UPC · Release
Duke Ellington
Last verified:
3561302586922 is the Universal Product Code (UPC barcode) for the release “Duke at His Very Best: The Jimmy Blanton - Billy Strayhorn - Ben Webster Sessions - Legendary Works 1940-1942” by Duke Ellington, released 2024-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 94 tracks, each with its own ISRC. Tracks include DEU240818966, DEU240818967.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jack the Bear | Duke Ellington & His Orchestra | T-070.088.135-1 | |
| 2 | Ko-Ko | Duke Ellington & His Orchestra | T-070.092.709-8 | |
| 3 | Morning Glory | — | ||
| 4 | Conga Brava | — | ||
| 5 | Concerto for Cootie | — | ||
| 6 | Cotton Tail | — | ||
| 7 | Never No Lament | — | ||
| 8 | Dusk | — | ||
| 9 | Bojangles (A Portrait of Bill Robinson) | — | ||
| 10 | A Portrait of Bert Williams | — | ||
| 11 | Blue Goose | — | ||
| 12 | Harlem Air-Shaft | — | ||
| 13 | All Too Soon | — | ||
| 14 | Rumpus in Richmond | — | ||
| 15 | Sepia Panorama | — | ||
| 16 | In a Mellotone | — | ||
| 17 | Warm Valley | — | ||
| 18 | Across the Track Blues | — | ||
| 19 | Chloë | — | ||
| 20 | The Sidewalks of New York | — | ||
| 21 | Take the ’A’ Train | — | ||
| 22 | Blue Serge | — | ||
| 23 | Jumpin’ Punkins | — | ||
| 2-1 | John Hardy’s Wife | — | ||
| 2-2 | After All | — | ||
| 2-3 | Are You Sticking? | — | ||
| 2-4 | Just A-Settin’ and A-Rockin’ | — | ||
| 2-5 | The Giddbybug Gallop | — | ||
| 2-6 | Chocolate Shake | — | ||
| 2-7 | I Got It Bad (And That Ain’t Good) | — | ||
| 2-8 | Clementine | — | ||
| 2-9 | Jump for Joy | — | ||
| 2-10 | Five O’Clock Drag | — | ||
| 2-11 | Rocks in My Bed | — | ||
| 2-12 | Bli-Blip | — | ||
| 2-13 | Chelsea Bridge | — | ||
| 2-14 | Raincheck | — | ||
| 2-15 | I Don’t Know What Kind of Blues I Got | — | ||
| 2-16 | Perdido | — | ||
| 2-17 | C Jam Blues | — | ||
| 2-18 | Moon Mist | — | ||
| 2-19 | What Am I Here For? | — | ||
| 2-20 | I Don’t Mind | — | ||
| 2-21 | Someone | — | ||
| 2-22 | Main Stem | — | ||
| 2-23 | Johnny Come Lately | — | ||
| 2-24 | Sentimental Lady | — | ||
| 3-1 | You, You Darlin’ | — | ||
| 3-2 | So Far, So Good | — | ||
| 3-3 | Me and You | — | ||
| 3-4 | At a Dixie Roadside Diner | — | ||
| 3-5 | My Greatest Mistake | — | ||
| 3-6 | There Shall Be No Night | — | ||
| 3-7 | Five O’Clock Whistle | — | ||
| 3-8 | The Flaming Sword | — | ||
| 3-9 | I Never Felt This Way Before | — | ||
| 3-10 | Flamingo | — | ||
| 3-11 | The Girl in My Dreams | — | ||
| 3-12 | Bakiff | — | ||
| 3-13 | The Brown-Skin Gal (In the Calico Gown) | — | ||
| 3-14 | Moon Over Cuba | — | ||
| 3-15 | What Good Would It Do? | — | ||
| 3-16 | My Little Brown Book | — | ||
| 3-17 | Hayfoot Strawfoot | — | ||
| 3-18 | A Slip of the Lip | — | ||
| 3-19 | Sherman Shuffle | — | ||
| 3-20 | Pitter Panther Patter | — | ||
| 3-21 | Body and Soul | — | ||
| 3-22 | Sophisticated Lady | — | ||
| 3-23 | Mr. J.B. Blues | — | ||
| 4-1 | Good Queen Bess | — | ||
| 4-2 | Day Dream | — | ||
| 4-3 | That’s the Blues, Old Man | — | ||
| 4-4 | Junior Hop | — | ||
| 4-5 | Without a Song | — | ||
| 4-6 | My Sunday Gal | — | ||
| 4-7 | Mobile Bay | — | ||
| 4-8 | Linger Awhile | — | ||
| 4-9 | Charlie the Chulo | — | ||
| 4-10 | Lament for Javanette | — | ||
| 4-11 | A Lull at Dawn | — | ||
| 4-12 | Ready Eddy | — | ||
| 4-13 | Some Saturday | — | ||
| 4-14 | Subtle Slough | — | ||
| 4-15 | Menelik (The Lion of Judah) | — | ||
| 4-16 | Poor Bubber | — | ||
| 4-17 | Squaty Roo | — | ||
| 4-18 | Passion Flower | — | ||
| 4-19 | Things Ain’t What They Used T o Be | — | ||
| 4-20 | Goin’ Out the Back Way | — | ||
| 4-21 | Brown Suede | — | ||
| 4-22 | Noir Bleu | — | ||
| 4-23 | ’C’ Blues | — | ||
| 4-24 | June | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
3561302586922 is a Universal Product Code (UPC) assigned to Duke at His Very Best: The Jimmy Blanton - Billy Strayhorn - Ben Webster Sessions - Legendary Works 1940-1942 by Duke Ellington. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 94 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
3561302586922 is the Universal Product Code (UPC barcode) for the release “Duke at His Very Best: The Jimmy Blanton - Billy Strayhorn - Ben Webster Sessions - Legendary Works 1940-1942” by Duke Ellington, released 2024-01-01 on Frémeaux & Associés. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 94 tracks, each with its own ISRC. Tracks include DEU240818966, DEU240818967.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jack the Bear | Duke Ellington & His Orchestra | T-070.088.135-1 | |
| 2 | Ko-Ko | Duke Ellington & His Orchestra | T-070.092.709-8 | |
| 3 | Morning Glory | — | ||
| 4 | Conga Brava | — | ||
| 5 | Concerto for Cootie | — | ||
| 6 | Cotton Tail | — | ||
| 7 | Never No Lament | — | ||
| 8 | Dusk | — | ||
| 9 | Bojangles (A Portrait of Bill Robinson) | — | ||
| 10 | A Portrait of Bert Williams | — | ||
| 11 | Blue Goose | — | ||
| 12 | Harlem Air-Shaft | — | ||
| 13 | All Too Soon | — | ||
| 14 | Rumpus in Richmond | — | ||
| 15 | Sepia Panorama | — | ||
| 16 | In a Mellotone | — | ||
| 17 | Warm Valley | — | ||
| 18 | Across the Track Blues | — | ||
| 19 | Chloë | — | ||
| 20 | The Sidewalks of New York | — | ||
| 21 | Take the ’A’ Train | — | ||
| 22 | Blue Serge | — | ||
| 23 | Jumpin’ Punkins | — | ||
| 2-1 | John Hardy’s Wife | — | ||
| 2-2 | After All | — | ||
| 2-3 | Are You Sticking? | — | ||
| 2-4 | Just A-Settin’ and A-Rockin’ | — | ||
| 2-5 | The Giddbybug Gallop | — | ||
| 2-6 | Chocolate Shake | — | ||
| 2-7 | I Got It Bad (And That Ain’t Good) | — | ||
| 2-8 | Clementine | — | ||
| 2-9 | Jump for Joy | — | ||
| 2-10 | Five O’Clock Drag | — | ||
| 2-11 | Rocks in My Bed | — | ||
| 2-12 | Bli-Blip | — | ||
| 2-13 | Chelsea Bridge | — | ||
| 2-14 | Raincheck | — | ||
| 2-15 | I Don’t Know What Kind of Blues I Got | — | ||
| 2-16 | Perdido | — | ||
| 2-17 | C Jam Blues | — | ||
| 2-18 | Moon Mist | — | ||
| 2-19 | What Am I Here For? | — | ||
| 2-20 | I Don’t Mind | — | ||
| 2-21 | Someone | — | ||
| 2-22 | Main Stem | — | ||
| 2-23 | Johnny Come Lately | — | ||
| 2-24 | Sentimental Lady | — | ||
| 3-1 | You, You Darlin’ | — | ||
| 3-2 | So Far, So Good | — | ||
| 3-3 | Me and You | — | ||
| 3-4 | At a Dixie Roadside Diner | — | ||
| 3-5 | My Greatest Mistake | — | ||
| 3-6 | There Shall Be No Night | — | ||
| 3-7 | Five O’Clock Whistle | — | ||
| 3-8 | The Flaming Sword | — | ||
| 3-9 | I Never Felt This Way Before | — | ||
| 3-10 | Flamingo | — | ||
| 3-11 | The Girl in My Dreams | — | ||
| 3-12 | Bakiff | — | ||
| 3-13 | The Brown-Skin Gal (In the Calico Gown) | — | ||
| 3-14 | Moon Over Cuba | — | ||
| 3-15 | What Good Would It Do? | — | ||
| 3-16 | My Little Brown Book | — | ||
| 3-17 | Hayfoot Strawfoot | — | ||
| 3-18 | A Slip of the Lip | — | ||
| 3-19 | Sherman Shuffle | — | ||
| 3-20 | Pitter Panther Patter | — | ||
| 3-21 | Body and Soul | — | ||
| 3-22 | Sophisticated Lady | — | ||
| 3-23 | Mr. J.B. Blues | — | ||
| 4-1 | Good Queen Bess | — | ||
| 4-2 | Day Dream | — | ||
| 4-3 | That’s the Blues, Old Man | — | ||
| 4-4 | Junior Hop | — | ||
| 4-5 | Without a Song | — | ||
| 4-6 | My Sunday Gal | — | ||
| 4-7 | Mobile Bay | — | ||
| 4-8 | Linger Awhile | — | ||
| 4-9 | Charlie the Chulo | — | ||
| 4-10 | Lament for Javanette | — | ||
| 4-11 | A Lull at Dawn | — | ||
| 4-12 | Ready Eddy | — | ||
| 4-13 | Some Saturday | — | ||
| 4-14 | Subtle Slough | — | ||
| 4-15 | Menelik (The Lion of Judah) | — | ||
| 4-16 | Poor Bubber | — | ||
| 4-17 | Squaty Roo | — | ||
| 4-18 | Passion Flower | — | ||
| 4-19 | Things Ain’t What They Used T o Be | — | ||
| 4-20 | Goin’ Out the Back Way | — | ||
| 4-21 | Brown Suede | — | ||
| 4-22 | Noir Bleu | — | ||
| 4-23 | ’C’ Blues | — | ||
| 4-24 | June | — |
