223-2T-071.386.468-6T-072.412.184-9T-072.412.184-9T-307.747.183-7T-700.002.156-9T-700.044.076-8T-700.048.818-8T-700.002.156-9T-700.044.076-8T-700.048.818-8T-700.052.473-4T-700.081.856-6T-801.813.912-4T-901.124.599-1T-902.818.354-2T-700.011.530-2T-902.185.245-9
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000038105802000000005924993600000000630200770000000073649493000000007704049000000000798665440000000080122411000000008189757700000000839882530000000084030653
+25 more
0000000090209174000000009615627X0000000107231512000000010814659800000001082297480000000108234440000000010861739600000001091108100000000110379542000000011083262600000001108748180000000114318819000000011437719X00000001144761120000000114676536000000011511290000000001157367720000000115756490000000011930992X000000012016975X00000001202491270000000120257311000000012099172700000001212722140000000368371193
Credits Graph
People also ask
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What is UPC 3561302565422?
3561302565422 is a Universal Product Code (UPC) assigned to The Color Line : Les artistes africains‐américains et la ségrégation 1916–1962 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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