UPC · Release
Intégrale 1957-1962 - Soul Bossa Nova
Quincy Jones
Last verified:
3561302585727 is the Universal Product Code (UPC barcode) for the release “Intégrale 1957-1962 - Soul Bossa Nova” by Quincy Jones, released 2023-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 78 tracks, each with its own ISRC. Tracks include FR8X02401224, FR8X02401228, FR8X02401227.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (78)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Walkin’ | Quincy Jones | — | |
| 2 | A Sleepin’ Bee | Quincy Jones | T-070.135.945-6 | |
| 3 | Sermonette | Quincy Jones | — | |
| 4 | Stockholm Sweetnin’ | Quincy Jones | — | |
| 5 | Evening in Paris | Quincy Jones | T-071.392.502-0 | |
| 6 | Boo’s Bloos | Quincy Jones | T-071.386.451-7 | |
| 7 | Dancin’ Pants | — | ||
| 8 | Blues Day | Quincy Jones | — | |
| 9 | Bright Moon | — | ||
| 10 | No Bones at All | — | ||
| 11 | The Oom Is Blues | — | ||
| 12 | Be My Guest | — | ||
| 13 | Medley: What’s New / We’ll Be Together Again / Time on My Hands / You Go to My Head / Laura | — | ||
| 14 | London Derriere | — | ||
| 15 | Kings Road Blues | — | ||
| 2-1 | The Birth of a Band | Quincy Jones | — | |
| 2-2 | Moanin' | Quincy Jones | — | |
| 2-3 | I Remember Clifford | Quincy Jones | — | |
| 2-4 | Along Came Betty | Quincy Jones | — | |
| 2-5 | Tickle Toe | Quincy Jones | — | |
| 2-6 | Happy Faces | Quincy Jones | — | |
| 2-7 | Whisper Not | Quincy Jones | T-010.041.628-1 | |
| 2-8 | The Gypsy | Quincy Jones | — | |
| 2-9 | A Change of Pace | Quincy Jones | — | |
| 2-10 | Tuxedo Junction | Quincy Jones | T-070.181.519-1 | |
| 2-11 | Lester Leaps In | Quincy Jones | T-070.095.363-4 | |
| 2-12 | Ghana | Quincy Jones | T-301.090.391-6 | |
| 2-13 | Caravan | Quincy Jones | T-072.208.071-8 | |
| 2-14 | Everybody’s Blues | Quincy Jones | — | |
| 2-15 | Cherokee (Indian Love Song) | — | ||
| 2-16 | Air Mail Special | Quincy Jones | T-325.603.871-4 | |
| 2-17 | They Say It's Wonderful | Quincy Jones | T-070.179.538-1 | |
| 2-18 | A Change of Pace | Quincy Jones | — | |
| 2-19 | I Never Has Seen Snow | Quincy Jones | T-070.904.179-1 | |
| 2-20 | Eesom | Quincy Jones | T-071.392.510-0 | |
| 3-1 | Pleasingly Plump | Quincy Jones and His Orchestra | — | |
| 3-2 | G'wan Train | Quincy Jones and His Orchestra | — | |
| 3-3 | Moonglow | Quincy Jones and His Orchestra | T-901.136.143-6 | |
| 3-4 | Tone Poem | Quincy Jones | — | |
| 3-5 | You Turned the Tables on Me | Quincy Jones and His Orchestra | — | |
| 3-6 | Chinese Checkers | Quincy Jones and His Orchestra | T-700.005.494-6 | |
| 3-7 | Love Is Here to Stay | — | ||
| 3-8 | The Midnight Sun Will Never Set | Quincy Jones and His Orchestra | T-070.109.284-3 | |
| 3-9 | Trouble on My Mind | Quincy Jones | — | |
| 3-10 | A Sunday Kind of Love | Quincy Jones and His Orchestra | T-070.275.766-1 | |
| 3-11 | Hot Sake | — | ||
| 3-12 | Strike Up the Band | — | ||
| 3-13 | Africana | — | ||
| 3-14 | Meadowlands | — | ||
| 3-15 | Rico Vacilon | — | ||
| 3-16 | Under the Paris Skies | — | ||
| 3-17 | Mack the Knife | — | ||
| 3-18 | Manolete de Espana | — | ||
| 3-19 | Baia | — | ||
| 3-20 | Come Back to Sorrento | — | ||
| 3-21 | Swedish Warmland (Dear Old Stockholm) | — | ||
| 3-22 | Pogo Stick | — | ||
| 3-23 | Liza | — | ||
| 4-1 | The Quintessence | Quincy Jones | T-071.286.536-5 | |
| 4-2 | Robot Portrait | Quincy Jones | — | |
| 4-3 | Little Karen | Quincy Jones | — | |
| 4-4 | Straight No Chaser | Quincy Jones | T-700.067.566-3 | |
| 4-5 | For Lena and Lennie | Quincy Jones | T-071.393.439-4 | |
| 4-6 | Hard Sock Dance | Quincy Jones and His Orchestra | T-071.425.689-9 | |
| 4-7 | Invitation | Quincy Jones | T-070.906.798-0 | |
| 4-8 | The Twitch | Quincy Jones | T-700.075.152-2 | |
| 4-9 | Soul Bossa Nova | Quincy Jones and His Orchestra | T-071.286.789-4 | |
| 4-10 | Boogie Stop Shuffle (issued as Boogie Bossa Nova) | Quincy Jones | T-042.098.537-0 | |
| 4-11 | Desafinado | Quincy Jones | T-039.026.767-0 | |
| 4-12 | Carnival (Manha De Carnaval) | Quincy Jones | T-003.905.377-4 | |
| 4-13 | Se é tarde me perdoa (Forgive Me If I’m Late) | Quincy Jones | T-071.213.783-1 | |
| 4-14 | On the Street Where You Live | Quincy Jones | T-037.659.054-3 | |
| 4-15 | Samba de una nota só (One Note Samba) | Quincy Jones | T-039.027.236-2 | |
| 4-16 | Lalo Bossa Nova | Quincy Jones | — | |
| 4-17 | Serenata | Quincy Jones | T-071.070.260-5 | |
| 4-18 | Chega de saudade (No More Blues) | Quincy Jones | T-039.000.722-3 | |
| 4-19 | Jone’s Bones | — | ||
| 4-20 | Sometimes I’m Happy | — |
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Stockholm Sweetin' | Quincy Jones | T-071.286.783-8 |
| Moanin' | Quincy Jones | — |
| The Birth of a Band | Quincy Jones | T-071.386.446-0 |
| I Remember Clifford | Quincy Jones | — |
| Along Came Betty | Quincy Jones | — |
| Tickle Toe | Quincy Jones | T-070.180.180-0 |
| Happy Faces | Quincy Jones | — |
| The Gypsy | Quincy Jones | T-010.323.210-5 |
| A Change of Pace | Quincy Jones | — |
| Walkin’ | Quincy Jones | T-070.248.465-8 |
| Sermonette | Quincy Jones | T-301.091.922-5 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 3561302585727?
3561302585727 is a Universal Product Code (UPC) assigned to Intégrale 1957-1962 - Soul Bossa Nova by Quincy Jones. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 78 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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